LICHTENSTEIN, Roy; GINSBERG, AllenBiblio.com
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1992153831Paris: Les Éditions du Solstice 1992. Ten etchings signed by Lichtenstein First edition first printing number 24 of 80 copies signed by Lichtenstein and Ginsberg on the limitation page from a total edition of 125; each print is initialled lower right by Lichtenstein numbered lower left. In 1991 Lichtenstein was approached to provide illustrations for a French edition of Allen Ginsberg's The New Fall of America. Ginsberg selected 11 poems to be translated into French and Lichtenstein created 10 collages inspired by them from which etchings were printed for the book. The imagery is characteristic of Lichtenstein's work in popular illustrations. "The image of Ginsberg as a Buddha in a lotus pose for instance was inspired by a vignette symbolizing meditation on a yoga class sheet. Cubistic visions of the city and emblems of explosions alternate with more peaceful landscapes to provide a visual counterpart to Ginsberg's vivid evocation of contemporary America" Morgan Library and Museum. Folio. 10 coloured etching and aquatints on 250 gsm Velin d'Arches paper. Sheet sizes: Approx 48 x 35.4 cm. Image sizes: Approx 37.5 x 27.8 cm. Original red cloth spine lettered in white Velin d'Arches paper pages unbound. With the publisher's blue cloth slipcase. Fine in fine slipcase. Corlett 267-276. hardcover
1964362757Milan: Galleria Schwartz 1964. First Edition. Hardcover. Fine. A twenty-image gallery of original engravings printed from plates made in 1962 the defining year of American Pop Art by the defining artists of the era including Andy Warhol his first multiple Roy Lichtenstein Wayne Thiebaud Jim Dine and others.<br /> <br /> These etchings are presented in book format with each artwork bound into the book in a mat with a clear plastic protector. Usually these images are four removed from the book. However in your cataloguer's most humble opinion this book presentation is far superior to looking at individual images hanging on a wall. The intimate presentation of the book and the alphabetical sequencing which requires patience to find the famous works leads to unexpected discoveries. And the excitement of having a Warhol you can set on your lap is a real joy.<br /> <br /> For this issue of the International Anthology of Contemporary Engraving the editors commissioned the hottest young artists on the American scene to make engravings for this book mostly in 1962 for publication two years later. The highlight is Roy Lichtenstein's etching of a light switch. Wayne Thiebaud adapted a painting of yo-yos shifting the placement of the toys for this black-and-white medium. Andy Warhol appropriated an ad for a discount cooking pot that he found on page 35 of the October 16 1962 New York Daily News and made it visually interesting through clever cropping the ad may have appeared on other days as well but I found it first on October 16 and I stopped looking. <br /> <br /> These engravings were issued in an edition of 100 copies: 60 numbered with Arabic numerals 25 numbered with Roman numerals for the contributors and 15 artist's proofs marked "e.a." for "épreuve d'artiste." The mats measure 9 by 11-3/4 inches plus the binding stub.<br /> <br /> This bound volume includes 8 leaves two blank for text with all contents presented in English as well as French and Italian translation. The introduction is by Billy Klüver who worked with Andy Warhol. <br /> <br /> The original etchings presented in this volume are all signed by the artist with the exception of the Warhol which is blindstamped. They are as follows with captions for untitled works invented by your cataloguer and the mediums and plate sizes w x h taken from the cataloging of the Museum of Modern Art website:<br /> <br /> 1. George Brecht. Untitled "1 cut out this block". Etching; plate 4-3/4 by 5-1/2 inches; <br /> 2. Allan D'Arcangelo. "American Madonna." Etching; plate 4-3/8 by 