247 résultats
In-16° pp. 63 con 95 tav. in nrto f.t. Bross. edit. ill.
Paris, Chez Daumont, 1770 circa. Incisione in rame all'acquaforte, colore d'epoca, cm 28 x 42,5 circa (il foglio). Veduta ottica della città di Amsterdam in tenue e piacevole coloritura. Esemplare con un restauro per umidità sulla destra del foglio, peraltro sano, a pieni margini e in piacevole coloritura.
In-8° pp. 180, bross. edit. con targhetta al dorso e timbro all'interno.
242 p. Plus Eight Lithographed Plates. Foxed. 4to. Contemporary half leather binding, spine repaired. Jacob Jan Cremer (1827-1880) is mainly known for his idyllic, rural novellas written in the Betuwe dialect, e.g. Het Pauwenveerke and Bruur Joapik, but apart from that he has also written much "ordinary" literary work. VERY SCARCE. **PRICE JUST REDUCED! NW17
Faltblatt. 8°. Gering fleckig. Commissie van Beoordeling: Uzielli, Casadesus, Joh. Wagenaar, Sem Dresden.
[ca. 350] S. 8°. Dek OLn. (Jugendstil) Einband lose. In losen Lagen. Stellenweise leicht gebräunt und fleckig. Sammelband mit den "Abonnementsconcerten" und "Buitengewone Abonnementsconcerten". Mitgebunden sind die Anzeigen und die Originalumschläge von Antoon Molkenboer (alle identisch, verschiedene Druckfarben). Gastdirigenten sind André Spoor und Hutschenruyter. Bedeutende Solisten: Busoni (13. Dezember 1900) und Ysaye (10. Januar 1901).
[16], 430, 24, 16 S. 8°. Dek OLn. (Jugendstil) Sammelband mit kompletter Programmsammlung (über 50 Programme) der "Abonnementsconcerten" und "Buitengewone Abonnementsconcerten", mit Inhaltsverzeichnis. Nicht mitgebunden sind jedoch die Anzeige und die Originalumschläge der originalen Programmheften. Mit thematischen Einführungen und vielen Portraits. Gastdirigent am 29. und 30. Januar 1903 war Richard Strauss, am 26. Februar 1903 Felix Weingartner. Bedeutende Solisten: Ysaye (14. u. 15. Januar 1903), Louis Diemer (27. Nov. 1902) und Leopold Godowsky (12. Nov. 1902).
[16], 430, 24, 16 S. 8°. Ln. OU aufgezogen. Einige Blätter/Lagen lose. Einige Seiten mit handschr. Eintragungen. Sammelband mit kompletter Programmsammlung (über 50 Programme) der "Abonnementsconcerten" und "Buitengewone Abonnementsconcerten", mit Inhaltsverzeichnis. Nicht mitgebunden sind jedoch die Anzeige und die Originalumschläge der originalen Programmheften. Mit thematischen Einführungen und vielen Portraits. Gastdirigent am 29. und 30. Januar 1903 war Richard Strauss, am 26. Februar 1903 Felix Weingartner. Bedeutende Solisten: Ysaye (14. u. 15. Januar 1903), Louis Diemer (27. Nov. 1902) und Leopold Godowsky (12. Nov. 1902).
[8], 532 S. 8°. Ln. d. Zt. Rand unten mit leichtem, durchgehenden Wasserfleck (ca. 1 cm vom Rand), Papier dadurch stellenweise unten geschwacht. Vorder- und Rückendeckel dadurch auch fleckig und stellenw. leicht fransig. Bibliothekstempel und Zettel auf Titel und Vorsatz. S. 101-102 (A. Schmuller), 213-214 (M. Long), 343-344 (A. Nikisch) fehlen. Sammelband mit kompletter Programmsammlung der "Abonnementsconcerten" (Serie A). Nicht mitgebunden sind die Anzeige und die Originalumschläge der originalen Programmheften. Mit Inhaltsverzeichnis, thematischen Einführungen und Portraits. Gastdirigenten u.a.: Ewald Straeser, Karl Muck. Bedeutende Solisten: A. Witek, J. Urlus, Carl Muck
12 S. Kl.-8°. OU. Mit Programmauflistung.
La Haye, Cabinet royal de peintures Mauritshuis et Londres, National Gallery publications limited, 1999. In-4 broché, 272 pages, abondamment illustré.
