Bartholdy, Felix MendelssohnBiblio.com
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185045970London: Hart & Co Circa 1850s. Hardcover. Fair. 164p quarto Wear to the corners rear inner hinge cracked front inner hinge starting. Neat perod engraved bookplate A fair copy in blue cloth <br/><br/> Hart & Co hardcover
18666000577Leypoldt and Holt 1866. Hardcover. Good/No jacket. Covers worn and faded. Name written on front endpaper. Owner's name stamped on half-title page. Leypoldt and Holt hardcover
19005778London: Boosey & Co 1900. Measuring approximately 10" x 7" with 237 numbered pages. <br /> <br /> This book is in good minus condition. Moderate bumping to both ends of spine. Gilt lettering and design on spine and front board still full and vivid. All edges gilt. Front hinge is cracked causing book to be cocked and having slight overbite to textblock. Old music store stamp on title page. Interior pages are clean. <br /> <br /> Jakob Ludwig Felix Mendelssohn Bartholdy 3 February 1809 – 4 November 1847 widely known as Felix Mendelssohn was a German composer pianist organist and conductor of the early Romantic period. <br /> <br /> Please view the many other rare titles available for purchase at our store. We are always interested in purchasing individual or collections of fine books.<br /> <br /> Inventory # O2-109. Boosey & Co unknown
18848971Dorpat: Schnakenburg's Buchdrukerei 1884. 1st ed. 1884. 8vo. 89 pp. Tables. Original printed self-wrappers. Some soil very good. 1st Edition. Soft cover. Very Good. Dorpat: Schnakenburg's Buchdrukerei, 1884. 1st ed. paperback
1900GEN16-A-4London: Wickins & Co c1900. Cloth. Good Only. 14" by 10". None. A collection of piano works from Mendelssohn. With a Hawkes and son pamphlet of sheet music for Love's Awakening by Percy E. Fletcher. With Hawkes and son pamphlet of sheet music for Falling Leaf by J. M. Diack. Dated from Worldcat. In a cloth binding. Externally bumped with slight loss and a discoloured water stain to the front board. The front board is warped. Hinges are rather strained and a bit weak. Internally working loose in places with cords exposed. With marginal browning and some spots or marks. 'Falling Leaf' has a water stain throughout with slight loss to the front page. 'Love's Awakening' is unbound with marks. There are ink stamps to both pamphlets. Good Only Wickins & Co hardcover
185053927two pieces composed by Mendelssohn the first is 171 pages and adapted into English by William Ball second piece is 111 pages title page included for each Published by J. Alfred Novello hardcover
185536211Leipzig: Breitkopf & Härtel PNs 5668 5668a 1855. Folio. 1 title 2-31 i publisher's catalogue pp. Music engraved. <br /> <br /> Disbound. Slightly worn soiled creased and stained; outer leaves detached. MWV SD11.<br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PNs 5668, 5668a] unknown
19007794B. G. Teubner. 1900. Hardcover. Very Good. Fraying to spine ends. Pages tanned. Bookseller's tiny stamp to back endpaper. Faint crack to inner hinge.; Preface in Latin; text in Greek. The so-called Letter of Aristeas or Letter to Philocrates is a Hellenistic work of the 2nd century BCE one of the Pseudepigrapha. Josephus who paraphrases about two-fifths of the letter ascribes it to Aristeas and written to Philocrates describing the Greek translation of the Hebrew Law by seventy-two interpreters sent into Egypt from Jerusalem at the request of the librarian of Alexandria resulting in the Septuagint translation. Though some have argued that its story of the creation of the Greek translation of the Hebrew Bible is fictitious it is the earliest text to mention the Library of Alexandria.; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 229 pages . B. G. Teubner hardcover
188912914Boston: L. Prang & Co. 1889. Hardcover. Very Good. Boston: L. Prang & Co. 1889. Very Good. Approximately 10" x 8" Illustrated with 8 chromolithographs each accompanied by a line of music and a poem. Gift inscription on ffep. Wear on corners and spine ends. The paper covering the spine has 1 1/4" of loss at the top and 1/2" of loss at the bottom. L. Prang & Co. hardcover
