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1992HVD-75462-OS-0United Kingdom: Negev Holyland Stamps. 1992. Sixteenth Edition. Paperback. Good. 312 pages; B&W illustrations. Creasing on the back cover. Some minor finger. rubbing smudges on the exterior edges of textblock. Very Good condition. otherwise. No other noteworthy defects. No markings.; - Your satisfaction. is our priority. We offer free returns and respond promptly to all. inquiries. Your item will be carefully cushioned in bubble wrap and. securely boxed. All orders ship on the same or next business day. Buy with. confidence. Negev Holyland Stamps paperback
16-2568Berlin: Genossenschaft PAN 1899. Folio. Original wraps with original graphics by Meyer- Basel Carl; Wenban Sion; VELDHEER JACOB GERARD. Söhn HDO: 53001-1 2 4. lacking the Kollwitz. Edited by Richard Graul and Caesar Flaischlen et al.PAN the important German 21 volume art nouveau periodical 1895-1900 is a deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1899. paperback
16-2567Berlin: Genossenschaft PAN 1898. Folio. Original wraps with original graphics by Meyer- Basel Carl; KRÜGER ALBERT ; Baerstoen Albert. Söhn HDO: 52904-1 2 3. Edited by Richard Graul and Caesar Flaischlen et al.PAN the important German 21 volume art nouveau periodical 1895-1900 is a deluxe fin de siècle periodical with plates illustrations color initials vignettes and tail-pieces representing a multitude of processes of modern picture reproduction including original lithographs etchings and woodcuts. Berlin: Genossenschaft PAN, 1898. paperback
1m6268Blattgröße 405 cm x 15 cm. - Die alte Ansicht von Wittenburg stammt von Merian von 1654. Matthäus Merian hat 1642 damit begonnen die Typographia Germaniae zu schaffen. Fortgesetzt wurde sie nach seinem Tod 1650 durch seine Söhne Caspar und Matthäus der Jüngere. Die Topographia Saxoniae Inferioris Niedersachsen 1653/1685 ff. Digitalisat der ULB Düsseldorf zeigt hunderte von Stadtansichten und Landschaften der damaligen Zeit. Da die vollständige Erstellung der Zeichnungen nach der Natur und die Werkstattarbeit viel Zeit in Anspruch nahm beschäftigte die Familie Merian mehrere Vorlagenzeichner. Für Niedersachsen ist Conrad Bruno bekannt 1613 - 1671 Hauptwohnort war wolfenbüttel. Gestochen in Kupferplatten wurde dann im Hause Merian in Frankfurt - unknown
4aa279Merian Frankfurt am Main um 1640. Maße: ca. 38 cm x 125 cm mit Wappen im Titel auf Karton montiert Karton gering gebräunt. - Aus: Topographia Germaniae / Zeigt von Lüchow: Adelsitz Hitzacker Capelle Dannenberg Fürstl. Schloss Rahthaus Pfarrkirche und Vor Werck - unknown
875021899. 56 x 41 cm gerahmt unter Passepartout. 40 x 27 cm Tadell. noch eingeschweisst-Coronafrei! Plakat des Stadttheaters Basel vom 20. Dez. 1899.- Diese Original «Theater-Anzeige» ist eines der seltenen noch existierenden Exponate. Die restlichen sind 1904 im Stadttheater-Archiv vollständig verbrannt.- Das Basler Stadttheater wurde 1834 gegründet. Das erste Gebäude stammte von dem klassizistischen Architekten Melchior Berri und umfasste 1300 Plätze. Eine beträchtliche Grösse für die Stadt Basel die damals 26 000 Einwohner aufwies.1873–1875 wurde an gleicher Stelle ein vierrängiges Neobarock-Gebäude von Johann Jakob Stehlin errichtet das am 7. Oktober 1904 durch einen Brand zerstört wurde in der Folge jedoch wieder aufgebaut wurde und 1909 wiedereröffnet werden konnte. 010 1899 unknown
2025__1350414018Bloomsbury USA Academic 2025. Paperback. New. 5th edition. 496 pages. 9.69x7.45x1.00 inches. Bloomsbury USA Academic paperback
2025x-1350414077Bloomsbury USA Academic 2025. Hardcover. New. 5th edition. 496 pages. 9.69x7.45x1.00 inches. Bloomsbury USA Academic hardcover
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43642Belair South Australia : Crawford House Publishing 2005 Large quarto 280 x 230 mm pictorial card covers with French flaps 238 pp colour illustrations; a fine copy. 'Published on the occasion of the exhibition. Museum Tingely Basel: 21 September 2005 to 29 January 2006 ; Sprengel Museum Hannover: 19 February to 5 June 2006'. 'Comprehensive monograph to explore the many facets and avenues not only of John Mawurndjul's work but following up on daily practical and theoretical issues influencing Australian indigenous art.' NLA Contents: ""I never stop thinking about my rarrk"" / John Mawurndjul in an interview with Apolline Kohen. From Mumeka to Basel: John Mawurndjul's artistic odyssey / Jon Altman. John Mawurndjul - ""I've got a different idea"" / Luke Taylor. Reverberation of image and essence in John Mawurndjul's bark painting / Judith Ryan. From rarrk to etching / Jean Kohen. How the rainbow serpent became art: a short manual for looking at unfamiliar pictures / Hans-Joachim Muller. Grids dots and territory / Philippe Peltier. Marks on and of land: the relationship of rock and bark painting to peoples places and the ancestral past / Paul S. Tacon. Bark painting: a singular aesthetic / Judith Ryan. Perceptible boundaries: aesthetic experience and cross-cultural understanding with a view to John Mawurndjul / Claus Volkenandt. The inevitable collision between politics and Indigenous art / Gary Foley. Karel Kupka in Australia: artist collector writer anthropologist. Aboriginal art from Arnhem Land - why in Basel / Christian Kaufmann. Appendices: List of exhibited worksArtist's biography. Solo exhibitions select group exhibitions awards and grants collections containing works by John Mawurndjul. Select works from the Kupka collection. unknown
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6131562545Read Books UK pp. 128 . Papeback. New. Read Books (UK) unknown
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