20 résultats
17971504061797. ZANETTI Anton Maria and Marco BOSCHINI. Della pittura veneziana trattato in cui osservasi l'ordine del Busching e si conserva la dottrina e le definizioni del Zanetti. Two volumes. viii 145 i.e. 245 3 including final blank pp.; 256 i.e. 272 pp. Each volume illustrated with an engraved frontispiece. 8vo. 165 x 110 mm bound alike in contemporary paste paper decorated with red flowers against a striped ground later glassine wrappers. Venice: Presso Francesco Tosi 1797. First Edition based on Boschini's Le Minere della pittura 1664 and Zanetti's Della Pittura Veneziana 1771 with additions by the publisher Tosi. Both Boschini and Zanetti were of fundamental importance to the history of art in Venice. Schlosser-Magnino calls Boschini's guide "the first true artistic guide to Venice" and Zanetti's inventory of Venetian painting "one of the best in its genre" p. 548. This handy set combines their work into a comprehensive practical guide to monuments of Venetian art and architecture including a final section Istoria della Pittura Veniziana sic with biographies of artists; and an addition made in 1797 identifying paintings that were transported out of Venice by military force the same year. Marco Boschini 1613-1678 was a Venetian painter engraver and art dealer whose most important client Cardinal Leopoldo de' Medici commissioned him to purchase Venetian paintings for the Medici collection. Zanetti 1706-1778 was the librarian to the famed Marciana Library in Venice for forty years and his familiarity with the art and artists of his city and his access to library records helped to produce his remarkable books. On Zanetti's guide Cicognara adds: "This is the best of the works which deal with Venetian painting and if every principal city possessed a book so arranged and executed we should have gathered together the materials for the best general history of art". Fossati-Bellani 2339. Cicogna 4661. Schlosser-Magnino pp. 548-549. Cicognara 2412 Zanetti & 4350 Boschini. unknown books
1870WRCAM51331Venice 1870. Panoramic photograph 11 1/4 x 150 inches. Mounted on card linen-backed in nine sections folding into leather slipcase stamped "VENISE" in gilt. Light surface dusting. Slipcase worn and partially split. Panorama near fine. An amazing panorama of the "Queen of the Adriatic." Measuring over twelve feet this striking panorama shows the southern side of Venice as taken from the bell tower of the Chiesa del San Giorgio Maggiore a 16th- century Benedictine church located just east of the barrier island of Giudecca directly opposite San Marco and the Doge's Palace. The photograph shows the entire expanse of the city from the western end to the public gardens on the eastern extreme of the island and depicts a bustling port city with numerous ships running in the Venetian Lagoon. A stunning and important photographic record of one of the planet's most romantic cities. hardcover books
38244267 pp. papers read at the conference on international developments in cinema in the early post-War period texts by numerous noted scholars notes lists of films list of exhibitions pertaining to cinema. Large 8vo. Wrpps. Rome Bianco e Nero 1949. Contributors include Fritz Koselka Jean George Auriol Lorenzo Quaglietti Roger Manvell Umberto Barbaro Glauco Viazzi Sinclair Road Ermanno Contini Guido Aristarco et al. unknown books
1970232456Venice 1970. Printed circa 1984. Each SIGNED in ink below the image. 1 vols. Each approximately 13 x 9 inches. Fine. Printed circa 1984. Each SIGNED in ink below the image. 1 vols. Each approximately 13 x 9 inches. Venice by Kessel. Lovely luminous group of Venetian views lovingly shot and printed by the Russian-born photographer Kessel 1902 - 1995 whose work for LIFE magazine won international acclaim. As he wrote in his book ON ASSIGNMENT: DMITRI KESSEL LIFE PHOTOGRAPHER New York Abrams 1985: "In sun rain fog snow photographing Venice was for me a labor of love "<br/><br/>The photos include several views of St. Mark's Square including the Basilica a snowy view of the Doge's palace the Campanile vaporettos parked in a canal gondolas floating in the lagoon one of the famous bronze horses undergoing restoration and others. unknown books