1839067A45Moneschen Buchdruckerei Budissin Saxony Germany: Ca. 1839. 1839 16 p. 16 mo. 180 mm. Some pencil manuscript annotations indicating the assignment of singing parts. Geman text in Roman letter. Jakob Ludwig Felix Mendelssohn Bartholdy generally known as Felix Mendelssohn 1809-1847 was a German composer pianist and conductor of the early Romantic period. He was born to a notable Jewish family which later converted to Lutheranism he was a grandson of the philosopher Moses Mendelssohn. His work includes symphonies concerti oratorios piano and chamber music. After a long period of relative denigration due to changing musical tastes and anti Semitism in the late 19th and early 20th centuries his creative originality is now being recognized and re-evaluated. He is now among the most popular composers of the Romantic era. The text of his Oratorio on St. Paul Opus 36 is very rare in this edition. We can locate no other copies. W144 Language: eng. Wraps. Very Good. Moneschen Buchdruckerei, Budissin (Saxony, Germany): Ca. 1839. paperback
18799533891Lipsiae in Aedibus B. G. Teubneri 1879. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition suitable as a study copy. Size: Octavo. Brown cloth. Spine has gilt lettering and design and heavy colour fading. Shelfwear to the top and bottom of the spine with some minor damage to the top. Bumped corners. Flexi covers. Book is cocked. Slight foxing. Text is clear. Please note the Image in this listing is a stock photo and may not match the covers of the actual item900grams ISBN: Lipsiae in Aedibus B. G. Teubneri hardcover
187541198Berlin: J. Guttentags Verlags Buchhdlg. D. Collin 1875. image size 216 x 144; sheet size 238 x 170. <br /> <br /> The composer is depicted half-length facing quarter-right his head turned left with his signature printed in facsimile below image.<br /> <br /> Browned. J. Guttentags Verlags Buchhdlg. D. Collin unknown
185041200Germany 1850. Image size 146 x 124 mm; sheet size 261 x 214 mm.<br /> <br /> The composer is depicted half-length facing quarter-right. No engraver publisher or place of publication. <br /> <br /> Unevenly browned; foxed; remnants of former mount to verso. unknown
185041205Germany 1850. Image size 146 x 124 mm; sheet size 251 x 166 mm.<br /> <br /> The composer is depicted half-length facing quarter-right. No engraver publisher or place of publication. <br /> <br /> Slightly worn and foxed; horizontal crease to lower portion not affecting image. unknown
187635158Leipzig: Breitkopf & Härtel PN M.B.114 Kl.A 1876. Folio. Modern mid-blue cloth-backed marbled boards with original publisher's light blue printed upper wrapper with titling within decorative border laid down to upper board titling to spine in black. 1f. title 62 pp. Engraved. Text in German.<br /> <br /> In the series "Felix Mendelssohn Bartholdy's Werke. Kritisch durchgesehene Ausgabe von Julius Reitz. Mit Genehmigung der Originalverleger Serie 15. Grössere weltiche Gesangwerke. Klavier-Auszug." From the Breitkopf edition of Mendelssohn's Complete Works No. 114.<br /> <br /> With small oval handstamp of Viennese musicseller Ludwig Doblinger and very small publisher's handstamp to foot of title.<br /> <br /> Binding very slightly worn rubbed and bumped. Occasional light wear and foxing; gutter of title reinforced with narrow strip of paper tape. MWV M12.<br /> <br /> Antigone was staged for the court at Potsdam in Berlin on 28 October 1841.<br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PN M.B.114 Kl.A] unknown
184035290Vienne: Pietro Mechetti qm Carlo PN P.M. No. 2133 1840. Small folio. Disbound. 1f. recto title verso blank 3-11 pp. Engraved.<br /> <br /> Disbound. Slightly worn and soiled; browning to edges; light scattered foxing. Second German edition. MWV U 67 p. 312. Published before the "Neue rechtmässige Original-Ausgabe" published in 1854 Krause 212. Ward Jones III 381. <br /> <br /> One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> <br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Pietro Mechetti qm Carlo [PN P.M. No. 2133] unknown
