1 247 résultats
xxii + 221pp., 2e éd., reliure cart.moderne (dos en toile), bon état
Features: "Probably the most beautiful Rowboat afloat" - The Form and Meaning of the St. Lawrence Skiff; "The Featherweight and the Backwoods" and the evolution of the pack canoe; Reassembly of a Sixteenth-Century Basque Chalupa; Recent Advances in Ship History and Archeaeology, 1450-1650 - Hull Design, Regional Typologies and Wood Studies; The Amsler Integrator and the Burden of Calculation; Snagboats and "Dead-Heads" - Interpreting History Onboard the W.T. Preston; Le Marco Polo, un navire canadien de renommee mondiale au milieu du XIXe siecle; Boat Models, Buoys and Board Games - Reflecting and Reliving Watermen's Work; Culture Materielle et niveaux de richesse chez les pecheurs de Plaisance et de l'ile Royale, 1700-1758; Emotion as Document - Death and Dying in the Second World War Art of Jack Nichols; "You Paint Me a Ship as is Like a Ship" - The Verkin Ship Portraits; Mi-marins, mi-mages - caracteres de l'univers magico-religieux des pecheurs et des gens de mer du littoral tyrrhenien; Les objets du rite - le bapteme de la Ligne; Voyagers in the Vault of Heaven - the Phenomonon of Ships in the Sky in Medieval Ireland and Beyond; Recent Media Treatment of the Titanic Tragedy; Edutainment and the Museum - a cautionary tale; plus 10 book reviews. Average wear. Usual library markings. A sound copy. Book
168p., illus. SOFTCOVER. Paperback Very good condition, private shelf labels taped to spine
Catalogue for the Exhibition in United States. With Glossary of Drawing Materials and Paper Terms plus Index of Artists. Some slight edgewear to covers and several scuff marks on front cover.
20x15. 292p. Firma anterior poseedor. Trad. A. Ribera. Enc. Tela Ed. La sobrecubierta algo deteriorada.
263p. 8vo. Original full green cloth binding, gold decorated and lettered. Binding has some old spotting and bits of wear. Hardbound. First U.S. Edition. Stephen's important first book, a novel of the Dublin slums that was published in Britain as 'The Charwoman's Daughter'. James Stephens (1882-1950) was left fatherless in the Dublin slums at the age of two. His mother remarried or took up with another man when James was about six years of age. She abandoned her young son and he was forced to go to the Meath Protestant Industrial School for Boys. The Meath School was cruel and harsh and he ran away to live in the streets or live with families that took to the likely boy. In 1905 'The Greatest Miracle' was published by Arthur Griffith in The United Irishman. Griffith became good friends with Stephens and published his works in his magazine know as the Sinn Fein. From 1905-1910, Stephens attended Gaelic League classes and become involved with political meetings. During this time he published several pieces which focused on Irish national pride, the importance of learning one's Irish language and customs, and remembering the ancient saga heroes. Stephens met many of his great contemporaries during this period including George Russell (AE), George Moore, W.B. Yeats, Lady Gregory, etc. In the year 1912, Stephens published The Charwoman's Daughter and later in the same year his noted work The Crock of Gold. The Crock of Gold was a great success and Stephens moved to Paris so he could concentrate on writing full time. Cynthia Kavanagh who had been his lover since 1907 accompanied him. He later married her in 1919. The Demi-Gods was published in 1914 and in 1915 he moved back to Dublin to become the Registrar of the National Gallery of Ireland (and stayed in that position till 1924). Stephens witnessed the shooting of a man as a result of the Easter Uprising in Dublin in 1916. This became a turning point for him as the event intensified his patriotic feelings and renewed his interest in old Irish literature. Stephens moved to London in the year 1925. He began a series of lecture tours which extended to the United States. In 1935 Stephens began a literary and personal friendship with James Joyce. His colleagues considered Stephens to be a genius who easily embraced fantasy, philosophy, and comedy - those who read him today will still be struck by his genius. **PRICE JUST REDUCED! STEPHENS/W77
"Shortly after she arrives in Dublin to care for her dying mother, Margaret's daughter, Mary, is brutally tortured and murdered . . . and a once-brilliant, now-boozy cop catches Mary's killer but botches the case against him and raises the possibility of his serving just a short sentence." Book
Brossura
Appears unread. Author's name and page number written on front cover. No other marks or inscriptions. No creasing to covers or to spine. A lovely clean very tight copy with bright boards and no bumping to corners. 147pp. Presentation papers from a policy conference which seek to address how Ireland moves forward. From the Personal Library of the late Emeritus Professor Peter Townsend of Bristol University and the London School of Economics, Founding Professor of the University of Essex and founder of the Child Poverty Action Group. We are also selling a large number of other books from Professor Townsend's Collection including many of his signed and authored works.
x + 172pp., 24cm., in the series "Philosophes médiévaux" vol.30, softcover, VG, [introduction in English, text in Latin], F70976
x + 172pp., 24cm., in the series "Philosophes médiévaux" vol.30, with dedication by the author, softcover, VG, [introduction in English, text in Latin]
xvii + 258pp., 24cm., in the series "Philosophes médiévaux" vol.34, softcover, very good condition, [introduction in English, text in Latin], F66625
S.E.P.E., 1948, 190 p., broché, quatrième de couverture tachée, manque au niveau de la coiffe supérieure, état correct.
