62 résultats
196472725Oakland Ca. Very Good. 1964. stapled/soft Cover. G1611 . paperback
198372756Oakland Ca. Very Good. 1983. stapled/soft Cover. G1711-3 . paperback
19582105090268xbvkTongerlo, St. Norbertusdrukkerij - uitgave van de 'Commissie voor Geschiedkundige en Folkloristische Opzoekingen der Provincie Antwerpen', 1948-1958. 423 / 489 / 488 / 440 pages on untrimmed paper. - Publisher's titled grey cardboard bindings; Folio (ca. 31 x 24 x 15 cm; ca. 7 kg.).
190432423Anvers: Bellemans Freres. As New. 1904. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - LIMITED EDITION. Text in French. 207 lots catalogued; a number of illustrations. Among the artists represented: Frans Hals; N. Maes; Weenix; A. Myyens; and many others. Also included are facsimiles of the signatures of the artists where available. -- with a bonus offer-- . Bellemans Freres paperback
1993100121-15Picton Press 1993. hardcover. Very Good. 0x0x0. 8vo in cloth. 774 pp. VG. Minimal wear. Foxing to top edge. Interior is pristine. No writing or markings of any kind. Ships wrapped in bubble wrap and packed securely in a box. Picton Press hardcover
191934191Washington: GPO 1919. cloth. Genealogy. thick 4to. cloth. iv 1332 pages. Second edition revised and enlarged. Besterman p.2127. 6965 entries. Light wear at spine ends. GPO unknown
197112646Unterschneidheim, Walter Uhl, 1971. Folio (40-45 cm). 5 Bll., 189 S., 8 Bll. OLeinwand mit farbgeprägtem Deckel- und Rückentitel [3 Warenabbildungen]
1999236822Charleroi: Editions Musée de la Photographie 1999. Rilegato hardback. Perfetto Mint. Testi di Jan Ceuleers Xavier Canonne Mireille Sprengers-Dohmen. Fotografie in bianco e nero. Edizione in inglese e francese. Cm 255x21. pp. 152. Perfetto Mint. . <em><strong>Leo Dohmen</strong> è";" stato con Raoul Ubac e Marcel Lefrancq uno dei pochi rappresentanti della <strong>fotografia surrealista</strong> in Belgio. Era una figura leggendaria nel circolo artistico di Anversa del dopoguerra. A causa del suo stile di vita tumultuoso e sgargiante i suoi amici gli diedero il soprannome di "Pirata". Dohmen era un uomo dai sette mestieri: chimico e ingegnere presso Agfa Gevaert ed Esso barista in un nightclub illegale mercante d'arte e gallerista e soprattutto fotografo. Nelle sue <strong>fotografie surrealiste</strong> nei <strong>collage </strong>e negli <strong>assemblaggi </strong>era sempre alla ricerca di un effetto shock che raggiungeva attraverso la combinazione di elementi strani.</em> Editions Musée de la Photographie, hardcover
1999230386Ostenda: Ronny Van De Velde 1999. Brossura wrappers. Perfetto Mint. <em><strong>Foto's Assemblages en Collages. Photos Assemblages et Collages. Photographs Assemblages and Collages. </strong></em>Volume pubblicato in occasione della mostra tenutasi presso la galleria Ronny Van De Velde Anversa 16 ottobre - 11 dicembre 1999. Un testo di Jan Ceuleers. Fotografie in bianco e nero. Edizione in inglese francese e olandese. Cm 255x21. pp. 150 ca. Perfetto Mint. . <em><strong>Leo Dohmen </strong>was with Raoul Ubac and Marcel Lefrancq one of the few representatives of the <strong>surrealist photography</strong> in Belgium. He was a legendary figure in the post-war Antwerp artistic circle. Because of his tumultuous and flamboyant lifestyle he was his friends gave him the nickname &lsquo";the Pirate'. Dohmen was a man of seven crafts: chemist and engineer at Agfa Gevaert and Esso a bartender from an illegal nightclub an art dealer and a gallery owner and - especially - photographer. In his surrealist photographs collages and assemblages he was always looking for a shock effect that he reached through the combination of strange elements.</em> <em><strong>Leo Dohmen</strong> è" stato con Raoul Ubac e Marcel Lefrancq uno dei pochi rappresentanti della <strong>fotografia surrealista</strong> in Belgio. Era una figura leggendaria nel circolo artistico di Anversa del dopoguerra. A causa del suo stile di vita tumultuoso e sgargiante i suoi amici gli diedero il soprannome di "Pirata". Dohmen era un uomo dai sette mestieri: chimico e ingegnere presso Agfa Gevaert ed Esso barista in un nightclub illegale mercante d'arte e gallerista e soprattutto fotografo. Nelle sue fotografie surrealiste nei collage e negli assemblaggi era sempre alla ricerca di un effetto shock che raggiungeva attraverso la combinazione di elementi strani.</em> Ronny Van De Velde, unknown
19713135242Leipzig: Zentralantiquariat der DDR 1971. 212 Seiten. Mit Frontispiz. 8° (17,5-22,5 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken. [Hardcover / fest gebunden].
