309 résultats
1900162658Boston: Noyes Platt & Company 1900. Hardcover. Good tight copy contents free of extraneous marks to text; ex-lib. copy with occasional marks including a few perforation stamps. front cover and spine are a bit mottled. Olive cloth/boards; gilt insignia and lettering. 418 5 pp. with bw tissue-guarded frontis and very occasional bw illustrations. An exhibition notice printed on a small pink slip of paper is incorrectly bound between pages 122 and 123 nearly unreadably; possibly part of this book; possibly not! The comprehensive listing of arts events including the Paris Exposition of 1900 auction sales art publications obituaries of American artists exhibitions prizes and scholarships museum reports artist directories schools teachers and much much more.Scarce edition. Noyes, Platt & Company hardcover
1900162658Boston: Noyes Platt & Company 1900. Hardcover. Good tight copy contents free of extraneous marks to text; ex-lib. copy with occasional marks including a few perforation stamps. front cover and spine are a bit mottled. Olive cloth/boards; gilt insignia and lettering. 418 5 pp. with bw tissue-guarded frontis and very occasional bw illustrations. An exhibition notice printed on a small pink slip of paper is incorrectly bound between pages 122 and 123 nearly unreadably; possibly part of this book; possibly not! The comprehensive listing of arts events including the Paris Exposition of 1900 auction sales art publications obituaries of American artists exhibitions prizes and scholarships museum reports artist directories schools teachers and much much more.Scarce edition. Noyes, Platt & Company hardcover books
189667561aozzCharles Scribner's Sons 1896-01-01. Hardcover. Good. Large heavy hardbound boook without dust jacket. Small tear Hinge cover opening at page 80. No text markings noted. NOTE: because of this book's heavy weight 9 lbs. extra charges will be requested for shipping and handling. Charles Scribner's Sons hardcover
18961000719.09Scribner's NY 1896. 1st American ed. Hardcover. Good. 4to. Hardcover green cloth no dj. Good condition for its age. Tiny nicks at upper spine two 1/4-inch & one 1/2-inch tear to lower spine cloth; 2-inch stain on cover. Moderate scuffing to rear board w/ board corners peeking through cloth; mild foxing to opening & closing few pgs. Contents clean binding & hinges tight. xxii 408 pp. 37 full-pg. mostly gravure plates 190 text illus. catalogue of works in rear. Scribner's, NY hardcover
188536751New York: F. M. Lupton Publisher 1885. 1st printing of this edition of which OCLC records just one holding institution. Printed self wrappers. Age toning to wrappers. Two stab holes in margin along spine. A VG - VG copy. 16 pp. Text triple column. Wood engraved masthead. 11-3/8" x 8-3/8" <br/><br/> F. M. Lupton, Publisher unknown books
1864177463London: 21 December 1864. Your great kindness on behalf of this good man's family Nightingale writes to Davis 1820-1883 a clergyman and headmaster to rally support for the family of the recently deceased Lutheran minister Theodor Fliedner 1800-1864 Nightingale's old friend and tutor whom she viewed as a father figure. Fliedner founded and ran 30 deaconess houses where women could train in theology and nursing and his family required financial aid to continue his work. Nightingale met Theodor Fliedner in 1841 and in 1850 became a temporary resident at his flagship deaconess community the Kaiserswerther Diakonie. The women who resided there had committed to a holy life and taken vows. However they were not enclosed as they were trained to go out into the community to care for the sick. Further they could leave at any point if they wished. It was an ideal place for Nightingale for whom nursing was a religious vocation and the time she spent there was "key in the development of her mission" Macdonald p. 7. In 1851 she wrote her first publication issued anonymously titled The Institute of Kaiserswerth on the Rhine in which she recommended Fliedner's deaconess houses to English women. She commented on "the delicacy the cheerfulness the grace of Christian kindness the moral atmosphere" in the hospitals and "the kindness of the sisters in imparting their own knowledge" Nightingale p. 19. The Fliedners and Nightingale remained close long after her stay. In 1853 she became godmother to their child and upon Fliedner's death Nightingale felt that she had lost a father. Determined to support his family in their "continuance of the work" Nightingale wrote and printed an appeal and engaged a network of clergymen to promote the cause. To this end she writes to Reverend Davis that "you were so kind. as to enter into a proposal for sending a provision for the family" and asks that he circulate her pamphlets "amongst the likeliest members" of his community. Bifolium and single sheet 177 x 113 mm. Autograph letter written across 3 pages letterhead of 27 Norfolk Street Park Lane mourning borders. Previously folded occasional small splits at ends of folds: in very good condition. McDonald Lynn ed. Florence Nightingale's Spirital Journey: Biblical Annotations Sermons and Journal Notes 2001; Nightingale Florence The institution of Kaiserswerth on the Rhine for the practical training of deaconesses under the direction of the Rev. Pastor Fliedner 1851. unknown
