ARTURO TOSCANINILivre Rare Book
136 résultats
R130004517CARRON. non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Symphony orchestra, couverture création PUBLICIS. Pochette en couleurs, introduction de Dorel Handman.. . . . Classification : 410-33 Tours
194729337Carnegie Hall November 1947. 1947. Fine. - A powerful 14 inch high by 11 inch wide photograph by Emmerich Gara depicting the legendary maestro Arturo Toscanini. Standing at the keyboard Toscanini is depicted in profile with columns at the right. Attired in black against a black background the conductor's head and hands stand out ethereally from the background. Photographed by Cellist Emmerich Gara with his name & address stamped on the verso. Signed by Gara in pencil on the verso. Fine. <p>Emmerich Gara b.1901 d.1963. Born in Vienna Austria in 1901 Gara established lifelong careers as a portrait photographer and professional cellist. Before the outbreak of the Second World War he and his wife emigrated to the United States where he was hired as cellist for the NBC Orchestra led by Arturo Toscanini. He performed with the orchestra later called The Symphony of the Air until his death.<p>From his seat in the front row of the orchestra Gara was in the unique position to photograph all the great conductors and soloists who appeared with the orchestra during this extraordinary period of musical activity. His subjects were captured in performance rehearsal and in candid moments during recordings and while socializing.<p>Gara's action portraits were used for record covers for the Book of the Month Club and in articles in Time Life and other major magazines around the world. Carnegie Hall, November, [1947]. unknown
1971703346Moskva, 1971. M. zahlr. Taf. 311 S. Lwd. (Ispolnitel'skoe iskusstvo zarubeznych stran 6).
CAT0169Various Places. Most 1940s-1950s various formats. Very Good. A wide-ranging collection of Toscanini material found amongst his scores in the estate of his grandson Walfredo. The highlight is a late draft of his speech “To The People of America†an important document in Italian-American history that was printed in Life Magazine during the Second World War. <br /> <br /> Full descriptions as follows:<br /> <br /> Typed Draft of Arturo Toscanini’s “To The People of America†with Corrections in Toscanini’s Hand.<br /> New York September 3 1943. <br /> A late typed draft of Arturo Toscanini’s “To The People of America†which appeared ten days later in Life Magazine. Corrections in the hands of Walfredo and Arturo Toscanini. From the Toscanini estate. “On 13 September 1943 the editorial page of Life Magazine was occupied by an article entitled ‘To the People of America’ and signed by Arturo Toscanini; It was the only extensive declaration he ever wrote - and it was about politics not music… The article had originally been intended as a letter to President Roosevelt and the first drafts had been prepared for Arturo Toscanini by the Italian historians in exile Gaetano Salvemini and Giorgio La Plana who were both teaching at Harvard University at the time. They knew that their beliefs and Arturo Toscanini’s coincided perfectly and they wanted the letter to appear over his signature because his fame was much greater than theirs. In their letter to President Roosevelt the exiles stated their hopes and fears for Italy’s immediate future and they tried - as the text illustrates - to influence allied policy toward their native country.†Harvey Sachs The Letters of Arturo Toscanini page 389. Sachs wrote in his 1978 biography of Toscanini that Toscanini wrote the article on his own but then found evidence to the contrary. Regardless of its hidden origins this letter was a defining moment in Toscanini’s career in the United States. This copy from September 3 would have been one of the final drafts. The text is nearly identical to the published version with a few small changes - “defying everything†is added in the fourth paragraph of the published version the “…†marks are replaced by simple periods in a few instances and “just†has been replaced by “righteous†in the published version. Strangely the one error in AT’s hand - moving the word “either†in the sixth paragraph - did not make it into the printed version. A remarkable piece of Toscanini ephemera. Four pages carbon paper with text on rectos only. Excellent condition overall with some normal tanning. A few stray corrections in pencil which an accompanying folder from the estate states are in Walfredo’s hand. <br /> <br /> A Collection of Nine Letters to Arturo Toscanini from his Colleagues.