Stravinsky, Igor (Composer)Biblio.com
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2004__0851622135Boosey and Hawkes 2004. Paperback. New. 262 pages. 11.75x8.75x0.75 inches. Boosey and Hawkes paperback
2004DADAX0851622135Boosey & Hawkes 2004-06-01. paperback. New. 9.00x0.81x12.00. Buy with confidence. Excellent Customer Service & Return policy. Boosey & Hawkes paperback
11697Monaco, Editions du Rocher 1958, 260x220mm, 215pages, broché, sous jaquette. Bel exemplaire.
195851270Monaco, Éditions du Rocher 1958 Textes de Igor Stranvinsky, Robert Craft, Pierre Boulez, Karlheinz Stockhausen, lettres inédites de Claude Debussy, Maurice Ravel, Erik Satie, Dylan Thomas, Illustré par Alberto Giacometti. In-4 broché, couverture à rabats 26 cm sur 22. Couverture très légèrement frottée aux coins et sur les mors, traces d’humidité sur le dos en pied. 210 pages. Bon état d’occasion. Poids sans emballage : 605 grammes.
1958157881958 Monaco, Éd. du Rocher, 1958, in-4, br.oché sous, jaquette illustrée de l'éd., 215 pp., 14 photos et un dessin d'Alberto Giacometti Textes d'Igor Stravinsky, Robert Craft, Pierre Boulez et Karlheinz Stockhausen. Lettes inédites de Claude Debussy, Maurice Ravel, Erik Satie et Dylan Thomas.
1958R240101153EDITIONS DU ROCHER. 1958. In-4. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 215 pages - petit manque sur le 1er plat de la jaquette en tête - avec 14 photographies et un dessin en noir et blanc hors texte d'Alberto Giacometti.. Avec Jaquette. . . Classification Dewey : 780.92-Musiciens, concertistes
DUC57AP
QWA-13545Monaco, Editions du Rocher, 1958, in-4 br. (21,5 x 26), 215 p., coll. "Domaine musical", 14 photographies, 1 dessin d'Alberto Giacometti, jaquette, bon état.
41001Editions du Rocher In-4 216pp. illustr. dessin inédit de Picasso en frontispice dessins et photos sur planches hors-texte complet avec jaquette et prière d'insérer de l'éditeur unknown
1961ABE-151636249522256 PAGES-IN 4-EN COUVERTURE DESSIN DE GAULLE ET BOURGUIBA-L'ATTENTISME DE FEHRAT ABBAS-M.DEBRE EST INTERDIT DE SEJOUR EN CORSE-THOREZ REDOUTE L'ECLATEMENT DU P.C., PHOTO THOREZ, PHOTO CASANOVA-POURRA-T-ON PENDRE EICHMANN?, 2 PHOTOS-IL FAUT PREPARER L'ACCUEIL AUX FRANCAIS D'ALGERIE, 2P, 2 PHOTOS-BARBE-BLEUE 61, BERNARD BUFFET, 1P, DESSIN DE SISS (LE PEINTRE DANS UN LIT AVEC TABLEAU REPRESENTANT ANNABEL BUFFET)-UN CHEVAL, UNE ALOUETTE., IGOR STRAVINSKY, 1P, DESSIN DE REGIS MANSET-AUX BOUFFES PARISIENS: LES AMBASSADES, ROGER PEYREFITTE, ANDRE-PAUL ANTOINE, JEAN-PIERRE DORIAN, 1P PAR MAX FAVALELLI, DESSIN DE SISS (ELISABETH ALAIN, PIERRE ALAIN, NOEL ROQUEVERT, JEAN OZENNE, LOUIS DUCREUX)-AUX MATHURINS: LES PAPIERS D'ASPERN: VIEUX PAPIERS ET.VIEILLES DENTELLES, DESSIN DE SISS (RAYMOND ROULEAU, CLAUDE FARELL, LUISA MARIS, LUCIENNE BOGAERT, PIERRE VERNIER, FRANCOISE LUGAGNE)-LE SALON COMPARAISONS, PHOTO "LES SABLES D'OLONNE, COTE SAUVAGE" DE DOMINIQUE LAGRU-DANS LES GALERIES: BERNARD BUFFET, ANDRE TREVES-INTERVIEW EXPRESS: RENE HUYGHE-AVANT-PREMIERES: D'APRES SAGAN: "LA RECREATION", FRANCOIS MOREUIL, PHOTO CHRISTIAN MARQUAND ET JEAN SEBERG-UN JOURNAL POSTHUME REVELE LES DESSOUS DU SAUVETAGE DU GENERAL NOBILE AU POLE NORD-CINEMA: ARRETEZ LES TAMBOURS, GEORGES LAUTNER
