Camara de Representantes de ColombiaBiblio.com
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1391998669.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428889263.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
194033836Bogota Columbia: Imprenta Del Estado Mayor General Ministerio De Guerra. Good with no dust jacket. 1940. Paperback. At head of title: Publicaciones del "Archivo histórico nacional." Director: Enrique Ortega Ricaurte. South America > History > Wars of Independence 1806-1830 . Publisher's original paper wraps.1 p. L. vii 241 p. 1 L. xxv p. Port. 27cm. Spanish language text. OCLC Number: 1869840. 71 previously unpublished letters according to a penciled bibliographic note. Covers with wear to extrmities toned edges back spine fold scraped contents and binding VG. Edges tattered . Imprenta Del Estado Mayor General, Ministerio De Guerra, paperback
9586120562.Gunknown_binding. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
0267048548.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ria9781108474139_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Exploring corporate accountability for past human rights violations in armed conflicts and authoritarian regimes this book unites two literatures: business and human rights and transitional justice. Using a corporate accountability an hardcover
0656614897.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0364480262.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1396442642.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390833909.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
28352Paris chez l'auteur 1894 in/8 reliure en demi basane bleu 362 pages. Dédicace pour "Antoine Jacquet professeur d'art culinaire" par l'auteur. Ouvrage orné de charmantes vignettes sur bois et culs-de-lampe. Cofondateur avec Joseph Favre et Émile Darene de l'Académie culinaire de France et de l'École de cuisine. - Chef des cuisines du prince et de la princesse F. de Hatzfeldt-Wildenburg unknown
2017115146Bogotá: Ministerio de Cultura 2017. Individual size: 10.5 x 16 cm. 10 postcards per individual postcard book 40 postcards per collection of 4 postcard books Inks: 4 x 1 Material: Propalcote 300 gr and 115 gr. Artist project by Liliana Angulo. During the time of slavery in Colombia the fugitive enslaved used the hairstyles as escape maps. The braids and designs made on the head were used as secret codes. The braided style called troops was used to indicate that the escape route was by land and the style called "herringbone" indicated a leak in the water. Some styles meant hazardous or dangerous routes. While the "happened" something that happened was being woven the people of the community learned about the events in the mine or the plantation and the actions to take during the escape. Seeds and gold were kept in the head to survive in freedom. "Quieto Pelo" is a collective creation project that aims to document oral traditions and practices associated with hairstyle hair care and political actions expressed through hair among Afro-descendant women from different regions of Colombia and from Latin America. The project proposes the action of combing as an Afro cultural heritage that is both an aesthetic process and a creative and performative act. "Quieto Pelo" has summoned hairdressers knowledgeable women activists and other people who know the stories of hairstyle in different regions of Colombia and America to share their knowledge in a public event whose character is cultural and not competitive. There the hairdressers have shown their skills and knowledge of the different techniques with which they exalt the physical qualities of the person they comb; at the same time that they make an interpretation of the traditional uses of hairstyle and its context. "Quieto Pelo" also intends to join forces -between individuals groups and institutions- and be a pretext to give visibility to the experience the options of resistance and the representations that come into conflict in the body of women of descent. African. In this sense during the development of "Quieto Pelo" I have come into contact with hairdressers as well as with people who know and value the traditions of the hairstyle. Together we have organized meetings and events in public spaces in which the hairdressers show their techniques execute their styles and the "knowers" communicate their knowledge while discussing the specificity and importance of these cultural practices in their communities. As a result of these events "Quieto Pelo" has a large archive of recording material of the hairstyles carried out and the testimonies of the different people interested in preserving these customs. A fundamental interest of the project is to propose different circulation strategies that allow the images and information that this work has generated to be available to hairdressers the Afro-descendant population and other publics interested in these practices. For this purpose booklets of printed postcards have been published that return to the hairdressers and participants with the registration of their hairstyles. Postcards have been the preferred format for hairdressers as it allows them to show their styles to their clients. Exhibitions of the archive have also been made for other audiences. "Quieto Pelo" started in 2007 and has been carried out in several places in Colombia: Quibdó - 2008 Buenaventura - 2009 San Andrés Isla - 2010 Medellín - 2010 with the support of institutions in Colombia such as Banco de la República. through the Obra Viva Program and the Moravia Cultural Development Center through the project ExSitu - InSitu Artistic Practices in Community. In 2011 it was also held in Havana - Cuba within the framework of the International