5-7/8; <br /> 3. Jim Dine. "Corner Brace." Etching; plate 6 by 4-3/8; <br /> 4. Stephen Durkee. Untitled "Salvation". Photogravure; plate 4-7/16 by 6; <br /> 5. Lette Eisenhauer. Untitled Crossword Puzzle. Etching with pencil additions; plate 5-78 by 3-7/8; <br /> 6. Stanley Fisher. Untitled "BMOB". Etching; plate 4-7/16 by 5-7/8; <br /> 7. Sam Goodman. Untitled "6000000 Dead". Etching; plate 4-7/16 by 5-7/8; <br /> 8. Red Grooms. Untitled Walking Man. Etching; plate 6-1/6 by 4-5/8; <br /> 9. Robert Indiana. "Err." Photogravure with etching; plate 6 by 4-3/8; <br /> 10. Allan Kaprow. Untitled "srorriM". Etching; plate 4-7/16 by 5-13/16; <br /> 11. Roy Lichtenstein. "On." Etching; plate 4-1/2 by 5-7/8 inches. Corlett 32; <br /> 12. Boris Lurie. Untitled Stars of David. Etching and drypoint; two images each 5-3/4 by 4-1/2;<br /> 13. Claes Oldenburg. "Orpheum Sign." Etching and aquatint; plate 4-7/16 by 5-7/8; <br /> 14. James Rosenquist. "Certificate." Photogravure and etching; plate 6 by 4-1/2; <br /> 15. George Segal. Untitled Telephone. Etching; plate 4-5/16 by 5-7/8; <br /> 16. Richard Stankiewicz. Untitled Ink Blots. Etching; plate 4-1/4 by 5-13/16; <br /> 17. Wayne Thiebaud. Untitled Yo-yos. Etching; plate 5-13/16 by 4-1/4; <br /> 18. Andy Warhol. "Cooking Pot." Relief halftone; 4-5/8 by 6-3/16. Feldman 1; <br /> 19. Robert Watts. Untitled Dollar Bill. Etching; plate 5-7/8 by 2-1/2; <br /> 20. Robert Whitman. Untitled Crossroads. Etching; plate 5-15/16 by 3-15/16. A fine volume complete with all artwork. In a near fine paper sleeve as issued. All works are from the smallest limitation of 15 artist's proofs; and all but the Warhol are signed by the artists as issued. Galleria Schwartz hardcover
1989153840Vermont: Roy Lichtenstein/Gemini G.E.L. 1989. Six porcelain plates signed by Lichtenstein Edition of 50. Each plate signed titled and numbered by Lichtenstein in black ink on the verso. The proceeds from the original sales of these plates were for the benefit of The International Art Show for the End of World Hunger. Screenprints on 6 glazed porcelain plates. Plate sizes: 33 x 33 cm. All in excellent condition. Corlett 116-121. unknown
196787711New York: Tanglewood Press Inc. 1967. Edition of 200. Signed on the mount in pencil lower right by Lichtenstein numbered lower left additionally signed on verso of image in pencil upper right. Two-colour screenprint on silver gelatin photographic print mounted on a lenticular offset lithograph on white composition board with window mount as issued. Image size: 27.9 x 35.5 cm. Mount size: 60.4 x 50.8. Framed size: 67 x 58 cm. Excellent condition. Presented float-mounted in a light ash frame. Corlett 50 unknown
1992151018Paris: Les Editions du Solstice 1992. Artist's proof aside from the edition of 42. Signed and dated in pencil lower right numbered lower left. There was also an edition of 80 plus 40 hors commerce editions printed on Arches paper published in a book format these were initialled by Lichtenstein and undated. This piece is one of ten etchings produced as a collaboration with Allen Ginsberg's poetry for a book titled La Nouvelle Chute de L'Amérique. Etching and aquatint in three colours on Japon nacré paper lower and right edge untrimmed. Image size: 27.9 x 37.8 cm. Sheet size: 35.4 x 48 cm. Framed size: 49.3 x 58.2 cm. Margins lightly toned hidden by the mount otherwise excellent condition. Presented in a white box frame with acrylic glazing. Corlett 275 unknown
