Harding - CousenMareMagnum
312 résultats
Veduta dell'interno del Battistero, tratta dall'opera di Camillo Mapei " Italy / Classical, Historical and Picturesque "
in-8°,357 pages, nombreuses illustrations in texte, broche, couverture illustree. Exemplaire débroché. [CA33-8]
The most beautiful early 21st century evocation of Venice, with 35 ORIGINAL ETCHINGS BY HENRI PAILLARD. Published by Henri BÈraldi's SociÈtÈ des Amis des Livres, among the most exclusive bibliophile societies, in an EDITION LIMITED TO ONLY 100 COPIES, ALL PRINTED ON FINE ARCHES WOVE PAPER. This is copy number 53, printed for AndrÈ Aude. Laid in is a typed note to Aude from Jean Borderel, treasurer-archivist of the SociÈtÈ, signed in ink by Borderel. Large 4to. Loose as issued in original wraps. FINE AND BRIGHT, in the original chemise and (lightly stained) slipcase. Rare.
Grand livre du mois, 2006. In-8 broché de 508 pages illustrées. Très bon état
Paris - Plon - 1860 - In-8 - Broché - Frontispice + gravure PP HT - 405 p - Très propre intérieurement
A clean, unmarked book with a tight binding. Previous owner's name inside. 7 1/4"w x 9 3/4"h. 264 pages. Light wear to cover. Many b&w illustrations.
Ex-library book with the usual stamps, stickers, etc. Book has been re-bound by the library into very heavy, strong white covers that are new. Dust jacket has some tears and chipping but in wrapped completely (again, by the library) in a protective cover. Text block is flawless with 158 pages of text plus plates, 400 illustrations, including 16 color plates. Contents include Lacquer in the 17th Century " " in the 18th Century, Lqcquer in England and the North American Colonies, Italian, German, French, Scandinavian, Russian and Lacquer of the Netherlands, the Lacquer Industry. From the reference section, this book was not generally circulated.
New English Original decorative cloth bdg. Folio. (33 x 33 cm). In English and Turkish.155 p., color and b/w ills., maps (some folded). Some of plans - maps and their makers from the contents of book: "The earliest city planning sketches displaying the then status of the city are the plans drawn by Livio Amedeo Missir located at the Santa Maria Church.", The well-known geographer Jean Denis barbie de Bocage's plan, In 1830s, British Navy Officer's plans, Luigi Storari's plan, Lamec Saad's plan, Charles Goad's plans, Karl Baedeker's plans, and very important maps of Izmir (Smyrna - Smyrne) city. 500 copies were printed.
New English Paperback. Pbo. 4to. (28 x 24 cm). In English and Turkish. 232 p., ills. Annual of Istanbul studies. No: 1 / 2012.= Istanbul arastirmalari yilligi. No: 1, 2012. Edited by Erkan Bora. Istanbul holds a leading place among research areas of contemporary sociology and urban design. In the wide spectrum of research fields, ranging from archaeology to history, from art to literature, and from religious culture to daily life, the city provides answers to humanity's fundamental queries. Is this merely a coincidence or a mesh of problems in dire need of a resolution, stratified throughout history from the past to present? If our answer entails resolving this mesh of problems on the scale of Istanbul, then we can certainly call for a common denominator through which diverse opinions and approaches can counter with one another. The Annual of Istanbul Studies thus begins its publishing life to compensate for this need in terms of modern scientific thought.