1631222651Lugd. Batavorum Leiden: ex officina Elzeviriana 1631. First Elzevir edition. 2 leaves including engraved title showing the Venetian lion by Claude Duysend 506 pp. 9 leaves Index. With 7 engraved plates most are folding some split at folds. 1 vols. 24mo. Contemporary vellum. Very good. First Elzevir edition. 2 leaves including engraved title showing the Venetian lion by Claude Duysend 506 pp. 9 leaves Index. With 7 engraved plates most are folding some split at folds. 1 vols. 24mo. A Defense of Republicanism. An in-depth study of the institutions of the Venetian republic by this Florentine author first published in 1540 written with the hope of establishing a similar representative form of government in Florence. The "Notes" second part pp. 289-416 are by Niccolò Crasso as well as the final section De forma reipublicae venetae pp. 416-506. Cicogna 1072; Willems 353 with no mention of plates ex officina Elzeviriana unknown books
1987279225Venice: Venice Design 1987. hardcover. very good. Many color illustrations. 79 square 4to turquoise cloth with inlaid color photograph on front cover. Venezia: Venice Design Art Gallery 1987. A very good copy.<br/><br/> Text in English and Itlaian<br/><br/> Venice Design unknown books
19589471Venice Italy: Venice Biennial 1958. Softcover. VG. Wraps. 32 pp. 15 bw plates. Introductory remarks by Porter A. McCray. Essay on each artist is bilingual. Each artist Seymour Lipton Mark Rothko David Smith and Mark Tobey is represented by 18 works. Venice Biennial unknown books
1955136169Venice Italy: Casa Editrice Arte Veneta 1955. Hardcover. G Glossy pages have tanned in margins dj is present but shows moderate wear and tape repairs plates are still good. Cream boards BW illus. dust jacket 317pp. Profuse bw plates 1 color plate. Text in Italian. Issued in conjunction with a 1955 exhibition featuring the work of Italian High Renaissance painter Giorgione 1477-1510. Casa Editrice Arte Veneta hardcover books
195518935Venice Italy: Casa Editrice Arte Veneta 1955. Hardcover. Good; sunning to spine; light soiling to covers; sunning to page edges library stamp inside front cover no other marks. Cream boards. 295 pp. Profuse bw plates 1 color plate. Text in Italian. Issued in conjunction with a 1955 exhibition featuring the work of Italian High Renaissance painter Giorgione 1477-1510. Casa Editrice Arte Veneta hardcover books
11774Three 19th Century Photographs of Venice Italy. First photograph sepia tone 10 x 7.5" Image of front view of St. Mark's Cathedral the most prominent church in of the city of Venice. Second photo sepia tone 9.5 x 7.25" photo of a close up of a horse statue outside of St. Mark's Cathedral. photo has a small tear on top right corner. Third photo sepia tone 9.5 x 7.25". Photo of the Ducal Palace. The palace is the highest and richest symbol of Venetian civilization of its cultural military political and economic history. In excellent condition. unknown books
13933Original 19th Century photograph showing a venice canal with a bridge reflecting into the water and gondolas docked to the side. The photograph is very large measuring 10-1/2"x14" and mounted on heavy cardboard to an overall size of 14"x20". The Ponte dei Sospiri or "Bridge of Sighs which is the focal point of this photograph is an enclosed bridge passing over the Rio di Palazzo which connects the prison to the interrogation rooms in the Doge's Palace. The bridge got its name because the view through the narrow stone-barred windows was the last sight of Venice convicts got to see before being led to their imprisonment. Catalogue numbered in the lower left hand corner within the photo "9. Venezia/ Ponte dei Sospiri." Another image of the same size and condition is on the verso labeled within the photo "38. Venezia/Palazzo Ducale." Moderate staining and warping to cardboard but photograph itself is in fine condition. unknown books
13934Original 19th Century photograph showing St. Mark's square Piazza San Marco in Venice. The photograph is very large measuring 10-1/2"x14" and mounted on heavy cardboard to an overall size of 14"x20". Shows a view of Saint Mark's Square the principal public square in Venice and a location used in countless artworks films and literature through the centuries. A remark attributed to Napoleon calls the Piazza San Marco the "drawing room of Europe." The square has been remarkably unchanged by time and appears very similar in paintings of 300 years ago to this photograph of over 100 years ago and as it is today. Catalogue numbered in the lower left hand corner within the photo "48. Venezia/ Piazzo S. Marco." Another image of the same size and condition is on the verso labeled within the photo "25. Venezia/Loggetta." Moderate staining and warping to cardboard but photograph itself is in fine condition. unknown books
