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Photocrome su cartoncino di cm 17x23 montata su cartoncino. Il processo fu inventato negli anni 1880 da Hans Jakob Schmid (1856-1924), un impiegato della compagnia svizzera Orell Gessner Füssli, un'impresa di stampe la cui storia risale al XVI secolo. La Füssli fondò la società per azioni Photochrom Zürich (conosciuta in seguito come Photoglob Zürich), come veicolo negli affari per lo sfruttamento commerciale del processo. Sia la Füssli che la Photoglob esistono ancora oggi. Dalla metà degli anni 1890 il processo fu concesso in licenza ad altre società, tra cui la Detroit Photographic Company, negli Stati Uniti, e la Photochrom Company di Londra. "<br>Il processo di fotocromia fu molto popolare negli anni 1890, quando la vera fotografia a colori era già stata sviluppata ma era ancora commercialmente impraticabile.
Stampa alla gelatina ai sali d'argento di misure 207x262 mm. L'editore e la data si evincono dal timbrino a secco al piede della stessa serie.
Stampa alla gelatina ai sali d'argento di misure 261x204 mm. L'editore e la data si evincono dal timbrino a secco al piede.
Stampa alla gelatina ai sali d'argento di misure 260x207 mm. L'editore e la data si evincono dal timbrino a secco al piede.
Very Good Turkish Original typewritten letter written in response to questions about some interior decorations and curtains during the construction of a Republican Turkish school, signed 'Professor Egli'. 30x23 cm. In Turkish (Modern). 1 p. Chipped and damaged right side. Otherwise a good paper. Written to 'Zeki Bey' on December 21, 1933. An architectural environment of the Early Republic Period (1923-1950) has an effective language explicitly revealing political and cultural aspects of the Republic. Under such conditions, architects coming from German-speaking countries contributed quite significantly to the establishment of the International Architectural Style of Turkey in the '30s. Throughout the 1930s when the Building of School Political Sciences constituting the subject of the study was constructed, the International Architectural Style conveyed to Turkey by means of architects coming from Germany-speaking countries had a growing impact in the country. Ernst Egli, one of those architects, was one of the pioneers of this "modern" style with his numerous designs, and his educator and manager identity. Egli, son of Johann Jakob Egli, (1840-1918) carried out significant works in the field of educational buildings which he dealt with cautiously and fastidiously and explicitly regarded as a symbol of prestige. Primarily educational buildings together with National Education Ministry Construction Office management, Istanbul Fine Arts Academy Architecture Branch management, and teaching, design, and application of important public buildings in Ankara are among the said studies. (An important building for the representation of modernization project: Swiss architect Ernst Arnold Egli and Ankara Political Sciences School, Leyla Alpagut.).
Salisburgo, [fine del XIX sec.], fotografia originale in b.n. di mm. 100x57 applicata su cartoncino arancione di mm. 106x65. In basso la scritta "Salzburg v.d. Bürgerwehr" identifica il luogo ritratto e il luogo in cui fu scattata la fotografia.
[Innsbruck, fine del XIX sec.], fotografia originale all'albumina, mm. 145x95, applicata su cartoncino di mm. 165x108. Non firmata. Ottime condizioni. Il "Tettuccio d'oro" è il simbolo della città austriaca.