1962847621962. Single page typed signed letter with notes in Stravinsky's hand. Typed signed letter from 1962 to Igor Styravinsky from Carl Haverlin pioneer in radio broadcasting and longtime president of Broadcast Music Inc. The letter is on Broadcast Music Inc. stationary and Haverlin writes to inquire about some illustrations which Dulac had made for Stravinsky's Firebird Ballet. He writes: "I.take the liberty of asking you if your memory will bring forth any background on the sketches." In the margin adjacent to this sentence Stravinsky writes "Not at all!" in red pen. Haverlin closes the letter with: "Photostats of the sketchbook pages are enclosed." Beneath this Stravinsky writes along with his signature "I find it unfortunately very bad." Matted and framed opposite a photograph of Stravinsky. The entire piece measures 26.5 inches by 19.25 inches. Igor Stravinsky was a Russian-born composer pianist and conductor. He is widely considered one of the most important and influential composers of the 20th century. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Serge Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird 1910 Petrushka 1911 and The Rite of Spring 1913. The last of these transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. His "Russian phase" which continued with works such as Renard the Soldier's Tale and Les Noces was followed in the 1920s by a period in which he turned to neoclassical music. The works from this period tended to make use of traditional musical forms concerto grosso fugue and symphony drawing on earlier styles especially from the 18th century. In the 1950s Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy the construction of extended melodic ideas out of a few two- or three-note cells and clarity of form and of instrumentation. unknown books
1962847621962. Single page typed signed letter with notes in Stravinsky's hand. Typed signed letter from 1962 to Igor Styravinsky from Carl Haverlin pioneer in radio broadcasting and longtime president of Broadcast Music Inc. The letter is on Broadcast Music Inc. stationary and Haverlin writes to inquire about some illustrations which Dulac had made for Stravinsky's Firebird Ballet. He writes: "I.take the liberty of asking you if your memory will bring forth any background on the sketches." In the margin adjacent to this sentence Stravinsky writes "Not at all!" in red pen. Haverlin closes the letter with: "Photostats of the sketchbook pages are enclosed." Beneath this Stravinsky writes along with his signature "I find it unfortunately very bad." Matted and framed opposite a photograph of Stravinsky. The entire piece measures 26.5 inches by 19.25 inches. Igor Stravinsky was a Russian-born composer pianist and conductor. He is widely considered one of the most important and influential composers of the 20th century. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Serge Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird 1910 Petrushka 1911 and The Rite of Spring 1913. The last of these transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary who pushed the boundaries of musical design. His "Russian phase" which continued with works such as Renard the Soldier's Tale and Les Noces was followed in the 1920s by a period in which he turned to neoclassical music. The works from this period tended to make use of traditional musical forms concerto grosso fugue and symphony drawing on earlier styles especially from the 18th century. In the 1950s Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy the construction of extended melodic ideas out of a few two- or three-note cells and clarity of form and of instrumentation. unknown
39498Four measures containing the theme of the closing of the first scene of the composer's Danse Russe. Notated unbarred on dark ivory music paper in blue ink signed and dated Hollywood 23 January 1966. On an album leaf 141 x 199 laid down to backing board.<br /> <br /> Small hole to blank upper margin; two light vertical creases. Petrushka a ballet in 4 scenes with music by Stravinsky choreography by Michel Fokine and set and costume designs by Alexandre Benois was written for the 1911 season of Diaghilev's Ballets Russes and first performed in Paris at the Châtelet on 13 June 1911. The premiere was conducted by Pierre Monteux with Vaslav Nijinsky as Petrushka Tamar Karsavina as lead ballerina and Enrico Cecchetti as the charlatan. <br /> <br /> The work became one of the most popular productions of the revolutionary Ballets Russes and one of Stravinsky's best-loved compositions. unknown
