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19-7851Munich: Royal Bavarian Abolition Fund 1850. . Folio. Single page. Printed on both sides. Good with edge wear and marginal tearing chipping and staining at bottom edges. Includes embossed seal on front and rubber stamp on back. Dated September 14 1850. Signed. Auf Deutsch. Munich: Royal Bavarian Abolition Fund, 1850. unknown
0366403001.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0366627325.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390150003.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1390150321.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
192741186Madrid: Tip. de la "Revista de Arch. Bibl. y Museos" 1927-1935.- 5 Vols. 1 h. 369 p.; 1 h. 396 p. 2 h.; 1 h. 396 p. 1 h.; 1 h. 409 p. 1 h.; 645 p.; 4º 241 x 177 cm; Magníficamente encuadernado en Media Piel de color verde intenso lomo dorado.- RARO. Las últimas 4 hojas del tomo 5º un poco rizadas por causa de la humedad pero se encuentran firmes y fuertes. HISTORIA DEL SIGLO DE ORO ESPAÑOL Libro en español Revista de Archivos, Bibliotecas y Museos hardcover
238124 November 1861; Munich Germany. Written while his brother Maximilian II was on the throne. Following Maximilian’s death in 1864 Bavaria would be ruled by the celebrated ‘mad king’ Adalbert’s nephew Ludwig II. The recipient is Lady Ann Cullum 1807-1875 widow of Rev. Sir Thomas Gery Cullum 1777-1855 8th Baronet of Hardwick House Bury St Edmunds who is referred to as ‘botanist and antiquary’ in his eponymous father’s entry in the Oxford DNB. 2pp 4to. Thirty-six lines neatly and closely written. On first leaf of bifolium. In good condition lightly aged and creased. Folded twice. Good firm signature underlined with flourish. Addressed at foot of first page to ‘Lady Cullum à son Château de Bury St Edmond Angleterre’. He begins with the salutation ‘Milady’ and says that he has heard through ‘M. le Conseiller Dutrône les soins que vous donnez à l’amélioration des Races Bovines désarmées’. He congratulates her for this before proceeding to expound at some length his position that the ‘œuvre’ of dehorning is ‘non seulement agricole mais humanitaire - je dirai même chrétienne puisque les vache désarmées sont moins dangereuses que les autres pour notre prochain’. What she has already done towards in regard to this matter is but a ‘gage de ce que vous ferez à l’avenir. - C’est donc avec un double bonheur que je vous adresse Milady comme signe de ralliement entre les amis cosmopolites de cette réforme un modeste specimen des Médailles d’or fondées l’un en Angleterre au Concours International d’Agriculture de Chelsmford sic l’autre en Allemagne au Congrès International de Bienfaisance de Francfort S mein’. From the Cullum family papers. 4 November 1861; Munich [Germany]. unknown
1848Cat360New York: Atwill 201 Broadway 1848. Folio. Complete at 9 pages. Two songs with lithographic portrait of Lola Montez by Sarony & Major. Soft rag paper. Light foxing else very good. A likely very early American printing of two pieces tied directly to the upheavals of 1848 issued just as news and personalities of the European revolutions were electrifying American audiences. The first “Der Lieben Warnun†Love’s Warning is attributed to Ludwig I King of Bavaria whose abdication in March 1848 followed the political scandal surrounding his relationship with Lola Montez. The second “Les Girondins: Mourir pour la Patrie†with text by Alexandre Dumas and music by Alphonse Varney is one of the most popular revolutionary hymns of the period here presented in English and French. At center is the finely printed lithographic portrait of Lola Montez born Eliza Rosanna Gilbert 1821–1861 identified as “Countess of Landsfeld.†Produced by Sarony & Major the image reflects her brief but consequential position in Bavaria where Ludwig elevated her to the nobility and granted her influence at court. Her presence became politically explosive; student unrest and ministerial crisis forced both her exile and the King’s abdication making her a widely discussed celebrity at the time. <br /> <br /> Montez arrived in the United States in late 1848 quickly converting this notoriety into a touring career. She performed her “Spanish dances†including the sensational “Spider Dance†on stages from New York to New Orleans and later turned to lecturing advertising appearances on “Heroines of History†beauty and personal independence. During the early 1850s she followed the western circuit appearing in San Francisco during the Gold Rush where she commanded high fees and played to packed houses of miners and merchants. She toured through Australia in 1855–56 before returning to the United States where she settled in New York and shifted increasingly toward writing and reform-minded lectures before her death in 1861 possibly of syphilis. The piece was published by Joseph Atwill at his 201 Broadway location which he would abandon soon after to board the steamer Crescent City to Chagres eventually making his way to San Francisco and opening Atwill’s Music Store on Washington St. possibly San Francisco’s first music store before heading off to the mines and then returning to San Francisco a year later to open another music store. OCLC #904564957 locating a single copy at Goucher College. Atwill, 201 Broadway unknown
