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viii, 146 pages. Text in English and French. Profusely illustrated with glossy black and white reproductions of photos. "Dutch-born Kryn Taconis has left us as his legacy a body of work that stretches over thirty-five years - from 1944 to 1979. As a member of the Resistance, he cast a special light upon the grave privation of the people of Amsterdam, who were starved by the German occupiers during the winter of 1944-1945. He was later associated with the Magnum agency for ten years during which he proved himself as an independent photographer and displayed his sympathies and his humanist affinities in numerous stories from all over the world. Finally, his twenty years of association with Canadian illustrated magazines such as the Star Weekly gave him the occasion to wield great influence in establishing new standards of quality in Canadian photojournalism." - Preface. Clean and unmarked with moderate wear. Binding sound. A quality copy of this impressive work. Book
Convoluut van 21 publicaties over het Mirakel van Amsterdam (voornamelijk n.a.v. de 500ste verjaardag in 1845), moderne gecart. band, 22cm., [INHOUD: 1: Overwegingen bij het heilige Sakrament des altaars gedurende het octaaf van het vijfde eeuwfeest van het mirakel van Amsterdam (Amsterdam, J.H. Van Spanje en J.S. De Haas, 1845, 76pp.) // 2: Gebeden voor iederen dag van het vijf-honderd-jarig jubelfeest van het Mirakel van Amsterdam (Amsterdam, J.H. van Spanje en J.S. De Haas, 1845, 27pp.) // 3: Gebeden bij het plegtig vieren van het vijfde eeuwfeest van het mirakel van Amsterdam (Amsterdam, Zweers, 1845, 29pp.) // 4: Beknopt geschiedkundig verhaal van het beroemd Mirakel waarmede God de stad Amsterdam heeft vereerd en verheven (Amsterdam, Van Langenhuysen, 1841, 28pp.) // 5: Wat moet ik gelooven van het Mirakel van Amsterdam? (Amsterdam, G.J. d'Ancona, s.d., 16pp.) // 6: Leerrede op den jaarlijkschen gedenkdag van het mirakel te Amsterdam uitgesproken des 13 maart 1822 in de R.K. Kerk op het begynhof aldaar door S. Utberg (Amsterdam, A. Schievenbus, 1822, 32pp.) // 7: De rechter in geloofsgeschillen onpartijdig gezogt en gevonden; en deszelfs uitspraak over het geloofsgeschil raakende deeze Godlijke woorden des Heilands: Neemt, en eet, dit is mijn ligchaam, aangeweezen in eene leerrede, gedaan den 14 maart 1798 op den jaarlijksche gedagtenis van het Amstel’s wonder, door H.E.B. (Amsteldam, P.van Buuren, 1798, 48pp.) // 8: God mag niet bespot worden, of: de bedoelingen van den ongenoemden schrijver van het schriftje getiteld: God laat zich niet bespotten! Uitgekomen bij de erven Doorman in den Haag 1845 voor oogen gelegd (Rotterdam, J. Willemssen, 1845, 12pp.) // 9: Historie van het Amsterdamsch Mirakel (Amsterdam, Weijtingh & Van der Haart, 1845, 39pp.) // 10: Echt protestantsche tegenzang op het lied bij het vijfde eeuwfeest van het mirakel van Amsterdam (Amsterdam, G. Portielje, 1845, 7pp.) // 11: Een woord aan alle protestanten in Nederland bij gelegenheid der afgodische viering van zeker jubilé over het gewaand Mirakel eener Hostie, door de R.K.Kerk te Amsterdam, in maart 1845, door een lid der Hervormde Kerk (Zwijndrecht, J. Boden, 1845, 11pp.) // 12: Het feest der dwaasheid, gevierd op het vijfde eeuwgetijde van het Mirakel te Amsterdam van 5 tot 12 maart 1845. Dichterlijke uitboezeming door J.P.Heukelom (Amsterdam, J. Tak, 1845, 15pp.) // 13: Critisch antwoord op de “opgekomene gedachten” des schrijvers van het brochuurtje: “God laat zich niet bespotten” beoordeeld door W. Van Houten pastoor te Beverwijk (Wijk aan Zee, 1845, 24pp.) // 14: God laat zich niet bespotten. Opgekomene gedachte bij gelegenheid van het aangekondigde Jubilé van het zoogenaamde Mirakel van Amsterdam etc. (’s Gravenhage, Erven Doorman, 1845, 13pp.) // 15: Lied op het vijfde eeuwfeest van het Mirakel van Amtserdam 5-12 maart 1845 (Amsterdam, 1845, 7pp.) // 16: Het mirakel van Amsterdam in 1345 verhaald en toegelicht door H. van Lottom (Amsterdam, 1845, 32pp.) // 17: Van den sacramente van Amsterdam, gedicht van Willem Van Hillegaersberch, met ophelderende aanteekeningen uitgegeven door P. Leendertz (Sneek, J.F. van Druten, 1845, viii + 30pp.) // 18: Het H. Sacrament van Mirakel te Amsterdam. Antwoord aan den schrijver der recensie in den Algemeene Konst- en Letterbode van 4 en 11 april 1845, door A.J. Pluym (’s Gravenhage, Van Langenhuysen, 1845, 19pp.) // 19-20: Algemeene Konst- en Letterbode voor het jaar 1845, no. 15 vrijdag den 4den april & no.16 vrijdag den 11den april (pp.225-256) // 21: Willem van Hildegaersberch en zijn gedicht “Van den Sacramente van Aemsterdam” met eenige aanteekeningen, door A.J. Pluym (’s Gravenhage, Van Langenhuysen, 1845, 33pp.)], N100675
Augsburg, 1750 circa. Incisione in rame all'acquaforte, colore d'epoca, cm 29.2 x 41,2 circa (alla lastra). Bella veduta ottica in vivace coloritura. Mininme tracce di sporco e minimi difetti ai margini, discreta conservazione.