1880320579Derby 1880. 3pp. folded sheet mourning stationery. With the original mailing envelope. Usual fold. Old tape repair on conjugate leaf with resulting stain affecting a few words of text but not affecting signature. 3pp. folded sheet mourning stationery. With the original mailing envelope. "I am very glad that there is to be a real life of the never to be forgotten glorious Dr. Livingstone. I wish Dr. Blaikie God speed. With regard to my private letter to you it was I need hardly say from the depths of my heart & not written with a view to publication and I cannot recall a word that was in it. But if you think that my poor words can contribute anything to what must be the object of every English speaking nation & not only this but of every man woman & child all over the world viz. to make known one who has opened the way of peace & not terror to those who were 'lying in darkness & the shadow of death' on so large a portion of the globe. I feel that I cannot decline what otherwise is so repugnant to me . And pray believe me ever the faithful servant of yourself & the great memory of as true a hero saint as ever lived ."<br /> <br /> Written on the occasion of the preparation for imminent publication of William Garden Blaikie's biography of Livingstone published 1880 the letter gives permission for a letter of hers to be published in which she said of Livingstone: "We cannot console ourselves for our loss. He is irreplaceable" p. 458 and called him "the greatest man of his generation unknown
1880320579Derby 1880. 3pp. folded sheet mourning stationery. With the original mailing envelope. Usual fold. Old tape repair on conjugate leaf with resulting stain affecting a few words of text but not affecting signature. 3pp. folded sheet mourning stationery. With the original mailing envelope. "I am very glad that there is to be a real life of the never to be forgotten glorious Dr. Livingstone. I wish Dr. Blaikie God speed. With regard to my private letter to you it was I need hardly say from the depths of my heart & not written with a view to publication and I cannot recall a word that was in it. But if you think that my poor words can contribute anything to what must be the object of every English speaking nation & not only this but of every man woman & child all over the world viz. to make known one who has opened the way of peace & not terror to those who were 'lying in darkness & the shadow of death' on so large a portion of the globe. I feel that I cannot decline what otherwise is so repugnant to me . And pray believe me ever the faithful servant of yourself & the great memory of as true a hero saint as ever lived ."<br/><br/>Written on the occasion of the preparation for imminent publication of William Garden Blaikie's biography of Livingstone published 1880 the letter gives permission for a letter of hers to be published in which she said of Livingstone: "We cannot console ourselves for our loss. He is irreplaceable" p. 458 and called him "the greatest man of his generation. unknown books
189539514<p>Edinburgh & London : William Blackwood & Sons 1895. First edition. "Amateur-gipsy tours . iron endurance the temper of Mark Tapley and the will to survive of Robinson Crusoe" Somerville. "A sense of humour is one of the essentials for any tour as necessary as a knapsack or a map and as both writers possess a keen perception of the ludicrous their account of their jouneyings on ponyback through the northern parts of the Principality is most amusing and entertaining" The Gentlewoman 17th August 1895. Crown 8vo 193 x 124mm. vi186 32pp advertisements dated June 1895 - the month of publication. Illustrations by Somerville. Bound in an elegant recent half blue morocco banded and gilt; original cloth upper cover and spine preserved at rear the primary binding with the publishers' name given in full at foot of spine; a few minor marks and spots but a very good copy of an uncommon title. Neat ownership inscription.</p> Edinburgh & London : William Blackwood & Sons, 1895. hardcover
1880grav1a1880 35.50 x 27.5cm Année 1880 pl n° 25 du Moniteur des Architectes - bon etat papier jauni avec legeres rousseurs dans le cadre - dim extérieures 35.50cm x 27.5 cm - cadre blanc de quelques cm - le scan ne permet pas de voir le document en entier
1880grav1a1880 35.50 x 27.5cm Année 1880 pl n° 25 du Moniteur des Architectes - bon etat papier jauni avec legeres rousseurs dans le cadre - dim extérieures 35.50cm x 27.5 cm - cadre blanc de quelques cm - le scan ne permet pas de voir le document en entier
