1 762 résultats
Fine English Paperback. Pbo. Roy. 8vo. (24 x 16 cm). In English. 26, [1] p. B/w ills. Question Armenian, 1878-1923. Translation into English by Sekip Engineri.
194pp., br.orig., 19cm., qqs.cachets, bon état, X60271
In 8 (cm 15 x 22), pp. 46. Brossura muta coeva. Rara pubblicazione della tipografia armena che raccoglie l'elenco delle opere di autori classici, ecclesiastici e profani dal V al XVII secolo. L'operetta e' anonima ma e' attribuita a Placido S. Somalean (cfr. "Atti del Reale Istituto veneto di scienze, lettere ed arti", 1892, p. 1266), autore, nel 1829, del "Quadro della storia letteraria di Armenia" sempre pubblicato dalla Tipografia Armena di S. Lazzaro.
Venezia, Tipografia Armena di S. Lazzaro, 1829. In 8vo (cm. 24); pp. XX d’indice in italiano e armeno, 240 + una carta di errata (1). Copertina originale a stampa. Bella copia con barbe. PRIMA edizione della prima storia della letteratura armena stampata in Italia sull'isola di S. Lazzaro a Venezia per opera dei monaci Mechitaristi. Axs
193247661932. Paris Librairie Adrien-Maisonneuve 1932 - Broché 13 cm x 19 cm 293 pages - Texte de Frédéric Macler - Bibliographie - Bien complet du prière d'insérer - Petite tache sur la couv sinon bon état
1932X60271Paris, Adrien-Maisonneuve 1932 194pp., br.orig., 19cm., qqs.cachets, bon état, X60271
In 4° grande; 227, (5) pp. 50 tavole a colori applicate sulla bellissima carta azzurra tipica delle edizioni di Franco Maria Ricci. Cofanetto editoriale in tela nera foderato con la bella carta nera Ricci. Titolo impresso in nero su fascetta azzurra al dorso del cofanetto. Legatura editoriale in piena tela nera, con titolo, autori e stampatori in oro ai piatti ed al dorso ed al piatto anteriore applicata immagina a colori di quadro persiano. “Questa prima edizione è stata impressa da Franco Levi sotto la direzione di Franco Maria Ricci a Milano nel mese di Novembre 1982. I caratteri usati sono i bodoniani. La carta a mano vergata è stata fabbricata appositamente alla forma tonda nelle Cartiere Milani di Fabriano. Sono state tirate 5000 copie numerate in caratteri arabi, oltre ad alcune copie contrassegnate C.E. riservate all'editore, ai collaboratori e agli amici. Questo esemplare è il numero”. Il nostro è l'esemplare numero 3112. L'opera è il numero 30 della collana de “I segni del tempo”. Prima edizione in ottime condizioni di conservazione di questo interessante trattato sulla pittura della Persia corrispondente all'attuale, Iraq, Iran, Afghanistan, Pakistan, Armenia, Turkmenistan, Uzbekistan e Tajikistan. Prima edizione.
444804Sources D Armenie S.L. 2011 In-8 carré format " à l'italienne " ( 210 X 210 mm ) de 336 pages, cartonnage illustrée. Illustrations dans et hors-texte. Très bel exemplaire.
1965X116748Moskva, Nauka 1965 323pp. + 1 leaf of errata, text in Russian in Cyrillic script, publisher's hardcover in grey cloth, published in the series "Pamiatniki pis'mennosti Vostoka" vol.9, limited edition of 3000 copies, upper part of some pages with a vague trace of humidity, although still in good condition, X116748
In -4°, pp. 29, (3b), pergamena; marca al frontespizio. Il testo a fronte in latino e armeno include i numeri di pagina (in armeno sulle pagine sinistre). Prima edizione.
330pp., 22cm., publisher's hardcover with gilt lettering, clean and bright, published in the series "Anatolian and Caucasian Studies", good condition, X111395
20 cm, br. editoriale, p. 133
ABE-148286962614060 PAGES-23 CM X 30 CM-EN COUVERTURE PORTRAIT NOIR ET BLANC DU CHANTEUR PAR BERNARD BUFFET SIGNE 1996-NOMBREUSES PHOTOGRAPHIES NOIR ET BLANC ET COULEURS-PHOTO SUR 4 PAGES-PRODUCTIONS LEVON SAYAN-2 DESSINS DE HOVIV-(EM1216)
1992X111395Delmar, Caravan Books 1992 330pp., 22cm., publisher's hardcover with gilt lettering, clean and bright, published in the series "Anatolian and Caucasian Studies", good condition, X111395
New English Paperback. Roy. 8vo. (24 x 17 cm). In English. [vi], 114 p. Principles of Turkish administration and their impact on the lives of Non-Muslim peoples. The Armenians as a case study.
12266Patriarche arménien du XIIème Siècle . Venise ,1823 . Des presses des Mékkitaristes , In 12 relié pleinE basane marbrée .Dos lisse orné de fleurons dorés .Pièce de titre verte.Encadrement sur les plats .Tranches dorées .Frontispice gravé ,422 pp.