New English Paperback. Pbo. Small 4to. (26 x 19 cm). In English and Turkish. 324 p., ills. Annual of Istanbul studies. No: 2 / 2013.= Istanbul arastirmalari yilligi. No: 2, 2013. Edited by Erkan Bora. Contents: Icindekiler: Sunus Foreword Yavuz, Mehmet Fatih / Kyaneai Kayasini Ziyaret Eden Batili Seyyahlar, Diplomatlar ve Kaya Uzerindeki Sunak & Yazit Aydingun, Sengul / Kucukcekmece Golu Havzasi (Bathonea?) Kazilari (2009¿2012) Aydingun, Sengul / Istanbul'un Avrupa Yakasindan Alt Paleolitik Cag'a Ait ¿Iki Yuzeyli Alet¿ Aydingun, Sengul - Ahmet Aslan - Durdane Kaya / Kucukcekmece Gol Havzasi (Bathonea?) Kazilarinda Ele Gecen Unguentariumlar Sayar, Mustafa H / Kucukcekmece Golu Kuzeybati Kiyisinda Ortaya Cikarilan Yapilarda Bulunan Tuglalar Uzerindeki Damgalar Hakkinda On Rapor Tekin, Oguz / Excavation Coins and A Byzantine Weight from Kucukcekmece Lake Basin Tekin, Oguz / The Solidi of Foundation Deposit from the Excavation at Kucukcekmece Lake Basin Featherstone, J. Michael / Luxury in the Palace: The Buildings of Theophilus Erdogan, Esra Guzel / Bizans'in Son Doneminde Manastirlar ve Insan Sevgisi (Philanthropia) Ousterhout, Robert G / From Hagia Sophia to Ayasofya: Architecture and the Persistence of Memory Tarim, Zeynep / Alâyi Humâyûnlarin Guc ve Guzellik Sembolleri: Solaklar Keskiner, Philippe Bora / Sultan Ahmed III's HadithTughra: Uniting the Word of the Prophet and the Imperial Monogram Ozkaya, H. Gokcen / 18. Yuzyil Istanbul Evlerine Secme Orneklerle Bir Bakis Celik, Gozde / Istanbul Tarihi Yarimadasi'nda Tanzimat Doneminin Kâgir Konaklari Saner, Turgut / HayalEt Yapilar Saridikmen, Gul / Turk Resminden Orneklerle Istanbul'un Degisen veya Gunumuze Ulasmayan Cesme ve Sebilleri Yilmaz, Nazende Ozturk / Sur Ici ve Uskudar'da Bati Muzigi Mekânlari Ozguven, Yekta / II. Mahmud Doneminde Kent Kavrayisinin ve Temsiliyet Teknolojilerinin Degisimi Ilban, Ozlem / Kislalarin Sehri: Sultan II. Mahmud'un Istanbulu Goncu, T. Cengiz / Bogazicinde Bir ¿Sahilsarayi Ferahfezâ¿: Beylerbeyi Sahilsarayi Humâyûnu Tanman, M. Baha / Osmanli Mimarliginda Ampir Uslup Etkilerinin Ortaya Cikisina Iliskin Bazi Gozlemler Turkantoz, Kayahan / Istanbul¿un Tarihi Topografyasinda Ulasim Eksenlerinin Incelenmesine Bir Ornek: Tophane Taksim Ekseni Uras, H. Buke / Edoardo De Nari: Imparatorluk Baskentinden Cumhuriyet Istanbulu'na Ozgun Bir Italyan Mimar Tanyer, Turan / Olumunun 50. Yilinda Bir Istanbul Tarihcisi: Halûk Yusuf Sehsuvaroglu Durhan, Sila / Bir Kentsel Mekân Tahayyulune Dair: Taksim Meydani Uz, Funda / Kentsel Anlatilarin Izinde: Seksenler Istanbulu'ndan Bugune Kent Fragmanlari Ozel, Mehmet Kerem / Istanbul'da Mimarsiz Cami Mimarligi Ozetler | Abstracts Istanbul Bibliyografyasi.
New English Paperback. Pbo. Small 4to. (26 x 19 cm). In English and Turkish. 258 p., ills. Annual of Istanbul studies. No: 3 / 2014.= Istanbul arastirmalari yilligi. No: 3, 2014. The urban transformation project remains on the agenda, creating new debates every day. Istanbul's urban identity is at the center of these debates. As the clash between old and new takes on political significance, the fundamental problem finds expression in the cultural sphere. The crux of the matter is whether to keep intact Istanbul's identity as a historical city or to transform it into a synthetic identity that some claim includes the old. The truth is, no matter how complex the problem, we lack the knowledge about Istanbul as a historical city. This lack in turn causes lack of awareness. And an awareness configured in this way chooses not construction but destruction, which is the easier route under all circumstances. Annual of Istanbul Studies issues its third volume for the world of science and culture. This volume includes research papers that present us a strong point of view focusing on Istanbul's identity as a historical city. How will the Istanbul of the near future look? Have we developed the criteria for assessing and evaluating this urban landscape? These questions of vital importance will no doubt be addressed in our volumes to come. We would like to take this opportunity to emphasize that we will be happy to receive suggestions and contributions from scholars and intellectuals.
