[Colombia]. Obregon, FranciscoBiblio.com
249 résultats
18382941Medellin: Imprenta de Manuel Antonio Balcazar 1838. About very good. 24pp. Stitched as issued. Dust soiling and toning. The author of this scarce pamphlet Francisco Obregon was the governor of the Colombian province of Antioquia. Here he attempts to justify and to explain the "intervencion i procedimientos de los funcionarios del order ejecutivo en las ultimas elecciones pasa a verificarlo en los terminos mas claros i precisos que le sea posible." Unusual early example of printing from Medellín; not in OCLC. Imprenta de Manuel Antonio Balcazar unknown
18532930Popayan 1853. Good. Broadside approximately 12.5 x 8.5 inches. Top edge eaten away but not affecting text. Light tanning. Scarce broadside from the provincial legislature of Popayan to the people of southwestern Colombia transmitting its hope that that the new constitution will end "tantos años de contiendas sangrientas que solo han producido la miseria i el discontento." It concludes by stating that "De oriente á occidente i de norte á sur no se oiga mas que una voz; y que los ecos respondan á los ecos en nuestros profundos valles i sobre las vumbres de nuestros volcanes con tanta armonía como la belleza de nuestro horizonte i con tan inponente voz como el sonoro i retumbante trueno que nos recuerda al Dios que aquí no colocó: PAZ! UNION! FRATERNIDAD!" Not in OCLC. unknown
18552929Bogota: Imprenta del Neo-granadino 1855. Still very good. 17pp. Original printed wrappers stitched as issued. Mild dust soiling and dampstaining to wraps. Light biopredation at upper left corner and pin-sized wormhole at right margin neither affecting text. Occasional faint foxing and minor soiling internally. A rare pamphlet that prints a plea for clemency by Pedro Neira Acevedo a Colombian politician who was imprisoned for his role in the Golpe de Melo in 1854. In addition to his request for freedom the pamphlet comprises a rumination on the current form of the government in Colombia and pleas for a return to non-military non-dictatorial government. According to a footnote on the final page Neira was freed and then reimprisoned between the writing and publication of this text. OCLC locates only one copy at the National Library of Chile. Imprenta del Neo-granadino unknown
18362936Popayan: Manuel G. Córdova 1836. Good plus. 17pp. Small quarto stitched as issued. Small chip at foot of title page. Light dust soiling and some dampstaining. An unrealized proposal to build an early railroad in Colombia from the Cauca Valley to the port of Buenaventura on the Pacific coast. Two families the Borreros and the Sanders formed the company to fund the construction of the line in Cali in 1836. Because of the legal intricacies of the federal system in Colombia at the time the central government could only subsidize interoceanic transportation and it fell to individual states and private companies to build infrastructure. The first railroad in Colombia which crossed the isthmus of Panama was completed almost twenty years later in 1855. Not in OCLC. Manuel G. Córdova unknown
18632943Bogotá 1863. About very good. Small broadside 8.75 x 5.25 inches. Small closed tear at lower left. The author Manuel Fernandez Saavedra denounces the Bishop of Bogotá for claiming that the Colombian constitution ironed out at the convention of Rio Negro as "atheistic." Not in OCLC. unknown
18632935Cali: 26 de Mayo 1863. Very good. Small broadside 8 x 5.75 inches. Scattered foxing; light toning. This broadside announces the exile of the Franciscans from Cali and the Republic of Colombia for their failure to comply with new laws concerning taxes on religious orders. Interestingly this is signed by the Guardian of the Franciscans himself Rafael Ortiz who urges the citizens of Cali to pray for the order and to fend for themselves under a vain perfidious and deceitful government. Not in OCLC. 26 de Mayo unknown
18522937Popayan: Bruno Ortiz 1852. Very good. Broadsheet approximately 18 x 13.5 inches. Removed from a bound volume. Minor loss at upper right corner not affecting text. Light tanning. An unrecorded broadsheet from Popayan that discusses the disarray amongst the Rojos and Conservadores rival factions in the turbulent politics of Colombia during the early 1850s. The anonymous author urges the unification of the Conservadores in order to counteract the perception of political gain by the Rojos despite their equal if not greater infighting. Signed in print "Trescientos Conservadores;" not in OCLC. Bruno Ortiz unknown
