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ria9783752484496_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
a812291970-1971. Nine issues of this quarterly journal January 1970 through Julio 1971. In Spanish. Issues No. 17- No. 25 run with no missing volumes. Sm.4to. about 130 pages per issue original decorated wraps. VG. Nine separate and complete issues. . paperback
187575725Bogotá Imprenta de Gaitán 1875. Hardcover. Good. 384p. index cloth and and boards cover wear. Bogotá, Imprenta de Gaitán hardcover
19372082402113510269Not Available 1937. Soft Cover. Fine. Volume: 1 Not Available paperback
19372082402113510258Not Available 1937. Soft Cover. Fine. Volume: 1 Not Available paperback
9586120562.Gunknown_binding. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1989SDR141FBAMM06242018241989-01-01. New. In shrink wrap. unknown
1966ZB146746Bogota: 1966-71. volumes 39#1 thru 44#6 bnd. quarto ex library. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Bogota: unknown
2012H-164-604Dunod 2012. Hardcover. Good. Former library book. Edition 2012. Ammareal gives back up to 15% of this item's net price to charity organizations. Dunod hardcover
ria9783752484502_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
2017115146Bogotá: Ministerio de Cultura 2017. Individual size: 10.5 x 16 cm. 10 postcards per individual postcard book 40 postcards per collection of 4 postcard books Inks: 4 x 1 Material: Propalcote 300 gr and 115 gr. Artist project by Liliana Angulo. During the time of slavery in Colombia the fugitive enslaved used the hairstyles as escape maps. The braids and designs made on the head were used as secret codes. The braided style called troops was used to indicate that the escape route was by land and the style called "herringbone" indicated a leak in the water. Some styles meant hazardous or dangerous routes. While the "happened" something that happened was being woven the people of the community learned about the events in the mine or the plantation and the actions to take during the escape. Seeds and gold were kept in the head to survive in freedom. "Quieto Pelo" is a collective creation project that aims to document oral traditions and practices associated with hairstyle hair care and political actions expressed through hair among Afro-descendant women from different regions of Colombia and from Latin America. The project proposes the action of combing as an Afro cultural heritage that is both an aesthetic process and a creative and performative act. "Quieto Pelo" has summoned hairdressers knowledgeable women activists and other people who know the stories of hairstyle in different regions of Colombia and America to share their knowledge in a public event whose character is cultural and not competitive. There the hairdressers have shown their skills and knowledge of the different techniques with which they exalt the physical qualities of the person they comb; at the same time that they make an interpretation of the traditional uses of hairstyle and its context. "Quieto Pelo" also intends to join forces -between individuals groups and institutions- and be a pretext to give visibility to the experience the options of resistance and the representations that come into conflict in the body of women of descent. African. In this sense during the development of "Quieto Pelo" I have come into contact with hairdressers as well as with people who know and value the traditions of the hairstyle. Together we have organized meetings and events in public spaces in which the hairdressers show their techniques execute their styles and the "knowers" communicate their knowledge while discussing the specificity and importance of these cultural practices in their communities. As a result of these events "Quieto Pelo" has a large archive of recording material of the hairstyles carried out and the testimonies of the different people interested in preserving these customs. A fundamental interest of the project is to propose different circulation strategies that allow the images and information that this work has generated to be available to hairdressers the Afro-descendant population and other publics interested in these practices. For this purpose booklets of printed postcards have been published that return to the hairdressers and participants with the registration of their hairstyles. Postcards have been the preferred format for hairdressers as it allows them to show their styles to their clients. Exhibitions of the archive have also been made for other audiences. "Quieto Pelo" started in 2007 and has been carried out in several places in Colombia: Quibdó - 2008 Buenaventura - 2009 San Andrés Isla - 2010 Medellín - 2010 with the support of institutions in Colombia such as Banco de la República. through the Obra Viva Program and the Moravia Cultural Development Center through the project