52 résultats
18886038121888. "Chas. Follen Adams" in black fountain pen ink on pictorial The Burton Stock Car Company Boston Massachusetts February 6 1888. 8 1/2" x 11"; 1 page recto only. Very good tape on upper margin not affecting the text. To Rev. E.E. Hale: Adams thanks Hale for the "Christmas Souvenir" and offers his services for "Author's readings" with a German-American selection. On the verso is an Autograph Note Signed "Edw. E. Hale" to Miss Bates stating that Adams "is the very humorous Strauss.". No Binding. Very Good. unknown books
187836167Hamburg: Aug. Cranz PN C. 24476 1878. Large octavo. Original publisher's dark ivory printed wrappers. 1f. recto title printed on light green background within decorative border verso blank 3-82 pp. <br/><br/>Wrappers slightly worn and soiled; minor edge chips and tears; small tape repair to upper margin of upper; edges dusty. Slightly browned; small tape repair to upper margin of first leaf. First Edition. Weinmann p. 129.<br/><br/>Cagliostro in Wien was first performed in Vienna at the Theater an der Wien on 27 February 1875. Aug. Cranz [PN C. 24476] unknown books
183565419Jesus Without the Myths STRAUSS David Friedrich. Das Leben Jesu kritisch bearbeitet. Tubingen: Osiander 1835-36. First edition of this important work. Two octavo volumes 7 5/8 x 4 7/8 inches; 195 x 124 mm. xvi 731 1 2 publisherÃs ads; xii 750 2 errata pp. PublisherÃs blind-ruled and beveled black cloth spines with central gilt arabesques surrounding the gilt lettering pastepaper endpapers edges stained red. Some underlining in blue on a few pages. Some scattered foxing. Overall a very good copy. "The publication of 'The Life of Jesus Critically Considered' aroused a storm of controversy; its revolutionary thesis and content were violently attacked and wrenched out of context. Strauss's principal objective was to explode not only the traditional orthodox view of the Gospel accounts of the life of Jesus but also earlier rationalistic views." PMM p. 182. Strauss's first and greatest work a crucial text in the history of biblical studies and of religious scholarship generally. The first consistent systematic application of the then quasi-Hegelian notion of myth to the New Testament and early Christianity offering an epoch-making interpretation of the Christ of the Gospels as the unintentional product of a "mythos" of Messianic expectation already present in ancient Hebrew culture. The book was a scandal which adversely affected Strauss's entire career offending rationalist and orthodox biblical literalists alike Printing and the Mind of Man 300. HBS 65419. $2500 Osiander hardcover books
188136142Hamburg: Aug. Cranz C. 25221 1881. Large octavo. Full modern black cloth with publisher's original printed upper wrapper laid down. 1f. recto title verso blank 162 pp. <br/><br/>Upper wrapper slightly trimmed; worn; lower lacking; edges foxed. Minor internal wear; uniform light browning; occasional foxing; occasional underlining in red pencil; small oval handstamp Doblinger in Vienna to lower margin of title. First Edition first issue. Weinmann p. 136.<br/><br/>Das Spitzentuch der Königin to a libretto after Cervantes was first performed in Hamburg on 1 October 1880. Aug. Cranz [C. 25221] unknown books
189736162Hamburg: Aug. Cranz C. 25221 1897. Large octavo. Half dark red cloth with publisher's original printed upper wrapper laid down. 1f. recto title verso blank 162 pp. <br/><br/>Upper wrapper slightly trimmed; worn and slightly stained; lower lacking. Minor internal wear; title very slightly foxed and with handstamp of "Med. Dr. Felix Sperl" in Vienna to blank upper margin.<br/><br/>Ownership stamp incomplete. First Edition later issue. Weinmann p. 136.<br/><br/>Das Spitzentuch der Königin to a libretto after Cervantes was first performed in Hamburg on 1 October 1880. Aug. Cranz [C. 25221] unknown books
187836168Hamburg: Aug. Cranz PN C.S. 24323 1878. Large octavo. 1f. recto title verso blank 3-79 i blank pp. <br/><br/>Slightly worn and browned; spine reinforced with tape. Former owner's name in contemporary manuscript to upper outer corner of title. First Edition. Weinmann p. 129.<br/><br/>Der Carneval in Rom a comic opera to a libretto by J. Braun after V. Sardou's Piccolino was first performed at the Theater an der Wien on 1 March 1873. Aug. Cranz [PN C.S. 24323] unknown books
