Livre Rare Book
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2023ABE-1698090482074CANICULE UNE CHALEUR QUI FAIT PEUR-JANE BIRKIN L'ADIEU AU CHARME-ADRIEN LABI MAIN BASSE SUR LE TRIANGLE D'OR-RIEN NE RESISTE A LA BARBIE-MANIA!-ANDRES ROCA REY PUR TORERO!-COLOMBIE LE ROMAN NOIR DES MIRACULES DE LA JUNGLE-LEONOR D'ESPAGNE PRINCESSE EN MAJESTE-LES ARCHIVES DE MATCH LES ENFANTS DE MATCH 1 DAVID HALLYDAY-MOTS FLECHES REALISES-(EM1023)
20012111902156000728Colombia Japan Association 2001. Soft Cover. Fine. The book is in fine condition. Colombia Japan Association paperback
201177064Hope Rhode Island: Old Cemetery Records 2011. Presentation copy with a handwritten letter from guitarist Andrés "Buziraco" Granada to Fenriz one half of the revered Norwegian black metal duo Darkthrone: "Finally we got signed by a small underground label called 'Old Cemetery Records' - our friends 'Devastator' are in this label too. Anyways the album is pretty much like the promo no mastering no shit still necro." Accompanied by Fenriz's album-specific DJ notes handwritten on the verso of a slip printed by the Norwegian post office.<br /> <br /> In an undated blog post Fenriz waxed enthusiastic about the Blackzuco demo: "Colombian band with necro sound right here! . been listening to their 4 track release many times!"<br /> <br /> Blackzuco is the first full-length album by Lucera who billed themselves as "Colombian Cocaine Metal since 2002". The band recently dropped their third album Satanass 2024 their first release since a 2014 split with Sabbat.<br /> <br /> Compact disc CD accompanied by the printed album inserts and housed in the clear plastic jewel case.<br /> <br /> Provenance: From the personal collection of Fenriz acquired in September 2018 from Helvete / Neseblod Records in Oslo. Old Cemetery Records unknown
2003LFA0161eRevue mensuelle conernant la philatélie : 130 pages en couleurs, format 300 x 210 mm, illustrée, brochée couverture couleurs + fiches détachables
2017115146Bogotá: Ministerio de Cultura 2017. Individual size: 10.5 x 16 cm. 10 postcards per individual postcard book 40 postcards per collection of 4 postcard books Inks: 4 x 1 Material: Propalcote 300 gr and 115 gr. Artist project by Liliana Angulo. During the time of slavery in Colombia the fugitive enslaved used the hairstyles as escape maps. The braids and designs made on the head were used as secret codes. The braided style called troops was used to indicate that the escape route was by land and the style called "herringbone" indicated a leak in the water. Some styles meant hazardous or dangerous routes. While the "happened" something that happened was being woven the people of the community learned about the events in the mine or the plantation and the actions to take during the escape. Seeds and gold were kept in the head to survive in freedom. "Quieto Pelo" is a collective creation project that aims to document oral traditions and practices associated with hairstyle hair care and political actions expressed through hair among Afro-descendant women from different regions of Colombia and from Latin America. The project proposes the action of combing as an Afro cultural heritage that is both an aesthetic process and a creative and performative act. "Quieto Pelo" has summoned hairdressers knowledgeable women activists and other people who know the stories of hairstyle in different regions of Colombia and America to share their knowledge in a public event whose character is cultural and not competitive. There the hairdressers have shown their skills and knowledge of the different techniques with which they exalt the physical qualities of the person they comb; at the same time that they make an interpretation of the traditional uses of hairstyle and its context. "Quieto Pelo" also intends to join forces -between individuals groups and institutions- and be a pretext to give visibility to the experience the options of resistance and the representations that come into conflict in the body of women of descent. African. In this sense during the development of "Quieto Pelo" I have come into contact with hairdressers as well as with people who know and value the traditions of the hairstyle. Together we have organized meetings and events in public spaces in which the hairdressers show their techniques execute their styles and the "knowers" communicate their knowledge while discussing the specificity and importance of these cultural practices in their communities. As a result of these events "Quieto Pelo" has a large archive of recording material of the hairstyles carried out and the testimonies of the different people interested in preserving these customs. A fundamental interest of the project is to propose different circulation strategies that allow the images and information that this work has generated to be available to hairdressers the Afro-descendant population and other publics interested in these practices. For this purpose booklets of printed postcards have been published that return to the