Milano, 1954, stralcio con copertina posticcia muta, pp. 689/704 con fotografie, tavole fotografiche e 2 cartine. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Milano, 1964, stralcio con copertina posticcia muta, pp. 1102/1113 con fotografie e tavole fotografiche. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Augsburg, 1750 circa. Incisione in rame all'acquaforte, colore d'epoca, cm 31,5 x 41,8 circa (alla lastra). Bella veduta ottica in vivace coloritura. Tracce di sporco e difetti ai margini, uno strappo riparato al margine superiore, nell'insieme discreta conservazione.
viii, 146 pages. Text in English and French. Profusely illustrated with glossy black and white reproductions of photos. "Dutch-born Kryn Taconis has left us as his legacy a body of work that stretches over thirty-five years - from 1944 to 1979. As a member of the Resistance, he cast a special light upon the grave privation of the people of Amsterdam, who were starved by the German occupiers during the winter of 1944-1945. He was later associated with the Magnum agency for ten years during which he proved himself as an independent photographer and displayed his sympathies and his humanist affinities in numerous stories from all over the world. Finally, his twenty years of association with Canadian illustrated magazines such as the Star Weekly gave him the occasion to wield great influence in establishing new standards of quality in Canadian photojournalism." - Preface. Clean and unmarked with moderate wear. Binding sound. A quality copy of this impressive work. Book
In-16 (cm. 17), brossura, pp. 462. Texte en français. “Traduit sur l’édition d’Amsterdam, de 1682”. Minime tracce di polvere; peraltro, volume in ottimo stato (nice copy).
Gérard Monfort, 1992, 133 pp., broché, traces d'usage, état correct.
Amsterdam, Albert de Lange, 1962, in-16, br. editoriale illustrata, pp. 128. Con illustrazioni n.t. e una piantina ripiegata allegata sciolta.
3 p. 4°. Enkele randscheuren.
78pp., gesigneerd met opdracht door beide auteurs, 24cm., gecart. uitgeversband (met wat kleine vlekjes), tekst helder, goede staat, bijgevoegd: brochure door J.F.A. Leesberg: "Herinnering bij het vijfde eeuwgetij van het Mirakel van Amsterdam" (4pp.), N96393
Two Volumes. Engraved illustrated title page. Foxed. Uncut. 8vo. Contemporary blue paper bindings. Manuscript ownership of Jan Paul Schumacher. Fredrika Bremer (1801-1865), Swedish writer and feminist, was from Finland. Her novels of everyday life include: The H Family (1829), The President's Daughters (1834), and The Home (1839), offered herein the first Dutch edition. She recorded her impressions of travel in America (1849-51) in Homes in the New World (1853). Her later novels advocate the emancipation of woman. In the late 19th century she was internationally known as a key social critic and observer of events in the United States. This edition is very scarce. **PRICE JUST REDUCED! NW16
In-4 (cm. 33.20), tela editoriale, sovracoperta editoriale illustrata, pp. 207, (1), con numerosissime illustrazioni, per lo più a colori, nel testo. In appendice il catalogo delle opere di pittura con 575 piccole illustrazioni in bianco e nero. "L'uomo e la sua opera". Prima edizione italiana. In buono stato (good copy). .
359 p. 12mo. 16 cm. Foxed. Contemporary full leather binding. (American) manuscript ownership of John Meyers. An important collection of German Christian mystical texts. This edition is very scarce, and especially more interesting for its American ownership. Jakob Boehme (or Böhme) [1575-1624], German religious mystic, a cobbler of Görlitz, in England also called Behmen. He was a student of the Bible and was influenced by Paracelsus. In his major works, De signatura rerum (The Signature of all Things) and Mysterium magnum, Boehme describes God as the abyss, the nothing and the all, the primordial depths from which the creative will struggles forth to find manifestation and self-consciousness. Evil is a result of the striving of single elements of Deity to become the whole; conflict ensues as man and nature strive to achieve God who, in himself, contains all antithetical principles. Boehme exerted a profound influence on the philosophies of Baader, Schelling, Hegel, and Schopenhauer. Boehme claimed divine revelation and had many followers in Germany and Holland. Societies of Behmenites were formed in England; many of them were later absorbed by the Quakers. QUITE SCARCE AND IMPORTANT. **PRICE JUST REDUCED! PA 011A. BEFORE ORDERING - PLEASE Email to RareBooks@POBox.com so that we can CONFIRM AVAILABILITY
[2] Bll. 8°. Stockfleckig. Umschlagzeichnung. Ohne Fotos.
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