79 résultats
1836WRCAM51536Arequipa: Pedro Benavides 1836. Broadside 12 x 8 1/2 inches. Two minor chips and light soiling but generally very good. A number of decrees by Andrès de Santa Cruz printed for circulation in 1836 including an order to remunerate his army after his campaigns to subjugate Peru. Santa Cruz president and dictator of Bolivia from 1829 to 1839 and army general in several South American countries succeeded in uniting Peru and Bolivia in 1837. Very scarce with only one copy recorded by OCLC. OCLC 54307648. Pedro Benavides unknown books
1863236623Lima: Tipografia de Aurelio Alfarno 1863. xv 104 xxii 1 pp. 1 vols. 8vo. Yellow wrappers split with some loss. xv 104 xxii 1 pp. 1 vols. 8vo. Tipografia de Aurelio Alfarno unknown books
1830WRCAM51823Lima: Imprenta del Estado por J. Gonzalez 1830. 36pp. Dbd. Corners worn a few small chips. Tanned with an occasional fox mark. Very good. A Peruvian government imprint warning its prefects and tax collectors in the province of Ayacucho about their behavior. The taxmen in a remote province of a newly independent Peru apparently did not always conduct themselves according to their instructions. Not in OCLC. Imprenta del Estado por J. Gonzalez unknown books
2013102796Lima: Instituto Cultural Peruano Norteamericano ICPNA Mayo - Agosto 2013. 25 cm. Juan Peralta Daniel Contreras Curadores 244 pages b/w and color plates bios. cat. color pict. wrps. OCLC: 879506276 This 4th edition of the Bienal Internacional de Grabado ICPNA welcomes those exponents and projects whom one way or another are establishing a presence in the contemporary graphic work and have become continuous platforms of transmission training research and orientation towards the enrichment of the languages and visual discourses. This new edition of the main event for the promotion exchange and debate of contemporary graphic art held in Peru has managed to summon artists groups and workshops national and foreign under the curatorial theme "Transfer: Departures and Returns from the Graphic Arts". Spanning from the more traditional forms of engraving to the more contemporary digital expressions the Biennale featured twenty exhibitions in 17 art galleries and parallel activities such as interventions conferences and workshops. Participating institutions included Municipalidad Metropolitana de Lima Municipalidad de Miraflores Caja Metropolitana de Lima Escuela Nacional Superior Autónoma de Bellas Artes Ministerio de Relaciones Exteriores Universidad Ricardo Palma Alianza Francesa and the Centro Cultural de España. "We start with a very specific objective for this version of the biennial space not only promotion exchange and debate from the contemporary graphics highlighting their creative validity its contribution to history art criticism and education. Moreover even more in an environment like ours the Peruvian where engraving culture in many cases excluded. Therefore this needs to establish a multiple route linked with memory and is part of the essence of the engraving. Therefore the intent fits the subject of transference in which concept we discover the departures and returns the movement that generates a change good or bad but never the same. In this amount of trajectories routes and paths in our history as a country or as individuals we always collect something and leave something else. And in such situations the inherent creativity of expressing it into our worlds and languages. William M. Ivins Jr. curator of MOMA in his early years argued in his text "Printed Image and Knowledge: Analysis of Pre-Photographic Image" that the maturity of a society can be expressed in terms of graphical development as means of communication and social information." LIMITED EDITION OF 1000 COPIES. List of exhibitions workshop and interventions/exhibition: 1 Más allá - Otredad en el grabado contemporáneo. Curaduría Daniel Contreras y Juan Peralta. Galería Germán Krüger Espantoso - ICPNA. 2 Un arcabucero en Tenochtitlan de José Bayro Bolivia-México. Curaduría Nanda Leonardini. Galería Germán Krüger Espantoso - ICPNA. 3 No hay futuro por delante solo hay tiempo de Raimond Chaves y Gilda Mantilla Galería Limaginaire - Alianza Francesa. 4 La Praxis Taller de Artes Visuales TAV-Chile / La olla común Chile / Taller Kimkilen Perú. Curaduría Marco Durand y Carolina Salinas. Centro Cultural Ricardo Palma 5 34 Salón Nacional de Grabado ICPNA 2013 Galería Juan Pardo Heeren - ICPNA. 6 La Colmena de Toño Núñez Galería Juan Pardo Heeren - ICPNA 7 Hybridaciones de Marco Alburqueque y Israel Tolentino. Centro Cultural de la Escuela Nacional Superior Autónoma de Bellas Artes del Perú-Sótano 8 Sé feliz no pensando de Herbert Rodríguez. Centro Cultural de la Escuela Nacional Superior Autónoma de Bellas Artes del Perú. 9 A Contrafibra de Alberto Ramos grabados 2005-2012. Curaduría Daniel Contreras y Juan Peralta. Casa de las Trece Puertas 10 ADN Pétreo del Colectivo CEQUE Cusco. Casa de las Trece Puertas 11 Re-generación Grabadores de Iquitos. Curaduría Yuri Castañeda. Casa OHiggins 2do. Piso 12 Todos los perros van al cielo de Claudia Martínez Garay. Centro Cultural Inca Garcilaso 13 Quilombo gráfico de Fernando Bedoya SUM Librería Arcadia/Mediática. 14 Incisiones Xilografía peruana contemporánea. Curaduría Manuel Munive. Galería Municipal de Arte Pancho Fierro. 15 Inscripciones urbanas de Adolfo Bernal Colombia. Curaduría Víctor Manuel Manrique y Augusto del Valle. Centro Cultural Ccori Wasi avenida Arequipa 5198 Miraflores. 16 La llave en el ojo: Serigrafías ocultas y otros impresos de Carlos Troncoso y el taller Llavenelojo. Curaduría Martín Ugaz y Carlos Troncoso Galería ICPNA - San Miguel 17 Pruebas de Estado: Situaciones Alteradas de Elio Martuccelli Marcel Velaochaga y Alex Ángeles. Sala Luis Miró Quesada Garland. 18 Crónicas en la colección de grabado del ICPNA. Curaduría Roger Cáceres. Galería ICPNA La Molina. 19 Despliegue de José Ignacio Iturburu y Augusto Bayardo. Galería Le carré dart de la Alianza Francesa. 20 Noticias en blanco y negro de Luis Torres Villar. Galería ICPNA Lima. WORSHOP: 1 El Taller Exposición antológica de grabado. Curaduría Manuel Munive Galería Juan Pardo Heeren - ICPNA. INTERVENTIONS AND EXHIBITIONS: 1 Intervención pública de Mónica Miros y Los marginales. Estación Grau Línea 1 del Metro de Lima 2 Lima Marka COLECTIVO C.H.O.L.O Intervención Edificio Milenia / Popular y Porvenir 3 Fachadismo de Daniel Cortez Decertor / Elliot Túpac Urcuhuaranga Edificio Milenia / Popular y Porvenir. 4 La línea de la costa José Ignacio Iturburu Edificio Milenia / Popular y Porvenir. Instituto Cultural Peruano Norteamericano, ICPNA unknown books