<br /> <br /> These letters were found inside various scores and sheet music in the Toscanini estate. A wonderful collection quite effusive in nature most containing high praise for the maestro discussing the works of various composers and lamenting the passage of time. Contains the following items: 1 Typed Letter Signed from Harold Byrns to Arturo Toscanini. New York 1942. 2 Typed Letter from Associated Music Publishers to Arturo Toscanini. New York 1949. 3 Manuscript Letter from Max Reiter to Arturo Toscanini. San Antonio 1948. 4 Typed Letter from Domenico Savino to Arturo Toscanini. New York 1945. In Italian. 5 Manuscript Letter from Adolf Busch to Arturo Toscanini. S.p. s.d. 6 Manuscript Letter from Carlton Cooley to Arturo Toscanini. Stockton New Jersey 1956. 7 Autograph Letter from Robert Casadesus to Arturo Toscani. Princeton 1940. 8 Autograph Letter Signed from Pina Carmirelli to Arturo Toscanini. Rome 1951. In Italian. 9 Typed Letter from Foetisch Freres to Arturo Toscanini. Lausanne 1948. scanini. Lausanne 1948. <br /> <br /> Four Original Photographs of Arturo Toscanini in Rehearsal March 1954 with Negatives.<br /> New York 1954. <br /> <br /> A collection of four 9 x 7 photographs of the great Toscanini in rehearsal with their original negatives. From the estate of Arturo Toscanini. The images show Toscanini casually dressed in a white short-sleeved shirt conducting his orchestra. All photos are stamped “File Copy / Do Not Remove†and have holes in upper left corners from thumbtacks and have inventory numbers written in ink. The inventory numbers - which all contain the prefix “33107†suggest that they could be for the rehearsals from his final performance on April 4. <br /> <br /> Typed Letter from Arturo Toscanini to his Orchestra 1940.<br /> N.p. July 22 1940. Typed letter text on recto only.<br /> Arturo Toscanini wrote this letter to his orchestra upon the completion of a successful South American tour in 1940. He writes: “My dear friends sic Tomorrow our trip will be over… To-morrow we will be separated after two months we lived day by day the same life. It is very sad indeed but that is life… We have never been so linked all as one as in these 16 concerts… We must be proud of what we have done… God bless you all.†The full text of the letter appears on page 374 of Harvey Sach’s The Letters of Arturo Toscanini. Some indecipherable notes on margins in an unknown hand a few small various stains good condition overall. <br /> <br /> Christmas Card to Arturo Toscanini from the Embassy of the USSR 1943.<br /> Washington 1943. Card with stamped envelope 6 x 5 inches. <br /> A Christmas card to Arturo Toscanini from Fedor Orekhov First Secretary and Press Representative of the USSR Embassy in Washington. Addressed to Toscanini at his Sycamore Street residence in Riverdale New York.<br /> An interesting group all quite well preserved in excellent condition. unknown
CAT0169Various Places. Most 1940s-1950s various formats. Very Good. A wide-ranging collection of Toscanini material found amongst his scores in the estate of his grandson Walfredo. The highlight is a late draft of his speech "To The People of America" an important document in Italian-American history that was printed in Life Magazine during the Second World War. <br /> <br /> Full descriptions as follows:<br /> <br /> Typed Draft of Arturo Toscanini's "To The People of America" with Corrections in Toscanini's Hand.<br /> New York September 3 1943. <br /> A late typed draft of Arturo Toscanini's "To The People of America" which appeared ten days later in Life Magazine. Corrections in the hands of Walfredo and Arturo Toscanini. From the Toscanini estate. "On 13 September 1943 the editorial page of Life Magazine was occupied by an article entitled 'To the People of America' and signed by Arturo Toscanini; It was the only extensive declaration he ever wrote - and it was about politics not music. The article had originally been intended as a letter to President Roosevelt and the first drafts had been prepared for Arturo Toscanini by the Italian historians in exile Gaetano Salvemini and Giorgio La Plana who were both teaching at Harvard University at the time. They knew that their beliefs and Arturo Toscanini's coincided perfectly and they wanted the letter to appear over his signature because his fame was much greater than theirs. In