Robert SiohanLivre Rare Book
264 résultats
195949984Microcosme, serie solfèges n°12, 1959. Format 12X18 cm. Couverture frottée. Bon état.
198545350NY: Knopf 1985. First American edn. 8vo pp. x 543. Appendices index. Illustrated with photogrpahs. Edges little soiled remainder mark on bottom o/w a VG tight copy in scuffed and little chipped dj. Knopf unknown books
1967101601Lion and Unicorn Press 1967. First Edition. Hardcover. Collectable - Very Good Condition. VG 1st ed Lion and Unicorn hardback with original binding Errata slip loosely laid in to first page one of only 450 copies with the plastic grip style spine. Minor stain mark to top edge of fly-leaf page previous owner name label to inside lower front cover tight and unmarked with a little rubbing to boards in places only. Elegantly produced high quality volume more related books available. Quantity Available: 1. Shipped Weight: Under 3kg. Category: Art & Design; ISBN/EAN: B01DKOXM0W. 84cxrarebooks is the trading name of Cambridge-based bookseller Marino Guida with 25 years experience in the trade. We guarantee the condition of all our books. Further images or a short video presentation of any book can be arranged on request. We send tax-free and tariff-free to EU US/Canada and Australia/NZ with insurance included for peace of mind. Inventory No: 101601. B01DKOXM0W Lion and Unicorn Press hardcover
198323983New York City NY: Thames & Hudson 1983. First Edition. First Printing. Hardcover. Fine/Fine Dust Jacket. New York City NY: Thames & Hudson 1983. Hardcover. Fine/Fine. First Edition/First Printing. 180 pages. Memorial collection of photographs with accompanying text. In effect the companion volume to Robert Craft's indispensable books on Igor Stravinsky. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published simultaneously with the First British Edition in a small and limited first print run as a hardcover original only. The First Edition is now scarce. Presents Robert Craft's "A Stravinsky Scrapbook: 1940-1971". Meticulously and lovingly selected assembled and annotated by Patricia Schwark from Robert Craft's archives with minimal yet helpful text by him. Here are photographs of Igor and Vera Stravinsky by Igor and Vera and many other friends and colleagues. It is nothing less than an intimate - and salient - pictorial treasure trove of twentieth-century cultural and intellectual history. As the book shows Stravinsky himself was very much an avid photographer Craft much less so. One of the loveliest - and most valuable - "casual snapshot" portrait-photographs Stravinsky took was of Maurice Ravel with Vaslav Nijinsky and the latter's wife Bronislava Nijinska looking out of a balcony all three looking elegant imperious and beautiful for they are three of the greatest artistic figures of the 20th century not named Stravinsky. Which Craft and Schwark save for near the end of the book like an exclamation point. It appears in book form for the very first time. "Here are revealing glimpses of Stravinsky's friendships and encounters with some of the great personages of twentieth-century culture as well as intimate portraits" Publisher's blurb. An absolute "must-have" title for Igor Stravinsky and Robert Craft collectors. This copy is very prominently neatly and beautifully signed dated shortly after publication and inscribed in black ink-pen on the second blank page by the author: "Dear B. I am so sorry I was not in New York for your party. Followed by inscription in French which translates in English as 'Ah where are the snows of yesteryears'. This is the sad season for me. Love - Bob December 1983". It is signed directly on the page itself not on a tipped-in page. The recipient who is named was unmistakably a close friend of Robert Craft and by extension also the Stravinskys and cannot be named here. This title is a great book. This is the only such signed publication-year dated and inscribed copy of the First Hardcover Edition/First Printing American available online and is in especially fine condition: Clean crisp and bright. It is the single most beautiful signed copy we have ever seen. Please note: Copies available online have very serious flaws because they were avidly pored over. This is surely an accessible and lovely alternative. A rare one-of-a-kind signed copy thus. The greatest composer of the 20th century. One of the most brilliant critics of the 20th century. A fine copy. SEE ALSO OTHER ROBERT CRAFT AND IGOR STRAVINSKY TITLES IN OUR CATALOG. ISBN 0500013101. Thames & Hudson hardcover