201177064Hope Rhode Island: Old Cemetery Records 2011. Presentation copy with a handwritten letter from guitarist Andrés "Buziraco" Granada to Fenriz one half of the revered Norwegian black metal duo Darkthrone: "Finally we got signed by a small underground label called 'Old Cemetery Records' - our friends 'Devastator' are in this label too. Anyways the album is pretty much like the promo no mastering no shit still necro." Accompanied by Fenriz's album-specific DJ notes handwritten on the verso of a slip printed by the Norwegian post office.<br /> <br /> In an undated blog post Fenriz waxed enthusiastic about the Blackzuco demo: "Colombian band with necro sound right here! . been listening to their 4 track release many times!"<br /> <br /> Blackzuco is the first full-length album by Lucera who billed themselves as "Colombian Cocaine Metal since 2002". The band recently dropped their third album Satanass 2024 their first release since a 2014 split with Sabbat.<br /> <br /> Compact disc CD accompanied by the printed album inserts and housed in the clear plastic jewel case.<br /> <br /> Provenance: From the personal collection of Fenriz acquired in September 2018 from Helvete / Neseblod Records in Oslo. Old Cemetery Records unknown
27909N.p.: S.i. 2009. Original silkscreened poster text printed in black on thin powder gray stock made with coca leaf pulp measuring 49.75cm x 70cm 19.5" x 27.5". Old folds smoothed out small unobtrusve tear at center with faint smudge at upper left corner; very Near Fine / A-. Collaborative work created by Colombian artist Wilson Díaz and San Francisco native Amy Franceschini. In 2009 Franceschini an artist and educator in her own right received an Art Matters grant for support in traveling to Cali Colombia to work with Díaz on a new body of work titled Movement of the Liberation of the Coca Plant MLCP. The two have been involved in creating a number of conceptual works which communicate the various political social and economic powers at play around the conservation and perpetuity of the coca plant from which cocaine is derived. Díaz has been known for incorporating pigment extracted from coca seeds into his works as well creating works on paper made with coca leaf pulp highlighting some of the plants traditional non-illicit uses. S.i. unknown
10578Peñafiel Spain: 1621. Wrappers. Very Good binding. Folio. 2 14 1 blank ff. In Spanish on paper. Stitched. Old folds; some staining and ink smudging else very good. <br /> <br /> Detailed here is the last will and testament of the choir master of Popayán Colombia. Ramírez was an absentee office holder for he lived in Peñafiel Spain indulged in this failure to take up his duties in the New World by the bishop of Popayán—who happened to be his uncle. The choir master's wealth was considerable and while not itemized as in an estate inventory it is more than hinted at via the bequests here of real estate with provenance of silver and gold chalices and crosses and of cash in the form of coin. The bequests also give an interesting picture of the size of his family and the ranking of nieces nephews etc. Certified contemporary copy of the original. unknown
0666478198.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
A9781343941939Hardback. New. hardcover
2017115146Bogotá: Ministerio de Cultura 2017. Individual size: 10.5 x 16 cm. 10 postcards per individual postcard book 40 postcards per collection of 4 postcard books Inks: 4 x 1 Material: Propalcote 300 gr and 115 gr. Artist project by Liliana Angulo. During the time of slavery in Colombia the fugitive enslaved used the hairstyles as escape maps. The braids and designs made on the head were used as secret codes. The braided style called troops was used to indicate that the escape route was by land and the style called "herringbone" indicated a leak in the water. Some styles meant hazardous or dangerous routes. While the "happened" something that happened was being woven the people of the community learned about the events in the mine or the plantation and the actions to take during the escape. Seeds and gold were kept in the head to survive in freedom. "Quieto Pelo" is a collective creation project that aims to document oral traditions and practices associated with hairstyle hair care and political actions expressed through hair among Afro-descendant women from different regions of Colombia and from Latin America. The project proposes the action of combing as an Afro cultural heritage that is both an aesthetic process and a creative and performative act. "Quieto Pelo" has summoned hairdressers knowledgeable women activists and other people who know the stories of hairstyle in different regions of Colombia and America to share their knowledge in a public event whose character is cultural and not competitive. There the hairdressers have shown their skills and knowledge of the different techniques with which they exalt the physical qualities of the person they comb; at the same time that they make an interpretation of the traditional uses of hairstyle and its context. "Quieto Pelo" also intends to join forces -between individuals groups and institutions- and be a pretext to give visibility to the experience the options of resistance and the representations that come into conflict in the body of women