396731 measure from the opening of the first movement. Notated in black ink on an album leaf 203 x 123 mm. Dated "Montevideo le 27. v. 1936."<br /> <br /> Inscribed to the Uruguayan political figure Alejandro Zorrilla de San Martin 1909-1987 prominent member of the Uruguayan National Party with a reproduction photograph of Stravinsky and his son Soulima to head. <br /> <br /> Slightly browned; horizontal crease to upper portion just below Stravinsky's signature; manuscript identification and minor remnants of former mount to verso. The Firebird L'Oiseau de feu; Zhar-ptitsa a fairy tale ballet in two scenes was first performed by Diaghilev's Ballets Russes in Paris at the Opéra on 25 June 1910 conducted by Gabriel Pierné. The original choreography was by Michel Fokine with sets and costumes by Alexandre Benois; this seminal work led to further important Stravinsky-Diaghilev collaborations including Petrushka 1911 and The Rite of Spring 1913. unknown
396614 measures from the third number Pas d'Action. Notated in blue/black ink on music paper with "No. 1-12 lines" printed at lower left corner; "Igor Stravinsky" typed in red below quotation. <br /> <br /> Somewhat worn and browned; irregularly trimmed with upper left corner cropped not affecting quotation; recto reinforced at upper left corner and left margin with light blue paper; creased and partially split at central fold; margins hand-ruled with double black line; upper margin slightly stained; mounted on printed excerpt with remnants of adhesive to verso. Apollon Musagète a neoclassical ballet in two tableaux was commissioned in 1927 by Elizabeth Sprague Coolidge for a festival of contemporary music to be held in 1928 at the Library of Congress in Washington D.C. Composed between 1927 and 1928 the work was choreographed by the 24-year-old George Balanchine to a libretto by the composer; scenery and costumes were by André Bauchant with new costumes designed by Coco Chanel in 1929. unknown
1946ABE-17503506879678 PAGES-43 CM X 60 CM-L'ART TURC, SES ORIGINES SON EVOLUTION, PAR NOUROULLAH BERK, PEINTURES D'AUJOURD'HUI, PAR MADELEINE DAVID, 4 PHOTOS-A LA GALERIE DES BEAUX ARTS BALTHUS, PAR JACQUES LASSAIGNE, PHOTO-VINCENT D'INDY ET CHABRIER, PAR MARC PINCHERLE-WALT DISNEY ET SES SOURCES D'INSPIRATION, PAR DENYS CHEVALIER-LE BONJOUR DE PARIS A VERTES, PAR JEAN COCTEAU-TOUT EST MIS EN OEUVRE EN AMERIQUE POUR FAIRE MIEUX CONNAITRE LES OEUVRES D'ART, DIT LIPSCHITZ, PHOTO-LE SOUVENIR DE BERTRAND GUEGAN-A LONDRES FEMMES PEINTRES, PAR DENYS SUTTON-A BRUXELLES, DU COTE DE LA FRANCE, PAR JACQUES PUTMAN, PHOTO (BORES)-TOUTES LES EXPOSITIONS, SUR 2 PAGES-LE THEATRE: L'INAUGURATION DE LA SALLE DU LUXEMBOURG-MORTS SANS SEPULTURE, JEAN PAUL SARTRE-A PERIGUEUX, LES TRETEAUX DE JACQUOU-LA GRANDE PITIE DU THEATRE LYRIQUE, PAR ANDRE BOLL-A L'UNESCO: FRANCAIX ET STRAVINSKY, PAR RAYMOND CHARPENTIER