Colloquium "Cultural diversity in the Caribbean" at Casa de Las Américas and at the Caixa Cultural de Brasilia with the support of the Embassy of Colombia in Brazil and the Ministry of Foreign Relations of the Republic of Colombia. In 2013 it was held in Chicago Illinois USA at the University of Chicago with the support of the Illinois Association of Hair Braiders and the United African Organization within the framework of "Unfurling: Five Explorations in Art Activism and Archiving". Gray Center for Art and Inquiry. UC. Chicago - USA. Curator: Daniel Tucker and Rebecca Zorach. Never The Same. In 2017 it was held in Tumaco - Nariño - Colombia with the support of the National University of Colombia and in 2018 an exhibition of the project's photographic and video archive was held at the Spain Cultural Center in Santiago de Chile. Likewise the photographic archive was part of the Africamericanos exhibition curated by Claudi Carreras.<br /> Printed outside of commerce. <br /> 2020 Video Quieto Pelo Libritos Postales https://drive.google.com/drive/folders/1JcoY_pu27p-9PgZnoJttYqCgUo2BT1b3usp=sharing<br /> This is a presentation of Quieto Pelo for the Molaa https://molaa.org/angulocortes. Ministerio de Cultura unknown
A9781343941939Hardback. New. hardcover
0666478198.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
10578Peñafiel Spain: 1621. Wrappers. Very Good binding. Folio. 2 14 1 blank ff. In Spanish on paper. Stitched. Old folds; some staining and ink smudging else very good. <br /> <br /> Detailed here is the last will and testament of the choir master of Popayán Colombia. Ramírez was an absentee office holder for he lived in Peñafiel Spain indulged in this failure to take up his duties in the New World by the bishop of Popayán—who happened to be his uncle. The choir master's wealth was considerable and while not itemized as in an estate inventory it is more than hinted at via the bequests here of real estate with provenance of silver and gold chalices and crosses and of cash in the form of coin. The bequests also give an interesting picture of the size of his family and the ranking of nieces nephews etc. Certified contemporary copy of the original. unknown
27909N.p.: S.i. 2009. Original silkscreened poster text printed in black on thin powder gray stock made with coca leaf pulp measuring 49.75cm x 70cm 19.5" x 27.5". Old folds smoothed out small unobtrusve tear at center with faint smudge at upper left corner; very Near Fine / A-. Collaborative work created by Colombian artist Wilson Díaz and San Francisco native Amy Franceschini. In 2009 Franceschini an artist and educator in her own right received an Art Matters grant for support in traveling to Cali Colombia to work with Díaz on a new body of work titled Movement of the Liberation of the Coca Plant MLCP. The two have been involved in creating a number of conceptual works which communicate the various political social and economic powers at play around the conservation and perpetuity of the coca plant from which cocaine is derived. Díaz has been known for incorporating pigment extracted from coca seeds into his works as well creating works on paper made with coca leaf pulp highlighting some of the plants traditional non-illicit uses. S.i. unknown
201177064Hope Rhode Island: Old Cemetery Records 2011. Presentation copy with a handwritten letter from guitarist Andrés "Buziraco" Granada to Fenriz one half of the revered Norwegian black metal duo Darkthrone: "Finally we got signed by a small underground label called 'Old Cemetery Records' - our friends 'Devastator' are in this label too. Anyways the album is pretty much like the promo no mastering no shit still necro." Accompanied by Fenriz's album-specific DJ notes handwritten on the verso of a slip printed by the Norwegian post office.<br /> <br /> In an undated blog post Fenriz waxed enthusiastic about the Blackzuco demo: "Colombian band with necro sound right here! . been listening to their 4 track release many times!"<br /> <br /> Blackzuco is the first full-length album by Lucera who billed themselves as "Colombian Cocaine Metal since 2002". The band recently dropped their third album Satanass 2024 their first release since a 2014 split with Sabbat.<br /> <br /> Compact disc CD accompanied by the printed album inserts and housed in the clear plastic jewel case.<br /> <br /> Provenance: From the personal collection of Fenriz acquired in September 2018 from Helvete / Neseblod Records in Oslo. Old Cemetery Records unknown
18542945Bogotá: Imprenta de Echeverría Hermanos 1854. About very good. 64pp. Slightly later plain wrappers stapled. Light soiling and wear to wraps. Scattered later manuscript marginalia. Light toning. Scarce pamphlet in which the author Francisco Zaldua strenuously defends himself and his actions as judge in a case brought against the Governor of Cartagena Juan José Nieto while in office. The back matter includes numerous documents relating to the case. OCLC locates only two copies at the Pontifical University of Bogotá and the National Library of Chile. Imprenta de Echeverría Hermanos unknown
18635642Bogota: Imprenta de la Nacion 1863. Very good. 286vii pp. Later plain wrappers; removed from a sammelband. Ownership mark eradicated from title page. Light tanning. The mid-19th century in Colombian politics was characterized by swings in power between Liberal and Conservative factions until the Liberals ascended to power in the early 1860s and ruled relatively unchallenged for the next two decades. The present work contains a very early printing of their new Constitution of 1863 as ratified by the Ríonegro Convention as well as most of the other legislation adopted there. The constitution incorporated many anti-clerical measures including official separation of church and state; full freedom of worship including non-Catholics; suppression of the religious orders; prohibition of corporate i.e. church ownership of real property; and governmental supervision of worship. The document also thoroughly decentralized power and made each state a virtual law unto itself. In an attempt to curb the authority of its leading politician-general Tomás de Mosquera the liberals made the presidency a two-year office with no immediate re-election. Imprenta de la Nacion unknown