16235340Ingolstadii: Ex officina typographica G. Haenlini 1623. Hardcover. Near Fine. 4to 27 x 17.5 cm. 17 ff. 388 pp. recte 386 7 ff. with misnumbered pages at pp. 203-06 243-46 and 260-71 1 full-page engraving 20 x 15.5 the platemark. Bound in contemporary blind-stamped pigskin raised bands boards beveled somewhat scuffed clasps missing. Blue edges small hole repaired on half title and engraving ownership inscription of Andechs Abbey on title page minor browning in some quires. An excellent and unsophisticated copy. First edition of a rare volume of prose and verse glorifying the military exploits of the Prince-Elector Kurfürst of Bavaria Maximilian I 1572-1651 by members of the University of Ingolstadt as compiled by the Jesuit philosopher-theologian Georg Stengel 1584-1651. The Gloria Bellica is an important witness to the intertwining of princely power university politics and religious sectarianism at the onset of the Thirty Years War 1618-48. Published in the year of Maximilian's elevation to Prince-Elector 1623 the book seems to have been an attempt by faculty at Ingolstadt to secure his favor. The increasingly Jesuitical university would be frequently imperiled during the flux of the war and quickly identified Maximilian himself educated by Jesuits as an important military protector. Maximilian's central role in the German Catholic League had been essential in checking the power of the Protestant Union. The volume is especially notable for its full-page prefatory engraving executed by the Augsburg artist Daniel Manasser a highly detailed and elaborate allegory charting Maximilian's martial rise and the praise conferred on him from various secular and sacred sources. Merchants clerics Liberal Arts herself and a throng of lesser citizens crowd together to salute Maximilian as he rides upward on the back of Pegasus toward the Olympian gods reclining in the empyrean; the demigod Hercules mediates between heaven and earth while battling Nessus and the Lernaean Hydra. Flanking Maximilian's ascent are 8 groups from whom he receives "Gloria": his enemies his commanders and soldiers muses and scientists hometown Bavaria the Catholic League the Holy Roman Emperor Ferdinand I the pope and church and indeed Mary Christ and the saints. The text of the Gloria Bellica is arranged as a fuller version of this scheme with 20 chapters each detailing a source Maximilian's glory. OCLC identifies U.S. copies at Harvard Trinity CT Georgetown and Chicago. VD 17 23:231047E; De Backer/S. and VII 1550 32; Lentner 3774; Pfister I 4297; Mario Praz Studies in Seventeenth-Century Imagery Rome: Edizioni di Storia e Letteratura 1975 pp. 503-04. <br/> <br/> Ex officina typographica G. Haenlini hardcover
1856I14FWQ4I6CYWMünchen: Johann Palm 1856. Half light brown buckram marbled boards gilt-lettered title on spine. Large 8vo. With the royal coat-of-arms of Bavaria on the title-page. First edition of a new Pharmacopeia for the Kingdom of Bavaria ordered by the liberal King Maximilian II 1811-1864 who succeeded his father in the revolutionary year 1848 to replace the obsolete Bavarian Pharmacopeia of 1822. The compilers of the new work were a.o. Prof. Max Pettenkofer Hofapotheker and first German Hygienist 1818-1901 and Dr. Ernst Aug. Buchner. Library stamp on title. Some stains especially on the first leaves otherwise in good condition.l The afterword by Wolgang Schneider in the reprint of the Pharmakopoe of 1988; Neues Repertorium für die Pharmacie vol. 9 1859 3. Abschnitt pp. 39-43. Johann Palm, hardcover
53272Original decorated paper cover 4° 22 x 16 cm. B10034Historial pamphlet on 1394. Albert I Duke of Lower Bavaria German Albrecht 1336-1404 was a feudal ruler of the counties of Holland Hainaut and Zeeland in the Low Countries.This rare pamphlet is a reprint of the original older edition as mentioned on the titlepage 'Na de eerste copye van Amsterdam by Willem Jacobsz. Engelenborgh'. This is Willem Jacobszoon working in Amsterdam from 1548-1568. The legal rules are dated between 1387-1521/ Special sections for Diemen Loosdrecht Weesp and Abcoude. The words 'ende Zeeburch' are a bit out of order they should have been put after 'Aemstellant ende Goylant'. This 17th century pamphlet is rare and of great historical importance.The pamphlet is also mentioned in the catalogue of the literary legacy of Jacobus Koning 1770-1832 in 1833. Jacobus Koning was a bookseller book colleter and published some works on Dutch history. He as also a registrar at the municipal court of Amsterdam in 1811. Member of the KNAW Koninklijke Nederlandse Academie voor Wetenschappen. See our number <strong>B10035 </strong>for this item<strong>. </strong> Rechtsregels voor Amstelland en Gooiland. Herdruk door Van Poolsum van een veel oudere editie gedrukt zoals op de titelpagina is vermeld: 'Na de eerste copye van Amsterdam by Willem Jacobsz. Engelenborgh'. Dit is Willem Jacobszoon werkzaam te Amsterdam van 1548 tot 1568. De rechtsregels zijn gedateerd tussen 1387 en 1521. Speciale alinea's betreffen Diemen Loosdrecht Weesp en Abcoude. De woorden 'ende den Zeeburch' in de titel zullen wat verschoven zijn en behoren te staan na 'Aemstellant ende Goylant'. Ook de hier aangeboden 17de- eeuwse druk is zeer zeldzaam. unknown
108036S.l.n.d. Munich 1747. Frontispice fac-similé. 98 pages. 23x19 Cm. Plein veau blond. Dos à nerfs orné. Pièce de titre en maroquin havane. Tranches dorées. Dos et plats frottés. Coiffes élimées. Manque un feuillet à la fin. Cette édition tirée à petit nombre de mise en vers de la fameuse paraphrase française du psaume Miserere par madame d'Aulnoy est entièrement gravée par le graveur munichois Jungwirth. Marie Antoinette fut une figure importante des arts de son temps. Outre ses activités de mécénat elle était également écrivain peintre et compositrice. Frontispice en fac-similé. État correct pour ce livre rare. Manque un feuillet à la fin du livre. S.l.n.d. (Munich, 1747). unknown
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