New English Paperback. Pbo. Small 4to. (26 x 19 cm). In English and Turkish. 286 p., ills. Annual of Istanbul studies. No.4 / 2015.= Istanbul arastirmalari yilligi. No.4, 2015. The urban history of Istanbul holds several important breaking points. Tanpinar, for example, makes the following assessment on the rupture that took place at the turn of the 20th century: "In the fifteen years between 1908 and 1923, [the city] has completely lost its former identity. The reforms instigated by the Constitutional Monarchy, three big wars, a series of fires of various magnitudes, financial crises, the dissolution of an empire, and, finally in 1923, the adoption of a civilization at the verge of which we stood scratching our heads for a century, have completely eradicated her former identity." This radical change was followed by the onset of rural to urban migration. Today, Istanbul is in a process of transformation in which she battles her own historic identity. Istanbul Research Institute is carefully following this process. The Institute maintains its focus on Istanbul's urban identity through a series of exhibitions, conferences, and books. The latest issue of Annual of Istanbul Studies thus includes exhaustive works on the historic identity of the city.
New English Paperback. Small 4to. (26 x 19 cm). In English and Turkish. 190 p., ills. The seventh volume of Annual of Istanbul Studies makes space for interdisciplinary approaches to Istanbul's different periods. This volume, which presents topics delving into urbanization in Byzantium, cultural history of Renaissance, material culture, social and military history of Ottoman Empire, and the early republican art history, comprises of: Registrars of Urban Movement in Constantinople: Monumental Columns and the Mese by Pelin Yoncaci Arslan, The Ritual of the Blessing of the Waters and Copper Alloy Vessels by Brigitte Pitarakis, A Re-evaluation of the Spolia Used in Topkapi Palace Revan Kiosk by Zeki Boleken, Francesco Sansovino and City, Architecture and Daily Life in Historia Universale Dell'origine et Imperio de Turchi by Aygül Agir, Headdress Worn by the Janissary Officer Core: An Essay on the Kalafat and Çatal Kalafat Headdress by M. Burak Çetintas, A Neglected Element of Ottoman Garden Design: Garden Wall Lattices and Screens by M. Baha Tanman, Architectural Re-arrangements Undertaken by Vedad Tek for Yusuf Izzeddin Efendi at Zincirlikuyu Mansion by Müjde Dila Gümüs, Spatiality of the Rebellions: The Female Rebels of Istanbul and the Architectures of Discontent (1730-1908) by Ugur Tanyeli, A Tenbihname on Fire Published in Abdulaziz's Era: Some Remarks by T. Cengiz Göncü, German Attempts at Supply Economics and the State of the Istinye Munition Factory During the First World War by Zeynep Güler Sabanci.; Belkis Mustafa: 'Art is Long, Life is Short' by Seda Yavuz.
Splendida incisione su acciaio del 1860 circa, riproduzione di un quadro di Joseph Mallord William Turner (1775-1851) ora conservato presso la Tate Gallery. Il dipinto venne esposto per la prima volta nel 1840. L'incisione mostra il famoso Ponte dei Sospiri a venezia. A sinistra il Palazzo del Doge e a destra il palazzo delle prigioni. TECNICA: Incisione su acciaio INCISORE: J. C. Armytage DIMENSIONI FOGLIO: cm 32,5x23,5 DIMENSIONI INCISIONE: cm 26,5x17,5 EPOCA: 1860 circa CONDIZIONI: Ottime, rare fioriture. Beautiful steel engraving of around 1860, reproduction of a painting by Joseph Mallord William Turner (1775-1851) in the Tate Gallery The painting was exposed for the first time in 1840 The engraving shows the Bridge of Sighs. In the left the Doge Palace and in the right the Prison Palace. ENGRAVING: steel engraving ENGRAVER: J. C. Armytage LEAF DIMENSION: cm 32,5x23,5 ENGRAVING DIMENSION: cm 26,5x17,5 DATE: around 1860 CONDITIONS: Very good, occasional foxing
A clean, unmarked book with a tight binding. Full maroon cloth boards with pasted-down illustration. Slight edge wear to dust jacket. 9"w x 7 3/4"h. 224 pages. Illustrated throughout with contemporary drawings and paintngs by Corot, Roberts, Pritchett, Turner, and Lear among others. Color maps of the period.
