312 résultats
grand in-8°, 127 pages. illustre de nombreuses photos en couleurs dans et hors texte + un plan de la ville, broche, couverture illustree. Tres bel exemplaire. [WE-CA]
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Italian. 464 p. Turco - Venetta.
As New Italian Paperback. Mint. Folio. (32 x 27 cm). In Italian and Turkish. 298 p., many color and b/w plates. Vedute di Venezia ed Istanbul attraverso i secoli dalle collezioni del Museo Correr-Venezia e Museo del Topkapi-Istanbul.= Istanbul Topkapi Sarayi Müzesi ve Venedik Correr Müzesi koleksiyonlarindan yüzyillar boyunca Venedik ve Istanbul görünümleri. [Exhibition catalogue]. 10 Aprile-Nisan / 10 Guigno-Haziran 1995, Museo del Topkapi.
Fine English Venedik 1900 - 2000., edit by: Bülent Özükan, Ersin Altin; Boyut yayin grubu, Ist., 2004. Paperback. Pbo. Demy 8vo. Fine. 79, [14] p. B/w and color ills. Last 14 p. including color Venice map. Boyut publishing architecture and urbanism No. 24.
No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 267pp. Detailed study of the paintings of Venetian artists Titian and Bellini from the 15th and 16th centuries with 222 illustrations.
4to., First Edition, with fine coloured frontispiece, and coloured and monochrome full-page reproductions; pictorial wrappers, a fine copy. An invitation card to the exhibition and a 'Venice in Peril' flier are loosely inserted. The catalogue was sold in support of the Venice in Peril fund.
8vo., Second Impression, with 17 plates on 8; blue cloth, gilt back, a fine copy in unclipped dustwrapper. Published in the same month as the first edition. Lees-Milne's delightfully personal account of a city he had known for over sixty years. Very elusive in this condition
Book is in excellent condition with a little shelf wear to covers only. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows very slight edge and corner wear, no tears. 109 pages of full page photos, about a thrid of which are in color, almost all of these being mosaics very rich in gold, detail, the Last Supper, etc. The b&w photos are of Venice proper, sculpture, bridges, canals, boats, facades, architectural detail.
45x32cm., [26p.] Album de 26 photographies (tirages albuminés) de paysages vénitiens de Carlo Naya, de dimensions 34x26 cm, dont 4 photos en couleurs présentant une forte tonalité bleue, donnant un "effet nuit", et retouchées à l'aquarelle. Tampon de l'atelier sur certaines pages, mais pas sur toutes. Quelque traces d'usure sur la reliure, sinon très bon état.
Together 1586 pages dealing with the history of Venice, text printed in 2 columns, 23cm., original softcover, pages still uncut, no foxing, good condition, text in Italian, [this lemma "Venezia" is published in 4 volumes, all present here: volumes 90 (320pp.), 91 (604pp.), 92 (712pp.) & 93 (324pp.) of Moroni's famous "Dizionario…"], total weight is almost 3kg., R84787
190pp + 24 tavv. VG/G+ Prima (unica) edizione, rilegatura editoriale tutta tela verde con scritte dorate al dorso, in sovraccopertina editoriale illustrata, leggere tracce d'uso sulla sovraccopertina e sguardie lievemente ingiallite dal tempo, altrimenti in ottime condizioni, quasi nuovo. Autori Runciman, Dupre'-Theseider, Brezzi, Fasoli, Pertusi, Zakythinos e Bettini, con 24 tavole in b/n in fine del volume.
New Italian Original bdg. HC. 4to. (30 x 26 cm). In Italian and Turkish. 299, [1] p., color ills. Venezia e Istanbul in epoca Ottomana.= Osmanli döneminde Venedik ve Istanbul. [Exhibition catalogue]. 18 November 2009 - 28 February 2010. Sealed. La mostra propone la rappresentazione per immagini della lunghezza e della complessità della storia che accomuna i nostri Paesi, all'interno di quella cornice, straordinaria per varietà e ricchezza, che e il Mediterraneo. Per secoli, Venezia ha rappresentato per l'Europa la Porta d'Oriente, attraverso cui e stato possibile diffondere la conoscenza degli usi e dei costumi dell'Impero Ottomano. Ma e anche vero il contrario: quando la Sublime Porta ha avuto bisogno di rimarcare la sua prossimità con la cultura europea, e a Venezia che ha fatto ricorso. Questo e quello che fece, infatti, Maometto II, il conquistatore di Costantinopoli, quando chiamò alla sua corte il pittore veneziano Gentile Bellini. L'arte e il commercio rappresentarono i pilastri essenziali di questo rapporto fecondo, attraverso il quale con il tempo furono superate le distanze e diminuirono le diffidenze reciproche. Le relazioni non furono sempre pacifiche, come sappiamo. Venezia fece per esempio parte della coalizione di forze europee che inflisse all'Impero Ottomano la prima sconfitta sul suolo europeo, nel 1683. La stessa fine della Repubblica di Venezia, che avvenne nel 1797 con il Trattato di Campoformio, ebbe conseguenze inattese anche sull'Impero Ottomano.
