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67290180 x 230 mm. Original etching and engraving on laid paper with margins top margin cut on the edge of platemark plate nr. 8. unknown
67282180 x 230 mm. Original etching and engraving on laid paper with margins Bottom margin cut on the edge of platemark. unknown
67292180 x 230 mm. Original etching and engraving on laid paper with margins top margin cut on the edge of platemark. unknown
67293180 x 230 mm. Original etching and engraving on laid paper with margins plate nr. 33. unknown
67288185 x 220 mm. Original etching and engraving on laid paper with margins plate nr. 27. unknown
67286180 x 230 mm. Original etching and engraving on laid paper with margins bottom margin cut on the edge of platemark. unknown
67295180 x 230 mm. Original etching and engraving on laid paper with margins. unknown
67284180 x 230 mm. Original etching and engraving on laid paper with margins Bottom margin narrow. unknown
67283180 x 230 mm. Original etching and engraving on laid paper with margins Bottom margin narrow. unknown
67291180 x 230 mm. Original etching and engraving on laid paper with margins. unknown
PR120946-117Checkers dam game in the courtyard after the painting by Jan Hendrik van de Laar. Lithographed by A.C. Nunnink Amsterdam 1813-1894 The Hague.NL Jan Hendrik van de Laar was leerling van de Antwerpse Akademie en van de Akademie van Beeldende Kunsten te Den Haag. Vanaf 1841 was hij werkzaam in Rotterdam en directeur van de in 1850 opgerichte akademie. Hij schilderde voornamelijk portretten genrestukken en historische voorstellingen. Original lithography total 265 x 330 mm. One stripe in the right side outside the illustration. Lithography in good condition. unknown
ria9780199573950_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This Handbook shows that Business History is a wide-ranging and dynamic area of study producing compelling empirical data which has sometimes confirmed and sometimes contested widely-held views in management and the social sciences. A paperback
ria9780199283613_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book applies contemporary linguistic theories and the findings of traditional grammar to the study of Latin syntax. It the first full-scale work of its kind in English and contains extensive examples from literary and non-literary hardcover
200411720Amsterdam: Sotheby's. New. 2004. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 126 pages; 348 lots -- Interior text is clean tight and unmarked. Pages are intact and tight to the spine. Text in English. Sale features works by Mauve Pilichowski a work from the Gemeente Museum den Haag Bosboom Trouillebert and others. Many lovely illustrations. Slight curling to front cover. -- with a bonus offer--; 4to - over 9¾" - 12" tall . Sotheby's paperback
2013Q-1607745518Ten Speed Press 2013-06-18. Paperback. New. New. In shrink wrap. Looks like an interesting title! Ten Speed Press paperback
2013DADAX1607745518Ten Speed Press 2013-06-18. 1. paperback. New. 7.03x0.42x7.96. Buy with confidence. Excellent Customer Service & Return policy. Ten Speed Press paperback
110681Rare pamphlet on the power struggle between Willem II and Amsterdam. Original laid paper in good condition<em>. Knuttel 6781a. Decorated marbled paper binding. Quarto edition in -4. Collation: A<sup>4</sup>NL Politiek pamflet verschenen naar aanleiding van de machtsstrijd tussen Amsterdam en stadhouder Willem II. Met sterk republikeinse retoriek en pseudo-imprint. De titel Ommeganck omgang / rondgang / verslag suggereert een rechtvaardige reconstructie van gebeurtenissen een klassieke strategie om een polemische tekst als objectief te laten lijken. Het pamflet positioneert Amsterdam als slachtoffer en superieur aan de tegenpartij. Mooi voorbeeld van Republikeinse propaganda. Het begrip Hollandsche Vryheydt verwijst naar een kernideologie van de regenten: verzet tegen te sterke centralisatie van macht. unknown
1860ABC_50131Amsterdam: printed by R. de Vries for François Buffa & Sons 1860. Original brown blind-stamped wave-grained cloth with the title and imprint information lettered in gold on the front board in a rococo frame yellow endpapers. Oblong ca.16.4 x 24.6 cm. per leaf. The panorama is made up of 8 numbered lithographed views printed in monochrome with beige tone block. The viewer looks southward from the IJ over the city from the Oosterdok eastern dock and the Oosterkerk eastern church along the docks and wharfs via the recognisable towers of several churches and the view of the Royal Palace to the Westerdok western dock a large factory and the Blauwhoofd the northwestern-most bulwark of the city. Extremely rare leporello-style bound copy of a lithographic panorama of Amsterdam printed in monochrome with a beige tone block after drawings by Johan Conrad Greive 1837-1891 and lithographed by Ruurt de Vries Jr. 1813-1874.A remarkably precise and atmospheric profile of Amsterdams IJ waterfront extending from the Lijnbanen to beyond the Blaauwhoofd. The principal buildings are identified beneath each plate. The panorama captures in extraordinary detail the eastern docks the Oosterdok and Westerdok areas and numerous landmarks including the Zeemagazijn Admiraliteitsmagazijn Oosterkerk Zuiderkerk Oude Kerk the Dam with the Royal Palace and Nieuwe Kerk Westerkerk Noorderkerk and the bustling shipping of the IJ. A distant suggestion of Haarlems St Bavos Church may be discerned on the