hairdressers and participants with the registration of their hairstyles. Postcards have been the preferred format for hairdressers as it allows them to show their styles to their clients. Exhibitions of the archive have also been made for other audiences. "Quieto Pelo" started in 2007 and has been carried out in several places in Colombia: Quibdó - 2008 Buenaventura - 2009 San Andrés Isla - 2010 Medellín - 2010 with the support of institutions in Colombia such as Banco de la República. through the Obra Viva Program and the Moravia Cultural Development Center through the project ExSitu - InSitu Artistic Practices in Community. In 2011 it was also held in Havana - Cuba within the framework of the International Colloquium "Cultural diversity in the Caribbean" at Casa de Las Américas and at the Caixa Cultural de Brasilia with the support of the Embassy of Colombia in Brazil and the Ministry of Foreign Relations of the Republic of Colombia. In 2013 it was held in Chicago Illinois USA at the University of Chicago with the support of the Illinois Association of Hair Braiders and the United African Organization within the framework of "Unfurling: Five Explorations in Art Activism and Archiving". Gray Center for Art and Inquiry. UC. Chicago - USA. Curator: Daniel Tucker and Rebecca Zorach. Never The Same. In 2017 it was held in Tumaco - Nariño - Colombia with the support of the National University of Colombia and in 2018 an exhibition of the project's photographic and video archive was held at the Spain Cultural Center in Santiago de Chile. Likewise the photographic archive was part of the Africamericanos exhibition curated by Claudi Carreras.<br /> Printed outside of commerce. <br /> 2020 Video Quieto Pelo Libritos Postales https://drive.google.com/drive/folders/1JcoY_pu27p-9PgZnoJttYqCgUo2BT1b3usp=sharing<br /> This is a presentation of Quieto Pelo for the Molaa https://molaa.org/angulocortes. Ministerio de Cultura unknown
2011LFA-126731979Un ouvrage de 318 pages, format 140 x 225 mm, illustré, broché, publié en 2011, Le Livre Ouvert, bon état
2001RO80044479XO EDITIONS. 2001. In-8. Broché. Bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 248 pages. Une carte en noir et blanc, hors-texte.. . . . Classification Dewey : 986-Colombie, Panama, Equateur
200885572Bogotá: Sociedad Colombiana de Arquitectos 2008 . 30 cm. Textos: Arq. Ricardo Navarrete Jiménez .et al. 400p b/w and color plates ports. plans elevations tbls. bibls. Errata slip inserted color pict. d.j. FRONT COVER READS: CONTRUYENDO VALOR CON LA POÉTICA DEL LUGAR. The present catalogue presents the wining projects and special mentions recognized in the Biennale of Architecture held October 2008 at the Centro de Convenciones in Cartagena de Indias in Colombia. The different prizes included: Winner of category Urban and Regional Planning with Prize Leopoldo Rother for Proyecto Urbano Integral PUI nororiental Comunas 1 y 2 Medellín Antioquia by Arq. Alejandro Echeverri Restrepo Arq. Carlos Mario Rodríguez Osorio and Arq. Carlos Alberto Montoya Correa; winner of category Urbanism and Landscape with Prize Karl Brunner was for Proyecto Peatonalización Carrera 14 Armenia Quindío by Arq. Jorge Mario Restrepo Restrepo; winner of category Architectural Design with Prize Fernando Martínez Sanabria for Cenizarios del Gimnasio Moderno Bogotá D.C. by Arq. Christian Binkele; winner of category Architecture of Interiors with Prize Dicken Castro for Edificio Julio Mario Santo Domingo Piso 7 y 8 Universidad de los Andes Bogotá D.C by Arq. Daniel Bonilla and others; winner of category Restoration of Patrimony with Prize Carlos Arbélaez Camacho for Restoration of the Civic Center and Judicial Office Building Lara Bonilla Barranquilla Atlántico by Arq. Roberto Rafeael Ángulo García and the winner of category Theory History and Criticism with Prize Carlos Martínez Jiménez for Arquitectura en Colombia y el sentido del lugar. Últimos 25 años Sociedad Colombiana de Arquitectos Regional Bogotá y Cundinamarca. Contents: Construyendo valor con la poética del lugar / Ricardo Navarrete Jiménez -- Textos: Modos de vivir formas de construir modos de ser / Carlos Niño Murcia -- Ordenamiento urbano y regional: Premio Leopoldo Rother -- Diseño urbano y paisajismo: Premio Karl Brunner -- Proyecto arquitectónico: Premio Fernando Martinez Sanabria -- Arquitectura de interiores: Premio Dicken Castro -- Hábitar Popular: El háitar popular. Como cambiar el paradigma -- Restauración del patrimonio: Premio Carlos Arbeláez Camacho -- Teoría historia y critica: Premio Carlos Martinez Jiménez -- Salón regional -- III Muestra regional Scany -- Gestión regional -- IV Muestra paralela arquitectos colombianos en el mundo. Sociedad Colombiana de Arquitectos unknown books
200716706DBMünchen., Galerie Thomas., 2007. 33,5 x 28,5 cm. 152 S. Illustrierter OPappband., 16705D.jpg Erste Auflage. Einbandkanten mit kleinen Bereibungen. Oberkante des Vordedeckels mit kleiner beschabter Stelle. Sonst gutes bis sehr gutes Exemplar. Katalog 104, Galerie Thomas.
