461 résultats
16-4192Genève: Edition Ad. Henn 1917. . Oblong 4to. 19.5 x 27.3 cm. 2 8pp. Original wraps. . Signed at Morges Switzerland and dated 5 Juillet 1917 and inscribed .The poet and playwright René Morax founded his Théâtre du Jorat near Mézières Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: “A theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit …â€The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinsky’s Soldier’s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by Clément Marot. The poet’s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down René on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. “When Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Gance’s Napoleon would reveal himself as a master of music’s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.â€. Provenance from the estate of René Morax. Expertise by Claire PIGUET Geneva Genève: Edition Ad. Henn, 1917. paperback
1966951091966. Rare autograph letter signed by Russian-born composer Igor Stravinsky. One page type-written dated December 21st 1966 and addressed to John McClure at Columbia Records the letter reads "Dear John Please answer this Mercury Record letter for me telling them that they can have the permission though they can have it I think without asking me in any case. I have been ordered to rest -- no conducting at all -- after Chicago. This postpones our January plans I greatly regret to say and not only for me as I realize bu can't help. Happy New Year to you and your wife. Igor Stravinsky." The recipient John McClure was an American recording producer at Columbia Records throughout the 1950s and later operated in a freelance capacity. He worked on over 30 recordings with Stravinsky 200 with Leonard Bernstein and oversaw recordings by the Boston Pops Orchestra under John Williams. Double matted and framed with a black and white portrait of Stravinsky. The entire piece measures 19.5 inches by 14.5 inches. In fine condition. Stravinsky found recordings a practical and useful tool in preserving his thoughts on the interpretation of his music. As a conductor of his own music he recorded primarily for Columbia Records beginning in 1928 with a performance of the original suite from The Firebird and concluding in 1967 with the 1945 suite from the same ballet. Although most of his recordings were made with studio musicians he also worked with the Chicago Symphony Orchestra the Cleveland Orchestra the CBC Symphony Orchestra the New York Philharmonic Orchestra the Royal Philharmonic Orchestra and the Bavarian Broadcasting Symphony Orchestra. unknown books
307827London et al: Boosey & Hawkes n.d. Revised 1952 edition. Hawkes Pocket Scores No. 630. 4 40 pp. 12mo. Original printed wrappers. Fine. Revised 1952 edition. Hawkes Pocket Scores No. 630. 4 40 pp. 12mo. Signed by Igor and Vera Stravinsky with an account of the signing. Signed by the composer on the front cover "Stravinsky" with "and Vera" added below by the composer's wife. A two page typed note laid-into the book by one Lili Yuri Sasaki dated March 16 1964 explains the circumstances of the book's signing at the opening night of an exhibition of Vera Stravinsky's paintings in Cincinnati Ohio. Sasaki describes the impression created by the arrival of the Stravinskys at the exhibition and explains that she'd been given two items by her husband to have autographed by Stravinsky--a pirated edition of "L'histoire du Soldat;" and should the composer be reluctant to sign the piracy the present pocket score. Sure enough on looking over the piracy and noticing the imprint Stravinsky "suddenly looked disgusted and said 'they have no right -- I gave them no permission -- I will not sign this one' and handed it back much to the curiosity of the crowd. Then I handed him the Boosey & Hawkes Octet for wind instruments. He again looked it over closely.then turned the pages.looked pleased and signed saying; 'Yes I will sign this one.' and he did with a flourish!.beamed and returned the book. BLESS HIM.Vera later added 'and Vera.'" In addition to the note a printed invitation to the event on a 2 1/2 x 3 1/2 inch card and a promotional brochure for the exhibition are laid in. Boosey & Hawkes unknown books
14512Used; Like New/Used; Like New. Typed letter signed from the great composer to Ray Smith manager of the Hollywood Bowl Association agreeing to conduct the Hollywood Bowl Orchestra on August 12 1952. Together with the final page of the contract for the engagement signed by both Stravinsky and Smith and retained copies of the term sheets for the engagement. Dated April 19 1952. Stravinsky confirms his engagement as conductor "on Tuesday evening August 12 1952 at a fee of $1500 -- with two rehearsals Monday and Tuesday of that week of 2 1/2 hours each" and goes on to mention that his son Soulima Stravinsky will also be able to appear as piano soloist in the concert. Folding creases.<br>Stravinsky conducted his son Soulima an accomplished pianist though overshadowed by his father in a performance of his Cappriccio for piano and orchestra. The program also included the Firebird suite. unknown books