187536178Wien: Friedrich Schreiber PN 23598 1875. Large octavo. Dark brown leather-backed marbled boards with large rectangular manuscript title label to upper. 1f. recto title on light brown ground printed in dark brown within decorative border verso index 3-185 i blank pp. <br/><br/>With extensive early performance markings in red blue and lead pencil. Front endpapers with extensive early manuscript annotations in German documenting instrumental and vocal part requirements and performers; rear endpapers with annotations documenting performances on 29 June and 7 July 1884. Early owner's signature to upper outer corner of title.<br/><br/>Quite worn browned and soiled. Lacking pp. 177-182. First Edition. Weinmann p. 129.<br/><br/>Der Carneval in Rom a comic opera to a libretto by J. Braun after V. Sardou's Piccolino was first performed at the Theater an der Wien on 1 March 1873.<br/><br/>An interesting copy. Friedrich Schreiber [PN 23598] unknown books
188236104Hamburg . Wien: Aug. Cranz . C.A. Spina PN C. 25513 1882. Large octavo. Half dark brown cloth with matching boards original publisher's dark tan upper wrapper laid down to upper. 1f. recto title verso blank 164 pp. <br/><br/>Binding slightly worn; wrapper trimmed; remnants of label to spine; endpaper slightly cockled. Slightly worn and browned; occasional foxing; minor pencilling. First Edition first issue. Weinmann p. 133. <br/><br/>Der lustige Krieg was first performed in Vienna at the Theatre an der Wien on 25 November 1881. Aug. Cranz ... C.A. Spina [PN C. 25513] unknown books
190036140Leipzig .: Aug Cranz PN C.25513 1900. Large octavo. Dark green cloth-backed black boards with titling stamped to upper patterned endpapers. 1f. recto title verso blank 164 pp<br/><br/>Binding somewhat worn rubbed and bumped. Slightly worn and browned; Hungarian musicseller's stamp to lower outer corner of title. First Edition later issue. Weinmann p. 132.<br/><br/>Der lustige Krieg was first performed in Vienna at the Theater an der Wien on 25 Nov 1881. Aug Cranz [PN C.25513] unknown books
190036135Bruxelles . London . Leipzig: Cranz PN C. 26767 1900. Large octavo. Publisher's ivory wrappers with titling within decorative blue border. 1f. recto series title verso blank 1f. recto contents verso blank viii ouverture 3-192 pp. <br/><br/>Upper wrapper worn soiled and chipped; lower lacking. Light uniform browning. First performed in Vienna at the Theater an der Wien on 24 October 1885 with text by I. Schnitzer after M. Jókai's Saffi.<br/><br/>"Certainly Strauss was no judge of librettos and throughout his life he found it both cumbersome and restricting to compose to prescribed texts though with Der Zigeunerbaron 1885 he showed himself uncharacteristically adept in this. Over the next quarter of a century a further 14 operettas and even a grand opera Ritter Pásmán 1892 cemented Strauss's position as the leading light in 'Silver Age' Viennese operetta though even in the composer's lifetime only three of these found international success: Die Fledermaus 1874 Eine Nacht in Venedig 1883 and Der Zigeunerbaron." Peter Kemp in Grove Music Online. Cranz [PN C. 26767] unknown books
188636156Bruxelles . London . Leipzig: Cranz PN C. 26767 1886. Large octavo. Full dark red cloth boards with titling gilt to upper edges blindstamped with floral motif olive green cloth endpapers with floral motif. 1f. recto title verso blank i-viii ouverture 3-88 pp. <br/><br/>Handstamp within decorative border to outer lower corner of title "J.G. Krompholz Berne Magasin de Musique & D'Instruments Pianos & Harmoniums". <br/><br/>Binding slightly worn rubbed bumped and shaken; endpapers browned. Light uniform browning; occasional soiling and foxing. First Edition. Weinmann p. 137. <br/><br/>First performed in Vienna at the Theater an der Wien on 24 October 1885 with text by I. Schnitzer after M. Jókai's Saffi.<br/><br/>"Certainly Strauss was no judge of librettos and throughout his life he found it both cumbersome and restricting to compose to prescribed texts though with Der Zigeunerbaron 1885 he showed himself uncharacteristically adept in this. Over the next quarter of a century a further 14 operettas and even a grand opera Ritter Pásmán 1892 cemented Strauss's position as the leading light in 'Silver Age' Viennese operetta though even in the composer's lifetime only three of these found international success: Die Fledermaus 1874 Eine Nacht in Venedig 1883 and Der Zigeunerbaron." Peter Kemp in Grove Music Online. Cranz [PN C. 26767] unknown books