of descent. African. In this sense during the development of "Quieto Pelo" I have come into contact with hairdressers as well as with people who know and value the traditions of the hairstyle. Together we have organized meetings and events in public spaces in which the hairdressers show their techniques execute their styles and the "knowers" communicate their knowledge while discussing the specificity and importance of these cultural practices in their communities. As a result of these events "Quieto Pelo" has a large archive of recording material of the hairstyles carried out and the testimonies of the different people interested in preserving these customs. A fundamental interest of the project is to propose different circulation strategies that allow the images and information that this work has generated to be available to hairdressers the Afro-descendant population and other publics interested in these practices. For this purpose booklets of printed postcards have been published that return to the hairdressers and participants with the registration of their hairstyles. Postcards have been the preferred format for hairdressers as it allows them to show their styles to their clients. Exhibitions of the archive have also been made for other audiences. "Quieto Pelo" started in 2007 and has been carried out in several places in Colombia: Quibdó - 2008 Buenaventura - 2009 San Andrés Isla - 2010 Medellín - 2010 with the support of institutions in Colombia such as Banco de la República. through the Obra Viva Program and the Moravia Cultural Development Center through the project ExSitu - InSitu Artistic Practices in Community. In 2011 it was also held in Havana - Cuba within the framework of the International Colloquium "Cultural diversity in the Caribbean" at Casa de Las Américas and at the Caixa Cultural de Brasilia with the support of the Embassy of Colombia in Brazil and the Ministry of Foreign Relations of the Republic of Colombia. In 2013 it was held in Chicago Illinois USA at the University of Chicago with the support of the Illinois Association of Hair Braiders and the United African Organization within the framework of "Unfurling: Five Explorations in Art Activism and Archiving". Gray Center for Art and Inquiry. UC. Chicago - USA. Curator: Daniel Tucker and Rebecca Zorach. Never The Same. In 2017 it was held in Tumaco - Nariño - Colombia with the support of the National University of Colombia and in 2018 an exhibition of the project's photographic and video archive was held at the Spain Cultural Center in Santiago de Chile. Likewise the photographic archive was part of the Africamericanos exhibition curated by Claudi Carreras.<br /> Printed outside of commerce. <br /> 2020 Video Quieto Pelo Libritos Postales https://drive.google.com/drive/folders/1JcoY_pu27p-9PgZnoJttYqCgUo2BT1b3usp=sharing<br /> This is a presentation of Quieto Pelo for the Molaa https://molaa.org/angulocortes. Ministerio de Cultura unknown
1396442642.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390833909.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
28352Paris chez l'auteur 1894 in/8 reliure en demi basane bleu 362 pages. Dédicace pour "Antoine Jacquet professeur d'art culinaire" par l'auteur. Ouvrage orné de charmantes vignettes sur bois et culs-de-lampe. Cofondateur avec Joseph Favre et Émile Darene de l'Académie culinaire de France et de l'École de cuisine. - Chef des cuisines du prince et de la princesse F. de Hatzfeldt-Wildenburg unknown
0656614897.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0364480262.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ria9781108474139_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Exploring corporate accountability for past human rights violations in armed conflicts and authoritarian regimes this book unites two literatures: business and human rights and transitional justice. Using a corporate accountability an hardcover
9586120562.Gunknown_binding. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
0267048548.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
194033836Bogota Columbia: Imprenta Del Estado Mayor General Ministerio De Guerra. Good with no dust jacket. 1940. Paperback. At head of title: Publicaciones del "Archivo histórico nacional." Director: Enrique Ortega Ricaurte. South America > History > Wars of Independence 1806-1830 . Publisher's original paper wraps.1 p. L. vii 241 p. 1 L. xxv p. Port. 27cm. Spanish language text. OCLC Number: 1869840. 71 previously unpublished letters according to a penciled bibliographic note. Covers with wear to extrmities toned edges back spine fold scraped contents and binding VG. Edges tattered . Imprenta Del Estado Mayor General, Ministerio De Guerra, paperback
0428889263.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390523632.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1391998669.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