In -folio grande, fogli sciolti; pp. 16 e 9 stampe (su 10); tiratura numerata, esemplare 92 di 200. Fogli sciolti in cofanetto di mezza pergamena; tutte le tavv. sono numerate e firmate a matita; manca la tav. IV (“Traghetto del Carbon”).
G (no dj, limp boards, black cloth with red stripes top and bottom, gilt titles on spine and front board, light wear top and base of spine and 4 small chips at top of front board, red edged pages, frontis page missing - but not front free endpaper or title page. neat pencil annotatin top of title page else contents extremely clean and tight, a very nice copy) 16mo 214pp. Second edition. With map at front, no illustrations.
UK edition. Hardback in a protected dust jacket. VG/VG (price clipped). (Wonders of Man). 20177. eng
Vintage travel book describing Venice c.1900 with 29 full colour plates based on charmimg watercolours by Reginald Barrett. 336p. Text block clean and neat but loose in original covers which are slighty worn at head & foot of spine. Donor inscription dated 1912 on ffep Book
Splendida incisione su acciaio del 1860 circa, riproduzione di un quadro di Joseph Mallord William Turner (1775-1851) ora conservato presso la Tate Gallery. Il dipinto venne esposto per la prima volta nel 1840. L'incisione mostra il famoso Ponte dei Sospiri a venezia. A sinistra il Palazzo del Doge e a destra il palazzo delle prigioni. TECNICA: Incisione su acciaio INCISORE: J. C. Armytage DIMENSIONI FOGLIO: cm 32,5x23,5 DIMENSIONI INCISIONE: cm 26,5x17,5 EPOCA: 1860 circa CONDIZIONI: Ottime, rare fioriture. Beautiful steel engraving of around 1860, reproduction of a painting by Joseph Mallord William Turner (1775-1851) in the Tate Gallery The painting was exposed for the first time in 1840 The engraving shows the Bridge of Sighs. In the left the Doge Palace and in the right the Prison Palace. ENGRAVING: steel engraving ENGRAVER: J. C. Armytage LEAF DIMENSION: cm 32,5x23,5 ENGRAVING DIMENSION: cm 26,5x17,5 DATE: around 1860 CONDITIONS: Very good, occasional foxing
Veduta del Ponte di Rialto
"a rich, colorful, and provocative history of the world's most fascinating city in the fifteenth and sixteenth centuries, when it was at the peak of its glory. This was not the city of decadence, carnival, and nostalgia familiar to us from later centuries. It was a ruthless imperial city, with a shrewd commercial base, like ancient Athens, which it resembles in its combination of art and sea empire. The structure of Venetian society was based on its distinctive practice of religion: Venice elected its priests, defied the authority of papal Rome, and organized its liturgy around a lay leader (the doge)" 414p+ 16 pages of colour plates.illus, Remainder mark, else as new Book
In-8, brossura (tracce d’uso), pp. 168, completamente illustrato con fotografie dell’autore a Venice Beach. In buono stato (good copy).
A bit of foxing to endpapers and textblock. Else minor shelfwear. Very light shelfwear to DJ. ; Photographs; 10.0 X 10.0 X 0.9 inches; 252 pages
8vo., First Edition, with maps and plans; original cloth, uncut, bckstrip chipped with minor loss at head and tail, corners rubbed else a good, clean copy. A second edition was published in 1895. The first edition is scarce.
Corners bumped and to base of spine with some tears to base of spine; some discoloration of boards. Else Very Good in a chipped and torn dustjacket; unmarked except for a gift inscription on the front pastedown. ; N. D. (early 1950's). 70pp of photographs, some in color. ; Couleurs Du Monde; B&W Photographs; Folio - over 12" - 15" tall; 70 pages
Gr. In-8, 146p. Edition limitée et numérotée 1/1000 exemplaires sur Rives. Illustré d'aquarelles et de dessins de Henri Huot. Exemplaire agréablement relié, en parfaite condition.
Catalogue de l'exposition présentée en 1971 au Musée de l'Orangerie, à Paris: 332 n°s avec vignettes en noir et 4 planches couleurs et notices des conservateurs Roseline BACOU, Michel LACLOTTE, Anne-Marie de LEYRITZ, Pierre ROSENBERG; précédé d'un texte de l'historien de l'art vénitien Nicola IVANOFF (1901-1977): "La France et Venise au XVIIIe siècle - Relations artistiques"; introduction de Gaston PALEWSKI, homme politique et diplomate (1901-1984); bibliographie. Français
