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Strauss, David FriedrichAntiquariat.de

( 2 BÄNDE ) Die christliche Glaubenslehre in ihrer geschichtlichen Entwicklung und im Kampfe mit der modernen Wissenschaft dargestellt von Dr. David Friedrich Strauss. Erster (und) Zweiter Band.

Strauss, JohannBiblio.com

Alexander III Russischer Marsch Alexander III Russian March--translation of German title; Includes Grosser Erfolg! Great Success! Schatz-Walzer by J. Strauss Op. 418 which per the back page was Published and Owned by Aug. Cranz Hamburg Also stated on the back page Neueste Tanze newest dances

188654809St. Petersburg Russia: A. Buttner associated with Aug. Cranz of Hamburg 1886. Presumed First Edition First Printing thus from this publisher. Wraps. Good. Oversized approximately 10 inches by 11.75 inches. 8 pages. Wraps Sheet music. Illustrated/lithographed cover. Some soiling and creasing. Text is in German. Johann Baptist Strauss II 25 October 1825 - 3 June 1899 also known as Johann Strauss Jr. was an Austrian composer of light music particularly dance music and operettas as well as a violinist. He composed over 500 waltzes polkas quadrilles marches and other types of dance music as well as several operettas and a ballet. The Russian March is a march by Johann Strauss II Op. 426. The work was premiered on April 29 1886 in the riding hall of the Guard Regiment in St. Petersburg Russia. In 1886 Johann Strauss visited Russia for the first time since 1869 accepting an invitation from the ladies of St. Petersburg society to participate in several charity events. At a gala concert held in the riding hall of the Russian Horse Guards Regiment the composer presented the waltz Les Dames de St. Pétersbourg-written specifically for his Russian tour-which later became known as Wiener Frauen Op. 423. The polka An der Wolga Op. 425 was also composed during this period. Many works created during Strauss's earlier visits to Russia were performed. A new release was the march Garde à Cheval which was later retitled Russischer Marsch. The work was dedicated to the reigning Tsar Alexander III. Incidentally this 1886 trip to Russia proved to be the composer's last. The duration of the piece is 4 minutes and 2 seconds cited in references. This time may vary slightly depending on the conductor's musical interpretation. The Russischer Marsch one of Johann Strauss's 'characteristic marches' belongs to that group of new compositions with which the Viennese maestro charmed audiences attending his series of charity concerts in St. Petersburg in 1886. This trip to Russia made at the invitation of the 'Russian Society of the Red Cross' and a children's charity was to be Johann's final visit there and came after a lapse of seventeen years since his last concert engagement at nearby Pavlovsk 1869. The court society which surrounded the Tsar may have known little of life in Russia thirty years earlier but was well aware of Strauss's reputation as the darling of the public and as a favorite of the Imperial family through his triumphant 'Russian summers' at Pavlovsk during the years 1856-65. The appearance of the Viennese maestro in St. Petersburg in 1886 once again occasioned an outbreak of 'Strauss fever' with shops offering pictures busts and statuettes of the conductor/composer. The venue for the 1886 charity concerts was the vast riding school of the Horse Guards Regiment in St. Petersburg and the 80-strong orchestra of the Imperial Russian Opera had been provided for the concerts. Johann conducted his own compositions. The majority of the works he performed were those which had proved popular in Pavlovsk during the 1850s and 1860s but these were supplemented by more recent works like the Brautschau-Polka op. 417 and Schatz-Walzer op. 418 both based on themes from his latest operetta success Der Zigeunerbaron The Gypsy Baron 1885. In addition Johann composed four new works especially for his 1886 Russian visit - 2 waltzes a polka and a march. It was at his third concert on 29 April 1886 = 17 April Russian calendar that he unveiled his Marche des Gardes à Cheval March of the Horse Guards written as a tribute to the Tsar's bodyguard in whose riding school the concerts took place. Although the Marche des Gardes à Cheval is without doubt "uniquely interesting" as the critic of the St. Petersburger Zeitung opined of this and the polka-mazurka Mon salut = An der Wolga op. 425 its title does not really suit the character of the piece. Far from being a 'cavalry march' in the style of the Grossfürsten-Marsch op.107 or the Caroussel-Marsch op. 133 for example this work is more descriptive of heavily-laden Russian foot-soldiers trudging wearily through the snow even to the extent of the diminuendo at the end of the piece as the column of soldiers disappears into the distance. Thus much more apposite was the name with which the march was rechristened for audiences in Vienna when Johann conducted its first performance there as an encore item during Eduard Strauss's benefit concert in the Musikverein on 7 November 1886: the Russischer Marsch. This was also the title under which August Cranz published the work together with the composer's dedication to "his Majesty Alexander III Emperor of Russia etc. etc" A. Buttner [associated with Aug. Cranz of Hamburg] paperback

Ground Zero Books · États-Unis125,00 $US≈ 105,76 €

STRAUSS, DavidBiblio.com

Das Leben Jesu The Life of Jesus

1835907Tubingen: Oslander 1835. First Edition. Hardcover. Very good. Jesus Without the Myths PMM 300 STRAUSS David Das Leben Jesu The Life of Jesus Oslander Tubingen 1835/1836. Volume 1: Flyleaf TP iii - xvi = Vorrede/Inhalt 1 - 732; Volume 2: Flyleaf TP iii - xii = Vorrede/Inhalt 1 - 750 751 - 752 = Druckfahler small Octavo. First Edition. PMM 300 "The publication of 'The Life of Jesus Critically Considered' aroused a storm of controversy; its revolutionary thesis and content were violently attacked and wrenched out of context. Strauss's principal objective was to explode not only the traditional orthodox view of the Gospel accounts of the life of Jesus but also earlier rationalistic views." PMM. Strauss's first and greatest work a crucial text in the history of biblical studies and of religious scholarship generally. The first consistent systematic application of the then quasi-Hegelian notion of myth to the New Testament and early Christianity offering an epoch-making interpretation of the Christ of the Gospels as the unintentional product of a "mythos" of Messianic expectation already present in ancient Hebrew culture. The book was a scandal which adversely affected Strauss's entire career offending rationalist and orthodox biblical literalists alike. Strauss came to be known as the "alienated theologian" and he died having written a last work - The Old and the New Faith - which eschewed religion altogether in favor of scientific materialism - for which he was savagely attacked by no less than the philosopher Nietzsche. For all of that his work laid the foundation for the cultural and synoptic approaches to the New Testament which have dominated modern Biblical research. This is a critical document in the evolution of the Western religious sensibility. PRINTING AND THE MIND OF MAN 300 CONDITION: Very good in matching contemporary 3/4 leather with marbled boards. Restored spine retaining the original backstrip. Light edge wear. Volume two with small notch at head of spine at the hinge point. Spotting to first and last leaves. Internally clean and fresh. PHOTOS AVAILABLE UPON REQUEST Oslander hardcover

Eternal Return Antiquarian Bookshop · États-Unis1 600,00 $US≈ 1 353,76 €