19713134987Leipzig: Zentralantiquariat der DDR 1971. 212 Seiten. Mit Frontispiz. 8° (17,5-22,5 cm). Orig.-Leinenband mit goldgeprägtem Titel auf Deckel und Rücken. [Hardcover / fest gebunden].
197566074Roma: Carucci Poesia visiva 1975. Brossura wrappers. Molto buono Very Good. Prefazioni di Aldo Rossi e Henri Floris Jespers. Traduzioni di Lydia Astengo. Testo in italiano e inglese. Con 64 tavole in nero. Cm 21x16. pp. XXIX 64. Molto buono Very Good. Prima edizione First Edition. <em>Nel dopoguerra è"; fra i primi ad interessarsi alla <strong>poesia visiva e sonora</strong>. È stato autore di numerosi poemi sonori la maggior parte dei quali realizzati nel laboratorio di musica elettronica di Utrecht fondatore e editore delle seguenti riviste: Vormen 1936-1940 Golfslag 1946-1950 De Tafelronde 1953-1982 Vers Univers 1966-1967 Lotta Poetica 1971-1975 and Factotum-Art 1977-1979. A fianco del poeta francese Henri Chopin ha organizzato ad Anversa nel 1963 l'esposizione Objectieve poë"zie. Fin dal 1964 ha tenuto mostre in numerosi paesi europei negli Stati Uniti e in Giappone. Nel 1974 entra a far parte del Gruppo internazionale di Poesia visiva.</em> Carucci, Poesia visiva unknown
193580591Bruxelles, Nouvelle Société d`Éditions 1935. Mit 108 Abbildungen auf 72 Tafeln. 23 S. 4to. OBrosch.
19321241751932. San Francisco: The Book Club of California 1932. <br /> <br /> 8vo vi 27 pp. Fold-out facsimile of one of Scott's letters as frontispiece and 3 illustrations. Quarter red leather and green paper-covered boards. Backstrip faded and spotted rust-shadow of paperclip to preliminaries otherwise fine.<br /> <br /> § One of 300 copies printed by Johnck & Seeger. Introduction by Oscar Lewis. The first essay "A Centenary Address" is by John Buchan the novelist historian and politician the second essay "A Forgotten Antiquary" is by William C. Van Antwerp who wrote elsewhere on Wall Street and on his collection of Scott. unknown
19321078811932. San Francisco: The Book Club of California 1932. <br /> <br /> 8vo vi 27 pp. Fold-out facsimile of one of Scott's letters as frontispiece and 3 illustrations. Quarter red leather and green paper-covered boards. Backstrip faded and worn in places internally fine.<br /> <br /> § One of 300 copies printed by Johnck & Seeger. Introduction by Oscar Lewis. The first essay "A Centenary Address" is by John Buchan the novelist historian and politician the second essay "A Forgotten Antiquary" is by William C. Van Antwerp who wrote elsewhere on Wall Street and on his collection of Scott. unknown
19301903140226xbvkAntwerpen, De Sikkel, Kruishofstraat 223, MCMXXX (1930). 97 (1) pages, 21 (1 folded) photographic plates on special paper; (2) p. publisher's ads. - Black halfcloth binding with brown-marbled panels and blank paper-spinelabel; large-8vo.(ca. 24 x 19 cm).
1996mon0003490525Mouton de Gruyter 1996-02. Hardcover. New. 1.0000 9.2000 6.3000. Mouton de Gruyter hardcover
193228899Antwerpen, Buschmann, 1932. 8°. With 2 color maps, 2 color plates, 4 portrait plates, vignettes and bordures. 33 p., Orig. Paper boards. French text - Cette plaquette a été tirée à 1000 exemplaires sur papier d'Auvergne fait à la main et numérotés. (n° 512). Cover minimal stained. Else best condition.
1905200925036Royal Museum of Fine Arts Antwerp 1905. Paperback. Acceptable. 0x0x0. please read Book is well worn but fully intact with just a few pencil markings on text pages - pencil note on half-title page - 185 pages - inside a mylar sleeve - my shelf location - 32-a-27 Royal Museum of Fine Arts, Antwerp paperback
1918ZB542621Anvers 1918. 95 pp. original paper wrappers with later tape rebacking minor library markings else good. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Anvers unknown