horizon.Greives meticulous urban draughtsmanship is akin to painting with the precision of photography. He later became chairman of Arti et Amicitiae and was celebrated for his highly detailed views of cities and rivers.The present example is preserved in a true leporello concertina binding: the front and back boards are not joined at the spine but are attached only to the first and last leaves of the accordion-folded sheets.This work is extremely rare: we have located only two other bound copies both held at the University of Groningen. Curiously of the related publication Panorama de Rotterdam likewise illustrated by J.C. Greive and published by François Buffa & Sons only a single surviving copy is recorded also at the University of Groningen. We have traced another copy of the Rotterdam panorama at the House of European History.The work has been cut slightly short touching the plate numbering and is slightly foxed throughout. Otherwise in very good condition.l d'Ailly Repertorium 278; Rijksmuseum object no. RP-P-1905-1045 RP-P-1905-1043 RP-P-1905-1039; WorldCat 64777818 2 copies; cf. for the Panorama De Rotterdam WorldCat 64777862 1 copy; more about the Buffa company: Landwehr Studies in Dutch books with Coloured Plates published 1662-1875 1976 pp. 62-66. [printed by R. de Vries for] François Buffa & Sons, hardcover
234148Milano: Panorama anni '60. Foglio singolo loose page. Molto buono Very Good. Poster originale con disegno di Leo Lionni a 2 colori rappresentante il galletto francese simbolo del Paese cm 525x34. Cm 525x34. . Molto buono Very Good. . Panorama, unknown
2001Q-0300088604Metropolitan Museum of Art 2001-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Metropolitan Museum of Art hardcover
200191314Museum; Yale University Press. New. 2001. Hardcover. 0300088604 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 336 pages. Description: "This book the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay Paris the Van Gogh Museum Amsterdam and The Metropolitan Museum of Art New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings drawings watercolours and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet Guillaumin and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony contrasts and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned decorative colour surfaces. In a series of essays the exhibition's curators discuss Signac's richly interesting career from a variety of perspectives. John Leighton Director of the Van Gogh Museum provides an introductory essay that chronicles Signac's triumphs as a painter. The well-known Signac scholar Marina Ferretti Bocquillon focuses on Signac's achievements as a draftsman and watercolourist and Sjraar van Heugten Chief Curator of the Van Gogh Museum summarises Signac's activity as a printmaker. Anne Distel Chief Curator of the Musee d'Orsay examines Signac's role as a promoter of his own works and those of his colleagues and describes a host of other activities - beyond painting - that engaged Signac's interest. The final essays in this volume shed new light on Signac's appreciation of the works of his predecessors contemporaries and followers - as evidenced in his artworks in his published and unpublished writings and in his private collection. Susan Alyson Stein Associate Curator of European Paintings The Metropolitan Museum of Art examines the ways Signac understood the genius of such painters as Delacroix Monet Renoir Cezanne Van Gogh Bonnard and Matisse. Marina Ferretti Bocquillon explores the Signac's role as a collector providing a wealth of new information about the works he owned by fellow artists. Contributor Kathryn Calley Galitz is Research Associate in the Department of European Paintings at The Metropolitan Museum of Art New York. Lavishly illustrated with comparative and documentary photographs the volume includes an annotated chronology and a map that pinpoints the sites depicted in Signac's works." -- with a bonus offer-- . Museum; Yale University Press hardcover
197129833Amsterdam: Kunsthandel Gebr. Douwes N. V. As New. 1971. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Artists featured: Richet Pelouse Harpignies Guillemet and others. Asking prices of several works recorded next to descriptions of same. -- with a bonus offer-- . Kunsthandel Gebr. Douwes N. V. paperback
14-0053London : Lund Humphries 2007. 8vo. 127pp. Hardcover. Very Good very minor markings on cover. Color plates throughout. Provenance: from the Estate of Judy Stone 1924 –2017 The San Francisco Chronicle’s movie critic who for two decades was a passionate and articulate advocate for the world of cinema outside Hollywood. Judy Stone started at the San Francisco Chronicle in 1961 putting in 10 years as editor of the Datebook section. She began reviewing films for the paper in 1971 favoring arthouse films. She was the youngest of four politically minded children whose eldest brother was the great reporter and gadfly I. F. Stone.She won the Novikoff Award given for "enhancing the public's appreciation of world cinema.†Among her publications are “The Mystery of B. Traven†and "Eye on the World†a collection of her interviews with filmmakers from the 1960s to the 1990s. [London] : Lund Humphries, [2007]. hardcover
1994ABE-1576277122606Distributed Art Pub Inc 1994. Hardcover. Very Good/No Jacket. 11x9x0. Distributed Art Pub Inc hardcover
1990AME_9780824782092marcel dekker 1990. 1st. Hardcover. New/New. marcel dekker hardcover