187714623New York: G.W. Carleton & Co 1877. Hardcover. g. Sm. 8vo. xiv286 2pp. Black decorated sienna cloth with gilt lettering and gilt decoration on spine. Head and tail of spine chipped. Corners bumped and rubbed. Some staining discoloration and scuffing to boards and spine. Rubbing to edges. Tissue-guarded frontispiece. Two small stamps "The Episcopal Home" on title-page. Three-small pieces of clear cello-tape and some staining to rear endpaper. Florence Leslie's account of her trip in 1877 from the East to the West Coast. Illustrated with full-page and in-text b/w drawings. Overall in good condition. G.W. Carleton & Co hardcover
1870List36105N.p. 1870. Carte After the original photograph by William Edward Kilburn 1818–1891 taken circa 1854 with later CDV issue probably circa 1870s. Albumen print mounted on card; sitter identified in print beneath image. Standard carte-de-visite format approximately 2½ x 4 inches. Excellent contrast with light surface wear. Seated three-quarter portrait of Nightingale in dark silk dress with white collar hands folded over a paper posed beside an upholstered Victorian chair. The image derives from a sitting arranged in London with William Edward Kilburn one of Britain’s early professional photographers and a former daguerreotypist who gained fame by exhibiting at the Great Exhibition of 1851. By the early 1850s Kilburn had established a reputation for photographing members of the aristocracy and prominent public figures.<br /> <br /> The Nightingale sitting happened shortly before her departure for the Crimea in October 1854 at a moment when her name was just entering the public press. The portrait predates her full transformation into the national icon later known as the “Lady with the Lamp.†Unlike later more romanticized images Kilburn’s photograph presents a composed unsentimental likeness more consistent with standard portraiture practices than her later photographs. Following Nightingale’s wartime service at Scutari 1854–1856 and the subsequent surge of public acclaim Kilburn’s image became the primary photographic source from which engravings lithographs and later carte-de-visite reproductions were made.1<br /> <br /> 1 Denis Pellerin “Florence Nightingale: The Mystery Behind Her Iconic Photographs†The Classic November 15 2020 https://theclassicphotomag.com/florence-nightingale-the-mysteries-behind-her-iconic-photographs/ accessed February 27 2026. unknown
19001026981900 HOTEL DROUOT - Me PAUL CHEVALLIER - Me G. DUCHESNE - 1900 - 1 vol in-4, broché - Nombreuses Illustrations en noir et blanc hors texte sous serpente - 96 pages - 615 lots
1891973Y8London: W. & R. Chambers; Edward Arnold; The Fleetway House 1891-1930. Cloth. Very Good. 7.5" by 5". Lewis Baumer. A smart selection of cookbooks together with Harry Graham's etiquette guide. A smart set comprising three cookery titles and one work on gentlemanly etiquette. In the publisher's original cloth bindings. Chamber's Cookery for Young Housewives Edited by Annie M. Griggs 1891. With eight pages of advertisements to the rear. King Edward's Cookery Book by Florence A. George 1904 - Undated dated from a copy held institutionally The Perfect Gentleman: A Guide to Social Aspirants Compiled from the Occasional Papers of Reginald Drake Biffin by Harry Graham 1913 - New Edition. With in-text illustrations by Lewis Baumer and sixteen pages of advertisements to the rear. Complete Home Cookery Household Reference Library 1930 - Undated dated from a copy held at the British Library. With nearly three hundred photographic illustrations. In the original cloth bindings. Externally smart. With damp stains and marks to the boards most notably to 'King Edward'. With moderate rubbing and bumping to the extremities. Internally firmly bound. Pages are generally bright with age toning to the endpapers of 'Chambers' and scattered spotting throughout. A few spots to the endpapers of 'Perfect Gentleman' and 'King Edward'. Ownership bookplate of ones Martin and Pamela Finch to the front free endpapers of 'Perfect Gentleman' and 'Complete Home Cookery'. Very Good W. & R. Chambers; Edward Arnold; The Fleetway House hardcover
1884023095London: Cassell & Compaqny Limited 1884. Near Very Good condition. Lightly frayed at the spine ends. Corners are NOT bumped. Previous owners' names 3 of them on the front pastedown endpaper. Illustrated throughout in b/w and with 16 original full color plates beautiful chromolithographs mounted on blank pages opposite the text pages. A few tears to those blank pages tears are beneath the mounted plates have been neatly reinforced with archival quality materials. There are NO tears to any of the color plates b/w illustrations or text pages. NO underlining. NO highlighting. NO margin notes. NO foxing. A step-by-step treatise on Pottery Painting. Oblong. 9.75" wide by 7.25" tall. Bound in the original dark green cloth stamped with maroon lettering and ornamentation on the front cover. . Second Edition so stated. Hardcover. Near Very Good condition. 52pp. 16 plates. Great Packaging Fast Shipping. Cassell & Compaqny, Limited Hardcover