20141000738592014. 207 pages. Paris Riveneuve Editions 2014. Broché 16 cm x 24 cm 207 pages photos et illustrations noir & blanc in et hors-texte. Texte de Caroline Kurhan préface de Xavier Dufestel envoi de l'auteur. Etat neuf
1990X116920s.l., Orphée/ La Différence 1990 122pp., édition bilingue: arménien-français, brochure originale, 17cm., bon état, X116920
New English Original bdg. HC. Roy. 8vo. (24 x 17 cm). In English. [viii], 242 p., b/w ills. Preposterous paradoxes of Ambassador Morgenthau: A factual story about politics, propaganda and distortions. "Aya has done a service to our understanding of history with his analysis of Ambassador Morgenthau's reports on the Armenian question in the Ottoman Empire. Morgenthau has long held a prominent place in what has become the popularly accepted history of the events of World War I. His descriptions of Armenian suffering feature genocide. The difficulty, as demostrated by Aya, is that Morgenthau readily accepted fabricated evidence and himself falsified the record..." (Justin MCCarthy).
12mo., Second Edition, with engraved portrait frontispiece (original tissue guard present), neat contemporary signature on front paste-down, some light marginal spotting; contemporary mottled red and brown calf, sides with floral frame border in gilt, back tooled and ruled in gilt, second compartment with red leather label lettered and ruled in gilt, gilt edgesexpertly rebacked with old backstrip laid down, a very good, bright, clean copy. With fine early nineteenth century engraved armorial bookplate bearing the widespread motto 'pro aris et focis'. This scarce work contains the twenty-four prayers and orisons of the Armenian patriarch Nerses IV (1102-1173). Effectively a type specimen book, it was printed at the Armenian monastery on the isle of St. Lazarus off Venice and presents the prayers in no fewer than 24 different languages, including Dutch, Gaelic, Hungarian, Spanish and Russian. The collection was first issued in 1818 with the prayers present in fourteen languages; a fourth edition (1837) was several times reprinted. Brunet IV, 859; Nersessian 510.
183723599Venice: In Insula S. Lazari 1837. Engraved portrait frontispiece and title medallion ornaments at headpieces on dedication page. 1 vols. 12mo. Contemporary half green morocco lettering and some ornamentation in gilt some decoration in blind. Minor wear with some discoloration of the endpapers else an excellent copy in a open back case. Engraved portrait frontispiece and title medallion ornaments at headpieces on dedication page. 1 vols. 12mo. A fine polyglot version of the writings. In Insula S. Lazari unknown books
[4] + 434pp. + engraved frontispiece (portrait, slightly spotted), 16x10cm., contemporary hardcover binding (spine in brown leather with gilt lettering and decorations, gilt ornamentation on boards, corners bit bumped,, a little rubbed at extremities), marbled endpapers, all edges gilt, text is clean and bright, ex-libris stamp on first blanco endpaper and on title page, good copy, [This is a polyglot edition of 24 prayers by saint Nerses Clajensis (1102-1173), Catholicos of the Armenian Apostolic Church from 1166 to 1173. The 24 languages (in several scripts) are: Armenian, Greek, Latin, Italian, French, Spanish, German, Dutch, Swedish, English, Irish, Russian, Polish, Illyrian (Western Balkan), Hungarian, Iberian (Georgian), Ethiopian, Arabic, Turkish, Persian, Syriac, Hebrew, Chaldean & Chinese], R107584
183731378AB1837. Venice Insula S. Lazari 1837. Duodecimo. Portrait Frontispiece engraved title 4 434 pages. Original Hardcover / Contemporary full leather with original spinelabel and gilt ornament on spine and boards. Binding rubbed. One corner slightly damaged. Rear panel stronger rubbed. Minor faded dampstain to first four pages frontispiece and some pages within. Overall very good ! From the library of David L. Arthur / ExLibris / Bookplate of David L. Arthur to pastedown with his Motto: "Tout Vient De Dieux". 24 prayers of Saint Nerses printed in differing languages and typography: in Armenice Armenian Graece Greek Latine Italice Galllice Hispanice Germanice Fraktur Hollandice Suetice Anglice Hibernice Gaelic Russice Cyrillic Polonice Illyrice Cyrillic Hungarice Iberice Georgian Mkhedruli Aethiopice Ethiopic Turcice Arabic Persice Arabic Arabice Arabic Siriace Jacobite Hebraice unpointed square Hebrew Chaldaice Nestorian Sinice Chinese. Nerses IV the Gracious Armenian / also Nerses Shnorhali Nerses of Kla or Saint Nerses the Graceful; 1102 13 August 1173 was Catholicos of Armenia from 1166 to 1173. A more precise translation of his epithet Shnorhali is "filled with Grace". He received the appellation Shnorhali from his contemporaries because of the very irenic quality of his writing. During his time as a bishop and later as Catholicos of the Armenian Church Nerses worked to bring about reconciliation with the Eastern Orthodox Church and convened a council with emissaries selected by the Byzantine Emperor himself to discuss how they might be able to reunite the two churches. The terms the emperor offered were however unacceptable to both Nerses and the Armenian Church and the negotiations collapsed. Nerses is remembered as a theologian poet writer and hymn composer. He has been called "the Fénelon of Armenia" for his efforts to draw the Armenian church out of isolation and has been recognized as a saint by the Catholic Church who hold his feast on August 13 and by the Armenian Apostolic Church who celebrate him in mid-October on the Saturday of the Fourth Week of the Holy Cross. Wikipedia hardcover
18377301837 Venetiis, in insula S. Lazari, 1837. 23,5 x 15,5 cm (R), grand in-8, 4 ff. n. ch. + 431 pp., portrait de Nersès IV en frontispice, reliure romantique de l'époque en demi-maroquin à grains longs rouge à coins, dos lisse orné, tranches dorées. // Large 8vo, contemporary romantic red half straight grained red morocco, smooth spine gilt, gilt edges.