258 résultats
1997115757Harmonia Mundi Fr 1997-10-13. audioCD. Like New. 0x0x0. Brand new in shrink wrap. Please email for photos. Harmonia Mundi Fr unknown
198897808Lausanne : TML 1988. 225x220mm. photos n/b brochÂŽ. TrÂs bel exemplaire. 368 TML unknown
1974469666Northampton Massachusetts: Lisa Kaufman / Smith College Press 1974. Hardcover. Near Fine. First edition. Illustrated with 10 hand-colored photo-etchings by Lisa Kaufman. Quarto. vi 39 pp. Text in French. Cover with some faint discoloration trifle cocked and very lightly worn at the corners and spine ends near fine. Copy 6 of 20 copies set in 18-point Bulmer and printed on Arches paper Signed by artist and printer Lisa Kaufman on the limitation page.<br /> <br /> The 1918 French text of C.F. Ramuz's libretto for Stravinsky's "L'Histoire du Soldat" printed by Smith College student Lisa Kaufman with hand-colored "photo-etchings" made from her drawings. Kaufman was possibly a student in Leonard Baskin's final printmaking class at Smith College. OCLC lists a single holding for this publication at Smith College. A very nice production. Lisa Kaufman / Smith College Press hardcover
194328593Neuchatel Aux Ides et Calendes 1943. Softcover. Inscription non-authorial on preliminary page; otherwise very good condition. . 91p. Illus. One of 960 numbered copies on "Velin de Biberist" Neuchatel, Aux Ides et Calendes, [ paperback
2008009142Boston : McGraw-Hill Education c2008. 2008. 1st Edition . Soft cover. Fine. 1 score 214 pages ; 28 cm ; ISBN 9780073325026 0073325023 ; OCLC 607092944 ; Spiral-bound collection of scores ; Contents: 1. Claude Debussy 1862-1918 "La cathédrale engloutie" no. 10 from Preludes book I19102. Claude Debussy "Canope" no. 10 from Preludes book II 1910-133. Claude Debussy "Sarabande" from Pour le piano 1894-19014. Igor Stravinsky 1882-1971 Introduction to Part I from The Rite of Spring 19135. Béla Bartók 1881-1945 "Song of the Harvest" no. 33 from Forty-four Violin Duets 19316. Béla Bartók "Whole-tone Scale" no. 136 from Mikrokosmos vol. 5 1932-397. Béla Bartók "Diminished Fifth" no. 101 from Mikrokosmos vol. 4 1932-398. Béla Bartók "From the Island of Bali" no 109 from Mikrokosmos vol 4 1932-399. Anton Webern 1883-1945 Five Movements for String Quartet op. 5 II 190910. Anton Webern Five Movements For String Quartet op. 5 III 190911. Arnold Schoenberg 1874-1951 "Angst und Hoffen" no. 7 from Book of The Hanging Gardens op. 15 190912. Alban Berg 1885-1935 "Schlafend trägt man mich" no. 2 from Four Songs op. 2 1908-190913. Igor Stravinsky 1882-1971 Agnus Dei from Mass 1944-4814. Paul Hindemith 1895-1963 Interlude in G from Ludus tonalis 194215. Paul Hindemith "Vom Tode Mariä I" from Das Marienleben 192316. Charles Ives 1874-1954 "The Things Our Fathers Loved" from 114 Songs ca. 191717. Charles Ives "The Cage" from 114 Songs 190618. Ruth Crawford Seeger 1901-1953 Diaphonic Suite no. 4 III 193019. Luigi Dallapiccola 1904-1975 "Contrapunctus secundus" no. 5 from Quaderno musicale di Annalibera 1952-5320. Luigi Dallapiccola "Quartina" no. 11 from Quaderno musicale di Annalibera 1952-5321. Anton Webern 1883-1945 "Wie bin ich froh" no. 1 from Drei Lieder op. 25 193522. Anton Webern Piano Variations op. 27 II 1935-3623. Arnold Schoenberg 1874-1951 Klavierstück op. 33a 192924. Igor Stravinsky 1882-1971 "Lacrimosa" from Requiem Canticles 196625. Pierre Boulez b. 1925 Structures Ia mm. 1-39 195226. Milton Babbitt b. 1916 Composition for Twelve Instruments mm. 1-26 194827. Olivier Messiaen 1908-1992 Turangalîla Symphony Introduction reh. 12-22 1946-4828. Elliott Carter b. 1908 String Quartet no. 2 I mm. 35-134 195929. Karlheinz Stockhausen b. 1928 Stimmung three pages: Formschema one sample page of Magische Namen and one sample page of Modelle 196830. John Cage 1912-1992 Winter Music one page 195731. Witold Lutoslawski 1913-1994 Jeux vénitiens I 1960-6132. György Ligeti 1923-2006 Ramifications mm. 1-44 1968-6933. George Rochberg 1918-2005 Music for the Magic Theater reh. 1-17 196534. Luciano Berio 1925-2003 Sinfonia III "In ruhig fliessender Bewegung" mm. 1-120 to reh. F 196835. George Crumb b. 1923 "Dream Images Love-Death Music" no. 11 from Makrokosmos vol. 1 1972-7336. Steve Reich b. 1936 Violin Phase 196737. Louis Andriessen b. 1939 De Staat mm. 1-161 1972-7638. Arvo Pärt b. 1935 Cantus 197739. Augusta Read Thomas b. 1964 Spring Song mm. 1-41 199540. Thomas Adès b. 1971 Asyla II mm. 1-43 199741. Kaija Saariaho b. 1952 Ariel's Hail 2000 ; Designed for use with Understanding Post-tonal music by Miguel Roig-Francoli ; Miguel Ãngel Roig-Francolà born 1953 is a Spanish/American composer music theorist and pedagogue. His 1980 Cinco piezas para orquesta Five Pieces for Orchestra commissioned by Radio Nacional de España and written in a postmodern neotonal style won first prize in the National Composition Competition of the Spanish Jeunesses Musicales in 1981 and second prize at the UNESCO International Rostrum of Composers in 1982 and continues to be widely performed in Spain. ; This collection of 41 selections and excerpts represents a wide range of music from the 20th Century. Designed for use with Understanding Post-Tonal Music by Miguel Roig-Francoli; FINE <br/> <br/> Boston : McGraw-Hill Education, c2008. paperback