19862413New York: Harry N. Abrams 1986. FIRST EDITION. Original box. Very Good. DELUXE SIGNED LIMITED FIRST EDITION ONE OF ONLY 100 COPIES SIGNED BY LICHTENSTEIN complete with 24 offset lithographs printed in color on Coronado Opaque SST Cover paper. Although known primarily for large bold works Roy Lichtenstein "always worked from meticulous finished sketches. During a distinguished career of almost three decades he has seldom deviated from the practice of using these sketches to generate paintings prints and sculpture in ongoing and discrete series. <br /> <br /> "The twenty-four drawings in this sketchbook are 'all landscapes figures and houses but they are essentially landscapes.' They do in part recall certain of his landscape images of the mid-sixties. However now devoid of the familiar Lichtenstein dots each is composed exclusively of brushstrokes-a combination of free seemingly spontaneous marks evoking Abstract Expressionism played against what the artist refers to as 'cartoon' brushstrokes that continue to represent his concern for artifice. <br /> <br /> "The drawings in Landscape Sketches 1984-1985 inspired by a semiabstract landscape that appeared as an element in his recent Paintings series constitute his first attempt at creating 'plain landscapes out of all brushstrokes'-the frankly 'fake' or cartoon marks providing the link that allows us to associate these new works with those we recognize as archetypal." Constance W. Glenn Introduction.<br /> <br /> Note: In addition to the 100 signed and numbered copies there were an additional 10 artist's proofs issued. <br /> <br /> New York: Harry N. Abrams 1986. Quarto 8.25 x 11 in loose as issued in cloth box with introductory booklet laid-in. Number 45/100 signed and dated on inside of portfolio. Complete with all tissue guards. Some soiling to box otherwise fine. RARE. Harry N. Abrams unknown books
1968100144New York The Letter Edged in Black Press, 1968. 1968 6 17.8 x 27.9 cm. New York, The Letter Edged in Black Press, 1968. Six portefeuilles 178 x 279 mm, présentés dans leurs emballages postaux d’origine, contenant chacun un sommaire, pour un total de 73 multiples originaux.
1994102398Hudson Hills Pr. New. 1994. Hardcover. 1555951058 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- 336 pages. Illustrated in both black and white and in color. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Hudson Hills Pr hardcover
1994C102398Hudson Hills Pr. As New. 1994. Hardcover. 1555951058 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- 336 pages. Illustrated in both black and white and in color. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Hudson Hills Pr hardcover
197059656Irvine California U. S. A.: Art Gallery University of California. As New. 1970. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 66 pp. With 27 pls. 24 col. . 26 x 27 cm. -- with a bonus offer-- . Art Gallery, University of California paperback
198461003Gallery. As New. 1984. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 50 pp. With 56 ills. 15 col. . 21 x 24 cm. -- with a bonus offer-- . Gallery paperback
199353934University of California Press. New. 1993. Hardcover. 0520069072 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Tight to spine - 269 pages -- with a bonus offer-- . University of California Press hardcover
197161791Palais Liechtenstein. As New. 1971. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked tight to the spine - Text in German. 78 pp. With 20 ills. 20 x 19 cm. -- with a bonus offer-- . Palais Liechtenstein paperback
1970mon0003764949University of California Press / 1970T. paperback. Very Good. . University of California Press / paperback
19681029501968 affiche Affiche 1281x907mm, pour l’exposition à la Kunsthalle de Berne 23 février-31 mars 1968, imprimée en sérigraphie par Albin Uldry à Berne.D’après l’œuvre originale de 1963. Bel exemplaire malgré une déchirure marginale n'atteignant pas l'image. (102950)
198123974New York: Hudson Hills Press in association with the Saint Louis Art Museum 1981. Fine in gilt-stamped boards red slipcase. First Edition. Quarto in slipcase. A fine presentation copy SIGNED by Lichtenstein and Cowart and inscribed in the year of publication to the book's publisher Paul Anbinder: "For Paul Anbinder / With our most sincere thanks / and best wishes / Roy Lichtenstein 81' / Jack Cowart." Published in conjunction with a major traveling retrospective of Roy Lichtenstein's work that began at the Saint Louis Art Museum May 8 - June 28 1981. Profusely illustrated with 67 color plates and 100 black-and-white images including 5 gatefolds. With an introduction and two essays by curator Jack Cowart. New York: Hudson Hills Press, in association with the Saint Louis Art Museum unknown books