1941200-03964Edward B. Marks Music Corporation 1941. paperback. Good. Good with wear and markings. Looks like an interesting title. Edward B. Marks Music Corporation paperback
1958y0666New York: M. & J. Steuer 1958. Memoir by the Russian-born composer & conductor "a few recollections connected with various periods of my life." Hardcover in jacket as pictured; a reprint; first published 22 years earlier. Light wear to book; delicate jacket price-clipped with some large chips tears creases light stains to front panel. Text clean no names or marks; 10 176 pages colophon b/w photo portrait. . Reprint. Hard Cover. Very Good/Good. Small Octavo. M. & J. Steuer Hardcover
1998Q-0393318567W. W. Norton & Company 1998-12-17. Paperback. New. In shrink wrap. Looks like an interesting title! W. W. Norton & Company paperback
19361988New York: Simon & Schuster 1936. Paperback. Very Good/good . Dust jacket torn/chipped. Minimal neat ink underlining here & there. <br/><br/>Presentation copy to Leon Machau dated 1937. Simon & Schuster paperback books
1975113076London Calder & Boyars 1975 1 vol. broché in-8, broché, 176 pp., quelques photos en noir, index. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1975113076London Calder & Boyars 1975 1 vol. broché in-8, broché, 176 pp., quelques photos en noir, index. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1962279580London: Boosey & Hawkes Music Publishers 1962. Unbound. Near Fine/Near Fine. First edition. One leaf folded to make four pages. Very slight age-toning else fine in a worn and torn envelope from the publisher. A memorial to Eliot Stravinsky sets Part IV of Little Gidding to music. Scarce. Boosey & Hawkes Music Publishers unknown
1966Q-B000JQ37ZKUniversity of Washington Press 1966-01-01. Hardcover. New. New. University of Washington Press hardcover
1946ABE-17503506879678 PAGES-43 CM X 60 CM-L'ART TURC, SES ORIGINES SON EVOLUTION, PAR NOUROULLAH BERK, PEINTURES D'AUJOURD'HUI, PAR MADELEINE DAVID, 4 PHOTOS-A LA GALERIE DES BEAUX ARTS BALTHUS, PAR JACQUES LASSAIGNE, PHOTO-VINCENT D'INDY ET CHABRIER, PAR MARC PINCHERLE-WALT DISNEY ET SES SOURCES D'INSPIRATION, PAR DENYS CHEVALIER-LE BONJOUR DE PARIS A VERTES, PAR JEAN COCTEAU-TOUT EST MIS EN OEUVRE EN AMERIQUE POUR FAIRE MIEUX CONNAITRE LES OEUVRES D'ART, DIT LIPSCHITZ, PHOTO-LE SOUVENIR DE BERTRAND GUEGAN-A LONDRES FEMMES PEINTRES, PAR DENYS SUTTON-A BRUXELLES, DU COTE DE LA FRANCE, PAR JACQUES PUTMAN, PHOTO (BORES)-TOUTES LES EXPOSITIONS, SUR 2 PAGES-LE THEATRE: L'INAUGURATION DE LA SALLE DU LUXEMBOURG-MORTS SANS SEPULTURE, JEAN PAUL SARTRE-A PERIGUEUX, LES TRETEAUX DE JACQUOU-LA GRANDE PITIE DU THEATRE LYRIQUE, PAR ANDRE BOLL-A L'UNESCO: FRANCAIX ET STRAVINSKY, PAR RAYMOND CHARPENTIER
1962847621962. Single page typed signed letter with notes in Stravinsky's hand. Typed signed letter from 1962 to Igor Styravinsky from Carl Haverlin pioneer in radio broadcasting and longtime president of Broadcast Music Inc. The letter is on Broadcast Music Inc. stationary and Haverlin writes to inquire about some illustrations which Dulac had made for Stravinsky's Firebird Ballet. He writes: "I.take the liberty of asking you if your memory will bring forth any background on the sketches." In the margin adjacent to this sentence Stravinsky writes "Not at all!" in red pen. Haverlin closes the letter with: "Photostats of the sketchbook pages are enclosed." Beneath this Stravinsky writes along with his signature "I find it unfortunately very bad." Matted and framed opposite a photograph of Stravinsky. The entire piece measures 26.5 inches by 19.25 inches. Igor Stravinsky was a Russian-born composer pianist and conductor. He is widely considered one of the most important and influential composers of the 20th century. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Serge Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird 1910 Petrushka 1911 and The Rite of Spring 1913. The last of these transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. His "Russian phase" which continued with works such as Renard the Soldier's Tale and Les Noces was followed in the 1920s by a period in which he turned to neoclassical music. The works from this period tended to make use of traditional musical forms concerto grosso fugue and symphony drawing on earlier styles especially from the 18th century. In the 1950s Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy the construction of extended melodic ideas out of a few two- or three-note cells and clarity of form and of instrumentation. unknown