1996Q-379576100XSCHOTT MUSIK INTL MAINZ 1996-07-01. Sheet music. New. In shrink wrap. Looks like an interesting title! SCHOTT MUSIK INTL MAINZ unknown
196239959London: Encounter 1962. First Edition; First Printing. Softcover. Very Good in wrappers. Cover with original drawing by Jean Cocteau. ; Small 4to 9" - 11" tall. Encounter unknown
1941200-03964Edward B. Marks Music Corporation 1941. paperback. Good. Good with wear and markings. Looks like an interesting title. Edward B. Marks Music Corporation paperback
1958y0666New York: M. & J. Steuer 1958. Memoir by the Russian-born composer & conductor "a few recollections connected with various periods of my life." Hardcover in jacket as pictured; a reprint; first published 22 years earlier. Light wear to book; delicate jacket price-clipped with some large chips tears creases light stains to front panel. Text clean no names or marks; 10 176 pages colophon b/w photo portrait. . Reprint. Hard Cover. Very Good/Good. Small Octavo. M. & J. Steuer Hardcover
1998Q-0393318567W. W. Norton & Company 1998-12-17. Paperback. New. In shrink wrap. Looks like an interesting title! W. W. Norton & Company paperback
39498Four measures containing the theme of the closing of the first scene of the composer's Danse Russe. Notated unbarred on dark ivory music paper in blue ink signed and dated Hollywood 23 January 1966. On an album leaf 141 x 199 laid down to backing board.<br /> <br /> Small hole to blank upper margin; two light vertical creases. Petrushka a ballet in 4 scenes with music by Stravinsky choreography by Michel Fokine and set and costume designs by Alexandre Benois was written for the 1911 season of Diaghilev's Ballets Russes and first performed in Paris at the Châtelet on 13 June 1911. The premiere was conducted by Pierre Monteux with Vaslav Nijinsky as Petrushka Tamar Karsavina as lead ballerina and Enrico Cecchetti as the charlatan. <br /> <br /> The work became one of the most popular productions of the revolutionary Ballets Russes and one of Stravinsky's best-loved compositions. unknown
396731 measure from the opening of the first movement. Notated in black ink on an album leaf 203 x 123 mm. Dated "Montevideo le 27. v. 1936."<br /> <br /> Inscribed to the Uruguayan political figure Alejandro Zorrilla de San Martin 1909-1987 prominent member of the Uruguayan National Party with a reproduction photograph of Stravinsky and his son Soulima to head. <br /> <br /> Slightly browned; horizontal crease to upper portion just below Stravinsky's signature; manuscript identification and minor remnants of former mount to verso. The Firebird L'Oiseau de feu; Zhar-ptitsa a fairy tale ballet in two scenes was first performed by Diaghilev's Ballets Russes in Paris at the Opéra on 25 June 1910 conducted by Gabriel Pierné. The original choreography was by Michel Fokine with sets and costumes by Alexandre Benois; this seminal work led to further important Stravinsky-Diaghilev collaborations including Petrushka 1911 and The Rite of Spring 1913. unknown
396614 measures from the third number Pas d'Action. Notated in blue/black ink on music paper with "No. 1-12 lines" printed at lower left corner; "Igor Stravinsky" typed in red below quotation. <br /> <br /> Somewhat worn and browned; irregularly trimmed with upper left corner cropped not affecting quotation; recto reinforced at upper left corner and left margin with light blue paper; creased and partially split at central fold; margins hand-ruled with double black line; upper margin slightly stained; mounted on printed excerpt with remnants of adhesive to verso. Apollon Musagète a neoclassical ballet in two tableaux was commissioned in 1927 by Elizabeth Sprague Coolidge for a festival of contemporary music to be held in 1928 at the Library of Congress in Washington D.C. Composed between 1927 and 1928 the work was choreographed by the 24-year-old George Balanchine to a libretto by the composer; scenery and costumes were by André Bauchant with new costumes designed by Coco Chanel in 1929. unknown