201023739New York City NY: Random House 2010. First Edition. First Printing. Hardcover. As New/As New Dust Jacket. New York City NY: Random House 2010. Hardcover. As New/As New. First Edition/First Printing. 645 pages. Book-length account on subject. One of the best books on ballet ever written in our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only that sold out shortly after publication. The First Edition is now rare. Presents Jennifer Homans' "Apollo's Angels: A History of Ballet". Her deeply moving history of ballet. For Homans ballet is a metaphor for art itself. Ballet is not dance. Anyone can dance which is about life's vitality. Ballet demands the exact mediated opposite: Precision rigor purity. In a word art. Ballet - art - is about transcendence: The high leap we identify with ballet is transcendence itself about a higher and exalted state of being that we often call grace. "Grace" is now undervalued and rarely invoked in both demotic and hieratic discourse. There is no grace and a lot of vulgarity for example in contemporary culture as well as Ivory Tower academe. Like all great histories "Apollo's Angels" makes a larger point: A culture that does not have a notion of transcendence is an inferior one and will not have an enduring legacy. Often described as "Dionysian" "Le Sacre du Printemps" "The Rite of Spring" the sublime Nijinsky/Stravinsky collaboration that radically changed the course of ballet is instead "Apollonian" the re-presentation of primitive trance-ritual through ballet's highly formalized movements steps and gestures. The virgin sacrifice in "Le Sacre du Printemps" is the primal version of the sacrifice in "Swan Lake" and countless other ballets that the prima ballerina-heroine makes. An absolute "must-have" title for Jennifer Homans and ballet aficionado/collectors. This title is a great book. This is one of few copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean crisp and bright. Please note: Copies available online have serious flaws are subsequent printings or are remainder-marked. This is surely an accessible and lovely alternative. A rare copy thus. Selected as one of the Ten Best Books of 2010 by The New York Times. One of the most brilliant critic/writers of our time. A fine copy. . ISBN 1400060605. Random House hardcover
2010160914New York: Random House 2010. First Edition; First Printing. Hardcover. Near Fine in a Fine dust jacket. Random House hardcover
1966Q-B000JQ37ZKUniversity of Washington Press 1966-01-01. Hardcover. New. New. University of Washington Press hardcover
2008009142Boston : McGraw-Hill Education c2008. 2008. 1st Edition . Soft cover. Fine. 1 score 214 pages ; 28 cm ; ISBN 9780073325026 0073325023 ; OCLC 607092944 ; Spiral-bound collection of scores ; Contents: 1. Claude Debussy 1862-1918 "La cathédrale engloutie" no. 10 from Preludes book I19102. Claude Debussy "Canope" no. 10 from Preludes book II 1910-133. Claude Debussy "Sarabande" from Pour le piano 1894-19014. Igor Stravinsky 1882-1971 Introduction to Part I from The Rite of Spring 19135. Béla Bartók 1881-1945 "Song of the Harvest" no. 33 from Forty-four Violin Duets 19316. Béla Bartók "Whole-tone Scale" no. 136 from Mikrokosmos vol. 5 1932-397. Béla Bartók "Diminished Fifth" no. 101 from Mikrokosmos vol. 4 1932-398. Béla Bartók "From the Island of Bali" no 109 from Mikrokosmos vol 4 1932-399. Anton Webern 1883-1945 Five Movements for String Quartet op. 5 II 190910. Anton Webern Five Movements For String Quartet op. 5 III 190911. Arnold Schoenberg 1874-1951 "Angst und Hoffen" no. 7 from Book of The Hanging Gardens op. 15 190912. Alban Berg 1885-1935 "Schlafend trägt man mich" no. 2 from Four Songs op. 2 1908-190913. Igor Stravinsky 1882-1971 Agnus Dei from Mass 1944-4814. Paul Hindemith 1895-1963 Interlude in G from Ludus tonalis 194215. Paul Hindemith "Vom Tode Mariä I" from Das Marienleben 192316. Charles Ives 1874-1954 "The Things Our Fathers Loved" from 114 Songs ca. 191717. Charles Ives "The Cage" from 114 Songs 190618. Ruth Crawford Seeger 1901-1953 Diaphonic Suite no. 4 III 193019. Luigi Dallapiccola 1904-1975 "Contrapunctus secundus" no. 