198925714New York: Mary Boone Gallery 1989. A little worn at the edges and extremities; back cover with irregular toning else close to near fine in textured boards. Rare signed copy of an unaccountably uncommon publication. First Edition. Tall quarto. SIGNED and briefly inscribed: "To Bob John / Roy / Roy Lichtenstein / 1/18/90." Tissue-guarded mirrored pastedowns and endpapers. Rare hardcover catalogue published in conjunction with Lichtenstein's exhibition "The Mirror Paintings" at Mary Boone Gallery New York 21 October - 18 November 1989. Introduction by Robert Rosenblum essays by Lawrence Alloway and Henry Geldzahler. 19 color illustrations black and white frontispiece. Elegant and iconic design high quality printing. New York: Mary Boone Gallery unknown books
196326412Düsseldorf: Verlag Kalender / Hansjoachim Dietrich 1963. Printed on card stock with an extremely delicate binding; this copy with one signature loose and a hint of age-toning else near fine in black wrappers. First Edition. Thick octavo. An early Pop Art anthology illustrated in black-and-white with works by Wolf Vostell Nam June Paik Roy Lichtenstein Claes Oldenburg Jim Dine George Segal Diter Rot Hansjoachim Dietrich Mimmo Rotella and George Brecht followed by numerous blank pages interspersed with poetry and occasional images. A work of art in its own right. Düsseldorf: Verlag Kalender / Hansjoachim Dietrich unknown books
1963ZB252502Springer 1963. volumes 84-89 91-112 116-143 148 149 1963-1976 partly bound ex library else texts clean & bindings tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Springer unknown
197933748Centre Georges Pompidou, 1979-2006. Tête de série de la Revue : Du n° 1 au n° 94, in-4 brochés insérés par quatre ou cinq dans des étuis cartonnés recouverts de toile écrue. Quatre-vingt-quatorze numéros au format 30 x 31 cm, puis 26 x 18 cm , couvertures illustrées en noir & blanc, 120 et 180 pages par volume, illustrations en noir & blanc. Les Cahiers du Musée national d'art moderne est une revue scientifique éditée par les éditions du Centre Pompidou. Fondée en 1979, cette revue d'histoire de l'art est trimestrielle.- Cette revue donne à lire en français le meilleur de ce qui s'élabore dans le domaine de l'histoire et de la théorie de l'art moderne et contemporain. On peut citer Aby Warburg Amalia Mattaor Anne Malherbe Anri Sala Architecture Arnauld Pierre Arte Povera Beuys Boltanski Brancusi Catherine de Smet Centre Pompidou Chiara Di Stefano Christian Briend Christian Marclay Clement Greenberg Cézanne Dada Dali Daniel Buren Daniel Soutif Delaunay Design Design graphique Didier Ottinger Didier Semin Duchamp Edward Ruscha Erro Erwin Panofsky François-Marie Banier Frédéric Paul Georges Didi-Huberman Gerhard Richter Gilles A. Tiberghien Guggenheim Hubert Damisch Jean-Claude Lebensztejn Jean-Luc Moulène Jean-Pierre Criqui Jean Dubuffet Juliette Bessette Kandinsky Kurt Schwitters Le Corbusier Louise Bourgeois Luciano Fabro Léonard de Vinci Malevich Maria Stavrinaki Marie Gispert Marion Grébert Matisse Max Beckmann Meyer Schapiro Michael Snow Michel Gauthier Miro Mondrian Morellet Muriel Pic Natasha Milovzorova Nicolas Liucci-Goutnikov Olivier Cinqualbre Otto Dix Patricia Falguières Pauline Mari Penone Peter Szendy Philippe-Alain Michaud Philippe Rahm Photographie Picabia Picasso Pierre Huyghe Pontus Hulten Robert Morris Robert Rauschenberg Robert Smithson Roy Lichtenstein Sculpture Sigfried Giedion Sophie Duplaix Stanley Cavell Surréalisme Tatline Thierry Davila Thomas Hirschhorn Tinguely Walter Benjamin Wim Delvoye WordPress Xavier Veilhan Yve-Alain Bois Yves Klein etc. Très bel ensemble sous étuis de relieur, complet du 1 au 94, la plupart de ces premiers numéros étant épuisés.