Caratteristica veduta ottica traforata, ovvero di quel genere di stampe concepite per essere vedute con particolari apparecchi ottici detti "mondi nuovi", atti a proporre visioni diurne e notturne dei più notevoli luoghi e città dell'epoca. Davanti alla facciata del Palazzo municipale di Amsterdam, visto di prospetto, alcune figurine di personaggi variamente atteggiati animano la scena in primo piano.
Large 4to; 10, 365 pages; Original Paper Wrappers. 4to. 10, 365 pages. In German. Published by the Soncino Gesellschaft der Freunde des Juedischen Buches. 1 of 1000 copies. German abstracts of the 953 extant responsa originally issued in the Hebrew periodical "Peri Eitz Chaim" (1691-1807) , the organ of Amsterdam's esteemed Ets Hayim Talmudical Academy. Insightful work on Jewish life in Amsterdam of the time. Some wear and light staining to covers; internal pages are nice and clean. Very good condition. (SPEC29-17)
A Amsterdam chez Marc-Michel Rey 1768. In-12, 133 pp-[2 ff] errata, demi-veau havane, dos à 4 nerfs, filets dorés sur les nerfs (reliure époque). Edition originale, rare.
Augsburg, 1750 circa. Incisione in rame all'acquaforte, colore d'epoca, cm 31,5 x 41,8 circa (alla lastra). Bella veduta ottica in vivace coloritura. Tracce di sporco e difetti ai margini, uno strappo riparato al margine superiore, nell'insieme discreta conservazione.
359 p. 12mo. 16 cm. Foxed. Contemporary full leather binding. (American) manuscript ownership of John Meyers. An important collection of German Christian mystical texts. This edition is very scarce, and especially more interesting for its American ownership. Jakob Boehme (or Böhme) [1575-1624], German religious mystic, a cobbler of Görlitz, in England also called Behmen. He was a student of the Bible and was influenced by Paracelsus. In his major works, De signatura rerum (The Signature of all Things) and Mysterium magnum, Boehme describes God as the abyss, the nothing and the all, the primordial depths from which the creative will struggles forth to find manifestation and self-consciousness. Evil is a result of the striving of single elements of Deity to become the whole; conflict ensues as man and nature strive to achieve God who, in himself, contains all antithetical principles. Boehme exerted a profound influence on the philosophies of Baader, Schelling, Hegel, and Schopenhauer. Boehme claimed divine revelation and had many followers in Germany and Holland. Societies of Behmenites were formed in England; many of them were later absorbed by the Quakers. QUITE SCARCE AND IMPORTANT. **PRICE JUST REDUCED! PA 011A. BEFORE ORDERING - PLEASE Email to RareBooks@POBox.com so that we can CONFIRM AVAILABILITY
76 pages. Features: Colour ads for Parker Pens (Fit for a King!), and Canada Dry; What is to be Settled at San Francisco United Nations Meeting?; One-page Trans-Canada Telephone System shows smiling Canadian soldier with crutch using payphone; Editorial on Postmaster's call that mail be more carefully addressed; Great one-page ad for movie National Velvet, starring Mickey Rooney and Elizabeth Taylor; Can Science Bring Back the Dead?; A Jump to Conclusions (short story); Let's Give Away A Million Square Miles! - proposal to give away a huge chunk of the North-West Territories to the U.S. who can then finance its settlement; The Flying Tiger of Tuttle Hollow (short story); Will We Want International Sport? - photo-illustrated article on international sport and its future after WWII (with photo of Canada's Percy Williams winning the 100m at the Amsterdam Olympiad in 1938; The Affair at Saltover Priory (short story); The "So-Creds" (Social Credit) Come to Town - interview with federal party leader Solon Low with photos of him and Alberta Premier Ernest Manning; Love at Second Sight (short story); One-page Kodak ad features photo of Cpl. A. Romeike of Medicine Hat and his sister Lieut. Amy Smith of Vancouver, taken at a Canadian hospital in northwest Europe; Ventures in Victory