188636169Hamburg: Aug. Cranz PN C. 26861 1886. Large octavo. Full dark red patterned cloth with titling gilt to spine original publisher's dark ivory decorative upper wrapper bound in. 1f. recto title verso blank i-viii ouverture 3-88 pp. <br/><br/>Binding slightly worn and bumped; endpapers browned and partially split; wrapper slightly soiled and stained; defective at inner margin; blank upper outer corner lacking; blank lower outer corner repaired. Slightly worn browned and creased. First Edition. Weinmann p. 137. <br/><br/>First performed in Vienna at the Theater an der Wien on 24 October 1885 with text by I. Schnitzer after M. Jókai's Saffi.<br/><br/>"Certainly Strauss was no judge of librettos and throughout his life he found it both cumbersome and restricting to compose to prescribed texts though with Der Zigeunerbaron 1885 he showed himself uncharacteristically adept in this. Over the next quarter of a century a further 14 operettas and even a grand opera Ritter Pásmán 1892 cemented Strauss's position as the leading light in 'Silver Age' Viennese operetta though even in the composer's lifetime only three of these found international success: Die Fledermaus 1874 Eine Nacht in Venedig 1883 and Der Zigeunerbaron." Peter Kemp in Grove Music Online. Aug. Cranz [PN C. 26861] unknown books
190036165Leipzig: Aug. Cranz PN F.S. No. 23422 1900. Large octavo. Original publisher's dark ivory wrappers with titling within decorative blue border. 1f. recto series title verso blank 1 contents 2-168 pp. With publisher's catalogue of "Opern und Operetten" to verso of lower wrapper. Edition Cranz No. 583. <br/><br/>Wrappers worn and soiled; minor edge tears and creases; spine reinforced with tape; verso of upper with tape repair. Minor internal wear. "Over the next quarter of a century from 1885 a further 14 operettas and even a grand opera Ritter Pásmán 1892 cemented Strauss's position as the leading light in 'Silver Age' Viennese operetta though even in the composer's lifetime only three of these found international success: Die Fledermaus 1874 Eine Nacht in Venedig 1883 and Der Zigeunerbaron." Peter Kemp in Grove Music Online. Aug. Cranz [PN F.S. No. 23422] unknown books
183626800Wien: Tobias Haslinger PN T.H. 6957 1836. Oblong folio. Modern dark blue cloth-backed blue boards. 1f. decorative title with vignette i printed dedication to Nikolaus von Meinau 4-11 i blank pp. Engraved. First Edition. Schönherr & Reinöhl pp. 135-137. Weinmann Strauss p. 18. <br/><br/>"Verve and a fiery spirit lie at the heart of Strauss's compositions. Of his waltzes one contemporary writer colourfully observed: 'In his waltzes a profusion of melodies effervesce and bubble fizz and froth dash and sweep like the five hundred thousand devils in the champagne slipping their bonds and flinging one cork after another into the air'. As a pioneer of the waltz Strauss along with Lanner established the foundations upon which more extended and developed melodic line and ambitious harmony and structure could be built by their successors in the field of dance music." Peter Kemp in Grove Music Online. Tobias Haslinger [PN] T.H. 6957 unknown books
188436177Leipzig .: Aug. Cranz PN C. 26000 1884. Quarto. Half gray cloth with black paper boards. 1f. recto title verso blank 3-141 i blank pp. <br/><br/>Occasional performance markings in pencil.<br/><br/>With multiple ownership stamps of Gustav Kotany and signature of Otto Radl to endpapers title and first page of music. <br/><br/>Slightly browned; minor creasing to upper outer corners; minor tape repair to one leaf; some ownership stamps crossed out. First Edition. Weinmann p. 134. <br/><br/>Eine Nacht in Venedig to a libretto by Zell and Genée after E. Cormon and M. Carré's Le château Trompette was first performed in Berlin at the Friedrich-Wilhelmstädtisches on 3 October 1883 and in Vienna at the Theater an der Wien on 9 October 1883. Aug. Cranz [PN C. 26000] unknown books
189336164Hamburg .: Aug. Cranz PN C. 38220 1893. Large octavo. Original publisher's light olive green printed wrappers. 1f. recto decorative title printed in dark green verso contents 3-170 pp. <br/><br/>Wrappers slightly worn and soiled; partially split at spine; blank lower outer corner of upper lacking. Title very slightly foxed with ownership stamp of "Med. Dr. Felix Sperl" in Vienna to blank upper outer corner. First Edition. Weinmann p. 131.<br/><br/>Fürstin Ninetta was first performed in Vienna at the Theater an der Wien on 10 January 1893. Aug. Cranz [PN C. 38220] unknown books