1962847621962. Single page typed signed letter with notes in Stravinsky's hand. Typed signed letter from 1962 to Igor Styravinsky from Carl Haverlin pioneer in radio broadcasting and longtime president of Broadcast Music Inc. The letter is on Broadcast Music Inc. stationary and Haverlin writes to inquire about some illustrations which Dulac had made for Stravinsky's Firebird Ballet. He writes: "I.take the liberty of asking you if your memory will bring forth any background on the sketches." In the margin adjacent to this sentence Stravinsky writes "Not at all!" in red pen. Haverlin closes the letter with: "Photostats of the sketchbook pages are enclosed." Beneath this Stravinsky writes along with his signature "I find it unfortunately very bad." Matted and framed opposite a photograph of Stravinsky. The entire piece measures 26.5 inches by 19.25 inches. Igor Stravinsky was a Russian-born composer pianist and conductor. He is widely considered one of the most important and influential composers of the 20th century. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Serge Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird 1910 Petrushka 1911 and The Rite of Spring 1913. The last of these transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. His "Russian phase" which continued with works such as Renard the Soldier's Tale and Les Noces was followed in the 1920s by a period in which he turned to neoclassical music. The works from this period tended to make use of traditional musical forms concerto grosso fugue and symphony drawing on earlier styles especially from the 18th century. In the 1950s Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy the construction of extended melodic ideas out of a few two- or three-note cells and clarity of form and of instrumentation. unknown
41001Editions du Rocher In-4 216pp. illustr. dessin inédit de Picasso en frontispice dessins et photos sur planches hors-texte complet avec jaquette et prière d'insérer de l'éditeur unknown
2004Q-0851622135Boosey & Hawkes 2004-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Boosey & Hawkes paperback
2004__0851622135Boosey and Hawkes 2004. Paperback. New. 262 pages. 11.75x8.75x0.75 inches. Boosey and Hawkes paperback
2004DADAX0851622135Boosey & Hawkes 2004-06-01. paperback. New. 9.00x0.81x12.00. Buy with confidence. Excellent Customer Service & Return policy. Boosey & Hawkes paperback
16-4195Genève: Edition Ad. Henn 1917. . Oblong 4to. 19.8 25.7 cm. 28pp. Original wraps loose as issued. Signed at Morges Switzerland and dated Noel 1917 and inscribed .The poet and playwright René Morax founded his Théâtre du Jorat near Mézières Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: “A theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit …â€The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinsky’s Soldier’s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by Clément Marot. The poet’s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down René on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. “When Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Gance’s Napoleon would reveal himself as a master of music’s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.â€. Provenance from the estate of René Morax. Expertise by Claire PIGUET Geneva Genève: Edition Ad. Henn, 1917. paperback
0825672902.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1936C65987London 1936. First U. K. Edition. Hardback. Dust Jacket. Good internally with some foxing and discolouration. Heavy foxing to fore edge. Foxing and dust to top edge in good boards with light surface marks. Lettering to spine strongly faded top of spine worn with very small closed tear. Heavy rubbing to rear of dust jacket. Losses and tears to dust jacket with discolouration to spine and edges. Lettering remains bold. 8vo. Pp: 286. Scarce yellow dust jacket. Publisher's black boards with gilt lettering to spine. Black and white illustrations throughout by Picasso with frontispiece by ThŽodore Sravinsky. hardcover
43939233like new. unknown
1014339111.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1015206441.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1936255987London: Gollancz 1936. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Publisher's black cloth repaired at head of spine in yellow printed dust jacket spine darkened and chipped with some loss to title small book ticket to spine. First English edition. Illustrated. 286 pp. 1 vols. 8vo. Inscribed on the ffep "A Sam & Louise Dushkin. Leur ami I Stravinsky. Paris 30.3.36."<br /> Samuel Dushkin 1891-1976 was a concert violinist who worked closely with Stravinsky on the composition of the latter's Violin Concerto 1931 his first major work for the instrument. Dushkin premiered the work in concert with Stravinsky conducting the Berlin Symphony Orchestra. Stravinsky recounts his collaboration with Dushkin on pp. 268-278 of his memoir. "I was very glad to find in him besides his remarkable gifts as a born violinist a musical culture a delicate understanding and - in the exercise of his profession - an abnegation that is very rare" p. 270. Stravinksy was inspired by his success with the Violin Concerto to compose a sonata for violin and piano which he took on tour with Dushkin to Europe and America ". a deeper knowledge of the violin and close collaboration with a technician like Dushkin had revealed possibilities which I longed to explore" p. 275.<br /> An important association marking a milestone in the expansion of Stravinksy's evolution as a composer. Gollancz unknown
