Stravinsky, IgorBiblio.com
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2000Q-0486414035Dover Publications 2000-09-08. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
2006Q-048644953XDover Publications 2006-02-09. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1983Q-3795762383Eulenburg 1983-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Eulenburg paperback
19872609191226015EMI/BMG 1987-01-01. Audio CD. Like New. CD plays perfectly & the case looks good. EMI/BMG unknown
1953mon0000144145Boosey & Hawkes 1953-01-01. Unknown Binding. Acceptable. in x in x in. Ex-library book usual markings. Hardback/Hardcover with dust cover. Well read copy with some spine wear but still useable colouring of page edges due to age. Boosey & Hawkes unknown
199620631Nashville TN: Vanderbilt University Press 1996. First Edition. First Printing. Hardcover. Fine/Fine Dust Jacket. Nashville TN: Vanderbilt University Press 1996. Hardcover. Fine/Fine. First Edition/First Printing. 325 pages. Retrospective collection of essays. Robert Craft's final collection on music literature and the performing arts. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only by a University Press. The First Edition is now scarce. Presents Robert Craft's "The Moment of Existence: Music Literature And The Arts 1990-1995". A tour-de-force of cultural appreciations drawn from essays and reviews by one of the most celebrated writers on music and the arts. Previously published in various publications mainly The New York Review of Books in slightly or significantly different form. The essays appear in their final definitive version in this book. Best-known as Igor Stravinsky's lifelong and fanatically loyal friend colleague interpreter/conductor and amanuensis Robert Craft is also a music and literary critic of the first rank. This collection demonstrates that fact and covers the stunning breadth of interests of Robert Craft Renaissance Man that is to say the vanishing embodiment of civilized learning and wisdom. "This is how a discerning mind thinks and every time I read a book by Robert Craft I can't help but to wonder why other writers lack his clarity of thought or fortitude of conviction. He captures the essence of music art and new work. I recommend this book to anyone who often feels on the outside looking in on the arts" Library Journal. An absolute "must-have" title for Robert Craft collectors. This title is a great collection. This is one of very few copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean crisp and bright. Please note: Copies available online have serious flaws are subsequent printings or are remainder-marked. This is surely an accessible and lovely alternative. A scarce copy thus. One of the most brilliant critics of the 20th century. A fine copy. SEE ALSO OTHER ROBERT CRAFT AND IGOR STRAVINSKY TITLES IN OUR CATALOG. ISBN 0826512763. Vanderbilt University Press hardcover
1951012825-04London: Boosey & Hawkes 1951. Hardcover. VG. 4to hardcover. 414 pp. Light wear. Slight fade to spine. Binding is strong. Name on ffep. Text is clean. Ships wrapped in bubble wrap and packed with care in a box. London: Boosey & Hawkes hardcover
2023__178454809XBOOSEY 2023. New. 368 pages. 8.11x0.87x11.57 inches. BOOSEY unknown
G-959-452PREMIERES LOGES. Paperback. Very Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. PREMIERES LOGES paperback
BN315301PREMIERES LOGES. Softcover. The Rake's Progress <br/><br/>The Rake's Progress STRAVINSKY Igor PREMIERES LOGES paperback
6771425Dover Publications Incorporated pp. 176 . Papeback. New. Dover Publications, Incorporated unknown
2024__1470669145Alfred Music Co 2024. Paperback. New. 999 pages. 14.02x12.40x0.71 inches. Alfred Music Co paperback
1969207821N.P. London: Boosey & Hawkes 1969. First Edition. With the typical splitting to the joints that affects this awkwardly bound publication; few marks; a very good copy in the original cloth slipcase. 4to 139pp; cloth. A nicely printed facsimile edition with a separately printed 48 booklet of commentary inserted in a pocket at the inside rear cover. A nicer-than-usual copy. Boosey & Hawkes unknown
1989Q-0486258572Dover Publications 1989-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
2000Q-0486411745Dover Publications 2000-07-28. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
2011Q-0486445399Dover Publications 2011-05-19. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
20071-1423424026Boosey & Hawkes 2007. Paperback. New. 171 pages. 11.50x8.75x0.50 inches. Boosey & Hawkes paperback
50341522like new. unknown
1972mon0000996297Faber & Faber 1972. Hardback. Very Good. in x in x in. First edition first printing. Pages clean and bright no markings light wear to edges. Binding tight.rnIn removable protective plastic jacket. Faber & Faber hardcover
0571083080.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1995Q-0793544254G. Schirmer Inc 1995-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc paperback
1985Q-0769258131Alfred Music 1985-03-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
19944006088Amadeus Verlag 1994. Hard cover. Very good/No jacket. German edition. In slipcase.<br /> <br /> Paper is starting to peel off bottom of slipcase. Spine is scuffed not affecting legibility. Binding is tight and inside is clean and unmarked. Amadeus Verlag unknown
16-4192Genève: Edition Ad. Henn 1917. . Oblong 4to. 19.5 x 27.3 cm. 2 8pp. Original wraps. . Signed at Morges Switzerland and dated 5 Juillet 1917 and inscribed .The poet and playwright René Morax founded his Théâtre du Jorat near Mézières Switzerland in 1903. Made entirely of wood so as to be integrated into the barns of the surrounding countryside it was described this way in an early account: “A theater decidedly unlike any other. A sort of vast chalet a kind of huge barn smelling of resin dried hay fresh fruit and on days when there was a performance Sunday clothes but retaining the rustic dignity of a shrine. A large stage descending in broad steps toward the orchestra pit …â€The theater was closed for several years during the Great War and Morax conceived a drama on the subject of King David to reopen it in 1921. When he turned to his wealthy friend Werner Reinhart who incidentally had recently funded the creation of Stravinsky’s Soldier’s Tale telling him that he was taking inspiration from Hindu theater for this work his patron offered to lend rare Hindu drums in addition to financial assistance. The text is drawn from the Hebrew Bible I and II Samuel I Kings in addition to the Huguenot Psalter which includes poetry by Clément Marot. The poet’s brother Jean Morax set to work designing costumes and sets. After several more established composers turned him down René on the advice of Stravinsky and the distinguished conductor Ernest Ansermet chose the then unknown twenty-eight year old Arthur Honegger. “When Swiss poet Rene Morax 1873-1963 was looking for a composer for his new King David libretto Stravinsky recommended the twenty-nine-year-old Arthur Honegger a composer who just six years later creating the film score for Abel Gance’s Napoleon would reveal himself as a master of music’s ability to translate epics into sweeping evocative sound. In 1921 right on the cusp of his first successes Honegger wrote the David score in a flush of creative energy.â€. Provenance from the estate of René Morax. Expertise by Claire PIGUET Geneva Genève: Edition Ad. Henn, 1917. paperback
192539219London Genève Paris Bruxelles: J. & W. Chester Ltd.; Rouart Lerolle & Cie.; Maison Chester PN J.W.C. 15521 1925. Quarto. Ivory wrappers with upper printed in black. 3 i blank pp. <br /> <br /> Wrappers worn and slightly soiled with minor tears and creasing to edges and corners. Browned. A re-issue of the first edition. Kirchmeyer 33-2. J. & W. Chester, Ltd.; Rouart, Lerolle & Cie.; Maison Chester [PN J.W.C. 15521] unknown