6573IGOR STRAVINSKY 1882-1971. Stravinsky was a Russian composer best remembered for The Firebird and The Rite Of Spring. He is considered one of the greatest composers of the Twentieth Century.PS. 8 x 10. No date. No place. A black and white photograph signed I Stravinsky in blue ballpoint ink across his torso. The image shows an older man with his right arm raised perhaps conducting. The blue ink has great contrast with his white shirt and it is in very fine condition. unknown
1969256031New York: Alfred A Knopf 1969. First edition. ix i 350 xi pp. 8vo. Publisher's green cloth faded at edges in very good edge-worn dustjacket. First edition. ix i 350 xi pp. 8vo. Signed on the flyleaf "Igor Stravinksy / 1.30.70" and inscribed by co-author Robert Craft. The recipient was Miranda "Mirandi" Massoco Levy 1914-2011 the doyenne of Sante Fe cultural life instumental in the success of the Sante Fe Opera and a close friend of Stravinsky. Alfred A Knopf unknown
1969256031New York: Alfred A Knopf 1969. First edition. ix i 350 xi pp. 8vo. Publisher's green cloth faded at edges in very good edge-worn dustjacket. First edition. ix i 350 xi pp. 8vo. Signed by Stravinsky. Signed on the flyleaf "Igor Stravinksy / 1.30.70" and inscribed by co-author Robert Craft. The recipient was Miranda "Mirandi" Massoco Levy 1914-2011 the doyenne of Sante Fe cultural life instumental in the success of the Sante Fe Opera and a close friend of Stravinsky. Alfred A Knopf unknown books
1962293971Hollywood 1962. framed. very good. Fine content T.L.S. 4to 1 page Hollywood California December 12th 1962 to singer Jerry McLain attempting to give him musical advice without hurting his feelings in full: "I would be certainly glad yo give you advice but never hearing you singing and not knowing how far you are in the knowledge of works in general their spirit and technique I am in difficulty if not in impossibility to help you. The transposition of the Shakespearean songs in a higher or lower key is a ruin of my instrumentation and the piano reduction of them is not for a concert performance only for the study of the music." Placed into a white matte with a black background with two openings - whereby the letter is actually floated while the second opening accommodates a photograph by Weegie of the composer leaning against a mirror that gives the illusion of a double exposure and set into a black acrylic frame to 21.5" x 18.5". Excellent condition.<br/> <br/> Russian composer pianist and conductor widely considered one of the most important composers of the twentieth century.<br/> <br/> unknown
107899London John Lehmann 1947. . First edition first impression dedication copy from the author to his wife; 8vo; publisher's tan cloth titles to spine gilt on a black ground black topstain with the dust jacket in the particularly good dust-jacket.<br /> The non plus ultra example being the copy inscribed by the author to his wife to whom the book is formally dedicated 'TO MY WIFE'. With White signed presentation inscription to the front free endpaper ' To Dodo without whose sympathy encouragement and judgement this book cd never have been written Eric 1947'. <br /><br />Eric Walter White's first foray into the critical study of Stravinsky about whom he would go on to write a compendious history. Through these two works White became the great composer's most important biographer. Eric and Dodo white married in 1939.<br /> London, John Lehmann, 1947. hardcover
19361988New York: Simon & Schuster 1936. Paperback. Very Good/good . Dust jacket torn/chipped. Minimal neat ink underlining here & there. <br/><br/>Presentation copy to Leon Machau dated 1937. Simon & Schuster paperback books
194530693New York: Alfred Scott Publisher 1945. First edition. 1 vols. 10-1/2 x 7 inches. Original self-wrappers in fine condition. First edition. 1 vols. 10-1/2 x 7 inches. Carnegie Hall Program Signed by Igor Stravinsky. Boldly signed by Stravinsky on the front cover which depicts a drawing of Carnegie Hall. In this concert Stravinsky and Szigeti performed Stravinsky's Duo Concertante 1932 and Arrau performed Stravinsky's Serenade in A. Alfred Scott Publisher unknown books
1960131748London: Faber and Faber 1960. First UK Edition. INSCRIBED by Stravinsky in the year of publication on the title page: "To Ralph and Mirandi / With love / I. Stravinsky / illegible Nov-60." Also inscribed by Craft on the title page: "Love / Miranda and Ralph / Paris / Nov. 26-60." A companion volume to "Conversations with Igor Stravinsky" published one year earlier. <br/><br/>Craft is an award winning conductor and musicologist who has led most of the major orchestras in the United States. His relationship with Stravinsky is legendary not just in terms of documenting the composer's life but in that Craft conducted the world premieres of many of Stravinsky's later masterpieces. In 2002 he received the International Prix due Disc at the Cannes Music Festival. <br/><br/>Very Good plus in a Very Good dust jacket. Spine and extremities slightly toned spine ends lightly bumped and faint dampstains to the boards. Brief loss to the jacket extremities light toning and faint dampstains noticeable only on the verso to the top edges and rear flap fold. Faber and Faber unknown books