5 from Quaderno musicale di Annalibera 1952-5320. Luigi Dallapiccola "Quartina" no. 11 from Quaderno musicale di Annalibera 1952-5321. Anton Webern 1883-1945 "Wie bin ich froh" no. 1 from Drei Lieder op. 25 193522. Anton Webern Piano Variations op. 27 II 1935-3623. Arnold Schoenberg 1874-1951 Klavierstück op. 33a 192924. Igor Stravinsky 1882-1971 "Lacrimosa" from Requiem Canticles 196625. Pierre Boulez b. 1925 Structures Ia mm. 1-39 195226. Milton Babbitt b. 1916 Composition for Twelve Instruments mm. 1-26 194827. Olivier Messiaen 1908-1992 Turangalîla Symphony Introduction reh. 12-22 1946-4828. Elliott Carter b. 1908 String Quartet no. 2 I mm. 35-134 195929. Karlheinz Stockhausen b. 1928 Stimmung three pages: Formschema one sample page of Magische Namen and one sample page of Modelle 196830. John Cage 1912-1992 Winter Music one page 195731. Witold Lutoslawski 1913-1994 Jeux vénitiens I 1960-6132. György Ligeti 1923-2006 Ramifications mm. 1-44 1968-6933. George Rochberg 1918-2005 Music for the Magic Theater reh. 1-17 196534. Luciano Berio 1925-2003 Sinfonia III "In ruhig fliessender Bewegung" mm. 1-120 to reh. F 196835. George Crumb b. 1923 "Dream Images Love-Death Music" no. 11 from Makrokosmos vol. 1 1972-7336. Steve Reich b. 1936 Violin Phase 196737. Louis Andriessen b. 1939 De Staat mm. 1-161 1972-7638. Arvo Pärt b. 1935 Cantus 197739. Augusta Read Thomas b. 1964 Spring Song mm. 1-41 199540. Thomas Adès b. 1971 Asyla II mm. 1-43 199741. Kaija Saariaho b. 1952 Ariel's Hail 2000 ; Designed for use with Understanding Post-tonal music by Miguel Roig-Francoli ; Miguel Ãngel Roig-Francolà born 1953 is a Spanish/American composer music theorist and pedagogue. His 1980 Cinco piezas para orquesta Five Pieces for Orchestra commissioned by Radio Nacional de España and written in a postmodern neotonal style won first prize in the National Composition Competition of the Spanish Jeunesses Musicales in 1981 and second prize at the UNESCO International Rostrum of Composers in 1982 and continues to be widely performed in Spain. ; This collection of 41 selections and excerpts represents a wide range of music from the 20th Century. Designed for use with Understanding Post-Tonal Music by Miguel Roig-Francoli; FINE <br/> <br/> Boston : McGraw-Hill Education, c2008. paperback
1962279580London: Boosey & Hawkes Music Publishers 1962. Unbound. Near Fine/Near Fine. First edition. One leaf folded to make four pages. Very slight age-toning else fine in a worn and torn envelope from the publisher. A memorial to Eliot Stravinsky sets Part IV of Little Gidding to music. Scarce. Boosey & Hawkes Music Publishers unknown
1975113076London Calder & Boyars 1975 1 vol. broché in-8, broché, 176 pp., quelques photos en noir, index. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1975113076London Calder & Boyars 1975 1 vol. broché in-8, broché, 176 pp., quelques photos en noir, index. Texte en anglais. Très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
19361988New York: Simon & Schuster 1936. Paperback. Very Good/good . Dust jacket torn/chipped. Minimal neat ink underlining here & there. <br/><br/>Presentation copy to Leon Machau dated 1937. Simon & Schuster paperback books
1958y0666New York: M. & J. Steuer 1958. Memoir by the Russian-born composer & conductor "a few recollections connected with various periods of my life." Hardcover in jacket as pictured; a reprint; first published 22 years earlier. Light wear to book; delicate jacket price-clipped with some large chips tears creases light stains to front panel. Text clean no names or marks; 10 176 pages colophon b/w photo portrait. . Reprint. Hard Cover. Very Good/Good. Small Octavo. M. & J. Steuer Hardcover