A clean, unmarked book with a tight binding. Full maroon cloth boards. Slight edge wear to dust jacket. 9"w x 7 3/4"h. 224 pages. Illustrated throughout with contemporary drawings and paintngs by Corot, Roberts, Pritchett, Turner, and Lear among others. Color maps of the period.
87pp. + 9 planches hors-texte, 25cm., brochure originale, bon état, [Laurent de Brindes, né à Brindisi 1559, mort à Lisbonne 1619, père d'église (1959)], H30587
In-8, 283p. Illustré de 16 hors-texte.
in-12 de 277 pp., illustrations, broche, couv.— Exemplaire numerote. Couverture effrangee sinon bel exemplaire. [BL-11]
Edition originale de cet ouvrage publié par l'écrivain et poète Gil JOUANARD (1937-2021), livrant l'intime et poétique vision de "sa" Venise: "D'un revers de main, j'écarte les frondaisons architecturales pour m'enfoncer dans une jungle pluviale, dont chaque volute est aussi liane et tentacule, bras de méduse et chevelure de Pythie, Gorgone et Mélusine. [...] C'est le territoire du retour éternel aux origines de notre mémoire d'amphibien [...] Une légère secousse de la main de Neptune, un coup d'épaule sismique de Vulcain, et tout ceci retournerait au roseau, à la salicorne, à l'aster, aux volubilis et à l'euphorbe, sous l'oeil gourmand des foulques, des hérons, des martins-pêcheurs et des poules d'eau."; ornée de 16 dessins aquarellés de Jean-Christophe DONNADIEU; extraits du catalogue éditeur in fine. Français
This is a very good hardcover copy with just light wear. Completely clean inside and out. Text in English and Italian. Published on the occasion of Venice Biennale 53. The installation by Joseph Kosuth in June 2007, was inspired by the historic character of the island of San Lazzaro in the lagoon of Venice. On this island centuries ago a monastery was established and over time the library in this place became well known. This part of the island was a sanctuary for Armenians and became known as 'Little Armenia'. Joseph Kosuth's installation consists of a series of long inscriptions in yellow neon that extend across the whole surface of the church. The inscriptions are in Italian, English and Armenian. Illustrated with color photographs and one 5 panel gatefold that is tipped in at the end. Also black & white photographs documenting the installation in progress. 13" high X 11" wide, 102 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
In-folio, 32x44, con titolo, edizione di difficile collazione, stampata dall’autore. La nostra copia presenta10 titoli intermedi, 7 tavole litografiche (manca la tav. G) e 83 tavole incise (di cui 11 colorate a mano). Fogli sciolti con fogli di separazione in carta velina, in cartella originale, lacci. In-folio, 32x44, with title, difficult-to-collate edition, printed by the author. Our copy has 10 intermediate titles, 7 lithographic tables (table G is missing) and 83 engraved tables (11 of which are hand-colored). Loose sheets with tissue paper separator sheets, in original folder, laces.
FIRST AND ONLY EDITION of this extremely detailed, rare, and important account of the siege of Candia (now Heraklion, Crete), then held by Venice, by the Ottomans. 24, 345, 4 pp. 12mo. Bound in contemporary calf, with spine gilt in five compartments. Binding somewhat worn but still solid and attractive. Internally clean.
A Paris, de l'Imprimerie de Lebègue, chez Favre [...] Le Normant [...], 1811, volumi 2, in-8, bella legatura coeva in mezza pergamena, dorsi lisci con fregi in oro e titolo su tasselli in pelle rossa, piatti in carta marmorizzata, segnapagine in seta, pp. XIV, 293, [3] - [4], 442. Ottimo esemplare.
363pp VG/none Presumably first edition, not dated, ca 1900. Editorial strong red cloth with gilt medal and lettering on front board and spine, spine lightly creased and with tiny label and attractive private ex-libris on pastedown, paper age-browned, overall a VG nice copy. Volume from the series La Peinture en Europe, with a hundred b/w photos and six maps of Venice boroughs. Probabilmente prima edizione, ca 1900, in francese. Copertina editoriale tutta tela rossa con decorazione e scritte dorate al piatto e al dorso, dorso lievemente increspato con minuscola etichetta, ex-libris privato alla sguardia, carta lievemente brunita, nel complesso un buon esemplare. Volume della serie La Pittura in Europa, con cento riproduzioni fotografiche in b/n e sei mappe dei quartieri di Venezia.