their letter to President Roosevelt the exiles stated their hopes and fears for Italy's immediate future and they tried - as the text illustrates - to influence allied policy toward their native country." Harvey Sachs The Letters of Arturo Toscanini page 389. Sachs wrote in his 1978 biography of Toscanini that Toscanini wrote the article on his own but then found evidence to the contrary. Regardless of its hidden origins this letter was a defining moment in Toscanini's career in the United States. This copy from September 3 would have been one of the final drafts. The text is nearly identical to the published version with a few small changes - "defying everything" is added in the fourth paragraph of the published version the "." marks are replaced by simple periods in a few instances and "just" has been replaced by "righteous" in the published version. Strangely the one error in AT's hand - moving the word "either" in the sixth paragraph - did not make it into the printed version. A remarkable piece of Toscanini ephemera. Four pages carbon paper with text on rectos only. Excellent condition overall with some normal tanning. A few stray corrections in pencil which an accompanying folder from the estate states are in Walfredo's hand. <br /> <br /> A Collection of Nine Letters to Arturo Toscanini from his Colleagues.<br /> <br /> These letters were found inside various scores and sheet music in the Toscanini estate. A wonderful collection quite effusive in nature most containing high praise for the maestro discussing the works of various composers and lamenting the passage of time. Contains the following items: 1 Typed Letter Signed from Harold Byrns to Arturo Toscanini. New York 1942. 2 Typed Letter from Associated Music Publishers to Arturo Toscanini. New York 1949. 3 Manuscript Letter from Max Reiter to Arturo Toscanini. San Antonio 1948. 4 Typed Letter from Domenico Savino to Arturo Toscanini. New York 1945. In Italian. 5 Manuscript Letter from Adolf Busch to Arturo Toscanini. S.p. s.d. 6 Manuscript Letter from Carlton Cooley to Arturo Toscanini. Stockton New Jersey 1956. 7 Autograph Letter from Robert Casadesus to Arturo Toscani. Princeton 1940. 8 Autograph Letter Signed from Pina Carmirelli to Arturo Toscanini. Rome 1951. In Italian. 9 Typed Letter from Foetisch Freres to Arturo Toscanini. Lausanne 1948. scanini. Lausanne 1948. <br /> <br /> Four Original Photographs of Arturo Toscanini in Rehearsal March 1954 with Negatives.<br /> New York 1954. <br /> <br /> A collection of four 9 x 7 photographs of the great Toscanini in rehearsal with their original negatives. From the estate of Arturo Toscanini. The images show Toscanini casually dressed in a white short-sleeved shirt conducting his orchestra. All photos are stamped "File Copy / Do Not Remove" and have holes in upper left corners from thumbtacks and have inventory numbers written in ink. The inventory numbers - which all contain the prefix "33107" suggest that they could be for the rehearsals from his final performance on April 4. <br /> <br /> Typed Letter from Arturo Toscanini to his Orchestra 1940.<br /> N.p. July 22 1940. Typed letter text on recto only.<br /> Arturo Toscanini wrote this letter to his orchestra upon the completion of a successful South American tour in 1940. He writes: "My dear friends sic Tomorrow our trip will be over. To-morrow we will be separated after two months we lived day by day the same life. It is very sad indeed but that is life. We have never been so linked all as one as in these 16 concerts. We must be proud of what we have done. God bless you all." The full text of the letter appears on page 374 of Harvey Sach's The Letters of Arturo Toscanini. Some indecipherable notes on margins in an unknown hand a few small various stains good condition overall. <br /> <br /> Christmas Card to Arturo Toscanini from the Embassy of the USSR 1943.<br /> Washington 1943. Card with stamped envelope 6 x 5 inches. <br /> A Christmas card to Arturo Toscanini from Fedor Orekhov First Secretary and Press Representative of the USSR Embassy in Washington. Addressed to Toscanini at his Sycamore Street residence in Riverdale New York.<br /> An interesting group all quite well preserved in excellent condition. unknown books
In-4 (cm. 32), tela editoriale, sovracoperta editoriale illustrata (tracce d’uso), pp. 177, (11), con illustrazioni in bianco e nero e - soprattutto - a colori, nel testo. In ottimo stato (nice copy). .