2 volumi, 16°, mz. tela coeva, pp. [4] - 422 + [4] - 340. Es. di studio con diffuse bruniture e macchie sparse, comunque ben leggibile. Prezzo d’occasione.
Carta geografica in coloritura coeva
First edition, li, 422pp., decorative endpapers, orig. embossed green cloth, gilt, uncut, a nice copy.
Mm 145x220 Einaudi Frontiere. Volume cartonato rigido di pagine 322, sovraccoperta figurata. Pari al nuovo (as new). Spedizione in 24 ore dalla conferma dell'ordine.
Broché. 275 pages.
199 p. Illustrated with engravings by the author. Bookplate of Kathleen M. McNiff on first fly leaf. 8vo. 220mm. Original full green cloth binding lettered and decorated in gold. Extremities worn. Small loss at head of spine. First Edition. Robert Gibbings (1889-1958) was born in Cork, Ireland. He was an artist and author who was most noted for his work as a wood carver and engraver and for his books on travel and natural history. TRAVEL BX 2 x2
1st UK edition. VG pbk. Slight browning to the pages. ISBN 0552109401. 23221. eng
Databili fine anni '50 del sec. XX. Alleghiamo 4 pieghevoli in-16, in cartoncino edit., con tav. a col. applicata all'interno, relativi a celebri manufatti d'oreficeria dal 7° al 12° sec. appartenenti al "National Museum of Ireland" + 2 cartoline a medesimo soggetto.
Delineata sulla scia della più grande veduta di Jeremias Wolff, l’opera offre quaranta riferimenti topografici. Il Leopold, era un modesto incisore ed editore di Augsburg; la sua serie di vedute di città, da cui questa incisione è tratta, venne pubblicata con pochissima tiratura, rendendo quindi le opere particolarmente rare. Incisione in rame, in ottimo stato di conservazione. Leopold was a modest engraver and publisher in Augsburg; the series of city views, from which this one is taken, has been published in a very limited circulation, which means these works are very rare. A finely-engraved view of pre-fire London seen from the south side of the Thames with fashionably dressed figures promenading in the foreground. With descriptions below in both German and Latin separated by the coat of arms of London. Joseph Friedrich Leopold (1668-1726) was an engraver in Augsburg, taking over the publishing firm of J.U. Kraus in 1719. His son, Johann Christian Leopold (1699 - 1755), succeeded him. Copperplate, in excellent condition.
Panorama della City di Londra dal South Bank. Jonathan Potter scrive: "Un prospetto di Londra artistico, con prospettiva verticale esagerato, visto da sud, che enfatizza il profilo della città, dominato da numerose guglie di chiese e dalla vasta cupola di St. Paul”. Elegantemente incisa, la veduta riporta 52 edifici identificati nella legenda, tra cui lo Swan e il Globe, sia in Latino sia in tedesco. Lo stemma della città è collocato in posizione dominante, circondato da vessilli e mercanzie.” Disegnata da Friedrich Berhard Werner, incisa da Johann Georg Ringle e pubblicata da Martin Engelbrecht (1684 - 1756). Incisione in rame, buone condizioni. Rara. A panorama of the City of London viewed from the South Bank. Jonathan Potter writes: “An artistically licensed, vertically exaggerated prospect of London from the south that emphasizes the city’s skyline, dominated by the numerous church spires and the vast dome of St. Paul ’s. Elegantly engraved the view is annotated with 52 buildings identified in the keys in both Latin and German with The Swan and The Globe among those buildings named on the Southbank. The arms of the city sit boldly at the front of the design surrounded by banners and trading wares.” Drawn by Friedrich Berhard Werner engraved by Johann Georg Ringle and published by Martin Engelbrecht (1684-1756). Copperplate, good condition. Rare.
In 8°, pp. XII+448. Antiporta in rame.Si dispone solo del volume dedicato alla Scozia e all'Irlanda figurato da 12 di 14 tavole f.t. finemente incise su lastra di rame. Legatura coeva cartonata.
Volume dedicato agli interni di case irlandesi. Volume ricco di fotografie a colori. Testi in inglese, spagnolo, italiano e portoghese. Copertina vissuta, non perfetta. Interni buoni.