Gardening; Classy one-page "Buy Victory Bonds" ad sponsored by Northern Electric features the Soldier's Creed and the Civilian's Creed; Photo of Joan Davis in Arrid ad; 1/3-page ad for the Canadian Ice Foundation features photo of bayonet; Preventing colds in children; Interesting centrefold ad by the National War Finance Committee describes the eight types of Canadians; Article entitled "A Letter From Home" about Canadian seamen includes photo of Leading Seaman James M. Baxter, of New Westminster, B.C. distributing mail to his mates; Photo and description of newly discovered German landmine made mostly of glass to avoid detaction; One-page ad by the Department of Veterans Affairs explains that War Veterans Insurance is now available; Jergens Lotion ad features photo of Marguerite Chapman; Nice one-page colour-illustrated Singer sewing machine ad; Colour Charlie McCarthy comic in Chase & Sanborn ad; Cooking article on the skillet; Conservation tips; Fashion illustrations; Charming colour illustration of Shirley Temple in Woodbury Powder ad; World Sayings; One-page ad by the Department of Veterans Affairs inside back cover explains government credits for education or land settlement available to returning veterans; Excellent colour back cover Coke ad features sailor in soda shop with two lovelies; and more. Unmarked with somewhat above-average wear. Lower seven inches of coverfold secured with archival tape. A worthy vintage copy. Book
In-16 p. (mm. 163 x 105), 3 volumi, cartoncino muto coevo (piccoli strappi al dorso), pp. (10),662; (6),543; (6),388,(58); inclusa la bella antiporta allegorica, inc. in rame; con 6 tabelle più volte ripieg., f.t. Esempl. con barbe, ben conservato.
Volledig in 4 volumes: 364 + 324 + 370 + x,454 pp., met enkele illustraties in en buiten tekst, originele 1900-1915-editie, 23cm., uniforme blauwlinnen uitgeversbanden met titel in goudopdruk op ruggen, gedrukt op handgeschept papier Van Gelder, enkele plekjes (vnl. roest op eerste en laatste blz.), deel 2 en 4 met watervlek op bovenste bladranden en marge van enkele pagina's licht bevlekt (niet in tekst), verder in goede staat, gewicht: 4.2kg., N102888
pp. (3), 208 (10) + PLUS Engraved title and Fifty (50) emblematic plates engraved in taille-douce. Thick paper. 16mo. Nice 19th century half leather binding. First edition of an extremely important and powerful Dutch emblem book. Landwehr 395; Veeghen/Kellen 684. Jan Luyken (also called Johannes Luiken / Luycken / or Luykens) was an Amsterdam born artist, engraver, and poet. He was a very important and versatile etcher in the period after Rembrandt. He was baptized in the Lamist Mennonite Church in 1673, and by 1675 he fell under the sway of the mystical fire surrounding the followers of Jacob Boehme. Closely attached to a few kindred spirits (including his son, Caspar), he lived in seclusion and worked on his etchings and poems. His artistry is distinguished by its clarity, detail, and power. This is among the most famous of his works. **PRICE JUST REDUCED! NW16 RtStk
365 pages. Index. List of Sources and Works Cited. Extensive footnotes. Tables and Charts. "During the eighteenth century European governments began systematically using an international credit structure whose center was the Amsterdam capital market. This work reconstructs that system and surveys its principal effects on the European, and especially the Dutch, economies." - from preliminary page. Clean, bright and unmarked with light wear. Binding tight and square. Anonymous bookplate upon front free endpaper. A quality copy. Book
Bildgrösse 35 x 45 cm. Handkoloriert. Theatervorstellung in "De Amsterdamse Schouwburg" (Leidseplein). Das Kulissendekor wurde von einer separaten Platte gedruckt, ebenso der Titel unter das Bühnenbild.
Bildgrösse 21 x 30,5 cm. 25,5 x 33 cm. Montiert auf Karton, lose unter Passepartout. Leicht fleckig. Nach Salomon Savery. De Amsterdamse Schouwburg an der Keizersgracht wurde 1638 in Gebrauch genommen.