1940244796Cambridge 1940. One page typewritten signed in black ink. 1 vols. 4to. Old folds. Fine with original typed mailing envelope typed name "Igor Strawinsky" above printed return address. One page typewritten signed in black ink. 1 vols. 4to. "Stravinsky began his stay in the United States at Harvard University delivering six Charles Eliot Norton lectures on musical poetics during the 1939-1940 academic year" ADNB.<br /> <br /> In this brief formal letter Stravinsky acknowledges receipt of an edition of the Russian legend retold and illustrated by Donald E. Cooke. It was Stravinsky's 1910 score of The Firebird for the Ballets Russes that first brought him international notice. The New York Times obituary of Stravinsky published on 6 April 1971 noted "He also was not pleased that 'The Firebird' remained his most popular composition."<br /> <br /> Uncommon document from early in Stravinsky's residence in the U.S. when he still spelt his surname with "w" in his signature and return address. unknown
1940244796Cambridge 1940. One page typewritten signed in black ink. 1 vols. 4to. Old folds. Fine with original typed mailing envelope typed name "Igor Strawinsky" above printed return address. One page typewritten signed in black ink. 1 vols. 4to. Stravinsky at Harvard on the "Firebird" "Stravinsky began his stay in the United States at Harvard University delivering six Charles Eliot Norton lectures on musical poetics during the 1939-1940 academic year" ADNB.<br/><br/>In this brief formal letter Stravinsky acknowledges receipt of an edition of the Russian legend retold and illustrated by Donald E. Cooke. It was Stravinsky's 1910 score of The Firebird for the Ballets Russes that first brought him international notice. The New York Times obituary of Stravinsky published on 6 April 1971 noted "He also was not pleased that 'The Firebird' remained his most popular composition."<br/><br/>Uncommon document from early in Stravinsky's residence in the U.S. when he still spelt his surname with "w" in his signature and return address. unknown books
1967101601Lion and Unicorn Press 1967. First Edition. Hardcover. Collectable - Very Good Condition. VG 1st ed Lion and Unicorn hardback with original binding Errata slip loosely laid in to first page one of only 450 copies with the plastic grip style spine. Minor stain mark to top edge of fly-leaf page previous owner name label to inside lower front cover tight and unmarked with a little rubbing to boards in places only. Elegantly produced high quality volume more related books available. Quantity Available: 1. Shipped Weight: Under 3kg. Category: Art & Design; ISBN/EAN: B01DKOXM0W. 84cxrarebooks is the trading name of Cambridge-based bookseller Marino Guida with 25 years experience in the trade. We guarantee the condition of all our books. Further images or a short video presentation of any book can be arranged on request. We send tax-free and tariff-free to EU US/Canada and Australia/NZ with insurance included for peace of mind. Inventory No: 101601. B01DKOXM0W Lion and Unicorn Press hardcover
12650Used; Like New/Used; Like New. Original 1970 photograph capturing the Russian composer pianist and conductor in a somewhat defensive pose with hands shielding his musical score open before him. 9.5" x 13". Camera Press/Snowdon credit and other stamps on the verso. Small crease to the upper right corner tiny nick to the lower left; otherwise a crisp image in fine condition. <br><br><br />Lord Snowdon was married to Princess Margaret sister of Queen Elizabeth II from 1960 to 1978. He is also a world-renowned photographer and documentarian. At first his photography focused almost exclusively on design fashion and theater but he soon managed to establish himself as a successful portraitist through his photos of British royals including Queen Elizabeth II and the Duke of Edinburgh in 1957. In the 1960s Lord Snowdon landed a job as the picture editor of The Sunday Times magazine and by the 1970s his work had placed him among England's most well-respected photographers. unknown books
1974469666Northampton Massachusetts: Lisa Kaufman / Smith College Press 1974. Hardcover. Near Fine. First edition. Illustrated with 10 hand-colored photo-etchings by Lisa Kaufman. Quarto. vi 39 pp. Text in French. Cover with some faint discoloration trifle cocked and very lightly worn at the corners and spine ends near fine. Copy 6 of 20 copies set in 18-point Bulmer and printed on Arches paper Signed by artist and printer Lisa Kaufman on the limitation page.<br /> <br /> The 1918 French text of C.F. Ramuz's libretto for Stravinsky's "L'Histoire du Soldat" printed by Smith College student Lisa Kaufman with hand-colored "photo-etchings" made from her drawings. Kaufman was possibly a student in Leonard Baskin's final printmaking class at Smith College. OCLC lists a single holding for this publication at Smith College. A very nice production. Lisa Kaufman / Smith College Press hardcover