1962847621962. Single page typed signed letter with notes in Stravinsky's hand. Typed signed letter from 1962 to Igor Styravinsky from Carl Haverlin pioneer in radio broadcasting and longtime president of Broadcast Music Inc. The letter is on Broadcast Music Inc. stationary and Haverlin writes to inquire about some illustrations which Dulac had made for Stravinsky's Firebird Ballet. He writes: "I.take the liberty of asking you if your memory will bring forth any background on the sketches." In the margin adjacent to this sentence Stravinsky writes "Not at all!" in red pen. Haverlin closes the letter with: "Photostats of the sketchbook pages are enclosed." Beneath this Stravinsky writes along with his signature "I find it unfortunately very bad." Matted and framed opposite a photograph of Stravinsky. The entire piece measures 26.5 inches by 19.25 inches. Igor Stravinsky was a Russian-born composer pianist and conductor. He is widely considered one of the most important and influential composers of the 20th century. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Serge Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird 1910 Petrushka 1911 and The Rite of Spring 1913. The last of these transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. His "Russian phase" which continued with works such as Renard the Soldier's Tale and Les Noces was followed in the 1920s by a period in which he turned to neoclassical music. The works from this period tended to make use of traditional musical forms concerto grosso fugue and symphony drawing on earlier styles especially from the 18th century. In the 1950s Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy the construction of extended melodic ideas out of a few two- or three-note cells and clarity of form and of instrumentation. unknown books
1961ABE-151636249522256 PAGES-IN 4-EN COUVERTURE DESSIN DE GAULLE ET BOURGUIBA-L'ATTENTISME DE FEHRAT ABBAS-M.DEBRE EST INTERDIT DE SEJOUR EN CORSE-THOREZ REDOUTE L'ECLATEMENT DU P.C., PHOTO THOREZ, PHOTO CASANOVA-POURRA-T-ON PENDRE EICHMANN?, 2 PHOTOS-IL FAUT PREPARER L'ACCUEIL AUX FRANCAIS D'ALGERIE, 2P, 2 PHOTOS-BARBE-BLEUE 61, BERNARD BUFFET, 1P, DESSIN DE SISS (LE PEINTRE DANS UN LIT AVEC TABLEAU REPRESENTANT ANNABEL BUFFET)-UN CHEVAL, UNE ALOUETTE., IGOR STRAVINSKY, 1P, DESSIN DE REGIS MANSET-AUX BOUFFES PARISIENS: LES AMBASSADES, ROGER PEYREFITTE, ANDRE-PAUL ANTOINE, JEAN-PIERRE DORIAN, 1P PAR MAX FAVALELLI, DESSIN DE SISS (ELISABETH ALAIN, PIERRE ALAIN, NOEL ROQUEVERT, JEAN OZENNE, LOUIS DUCREUX)-AUX MATHURINS: LES PAPIERS D'ASPERN: VIEUX PAPIERS ET.VIEILLES DENTELLES, DESSIN DE SISS (RAYMOND ROULEAU, CLAUDE FARELL, LUISA MARIS, LUCIENNE BOGAERT, PIERRE VERNIER, FRANCOISE LUGAGNE)-LE SALON COMPARAISONS, PHOTO "LES SABLES D'OLONNE, COTE SAUVAGE" DE DOMINIQUE LAGRU-DANS LES GALERIES: BERNARD BUFFET, ANDRE TREVES-INTERVIEW EXPRESS: RENE HUYGHE-AVANT-PREMIERES: D'APRES SAGAN: "LA RECREATION", FRANCOIS MOREUIL, PHOTO CHRISTIAN MARQUAND ET JEAN SEBERG-UN JOURNAL POSTHUME REVELE LES DESSOUS DU SAUVETAGE DU GENERAL NOBILE AU POLE NORD-CINEMA: ARRETEZ LES TAMBOURS, GEORGES LAUTNER
1958R240101153EDITIONS DU ROCHER. 1958. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 215 pages - petit manque sur le 1er plat de la jaquette en tête - avec 14 photographies et un dessin en noir et blanc hors texte d'Alberto Giacometti.. Avec Jaquette. . . Classification Dewey : 780.92-Musiciens, concertistes
1958157881958 Monaco, Éd. du Rocher, 1958, in-4, br.oché sous, jaquette illustrée de l'éd., 215 pp., 14 photos et un dessin d'Alberto Giacometti Textes d'Igor Stravinsky, Robert Craft, Pierre Boulez et Karlheinz Stockhausen. Lettes inédites de Claude Debussy, Maurice Ravel, Erik Satie et Dylan Thomas.