Amsterdam chez Paul de la Feuille, 1720. 2 c. b, pp. (8), 198 (malnumerate 216) 216. Con 19 tavole di vedute incise in rame f.t. e più 4 di bandiere. Manca una tavola. Rilegato con: Tarif general... stesso luogo e stampatore, 1718. pp. 123(1), (2), 1 c. b. Legatura coeva in piena pelle con ricchi fregi e titolo entro tassello al dorso. Prima edizione per la guida e terza e migliore edizione per le tariffe. Bell'esemplare con solo a quattro pagine della guida dei piccoli fori di tarlo marginali. Bibl: Kress S.2892.
ff. [10], 358, 144, 84, [2], 170 leaves. No maps or plates. Printed in Dutch gothic type, in double columns within a ruled border. Thick large 4to. Worn contemporary full leather binding. Highly decorated in gold gilt. Tooled with ownership initials and a date: 1733 / A.C.H. / C.J.H. en C.C. / A.S. / T.M.B. Original decorative brass clasp hardware that appear to be from a much earlier era. The Dutch Martin Luther edition, edited by Nicolaas Haas from A. Visscher's version. Haas' notes translated from the German by I. Le Long. The only Dutch Bible published by Samuel Schoonwald, See: Darlow & Moule 3344 Note. Though worn, the binding is still very impressive. Scarce. **PRICE JUST REDUCED! W108
[Viaggi] (cm.22) ottimo cartonato originale, titolo al dorso. -- cc. 4 nn., pp. 158 + 1 c. bianca. Edizione originale molto rara che descrive i Paesi Bassi. Manca a molta bibliografia consultata ed è una delle più rare opere di questo prolifico autore. La sola descrizione di Amsterdam occupa oltre 35 pagine. Qualche carta appena ombreggiata ma esemplare molto bello, nitido a pieni margini con barbe. * Capponi p. 204; * Autori Italiani del '600 n° 1343.[f71] Libro
ff. (19), 278, 112, 70, 132 leaves. Engraved pictorial title page and tailpiece, and five historiated double-page folding maps and city views (by Savary). Woodcut tailpieces, large and small decorative and historiated initials. Light marginal worming in preliminaries. Map of Paradise with wear at the margins. Engraved title mounted. Printed titles for the Prophets and New Testament. Folio. Contemporary full leather binding over split oak boards. Corners and clasp holders in thick brass. Spine and joints deteriorated; boards detached. Still impressive, and priced to allow for proper restoration. Engraved bookplate of R. Percy Alden, drawn by the American artist J. Alden Weir. Alden's house, "Millwood," in Cornwall, PA was designed by Stanford White. .This book is the famous Dutch Lutheran Bible of 1648. It was based on the Low German Bible printed at Madeburg in 1554, which was translated by J. Bugenhagen from Luther's Bible of 1545. It was published for the use of his brother Mennonites in 1560 by N. Biestkens van Diest in Emden, and became famous as the Biestkens Bible. Darlow and Moule 'Historical Catalogue of the Printed Editions of the Holy Scripture' No. 3311 says that this edition is "A revision of the 'Biestkens Bible' prepared on the basis of Luther's by Adolf Visscher of the Lutheran Church at Amsterdam. This became the standard Bible of the Dutch Lutherans." It is curious to note that it is the only Dutch Bible ever published by van Baardt. Darlow & Moule 3311. **PRICE JUST REDUCED! Scarce. W108
LA HAYE, Samuel Luchtmans - 1744 - Reliure plein vélin doré - Plats aux Armes de la ville d' Amsterdam & Ecoinçons dorés - Dos lisse avec 5 reprises des Armoiries - Filets verts servant de fermoir - Fort in-8 de 858 pages + Index in Florum, Index Rerum & Verborum & index Scriptorum Veterum + Errata 122 pages = Lucius Ampelius Ex Bibliotheca Cl. Salmasii 39 pages -- bien complet de la carte dépliante de l'empire romain - frontispice gravé d'après un desssin de van der My - Feuillet d'ex-proemium gravé pour le jeune Léonard Beels - Très bel exemplaire
Buon esemplare contenente 100 vedute di Amsterdam. Peter Schenk, o Pieter Schenck (Elberfeld, 26 dicembre 1660 (battezzato) – Lipsia o Amsterdam, 1711 o 1713), è stato un incisore, editore e cartografo olandese del secolo d'oro di origine tedesca. Dimensioni dell' incisione: 31 x 20. Rarissimo. Cartonato editoriale, esemplare un po' sciolto.