Very Good Hebrew Contemporary 1/4 leather bdg. Demy 8vo. (21 x 14 cm). In Hebrew with interspersed with Arabic; a preface in French. [xvi], 144 p. Goldenthal was an Austrian Orientalist; born at Brody, Galicia, April 16, 1815; died at Vienna Dec. 28, 1868; educated at the University of Leipsic. In June, 1843, he became principal of the Jewish school at Kishinef, Bessarabia, and held the office for some years. He was appointed professor of rabbinical and Oriental languages at the University of Vienna in Sept. 1849, and held the chair until his death. Upon the nomination of Hammer-Purgstall, he was elected a corresponding member of the Vienna Academy of Sciences, and member of the Asiatic Societies of Germany, of Paris, and of London. His chief literary activity consisted in editing the following manuscripts: "Mozene ?ede?," a treatise on philosóphical ethics by Al-Ghazali, translated into Hebrew by Abraham ibn ?asdai, with an introduction on the lives and works of Al-Ghazali and Ibn ?asdai, 1838. "Bi'ur ibn Roshd," Todrosi's Hebrew translation of Averroes' commentary on Aristotle's "Rhetorica," with a historical and philosophical introduction, 1842. "Mesharet Mosheh," commentary by Kalonymus on Maimonides' system of Divine Providence, with his explanation of Ps. xix. and xxxvii., 1845. "Maftea?," methodology of the Talmud by Nissim ben Jacob of Kairwan, with an introduction, notes, and references, 1847. "Mi?dash Me'a?," Moses Rieti's didactic poem on ancient philosophy and the history of Jewish literature, with an Italian and Hebrew preface, 1851 (see "Allg. Zeit. des Jud." 1859, p. 124). Goldenthal further published a catalog of Hebrew manuscripts in the Imperial Library of Vienna, 1854, and an Arabic grammar in Hebrew for the use of the Oriental Jews, with a French preface, 1857. Volume i. of the "Denkschriften" of the Vienna Academy of Sciences contains his "Beiträge zu einem Sprachvergleichenden Rabbinisch-Philosophischen Wörterbuche." He issued "Das Neue Zion," a monthly periodical, Leipsic, Nisan, 1845, of which only one number appeared. Another periodical which he edited, "Das Morgenland," was also short-lived. (Jewish Encyclopedia). In his Hebrew preface, Goldenthal notes that knowledge of Arabic is particularly important for Talmudists, illustrating his point by a passage from Rabbenu Nissim's commentary to Tractate Shabbat found in a manuscript in the Palatine Library of Vienna. (Source: K&C). First Edition. OCLC 40972030.; Friedberg M-2669.
Barcelona, Rafael Figueró, 1686, 21,5 x 16 cm., cartoné, 2 hojas, incluso portada con grabado xilográfico. (Obra rara de la que solo hemos localizado ejemplares en la Biblioteca Nacional y Universidad de Zaragoza).
La Tribuna illustrata del 27/1/1924 completa di due tav. a col.
Light rubbing to spine heels. Bookplate. Former owner's name on front free endpaper ; Decorative blue boards with gilt lettering and gilt shield. Top edge gilt; B&W Illustrations; 8vo; viii, 322 pages
GRASSET.. 1947. In-12 Carré. Broché. Etat d'usage. Tâchée. Dos satisfaisant. Papier jauni. 204 pages.Couverture souple.
GRASSET.. 1947. In-12 Carré. Broché. Etat d'usage. Couv. légèrement passée. Dos satisfaisant. Papier jauni. 204 pages.Couverture souple.
Editions Touristiques et Littéraires. 1953. In-12 Carré. Broché, Jaquette. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 366 pages. Illustré de nombreuses photos en noir et blanc dans le texte. Jaquette abîmée. Guide du touriste lettré. Ce qu'il faut savoir et lire. Le cadre géographique. Histoire. Les arts. La cuisine. Les provinces...
Milano, 1923, stralcio delle pag. 873/878 con illustrazioni. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
22x15. 274p. Enc. Tela ed.
Illustré de 62 gravures et d'une carte, 1 vol.in-4 reliure demi-basane rouge, Alfred Mame et Fils, Tours, 1884, 368 pp. Bon état (très petit frott. en queue, qq. rouss.) Français
Alfred Mame & Fils, Tours. 1896. In-4 Carré. Broché. A relier. Plats abîmés. Dos abîmé. Quelques rousseurs. 287 pages. Gravure en noir et blanc en frontispice. Illustré de nombreuses gravures en noir et blanc dans et hors texte. Dos fendu verticalement avec petits manques. Plusieurs manques sur les bords des plats. Cahiers se détachant. Avec article de journal au sujet de l'Autriche. L'Unterinnthal. La Vallée de la Salzach. Salzbourg. Le long de l'Adige. Trente. Les irrédentistes. Autour du lac de Garda...
In-4°, legatura editoriale in tutta tela rossa con fregi in nero e oro, pp. 287(1). Con moltissime illustrazioni xilografiche intercalate nel testo, anche a tutta pagina. Buon esemplare.
Napoli, 1927, 8/15 agosto, fasc. di 16 pp. con due copertine fotografiche, una a colori, de "Il Mattino Illustrato".
CHEZ L AUTEUR.. 1980. In-8 Carré. Cartonnage d'éditeurs. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 48 pages environ. Non paginé. Nombreuses photos en couleurs dans le texte et hors texte.
195pp. 29 cm. Hardcover Very good condition good
xiv + 224pp., 23cm., brochure originale, publié par l'Académie Royale de Belgique (Commission royame d'histoire), bon état, B102745
In-8, cartonato editoriale, sovracoperta, pp. 399, con illustrazioni in bianco e nero fuori testo. In ottimo stato (nice copy).
Reli?. 255 pages.