184140964Bonn . Paris . London: bei N. Simrock . Chez Lemoine . Chez Ewer & Co. PN 3935 1841. Folio. Disbound. Contemporary dark blue paper wrappers with decorative cut paper label titled in manuscript to upper. 1f. recto title verso blank 3-21 i blank pp. Lithographed.<br /> <br /> Wrappers worn and detached. Moderate foxing to first and last leaves. Early German edition. MWV SD23 p. 478. Krause 227. Hoboken 10 222.<br /> <br /> "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber.<br /> Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven . <br /> <br /> . The origins of the Lieder ohne Worte of which Mendelssohn published 36 pieces in six volumes between 1832 and 1845 two more volumes followed posthumously remain couched in mystery. Among his earliest piano lieder was one in E♭ written for Fanny's birthday in 1828 Fanny herself composed numerous examples of the genre; the idea of creating songlike piano pieces may have originated in a game Fanny and Felix played in which they apparently added texts to piano pieces. Then too the critical thought of A.B. Marx who explored in his writings of the 1820s the expressive potential and 'definiteness' of instrumental music was not without impact. Most of the lieder fall into three groups pianistic parallels to the vocal categories of solo songs duets and partsongs. The meaning of the new genre perplexed Mendelssohn's contemporaries. Schumann suggested that the composer had produced texted lieder but then suppressed the texts; when the composer's cousin Marc-André Souchay offered to give some of the lieder fanciful titles Mendelssohn replied that he had intended each lied 'just as it stands'. Only a small number of the lieder bear titles from Mendelssohn e.g. the three called Venetianisches Gondellied or his circle e.g. the 'Frühlingslied'; nevertheless later in the 19th century a host of insipid titles accrued to the lieder contributing to the view of Mendelssohn as a composer of overtly sentimental piano music for the parlour." R. Larry Todd in Grove Music Online. bei N. Simrock ... Chez Lemoine ... Chez Ewer & Co. [PN 3935] unknown
186373740Leipzig: Mendelssohn 1863. Gebunden. Mendelssohn unknown
186113109Leipzig: Mendelssohn 1861. Gebunden. Mendelssohn unknown
1867124196London England: Longmans Green and Co 1867. Hardcover. Good Boards have pulled away from page; Binding intact; Some light foxing. Dark brown cloth; 437 pp.; BW frontispiece. Includes a catalogue of Mendelssohn's musical compilations compiled by Dr. Julius Rietz. Longmans, Green, and Co hardcover
186075521-A-67691Bonn: N. Simrock ca 1860. Op. 19 30 38 53 62 67 . -Ends of spine damaged boards worn pages foxed. Everything legible though. N. Simrock hardcover
188284811Leipzig : Hermann Mendelssohn 1882. Neunte Auflage. Hardback. Near fine copy in the original gilt-blocked blind-bordered cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. ; 373 pages; Description: p. 373. Subjects: Letters - Correspondence - Felix Mendelssohn Bartholdn & Paul Medelssohn Bartholdn. Leipzig : Hermann Mendelssohn hardcover
1888000013498Boston: Ticknor and Company 1888. First edition. Hardcover. Very Good. 8vo. 9 x-xx 1-306 2 pp. Maroon cloth with gold lettering on the spine; top edge gilt. Translated by Felix Moscheles. Illustrated with several plates and full-page facsimiles of letters and diagrams. Vermont History Carl L. Lokke "CHARLES DOWNER HAZEN". The bookplate of Charles Downer Hazen a historian and educator who taught at Smith College and at Columbia University. His publications often served as textbooks for students of European history. A contemporary name and bookplate on the front preliminaries binding shaken but still holding. Ticknor and Company hardcover
1890131398Paris: Simrock 1890. Hardcover. Good. Good hardcover. 3/4 leather. Some pencil writing on some pages and little ink writing on a page. Stamp on title page. Hinge cracked. Corners rubbed. Spine worn and chipped. Yellow stain on bottom edges of pages. Simrock hardcover
186438472London: Longman Green Longman Roberts & Green 18641864. Thrid edition and New Edition. Full leather. Very good. A very good pair bound in full dark green morocco all edges gilt <br/><br/> Longman, Green, Longman, Roberts & Green hardcover