183554236Boston: William D. Ticknor 1835. Revised and abridged by Baron Stow 8vo pp. xii 298; original publisher's cloth gilt title on spine; text cocked corners bumped prelims lightly foxed the rest clean; ex-Amherst Library Association with a regulations label on front free endpaper gift inscription and a small stamp on title page; good and sound. Frederick Strauss was a theologian best known for his assertion that while there may have been a historical Jesus the miracles in the Bible were myths developed by the early church to support their belief that he was the Jewish messiah. Rosenbach American Jewish Bibliography 396. <br/><br/> William D. Ticknor hardcover books
190036166Leipzig: Aug. Cranz PN C.S. 22.141 1900. Large octavo. Half black cloth-backed marbled boards with original publisher's upper wrapper with titling within decorative blue border laid down. 1f. recto series title verso blank 3-284 pp. Edition Cranz No. 772. <br/><br/>With early performance markings in blue and lead pencil throughout; occasional annotations in pencil. Stamps of "Emil Richter Theaterverlag Hamburg" etc. to upper wrapper endpapers and several pages of music. <br/><br/>Binding somewhat worn rubbed and bumped; hinges reinforced with white tape. Printed from First Edition plates. Weinmann p. 132.<br/><br/>Indigo und die vierzig Räuber to a libretto by M. Steiner and others was first performed at the Theater an der Wien on 10 February 1871.<br/><br/>"On the advice of his first wife the theatrically-astute mezzo-soprano Henriette 'Jetty' Treffz Johann began experimenting with the composition of operetta during the mid-1860s but it was not until 1871 that a stage work of his Indigo und die vierzig Räuber was produced. Though a box-office success the work received mixed critical reviews; Ludwig Speidel Fremden-Blatt 12 February 1871 considered the piece 'promises the most splendid expectations for the future' while Hanslick Neue Freie Presse 12 February 1871 dismissed it as 'Strauss dance music with words added and ascribed rôles'." Peter Kemp in Grove Music Online. Aug. Cranz [PN C.S. 22.141] unknown books
187136173Wien: C.A. Spina PNs C.S. 22.131 - 22.154 1871. Large octavo. Half dark brown cloth with marbled boards octagonal paper title label to upper. 1f. recto illustrated title printed in dark brown verso blank 1f. recto index verso cast list 284 pp. With secondary pagination. Engraved. With "Druck von A. Eckel in Wien" to lower inner margin of first page of music.<br/><br/>Binding slightly worn rubbed and bumped. Minor internal wear. First Edition first issue. Weinmann p. 132.<br/><br/>Indigo und die vierzig Räuber to a libretto by M. Steiner and others was first performed at the Theater an der Wien on 10 February 1871.<br/><br/>"On the advice of his first wife the theatrically-astute mezzo-soprano Henriette 'Jetty' Treffz Johann began experimenting with the composition of operetta during the mid-1860s but it was not until 1871 that a stage work of his Indigo und die vierzig Räuber was produced. Though a box-office success the work received mixed critical reviews; Ludwig Speidel Fremden-Blatt 12 February 1871 considered the piece 'promises the most splendid expectations for the future' while Hanslick Neue Freie Presse 12 February 1871 dismissed it as 'Strauss dance music with words added and ascribed rôles'." Peter Kemp in Grove Music Online. C.A. Spina [PNs C.S. 22.131 - 22.154] unknown books
186622000107Wien C. A. Spina 1866. Inscribed. Toned and soiled due to age. Tape repair on inside front cover. . 7 pages cover has a floral decoration along with the image of six children dancing in a circle. The inside cover contains a list of of other songs published by Johann Strauss and his two brothers Josef and Eduard. In German. Measures 13 1/2" x 10 1/4". <br/><br/> Wien, C. A. Spina unknown books
187736180Paris: Au Ménestrel . Heugel & Fils PN H. 4814 1877. Large octavo. Original publisher's light blue wrappers with titling in dark blue and red within decorative border. 1f. recto title printed in red and blue within decorative red border verso blank 1f. recto attractive full-page illustrated lithographic title printed on green ground verso blank 1f. recto named cast list and contents verso blank 274 pp. <br/><br/>Named cast includes Bouffar D'Asco Piccolo Ismael Urbain and Berthelier. <br/><br/>With handstamp of former owner "Wesley Boynton" to upper margin of upper wrapper and title.<br/><br/>Wrappers slightly worn; minor chips to blank outer edge; split at spine. Minor internal wear; edges slightly foxed. Revised for the first Paris performance. Au Ménestrel ... Heugel & Fils [PN H. 4814] unknown books
