19 résultats
20012111902156000728Colombia Japan Association 2001. Soft Cover. Fine. The book is in fine condition. Colombia Japan Association paperback
201177064Hope Rhode Island: Old Cemetery Records 2011. Presentation copy with a handwritten letter from guitarist Andrés "Buziraco" Granada to Fenriz one half of the revered Norwegian black metal duo Darkthrone: "Finally we got signed by a small underground label called 'Old Cemetery Records' - our friends 'Devastator' are in this label too. Anyways the album is pretty much like the promo no mastering no shit still necro." Accompanied by Fenriz's album-specific DJ notes handwritten on the verso of a slip printed by the Norwegian post office.<br /> <br /> In an undated blog post Fenriz waxed enthusiastic about the Blackzuco demo: "Colombian band with necro sound right here! . been listening to their 4 track release many times!"<br /> <br /> Blackzuco is the first full-length album by Lucera who billed themselves as "Colombian Cocaine Metal since 2002". The band recently dropped their third album Satanass 2024 their first release since a 2014 split with Sabbat.<br /> <br /> Compact disc CD accompanied by the printed album inserts and housed in the clear plastic jewel case.<br /> <br /> Provenance: From the personal collection of Fenriz acquired in September 2018 from Helvete / Neseblod Records in Oslo. Old Cemetery Records unknown
2017115146Bogotá: Ministerio de Cultura 2017. Individual size: 10.5 x 16 cm. 10 postcards per individual postcard book 40 postcards per collection of 4 postcard books Inks: 4 x 1 Material: Propalcote 300 gr and 115 gr. Artist project by Liliana Angulo. During the time of slavery in Colombia the fugitive enslaved used the hairstyles as escape maps. The braids and designs made on the head were used as secret codes. The braided style called troops was used to indicate that the escape route was by land and the style called "herringbone" indicated a leak in the water. Some styles meant hazardous or dangerous routes. While the "happened" something that happened was being woven the people of the community learned about the events in the mine or the plantation and the actions to take during the escape. Seeds and gold were kept in the head to survive in freedom. "Quieto Pelo" is a collective creation project that aims to document oral traditions and practices associated with hairstyle hair care and political actions expressed through hair among Afro-descendant women from different regions of Colombia and from Latin America. The project proposes the action of combing as an Afro cultural heritage that is both an aesthetic process and a creative and performative act. "Quieto Pelo" has summoned hairdressers knowledgeable women activists and other people who know the stories of hairstyle in different regions of Colombia and America to share their knowledge in a public event whose character is cultural and not competitive. There the hairdressers have shown their skills and knowledge of the different techniques with which they exalt the physical qualities of the person they comb; at the same time that they make an interpretation of the traditional uses of hairstyle and its context. "Quieto Pelo" also intends to join forces -between individuals groups and institutions- and be a pretext to give visibility to the experience the options of resistance and the representations that come into conflict in the body of women of descent. African. In this sense during the development of "Quieto Pelo" I have come into contact with hairdressers as well as with people who know and value the traditions of the hairstyle. Together we have organized meetings and events in public spaces in which the hairdressers show their techniques execute their styles and the "knowers" communicate their knowledge while discussing the specificity and importance of these cultural practices in their communities. As a result of these events "Quieto Pelo" has a large archive of recording material of the hairstyles carried out and the testimonies of the different people interested in preserving these customs. A fundamental interest of the project is to propose different circulation strategies that allow the images and information that this work has generated to be available to hairdressers the Afro-descendant population and other publics interested in these practices. For this purpose booklets of printed postcards have been published that return