196761593Pasadena Art Museum / Walker Art Center. Very Good. 1967. Limited. Paperback. 1/1700 Copies. Covers lightly rolled. Binding tight inner pages clean and unmarked. Signed by Lichtenstein on title page.; 64 pages; Signed by Author . Pasadena Art Museum / Walker Art Center paperback
196631903Milano: Sperone 1966. Minor toning to portfolio covers with very minor toning to cards; near fine. Uncommon with only 2 OCLC records located in North America. Exhibition catalogue. Small portfolio of five glossy cards 7.5 x 6 inches produced for a 1966 Pop Art exhibition at Gian Enzo Sperone's short-lived Milanese gallery; one month after he mounted his second Warhol show in Turin. Four artist's cards—for Warhol Lichtenstein Dine and Rosenquist—illustrated to rectos after black-and-white reproductions with artist bios printed to versos; preceded by invitation card. Milano: Sperone unknown
196614541Providence: Rhode Island School of Design 1966. First edition. Paperback. Near Fine. Paperbound octavo. Unpaginated. With essay by Daniel Robbins. One of one thousand numbered copies with cover artwork by Diter Rot Rot has Initialed this copy. Catalog of a 1966 exhibition at the Rhode Island School of Design featuring 79 examples of still life drawings and paintings. Illustrated in black and white. A near fine copy of this rare catalog. Rhode Island School of Design paperback books
195943280Cleveland OH: Case Western University 1959. Very Good/Very Good. Cleveland OH: Polemic Society of Western Reserve University Case Western Reserve University 1959. Magazine 25cm; 135pp. Lichtenstein’s woodcut dust jacket with wine text to front panel; stiff staple-bound wrappers. All ten woodcuts and relief etchings present. Jacket predictably bumped and toned especially along spine with surface-level scratches to front panel. Wrappers bumped at spine ends and lightly toned; otherwise clean. Binding sound. Textblock clean. Toning due to ink transfer on pp84; interior pages otherwise clean. A Very Good copy. A typed signed note from Lichtenstein is laid-in in its original envelope. <br /> <br /> Lichtenstein’s brief note dated 1990 confirms that the woodcut cover is the only piece he contributed to Polemic during the magazine’s run. Case Western University unknown
19815633Hudson Hills / Saint Louis Art Museum 1981. First Edition First Printing. Hardcover. Fine. Hudson Hills Press New York 1981. Hardcover in cloth boards with decoration housed in cloth slipcase. First Edition First Printing. Deluxe Issue SIGNED BY both Lichtenstein and Cowart on the title page. Edition size unknown. 175 pages profusely illustrated in color including several gatefolds. Includes list of illustrations a biographical outline selected bibliography an appendix of works by other artists mentioned in the text and an index. Exhibition catalogue published in conjunction with show organized by Jack Cowart at the Saint Louis Art Museum May 8 - June 28 1981. Traveled to Seattle Art Museum July 16 - September 6 1981 ; Whitney Museum of American Art New York September 22 - November 29 1981 ; Fort Worth Art Museum December 16 1981 - February 7 1982. 9.5 x 12.5in. BOOK CONDITION: Fine/As New the set. Hudson Hills / Saint Louis Art Museum hardcover