187536170Paris: Au Ménestrel . Heugel et Cie. PN H. 4568 1875. Large octavo. Original publisher's light blue decorative wrappers printed in dark blue. 1f. recto title printed in blue within decorative border verso publisher's catalogue 233 i blank pp. Publisher's catalogue to recto and verso of lower wrapper. <br/><br/>Wrappers worn and partially split; edges chipped; tape repairs to spine. Title slightly worn and foxed; small publisher's stamps to blank lower margin. The first of Strauss's operettas La Reine Indigo was first performed in Vienna at the Theatre an der Wien on 10 February 10 1871. Au Ménestrel ... Heugel et Cie. [PN H. 4568] unknown books
186937299San Francisco: Winterburn & Co.'s Print 417 Clay Street 1869. Broadside 7" x 8-1/2". Receipt letterhead printed in green. Columns and Lines printed in blue and red. "PAYABLE IN U.S. GOLD COIN" The letterhead describes the Company as "Importers of Clothing Domestics Rubber Boots Duck Etc." and gives its location as "14 and 16 Battery Street between Bush and Pine." A small fox mark at head of receipt otherwise Fine.<br/><br/> Levi Strauss 1829-1902 a Jewish immigrant from Bavaria founded the iconic Levi Strauss & Company. He immigrated to New York in 1846 to join his two older brothers at their wholesale dry goods business. He moved to San Francisco in 1853 attracted by the Gold Rush. He established a wholesale business and was the west coast representative of the New York family business. He later renamed the company Levi Strauss & Co. Originally a dry goods business it became famous for its blue jeans. Levi's customer Jacob Davis a Nevada tailor invented a way to make pants with rivets at points of strain to extend their life. Levi partnered with Davis and they were granted a patent on May 20 1873 from which the now famous blue jeans were born. <br/> In addition to his clothing company Levi was a charter member and treasurer of the San Francisco Board of Trade; director of the Nevada Bank; director of the Liverpool London and Globe Insurance Company; director of the San Francisco Gas and Electric Company; and part owner of the Mission and Pacific Woolen Mills. In addition to his many business pursuits Levi was a philanthropist who contributed to the Pacific Hebrew Orphan Asylum and Home; the Eureka Benevolent Society and the Hebrew Board of Relief. "The Story of Levi Strauss" website of Levi Strauss & Co. <br/> Jewish brothers Adolph Cohn 1833-1906 and Simon Cohn 1834-1926 worked together as dry good merchants in Downieville California at the time of this receipt. Their business is cited as A. Cohn & Co. and also as S. & A. Cohn or Cohn Brothers. All are listed in the 1870 & 1880 U.S. Federal Censuses Adolph living with his wife Sarah 1849-1937 and Simon living with a roommate. Adolph Cohn was at one time secretary of the Mountain Torrent No. 2 Company of the Downieville Volunteer Fire Department a member of the Mountain Shade Lodge No. 18 of Free and Accepted Masons; and an officer with the Blue Range Encampment No. 8 Independent Order of Odd Fellows. Simon was also a member of the Masons. "A. Cohn & Co. receipts 1866-1877 Univ. California Berkeley Bancroft Library BANC MSS 2006/324; Fariss & Smith: ILLUSTRATED HISTORY OF PLUMAS LASSEN & SIERRA COUNTIES. . . San Francisco: 1882 pp. 240 281 461-464. Winterburn & Co.'s Print, 417 Clay Street unknown books
183822052Wien: Tobias Haslinger PN T.H. 7554 1838. Oblong folio. Unbound as issued. 10 pp. Engraved.<br/><br/>Slightly worn and browned. First Edition. Weinmann p. 20. <br/><br/>Strauss made a concert tour of Paris in the winter of 1837-38. Tobias Haslinger [PN] T.H. 7554 unknown books
184921380Wien: Tobias Haslinger PN T.H. 8371 1849. Oblong folio. Disbound. 1 title 2 blank 3-11 music i publisher's catalogue of Strauss's waltzes up to op. 237 i blank pp. With 19th century Philadelphia music seller's handstamp to title. <br/><br/>Slightly worn and soiled; occasional light foxing. First Edition later issue. Weinmann p. 24. Tobias Haslinger [PN] T.H. 8371 unknown books