2013R104512Salzburg, Universität Salzburg 2013 cxvii + 376pp., with some ills., in the series "Analecta Cartusiana" volume 294, 30cm., illustrated softcover, text in Spanish, very good condition, R104512
2010R320043732BIBLIO. 2010. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 29 pages agraffées augmentées de quelques photos couleurs dont le 1er plat.. . . . Classification Dewey : 986-Colombie, Panama, Equateur
2013R300321409Nouvelles éditions de l'Université. 2013. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 432 pages. . . . Classification Dewey : 986-Colombie, Panama, Equateur
2003R240050209NOUVELLES EDITIONS DE L'UNIVERSITE. 2003. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 302 pages - quelques illustrations en noir et blanc dans le texte.. . . . Classification Dewey : 986-Colombie, Panama, Equateur
20182-6139040663Editorial Académica Española 2018. Paperback. New. 88 pages. Spanish language. 8.66x5.91x0.20 inches. Editorial Académica Española paperback
2018__0365733385Forgotten Books 2018. Paperback. New. 518 pages. Spanish language. 9.02x5.98x1.04 inches. Forgotten Books paperback
2009R200124949Editions du Rouergue. 2009. In-8. Broché. Etat d'usage, Coins frottés, Coiffe en pied abîmée, Papier jauni. 252 pages, exemplaire de bibliothèque, couverture plastifiée, tampons et étiquettes - 1er plat et nombreuses pages partiellement désolidarisés, dos plié.. . . . Classification Dewey : 840.092-XXI ème siècle
2002RO30374924Stock. 2002. In-8. Broché. Bon état, Coins frottés, Dos satisfaisant, Papier jauni. 429 pages. Quelques rousseurs.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
2022RO40051285Milan. 2022. In-8. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 236 pages. Couverture conture contrepliée en couleurs.. . . . Classification Dewey : 840.092-XXI ème siècle
2010RO30352994Rouergue. 2010. In-8. Broché. Bon état, Coins frottés, Dos satisfaisant, Intérieur acceptable. 252 pages. Ancien ouvrage de bibliothèque: étiquettes en coiffe en pied et 1er plat, tampons, annotations à l'encre. Rares rousseurs.. . . . Classification Dewey : 843.0872-Le roman policier
20042-8433018957Editorial Desclée De Brouwer S.a. 2004. Hardcover. New. 1945 pages. Spanish language. 7.56x4.88x2.05 inches. Editorial Desclée De Brouwer, S.a. hardcover
2013R320177473Utopia. 2013. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 200 pages.. . . . Classification Dewey : 986-Colombie, Panama, Equateur
200449763Belfond, 2004. Format 14x22 cm, 183 pages. Brochè sous jaquette illustrée. Très bon état.
2001ESP058C1302001 / 580 pages. Broché. Editions Banco de la República.
200381569Bogotá: Universidad Distrital Francisco José de Caldas; Academia Superior de Artes de Bogota Sala de Exposiciones ASAB Noviembre de 2003 n.b. catalogue published in 2004. 21x24cm. José Roca. et al 45iiip b/w and color plates illus. cat. bios/chrons. bibs. fcolor pict. fldg. wrps This first edition of the biennal presents the best from artists and artist groups experimenting on the different creative potential of the traditional and new digital engraving and graphic art techniques in Colombia. Participating artists who won prizes included: Intermediary category for Johanna Calle young artist category for Margarita Garcia and Monica Páez Grupo Tangrama and Honor Mentions for Barbarita Cardozo Humberto Junca and Alberto Roa Universidad Distrital Francisco José de Caldas; Academia Superior de Artes de Bogota, Sala de Exposiciones ASAB unknown books
2008COLOMBIE5874581013Paris, Le Temps des Cerises, 2008, 12 x 17, 406 pages sous couverture illustrée. Traduit de l'espagnol (Colombie) par Carmen Caamano et Karine Alvarez. Préface d'Ignacio Ramonet.