ExSitu - InSitu Artistic Practices in Community. In 2011 it was also held in Havana - Cuba within the framework of the International Colloquium "Cultural diversity in the Caribbean" at Casa de Las Américas and at the Caixa Cultural de Brasilia with the support of the Embassy of Colombia in Brazil and the Ministry of Foreign Relations of the Republic of Colombia. In 2013 it was held in Chicago Illinois USA at the University of Chicago with the support of the Illinois Association of Hair Braiders and the United African Organization within the framework of "Unfurling: Five Explorations in Art Activism and Archiving". Gray Center for Art and Inquiry. UC. Chicago - USA. Curator: Daniel Tucker and Rebecca Zorach. Never The Same. In 2017 it was held in Tumaco - Nariño - Colombia with the support of the National University of Colombia and in 2018 an exhibition of the project's photographic and video archive was held at the Spain Cultural Center in Santiago de Chile. Likewise the photographic archive was part of the Africamericanos exhibition curated by Claudi Carreras.<br /> Printed outside of commerce. <br /> 2020 Video Quieto Pelo Libritos Postales https://drive.google.com/drive/folders/1JcoY_pu27p-9PgZnoJttYqCgUo2BT1b3usp=sharing<br /> This is a presentation of Quieto Pelo for the Molaa https://molaa.org/angulocortes. Ministerio de Cultura unknown
187562282Bogotá Imprenta de Medardo Rivas 1875. Hardcover. Good. vp. half-calf worn. From 1864 to 1869. Bogotá, Imprenta de Medardo Rivas hardcover
1892108140Bogotá Imprenta de Antonio María Silvestre c. 1892. Hardcover. Good. xx 347p. tables boards. Bogotá, Imprenta de Antonio María Silvestre, c. hardcover
55-3035Mexico: Rafael Cohen Films 1974. 94 cm. x 69 cm. Actual display poster for the movie. Folded with signs of use mainly on the edges. Se trata de un cartel de mostrar real de la película. Se doble con signos de uso principalmente en los bordes. Mexico: Rafael Cohen Films, 1974. unknown
molly39-bottomAGood. Ex-libary with cardholder on inside cover only with good jacket. unknown
9587014162.Gunknown_binding. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
3752484497.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1972232826Editorial Regina Mallorca Barcelona 1972. Softcover 1972 1973 1974. 1-14. Zustand: Knickspuren am Einband. Rücken Ecken und Kanten berieben bestoßen leicht verletzt. Zwei Bände mit einem zusätzlichen Einband und Innen mit Namensaufkleber. Kein guter Zustand. Editorial Regina, Mallorca, Barcelona, paperback
201177064Hope Rhode Island: Old Cemetery Records 2011. Presentation copy with a handwritten letter from guitarist Andrés "Buziraco" Granada to Fenriz one half of the revered Norwegian black metal duo Darkthrone: "Finally we got signed by a small underground label called 'Old Cemetery Records' - our friends 'Devastator' are in this label too. Anyways the album is pretty much like the promo no mastering no shit still necro." Accompanied by Fenriz's album-specific DJ notes handwritten on the verso of a slip printed by the Norwegian post office.<br /> <br /> In an undated blog post Fenriz waxed enthusiastic about the Blackzuco demo: "Colombian band with necro sound right here! . been listening to their 4 track release many times!"<br /> <br /> Blackzuco is the first full-length album by Lucera who billed themselves as "Colombian Cocaine Metal since 2002". The band recently dropped their third album Satanass 2024 their first release since a 2014 split with Sabbat.<br /> <br /> Compact disc CD accompanied by the printed album inserts and housed in the clear plastic jewel case.<br /> <br /> Provenance: From the personal collection of Fenriz acquired in September 2018 from Helvete / Neseblod Records in Oslo. Old Cemetery Records unknown
189375724Popayán: Imprenta del Departamento 1893. Hardcover. Good. 564p. index leather and and boards cover wear and soil. Imprenta del Departamento hardcover
3752484500.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2369310049.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20012111902156000728Colombia Japan Association 2001. Soft Cover. Fine. The book is in fine condition. Colombia Japan Association paperback
28352Paris chez l'auteur 1894 in/8 reliure en demi basane bleu 362 pages. Dédicace pour "Antoine Jacquet professeur d'art culinaire" par l'auteur. Ouvrage orné de charmantes vignettes sur bois et culs-de-lampe. Cofondateur avec Joseph Favre et Émile Darene de l'Académie culinaire de France et de l'École de cuisine. - Chef des cuisines du prince et de la princesse F. de Hatzfeldt-Wildenburg unknown
77714Bogotá: Banco de la República/Biblioteca Luis-Angel Arango No Date. Paperback. Good. 9 vols. vp wrps. Supplement to the catalogue of a large and comprehensive collection of Colombian material and Latin American material. Banco de la República/Biblioteca Luis-Angel Arango paperback