1946ABE-76037124156 PAGES FORMAT JOURNAL-LES BIENFAITS DE RODIN PAR CLAUDE ROGER MARX-A CARNAVALET TROIS SIECLES DE DESSIN PARISIEN PAR FRANCOIS BOUCHER-EN TUNISIE ARCHITECTURE RELIGIEUSE-PICABIA PAR DENYS CHEVALIER-JEAN DUBUFFET PAR PIERRE DESCARGUES-PIERRE LAPRADE PAR K.GRANOFF-LA DANSE CREATIONS A MONTE CARLO PAR MAURICE POURCHET/LIFAR-CINEMA: LA FEMME FATALE/JACQUELINE GAUTHIER-RETOUR DE TOSCANINI A LA SCALA DE MILAN-UN POEME INEDIT DE RAYMOND SCHWAB/PRIERE D'IL Y A UN AN-GUY LAVAUD PAR JEAN LEBRAU-JANINE SOLANE PAR CATHERINE VALOGNE-D.H.LAWRENCE NOUS PARLE PAR GABRIEL D'AUBAREDE-RETOUR DE TOSCANINI QUI DIRIGERA DEMAIN L'ORCHESTRE DE LA SCALA DE MILAN DONT CE SERA LA REOUVERTURE
1 Vol. In-8 t. edit., tit. bianco al dorso. Sovracpt. ill pag. 358 alc. ill. f.t PROG 2875 CATT_ATT 43
458NY Viking Press. 1936. Foreword by Stefan Zweig. 2nd ed. 126pp. 24pp. of illustrations. 8vo. A presentation copy signed under his portrait by Toscanini. Bound in black cloth with a silver music emblem on the cover. A very good copy without the DJ. Some wear on the corners. unknown
14604Autograph. VG. No Binding. Signed by Authors. No date sized 5.25 x 7 inches matte photograph with signature in red ink below portrait dry mounted on blue cardstock over black cardstock sized 8 x 10 inches very clean and bright. Please note the photograph itself is held with the customary corner pieces which are attached to the matting and hold the photo it in place; photo can easily be removed and replaced. unknown
Mm 135x215 Collana "Tascabili Bompiani". Brossura editoriale di XVI-288 pagine. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
458NY Viking Press. 1936. Foreword by Stefan Zweig. 2nd ed. 126pp. 24pp. of illustrations. 8vo. A presentation copy signed under his portrait by Toscanini. Bound in black cloth with a silver music emblem on the cover. A very good copy without the DJ. Some wear on the corners. unknown books
24 p., 16 tav. f/t ; ill. con rare foto del maestro (a lato con Bruno Walter e Stefano Zweig a Salisburgo ad opera di S. von Winternitz) in b/n ; 18 cm. Opuscolo di prefazione al volume di Stefan Zweig “Arturo Toscanini”, tradotto da Lavinia Mazzucchetti, a beneficio della “casa di riposo G. Verdi” di Milano. Intonso. Brossura. ****.
Sovracopertina usurata con strappetti, interno molto buono, rilegatura solida libro perfettamente fruibile
Milano, Edizioni Beatrice d'Este n. 1126 - Arti Grafiche Ricordi, [anni '70 del'900], grande poster murale che riproduce un ritratto fotografico in bianco e nero, autografato, del maestro; mm. 980x680. Ottime condizioni.