to the hairdressers and participants with the registration of their hairstyles. Postcards have been the preferred format for hairdressers as it allows them to show their styles to their clients. Exhibitions of the archive have also been made for other audiences. "Quieto Pelo" started in 2007 and has been carried out in several places in Colombia: Quibdó - 2008 Buenaventura - 2009 San Andrés Isla - 2010 Medellín - 2010 with the support of institutions in Colombia such as Banco de la República. through the Obra Viva Program and the Moravia Cultural Development Center through the project ExSitu - InSitu Artistic Practices in Community. In 2011 it was also held in Havana - Cuba within the framework of the International Colloquium "Cultural diversity in the Caribbean" at Casa de Las Américas and at the Caixa Cultural de Brasilia with the support of the Embassy of Colombia in Brazil and the Ministry of Foreign Relations of the Republic of Colombia. In 2013 it was held in Chicago Illinois USA at the University of Chicago with the support of the Illinois Association of Hair Braiders and the United African Organization within the framework of "Unfurling: Five Explorations in Art Activism and Archiving". Gray Center for Art and Inquiry. UC. Chicago - USA. Curator: Daniel Tucker and Rebecca Zorach. Never The Same. In 2017 it was held in Tumaco - Nariño - Colombia with the support of the National University of Colombia and in 2018 an exhibition of the project's photographic and video archive was held at the Spain Cultural Center in Santiago de Chile. Likewise the photographic archive was part of the Africamericanos exhibition curated by Claudi Carreras.<br /> Printed outside of commerce. <br /> 2020 Video Quieto Pelo Libritos Postales https://drive.google.com/drive/folders/1JcoY_pu27p-9PgZnoJttYqCgUo2BT1b3usp=sharing<br /> This is a presentation of Quieto Pelo for the Molaa https://molaa.org/angulocortes. Ministerio de Cultura unknown
200716706DBMünchen., Galerie Thomas., 2007. 33,5 x 28,5 cm. 152 S. Illustrierter OPappband., 16705D.jpg Erste Auflage. Einbandkanten mit kleinen Bereibungen. Oberkante des Vordedeckels mit kleiner beschabter Stelle. Sonst gutes bis sehr gutes Exemplar. Katalog 104, Galerie Thomas.
20182-6139040663Editorial Académica Española 2018. Paperback. New. 88 pages. Spanish language. 8.66x5.91x0.20 inches. Editorial Académica Española paperback
2018__0365733385Forgotten Books 2018. Paperback. New. 518 pages. Spanish language. 9.02x5.98x1.04 inches. Forgotten Books paperback
20042-8433018957Editorial Desclée De Brouwer S.a. 2004. Hardcover. New. 1945 pages. Spanish language. 7.56x4.88x2.05 inches. Editorial Desclée De Brouwer, S.a. hardcover
2012H-164-604Dunod 2012. Hardcover. Good. Former library book. Edition 2012. Ammareal gives back up to 15% of this item's net price to charity organizations. Dunod hardcover
2009148981Bogotá / México: Museo Nacional de Colombia / Instituto Nacional de Bellas Artes México / Banco de México 2009. First edition. Paperback. New. Large 4to wrps 143 pp. semi glossy stock illus. photos illus. facsimiles bibl. Exhibition of works featured in the National Museum of Colombia spanning from August 27th until November 15th 2009. Features paintings illustrations sculptures and photography by various artists as well as ones by internationally acclaimed modern Mexican artists Diego Rivera 1886-1957 and Frida Kahlo 1907-1954. Other featured artists include Alonso Acuña Cañas Gabriela Arciniegas Martha Demauro Ximena Gómez Villa Andrés Felipe Ortiz Muñoz and Camilo Vivas among others. Plates on semi-glossy coated stock. Museo Nacional de Colombia / Instituto Nacional de Bellas Artes, México / Banco de México paperback
2010144593Colombia: Museo Nacional de Colombia 2010. 1st ed. Paperback. New. 4to wraps 262 p. bibl. color photos illus. facsimiles. Broad presentation of Colombian history with with goal of demystifying history as such and propose new reflections. Printed on glossy stock and profusely illustrated. Museo Nacional de Colombia paperback
200465429ABBogota., Villegas Editores., 2004. 31 x 26 cm. 343 S. OLeinen mit OUmschlag., 65429AB Erste Auflage. Sehr gutes, frisches Exemplar.
2025x-104117909XTaylor & Francis Ltd 2025. Paperback. New. 330 pages. 9.18x6.12x9.21 inches. Taylor & Francis Ltd paperback
2022Adhya-9781800620643CABI 2022. Hardcover. New. CABI hardcover
2022Adhya-9781800620643CABI 2022. Hardcover. New. CABI hardcover