195851270Monaco, Éditions du Rocher 1958 Textes de Igor Stranvinsky, Robert Craft, Pierre Boulez, Karlheinz Stockhausen, lettres inédites de Claude Debussy, Maurice Ravel, Erik Satie, Dylan Thomas, Illustré par Alberto Giacometti. In-4 broché, couverture à rabats 26 cm sur 22. Couverture très légèrement frottée aux coins et sur les mors, traces d’humidité sur le dos en pied. 210 pages. Bon état d’occasion. Poids sans emballage : 605 grammes.
192322105Paris, Éditions du Monde Nouveau, 1923. Broché, 14,5 cm x 19,5 cm, 93 pages. Texte de Michel Georges-Michel, couverture illustrée de Picasso, index- Légère restauration au dos sinon bon état
195233667New York: Boosey & Hawkes PN B. & H. 17247 1952. Quarto. Original publisher's dark ivory illustrated wrappers printed in dark red; publisher's advertisement to lower. 1f. title 1 printed reproduction of manuscript dedication by composer 32 pp.<br/><br/>Ex-libris the noted musicologist Howard Mayer Brown with his signature to upper outer corner of title-page and publisher's handstamp to lower outer corner.<br/><br/>Wrappers slightly soiled with minor wear to spine. Some leaves slightly creased; minor annotations in pencil throughout. First Edition variant issue with text in English only. Kirchmeyer 79-2 p. 461 edition with text in both English and German.<br/><br/>Premiered in Los Angeles on 11 November 1952 conducted by Stravinsky. Boosey & Hawkes [PN B. & H. 17247] unknown books
194530693New York: Alfred Scott Publisher 1945. First edition. 1 vols. 10-1/2 x 7 inches. Original self-wrappers in fine condition. First edition. 1 vols. 10-1/2 x 7 inches. Carnegie Hall Program Signed by Igor Stravinsky. Boldly signed by Stravinsky on the front cover which depicts a drawing of Carnegie Hall. In this concert Stravinsky and Szigeti performed Stravinsky's Duo Concertante 1932 and Arrau performed Stravinsky's Serenade in A. Alfred Scott Publisher unknown books
1973109549London: Boosey & Hawkes 1973. First edition. Hardcover. Text in English French and German. An illustrated look at Igor Stravinsky and his wife thru the eyes of his eldest son. Includes numerous black and white photographs. A very near fine copy with a price stamped on the front free endpaper in a near fine dust jacket that has a little rumpling to the top edge of the front panel. Boosey & Hawkes unknown books
1936C65987London 1936. First U. K. Edition. Hardback. Dust Jacket. Good internally with some foxing and discolouration. Heavy foxing to fore edge. Foxing and dust to top edge in good boards with light surface marks. Lettering to spine strongly faded top of spine worn with very small closed tear. Heavy rubbing to rear of dust jacket. Losses and tears to dust jacket with discolouration to spine and edges. Lettering remains bold. 8vo. Pp: 286. Scarce yellow dust jacket. Publisher's black boards with gilt lettering to spine. Black and white illustrations throughout by Picasso with frontispiece by ThŽodore Sravinsky. hardcover
1936106742Victor Gollancz 1936. Hardcover. Good/No jacket. Covers shelfworn and spotted. Victor Gollancz hardcover