1830D7073Venice: Eugenio Testolini n.d. c. 1830. Hardcover. Very Good. Publisher's half brown cloth and printed boards; oblong folio 240 x 343 mm; contains lithographed title-page with inset view of a gondolier and 11 beautifully hand-colored lithographed plates many with the embossed stamp of the publisher in the lower margin. Boards soiled and scuffed; spine tips corners and edge of boards lightly bumped. Nice and bright on the inside! Aside from some faint marginal foxing plates are simply lovely. <br/><br/> Eugenio Testolini hardcover books
184336123Venice: F. Andreola 1843. hardcover. Fascicolo XVIII. 64pp. Folio full red morocco fine gilt floral borders back gilt green moire endpapers a.e.g. Venezia: F. Andreola 1843.<br/><br/> F. Andreola unknown books
1763LD15791Venice: Apud Nicolaum Pezzana 1763. Hardcover. Very Good. 18th-century Italian tan morocco gilt-stamped to both covers with central armorial device: a double-headed crowned eagle after Rome and over three sets of seven balls after De Medici all surmounted by crown and with four gilt foliate cornerpieces spine gilt in six compartments enclosing acorn device green and pink silk headbands red speckled pastedowns two blue silk index tabs all edges gilt; circular stain - not too bad - on front cover remnants of silk index tabs some light edgewear. 4to 245 x 165mm. 632 pp. cxci. Sold as a binding. <br/><br/> Apud Nicolaum Pezzana hardcover books
D14686Ephemera. Very Good. Group of landscape photographs in sepia ca. 19 x 25.2 cm each mounted on black board 23.5 x 30.5 cm all edges gilt showing the Piazza San Marco from various views; the logetta underneath Campanile Sansovino; Basilica di San Marco and the Battisterio; Porta della Carta; Santa Maria della Salute; Santa Barnaba signed O. Nayatot; Scala dei Giganti; the Arsenale; monuments to Titian and Canova; the tombs of Doge Vendramino and Doge Loredano; the Orologio clock; Ponte Rialto; Ponte dei Sospiri; Palazzo Ducale exterior and Sala dei Pregadi Sala del Maggior Consiglio Cortile; Canal Grande with a view of Palazzo Cavalli and Chiesa della Salute numbered 18638 in lower left corner; the Palazzo Reale loggia; Palazzo Vendramin; Palazzo Cavalli/Franchetti; Palazzo Contarini; Palazzo Pesaro; the Palazzo Minelli staircase; the canal between Palazzo Wanaxel and Palazzo Salviati perhaps from a different series; a view of Isola San Lazzaro; and panoramas. <br/><br/> unknown books
1682164997La Haye: Moetjens 1682. hardcover. very good. Trad. de l"Italien. Avec un Supplement touchant les Sectes des Caraaites & Samaritains de notre temps. Engraved pictorial half-title cropped close at the bottom edge. 24mo old boards; worn lacks front flyleaf internally near fine. A La Haye: Adrian Moetjens 1682. Very good. Scarce.<br/><br/> Third edition revised & augmented with a second part separately titled: Comparaison des Ceremonies des Juifs et de la discipline de L'Eglise par le Sieur De Simonville 1682.<br/><br/> Moetjens unknown books
1969302589London Faber and Faber 1969. 1969. First edition so stated. 8vo. About 10 b/w vignettes by the author. Glossary. Dust jacket price clipped. Very good. 168 pages. No signatures or bookplates. Small bookseller's ticket on the front pastedown. 1st Edition. Hardcover. Very Good/Very Good. London, Faber and Faber [1969]. hardcover books
199333461Brooklyn New York: The Brooklyn Museum 1993. Softcover. VG. Color pictorial wraps. Unpaginated approx. 48 pp.; Numrous color plates. Text in Italian and English. Includes a lengthy essay by Charlotta Kotik as well as an artist chronology. The Brooklyn Museum unknown books
189522206Italy: No Photographer Noted 1895. A series of loose plates with tipped-on photographs on paper in black and white; about 1/2 of the plates with 2 images; sizes vary with the largest approx. 10" x 13" and ranging to 3" x 6" for those having 2 plates per page; especially well-taken with gravure quality and fine detail; views of the upper cupolas; ornate frieze-work; many of the column-tops and detailed ornamentation; no photographer or studio indicated; some with numbers on the plates which correspond to numbers found in the impress margins and with an additional sequence of numbers found at the edge of the stiff-paper matte-surround; the mounts make these 12 1/4" x 15 1/2" approx.; small rubber stamp of the School of the Museum of Fine Arts on the backs of the mounts which is the only marking; occasional spotting on the mounts some with some darkening towards the margins and edge-chipping wear a little rippling too; imagery generally very good and clean; a good collection and a detailed reference for this Venetian architectural masterpiece. . Art. Not Bound. Very Good. No Photographer Noted Paperback books