19599591New York 1959. TLS by Igor Stravinsky addressed in ink to "Dear Merle Armitage" on Stravinsky's printed 1/2 sheet notepaper 5-1/2" x 11". The note is typed: "Back from Japan I receive your word of May 15. I certainly will be glad to have a copy of the Siohan's book I heard about it and thank you for offering it to me. Flying the 20th to Copenhagen for a few days and will send you your copy with my signature as soon as I will receive it hoping before my trip. All best cordially your. I. Stravinsky" signed in ink. Fine. Merle Armitage and Stravinsky were close friends. Armitage edited the first book on Stravinsky in 1936 and a second book in 1949 and they collaborated on many programs at the Hollywood Bowl over the years. The "Siohan's book" referred to is a biography of Stravinsky published in 1959 written by Robert Siohan. unknown books
16350November 11 1967 Hollywood one page 4to on Stravinsky's imprinted stationery: "This letter is a pledge to help discharge Mr.Robert Craft's $10903.44 debt to CBS. As both Mr. Craft and CBS apparently are in precarious financial circumstances I herewith request and authorize the attachment and application of my own royalties." He concludes with a dig at the "richly ungrammatical note" from CBS's law firm. Signed in full. Fine condition. The works of Stravinsky 1882-1971 spanning from the romantic into the modern era revolutionized twentieth-century music. While The Firebird his first commission for Diaghilev's Ballets Russes reflects the rich orchestral coloring of Rimsky-Korsakov his dissonant third ballet The Rite of Spring caused a critical riot in 1913 Paris and still sounds barbarous today. Stravinsky met the young American conductor Robert Craft in 1948; Craft gradually became his Boswell and was instrumental in persuading the composer to adopt the twelve-tone scale. <br/><br/> unknown books
196058268NP 1960. 9 x 7 1/8 inches. Black and white photograph a publicity still bears no attribution on the verso. Stravinsky is generally acknowledged as one of the most important and influential composers of the 20th century. Among his works are the ballets The Firebird 1910 and The Rite of Spring 1915 and the opera The Rake's Progress 1951 with libretto by W.H. Auden and Chester Kallman. Very good. #5145. <br/><br/> unknown books
193626983London: Victor Gollancz Ltd 1936. FIRST ENGLISH EDITION. Gilt spine lettering oxidized. Near fine book minor spotting to fore edges of pages in a very good dust jacket with a repair to a long tear in the lower right-hand corner of the rear panel the typical sunning to spine panel and some other minor restoration to edges. Despite flaws an attractive copy of a scarce book in dust jacket. <br/><br/> Victor Gollancz Ltd unknown books
1969207821N.P. London: Boosey & Hawkes 1969. First Edition. With the typical splitting to the joints that affects this awkwardly bound publication; few marks; a very good copy in the original cloth slipcase. 4to 139pp; cloth. A nicely printed facsimile edition with a separately printed 48 booklet of commentary inserted in a pocket at the inside rear cover. A nicer-than-usual copy. Boosey & Hawkes unknown
191033665Mainz: B. Schott's Söhne PN 28616 1910. Folio. Original publisher's gray wrappers printed in black; publisher's advertisement to lower. 1f. title 31 pp. <br/><br/>With the composer's autograph signature to upper wrapper.<br/><br/>Bookseller's handstamp to blank lower margin upper "O. Flaschner Music Co. . New York."<br/><br/>Wrappers worn faded and chipped; upper detached. Uniformly browned; minor creases and tears to edges of most leaves more significant to first four leaves. First Edition later issue. Kirchmeyer 7-1 p. 61.<br/><br/>Premiered in St. Petersburg on 9 January 1910 conducted by Ziloti. B. Schott's Söhne [PN 28616] unknown books
1936141339New York: Simon & Schuster 1936. First edition of the composer's classic autobiography. Octavo original cloth. Near fine in a very good dust jacket bookplate owner name. Jacket design by George Salter. Rare in the original jacket. An Autobiography chronicles the first half-century of Stravinsky's life all the while offering his opinions and "abhorrences." A Parsifal performance at Bayreuth "At the end of a quarter of an hour I could bear no more." Nijinsky "The poor boy knew nothing of music." Spanish folk music "Endless preliminary chords of guitar playing." Simon & Schuster hardcover
51-3548Berkeley: UC Zellerbach Hall Mya 1968. Poster in blue and black. 22.75 x 17 inches. Very good with small closed tear at lower margin."It was May of 1968 in Berkeley and Zellerbach Hall was soon to open its spacious glass doors for the first time. The program to be played: Igor Stravinsky’s “Symphony of Psalms†and “Oedipus Rex†conducted by Robert Craft and the celebrated composer himself. Unfortunately Stravinsky had fallen ill and was unable to conduct. But he did still attend this inaugural performance at UC Berkeley’s famous music hall — legend has it that the distracted audience was more enraptured by Stravinsky’s reaction to the music than by the actual performance itself." Berkeley: UC Zellerbach Hall, Mya 1968. unknown