18542944Bogotá: Imprenta del Neo-Granadino 1854. Very good plus. 1242pp. Original printed wrapper stitched. Minor creasing and dust soiling. Light tanning. Scarce mid-19th-century report on the Republic of Ecuador from a Colombian perspective. Ecuador during this period was under the liberal anticlerical regime of General José María Urbina and was dogged by strife between the ruling party and not only conservative but also monarchical groups as well as by in-fighting amongst liberal factions. The present work by nineteen-year-old Secretary of War !!! Felipe Perez who was appointed in the same year as publication by President José María Obando attempts to analyze the situation in neighboring Ecuador so that its perceived ills might be avoided in Colombia. OCLC locates a half dozen copies only three in U.S. institutions. Imprenta del Neo-Granadino unknown
18632939Bogota Colombia 1863. Very good. Large broadside approximately 17 x 11 inches. Previously folded. Small chip at right edge not affecting text. A large and unrecorded broadside dated June 12 1863 printed in two columns and addressed to Manuel Suarez Fortoul the chief magistrate of Bogota regarding the recently passed law on the property of religious orders. The law which allowed for taxes on such property caused much consternation in Colombia as did similar laws elsewhere in Latin America during the mid-19th century. Here the author Manuel I. Narvaez offers a detailed extensive and outraged sixteen-point rebuttal of the magistrate's arguments for the constitutionality of the law. Not in OCLC. unknown
182740117Bog. Bogotá: Imp. de P. Cubides 1827. First edition. Contemporary calf raised bands gilt florets on spine paper label in manuscript. A very good copy with two tiny wormholes in spine scuffing to boards partial label on spine minor dampstaining to rear leaves last leaf soiled. 2 539 1 lxxxvii 1 pp. Sm. 8vo. The second collection of laws after the 1823-1824 edition there being no session in 1822. Provenance: signed by Agustín Guerrero on the front pastedown. Agustín Guerrero 1817-1902 was President of the Provisional government of the Republic of Ecuador from 14 January 1883 to 5 October 1883 along with three others after the overthrow of the dictatorship established by General Veintemilla. Sabin 14565n. Posada Bibliografía bogotana v. II: 1030. Imp. de P. Cubides hardcover
1957165321957. Colombian women vote for first time. Vintage Gelatin silver print black and white press photo with two images. 7 x 9 in. December 4 1957. Original caption printed above images in part: "Bogota Colombia: Women voting for the first time in Colombian history turned out in large numbers in the 12/1 national plebiscite. Many mothers carried children in their arms as they arrived at polling places.at right a woman voter holds up an ink-stained finger which indicates that she has voted." This election was doubly historic: 1957 was the first election in which Colombian women voted and it was a special election in which voters decided to implement a new bi-partisan government and end a ten-year period of political unrest and civil war known in Colombian history as "La Violencia." These original press photo taken by photojournalist within tight timeframe for the benefit of particular editorial board and with the aim of usage by the press to illustrate an article often affected public opinion in the nation. Very good condition. unknown
18635640Cali: Imprenta de Nicolas Hurtado 1863. Very good. 50pp. Original printed wrappers stitched. Untrimmed. Contemporary and later ownership inscriptions on front wrap; later private library stamp on first two leaves of text. Light wear at edges. A few scattered small stains; even toning. The political pendulum swung to the Liberals in Colombia in 1863 and a new constitution was promulgated at Rionegro which was to last until 1886. It renamed the nation the United States of Colombia gave too the states all powers not reserved to the central government contained fully defined individual liberties and guarantees and guaranteed Colombians full religious freedom. This printing was authorized in Cali shortly after the document's approval and official printing in Bogotá in May 1863. A contemporary ownership inscription of "B. Nuñez" on the front wrapper notes his purchase date as August 11 1863. OCLC notes two copies of the Bogotá imprint and one copy of a Medellin imprint but none of the present issue from Cali. Imprenta de Nicolas Hurtado unknown
18865649Bogota 1886. Very good. 484pp. Contemporary brown cloth stamped in black and gilt. Light wear to corers and spine ends. Ownership ink stamps on front pastedown and title page. Light foxing and toning. "Edicion Oficial." After Gran Colombia was dissolved in 1830 the countries of modern-day Colombia Venezuela and Ecuador took shape. Colombia then known as New Granada suffered two years of civil war ending in 1863 with the founding of the United States of Colombia. It was reestablished as the Republica de Colombia in 1886. This is the official edition of the constitution acknowledging the establishment of that entity. The front cover is stamped in gilt with the name of Fernando Cortes the title page also bearing his ownership stamp. unknown