188313616London Paris & New York: Cassell & Co 1883. First and only edition oblong 8vo pp. 52 4 ads; 16 mounted chromolithographs showing various painted designs on assorted ceramic ware 4 wood-engraved illustrations in the text; a very good copy in original maroon cloth gilt lettering on upper cover. Cassell & Co unknown
1884DWIinLEW33London Paris & New York: Cassell & Company Limited 1884. 1884. oblong 8vo. pp. 52. with half-title. 16 tipped-in chromolithographed plates incl. frontis. several text illus. original cloth. Hasburg's Plate Divider loosely inserted. Second Edition. An illustrated guide to the art of painting on china with detailed instructions on materials and technique. Lewis recommends the use of the moist watercolours manufactured by Hancock and Son in Worcester and the dry colours manufactured by M.A.Lacroix in Paris and explains how to mix colours use different sized brushes to achieve different effects sketch with Indian ink trace patterns design borders &c. Hardcover. London, Paris & New York: Cassell & Company, Limited, 1884. Hardcover
188313616London Paris & New York: Cassell & Co 1883. First and only edition oblong 8vo pp. 52 4 ads; 16 mounted chromolithographs showing various painted designs on assorted ceramic ware 4 wood-engraved illustrations in the text; a very good copy in original maroon cloth gilt lettering on upper cover. <br/><br/> Cassell & Co hardcover books
1820100050AG1820. Florence / Pisa c.1820. Original Aquatint hand-applied water-colouring over copper engraving. Plate Sizes vary: 31 cm x 22.1 cm. Sheet Sizes vary: 34.6 cm x 26.5 cm. Original Gouache-Aquatint hand-applied water-colouring over copper engraving. Florence/Pisa c.1820. Plate-Sizes vary: c. 31 cm x 22.1 cm. Sheet Sizes vary: c. 34.6 cm x 26.5 cm. Besides some smaller damages to the Ponte S. Trinita-artwork in very good actually stunning condition. Clean crisp and brightly coloured. All of these artworks are beautifully framed and the price includes worldwide free shipping per UPS - courier. The Longing for Italy the Italiensehnsucht of the german - speaking countries was forced by Johann Wolfgang von Goethe's Italian Travels and sent scores of young and old to Italy's shores countryside and cities. The Grand Tour was the 17th- and 18th-century custom of a traditional trip of Europe undertaken by upper-class young European men and women of sufficient means and rank typically accompanied by a chaperone such as a family member when they had come of age about 21 years old. The custom - which flourished from about 1660 until the advent of large-scale rail transport in the 1840s and was associated with a standard itinerary - served as an educational rite of passage. Though the Grand Tour was primarily associated with the British nobility and wealthy landed gentry similar trips were made by wealthy young men of other Protestant Northern European nations and from the second half of the 18th century by some South and North Americans. By the mid 18th century the Grand Tour had become a regular feature of aristocratic education in Central Europe as well although it was restricted to the higher nobility. The tradition declined as enthusiasm for neo-classical culture waned and with the advent of accessible rail and steamship travel. Wikipedia unknown
18631243211863/1867 Paris, Charpentier, Libraire-Editeur - 1863/1867 - Complet en deux volumes In-8, reliure demi-chagrin marron, dos à 4 nerfs avec titre, auteur et tomaison en doré, filets estampés à froid en noir au dos - 454 + 427 pages
1857R118178Vindobonae, Typis Officinae Typographicae Aulae et Status 1857 Volume 1 only, xlviii + 889pp. + 1 plate out of text, 33cm., bound in a solid modern hardcover, text in Latin, some occasional light foxing in text, good condition, weight: 2.2kg., R118178
18611243231861 Paris, Charpentier, Libraire-Editeur - 1861 - In-8, reliure demi-chagrin marron, dos à 4 nerfs avec titre, auteur et tomaison en doré, filets estampés à froid en noir au dos - 371 pages
189849987Berlin: Carl Heymann 1898. German Edition. 8vo pp. 193-216. An offprint bound in printed wraps. From the library of consumer advocate Florence Kelley. FK. A German translation of Kelley's work on the free public libraries of the State of Illinois. Carl Heymann unknown books
188549992Berlin: Carl Heymann 1885. German Edition. 8vo pp. 208-232. An offprint bound in printed wraps. From the library of consumer advocate Florence Kelley. FK. A German translation of Kelley's work on the sweatshop system in the Chicago. It is unclear if this was issued in the US. Carl Heymann unknown books