<p>27 cm, brossura illustrata; p. 150, numerose tavole in nero. Homage to the Maestro on the 30th. anniversary of his death</p>
Mm 130x195 Articolo di Howard Taubman, tradotto dal New York Times Magazine, 26 settembre 1943. "La sua musica è un'arma per la libertà" - Opuscolo rilegato a punto metallico con copertina illustrata a colori, 8 pagine. Esemplare in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
193521946AWien, Leipzig und Zürich, Herbert Reichner Verlag, 1935. Ca. 23,5 x 16 cm. 77 (2) Seiten, mit 54 Abbildungen auf Tafeln. Original-Karton mit illustriertem Original-Umschlag.
IN 4°, pp.62. COPERTINA EDITORIALE ILLUSTRATA A COLORI CON TITOLO SU FONDO NERO.<BR>CATALOGO RICCAMENTE ILLUSTRATO CHE PROPONE ALL'ASTA 72 LOTTI RIGUARDANTI ARTURO TOSCANI TRA AUTOGRAFI, SPARTITI, CIMELI, FOTO, ECC. PRECEDE LA DESCRIZIONE DEI LOTTI UNA INTRODUZIONE A TOSCANIN DI ANDREA PENNA. TESTO BILINGUA, ITALIANO - INGLESE. PERFETTA CONSERVAZIONE SENZA ANNOTAZIONI E SOTTOLINEATURE. RARO CATALOGO. ID, 5962.
39914reading roughly "Dear Broglio Please find 100 lira for. logistic my best regards ." 1 side 8vo. on brown paper with original autograph envelope and two original photographs of him playing the piano with a description on the back that he is working on a film score 6½" x 4½" no place no date Transcription Carissimo Broglio Ecco le 100 lire per il. loggistica. i migliori saluti del Toscanini Translation Dear Broglio Please find 100 lira for. logistic. my best regards . Toscanini unknown
1949689201949. Happy Birthday" 1949.<br> <br> Full Description:<br> <br> TOSCANINI Arturo. Autograph Musical Bars Signed . "Happy Birthday" n.p. July 4-1949.<br> <br> Size: 5 1/2 x 8 1/4 inch; 129 x 210 mm note on Arturo Toscanini's monogrammed letterhead. "Happy birthday to Shotzi July 4- 1949" with eleven bars of music hand-drawn in maroon ink a version of "Happy Birthday" with notes and lyrics. Underneath signed "AToscanini"<br> <br> The "Shotzi" that this note is made out to is Samuel Chotzinoff "the man who scored a musical coup by persuading Arturo Toscanini to conduct the National Broadcasting Company Symphony Orchestra series. Mr. Chotzinoff was a friend of many famous musicians and a confidante of Toscanini. Known throughout the music world as "Shotzi" Mr. Chotzinoff was at his death music consultant to N.B.C. and producer of the N.B.C. operas on television But he was far more. He was a music critic a pianist a novelist a playwright a raconteur a wit and an urbane and gentle man. Mr. Chotzinoff lived at 171 West 57th Street with his wife the former Pauline Heifetz sister of Jascha Heifetz the violinist." From his NY Times Obituary 2/11/1964.<br> <br> Arturo Toscanini an Italian conductor is "considered one of the great virtuoso conductors of the first half of the 20th century. He came into prominence as a conductor in Italy and elsewhere and was appointed musical director of La Scala Milan in 1898 and of the Metropolitan Opera New York City in 1908. He conducted the New York Philharmonic-Symphony Orchestra from 1928 to 1936 and appeared with orchestras all over the world except those of Italy and Germany during the Fascist regimes. From 1937 to 1954 he directed the NBC Symphony an orchestra sponsored by the U.S. radio network." Britannica<br> <br> The musical manuscript is tipped on on front free endpaper to a large oblong folio book:<br> <br> DONIZETTI Gaetano composer. CAMMARANO Salvatore libretto. Lucia di Lammermoor dramma tragico. Milan: E. Bestetti 1941.<br> <br> Autograph musical manuscript facsimile full score of this tragic opera. Limited edition of 300 numbered copies this being number 313 "Extra" and with bookplate of Istituto di Alta Cultura pasted to colophon. Large oblong folio 11 3/4 x 15 7/8 inches; 298 x 400 mm.<br> <br> Quarter red morocco over red cloth boards. Spine stamped and lettered in gilt. Front board tooled in blind and lettered in gilt. Top edge gilt others uncut. Red and gilt coated endpapers. Some chipping to head and tail of spine. A bit of rubbing to board edges and joints. Cloth with some minor soiling. Preliminary pages a bit brittle at edges. Still a very good copy with an exciting autograph tipped in.<br> <br> "Lucia di Lammermoor is a dramma tragico tragic opera in three acts by Gaetano Donizetti. Salvatore Cammarano wrote the Italian libretto loosely based upon Sir Walter Scott's historical novel The Bride of Lammermoor. Very successful from creation today it remains one of the leading bel canto operas." Balletandopera dot com. This opera was a staple at The New York Met during the seven years that Toscanini was its conductor.<br> <br> HBS 68920.<br> <br> $5000. unknown
1936ABE-14888851197368 PAGES-43 CM X 60 CM-LA CREATION DU MUSEE DE L'ART FRANCAIS ET L'EXPOSITION DE 1937, PAR GEORGES WILDENSTEIN-BOLETTE NATANSON, PAR CLAUDE ROGER-MARX, SUITE P8-LES 75 ANS DE MAILLOL, 3 PHOTOS-LE BAL GAUGUIN, PAR PIERRE IMBOURG, SUITE P5-LA MUSIQUE PAR ANDRE COEUROY: TOSCANINI-MARQUET, GALERIE DRUET, PAR JACQUES DE LAPRADE, ILL "SAN GIORGIO"-VICTOR CHARRETON, DECES
192714811NY BEETHOVEN ASSOC 1927 1927. SIGNED BY TOSCANINI FIRST EDITION VERY GOOD. Signed by Authors. F. NY, BEETHOVEN ASSOC, 1927 unknown books
2004C2574Naxos Historical 2004-12-02. Audio CD. Like New. CD case and liner all in Excellent condition. Naxos Historical unknown
In-8°, pp. VII, 260, (2), legatura coeva m. pelle con dorso adorno di titolo e filetti in oro e di decori a freddo. Piatti marmorizzati, tagli azzurri a spruzzo. Bell'ex-libris di Walter Toscanini (1893-1971), figlio di Arturo Toscanini, raffigurante una donna intenta a suonare il pianoforte. Etichetta ottocentesca di libreria milanese. Bell'esemplare marginoso con fioriture usuali. Edizione originale; il nome dell'autore è in calce all'avviso agli editori. Per ogni opera descritta si dà conto dei prezzi di vendita al tempo, della collazione bibliografica, ecc. Alle pp. 199 e sgg., prospetto della collana editoriale e indice alfabetico-cronologico degli autori inseriti nella stessa. Il Fusi, libraio milanese, aveva assunto nel 1807 la rappresentanza sociale della Società Tipografica de'Classici Italiani. Da ciò l'idea di un'organica bibliografia da offrire come donoagli associati sottoscrittori della "Collezione de' Classici Italiani", edita tra il 1802 e il 1814. Il programma editoriale, avviato nel luglio del 1802 sotto gli auspici del Ministro della Cultura e favorito dal Melzi, prevedeva la realizzazione della prima grande biblioteca letteraria italiana, composta da 250 opere che abbracciassero cinque secoli di tradizione letteraria. Il presente volume si poneva programmaticamente come strumento da affiancare alla "Collezione" per rendere "ragione del metodo seguito" e per dar conto delle varie edizioni precedenti di ogni singola opera. Nell'"Avviso degli Editori", che compare ad inizio volume, il Fusi sintetizza le ragioni dell'opera: fornire una bibliografia di supporto alla collezione basata sui "migliori Cataloghi" e sullo spoglio delle "migliori librerie di questa Città [Milano]", arricchita da una selezione delle varie "Raccolte" di poeti e prosatori e da puntuali biografie direttamente mutuate dalla "Serie delle edizioni di testi di Lingua Italiana" di Bartolomeo Gamba. Petzholdt, p. 356. Vallée, n. 624.
