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1713322213New York: William Bradford 1713. 688151-173175-245 i.e. 253pp. p.174 omitted in printing. Folio. Early 20th-century pebbled morocco spine gilt. Light wear to boards and extremities. Titlepage with closed tear to lower right corner no text affected leaf A2 with two closed tears to right edge no loss of text. Titlepage first three leaves and final eight leaves likely supplied from another copy with rough trimming at the lower edges. Light worming to about seven leaves no text affected light tanning and occasional foxing throughout. Very good. 688151-173175-245 i.e. 253pp. p.174 omitted in printing. Folio. A major early New York imprint from the press of William Bradford the "pioneering printer of the English middle colonies" DAB and first printer of New York. Bradford 1663-1752 originally settled in Pennsylvania where he began operating a printing press in 1685 and a bookstore in 1688. Controversies within the Quaker community with Bradford supporting the dissident George Keith led to the temporary seizure of his types and paper in 1692 and in 1693 he moved to New York. The present documents are among the earliest official New York imprints.<br /> <br /> This present collection of THE LAWS. is the third collection of New York laws after those of 1694 and 1710 and covers legislation passed from 1691 to 1713. Laws herein include acts "for quieting and settling the Disorders that have lately happened within this Province" 1691 "for restraining and punishing Privateers and Pyrates" 1693 and 1698 and "against Jesuites and Popish Priests" 1700 as well as numerous acts "for Regulating Slaves" and one for "Baptizing them" 1706. The index reflects the odd pagination in the volume which skips from page 88 to page 155. This is due in part to the fact that they are a composite of Bradford's various separately issued official publications of New York laws. The two leaves following the titlepage are an index the present copy being comprised of individually printed pages pasted together to form one double-sided leaf. EVANS 1636 1637 1638. ESTC W16357 W42004 William Bradford unknown
1842763301842. THE NATURAL HISTORY OF NEW-YORK. Albany Thurlow Weed 1842. NY Appleton & Co. and Wiley & Putnam 1843-1894. Folio. 30 volumes. Zoology in VI parts bound in 5 volumes; Botany in 2 volumes; Mineralogy one volume; Geology in 4 volumes; Paleontology in VIII parts bound in 13 volumes; Agriculture in 5 volumes. Maps and a wealth of lithographic plates of birds flowers fruit landscape panoramas geological sections etc. mostly hand-colored. Boards off volume I otherwise condition varies from good to fine. All but two volumes in original publisher's cloth with gilt vignettes. Complete descriptions and collations on request. Rare Complete. unknown
1877123981877. Oblong folio. 13 1/4 x 18 1/2 inches. 19 original watercolours 11 3/8 x 7 7/8 inches and smaller mounted recto and verso of 7 thin card leaves one page mounted with 4 drawings one with 3 and one with 2 the others with 1 drawing per page the final page blank all painted by a single hand and all with the location identified in ink in the lower margin of each drawing or on the mount just below. Modern blue half morocco gilt blue morocco title label centrally-placed on upper cover 'Voyage aux / Etats-Unis / 1876-77'<br/> <br/> A fine series of original watercolour views of Lake George N.Y. and elsewhere - including one watercolour of Central Park New York.<br/> <br/> From the heading 'Voyage aux Etats-Unis / 1876-1877' on the first page of this album as well as from the wording of the captions to the drawings it is clear that these highly accomplished watercolours are the work of a French-speaking visitor to North America in 1876-1877. They include 14 views of Lake George and its vicinity including one of Caldwell now Lake George Village and one of Tea Island. Also included is a single view of a rocky outcrop and trees in Central Park another of Glenn Falls on the Hudson and a third of the Montmorency Falls just outside Quebec as well as two fine but rather unexpected Swiss views of Amphion Lake Geneva both dated 1877. unknown
313242006. Hardcover. 8vo; Full leather in custom slipcase with accompanying clothbound commentary. 14 x 21 cm 160 pp commentary. 1 of 250 numbered copies.<br> <br> Unbelievably rich and extraordinarily refined in its artistic decoration the Prato Hagadah was produced in Spain around 1300 C.E. with incomplete period illuminations and then with additions from the following three centuries. Folios 1-53 are in square Sephardic script while folios 54-68 display a square Italo-Ashkenazic script. <br> The haggadah includes 40 miniatures illuminated in gold and silver and 60 which are partially illuminated or only drawn. The Haggadah was featured in the Met's 2009 Exhibit "Pen and Parchment: Drawing in the Middle Ages." <br> <br> Scholars at JTSA note that “Nothing at all is known of either the patron or scribe of the Prato Haggadah and little is known of its whereabouts from the time it was produced in Spain around 1300 until the time it was acquired by the JTS Library in 1964. While the haggadah's text is written in accordance with the Spanish rite at some point additional text which included liturgical poems of the Ashkenazic rite was added most likely in Italy….A 1617 signature of an Italian church censor Giovanni Domenico Carretto is proof that the manuscript actually was in Italy at the beginning of the seventeenth century. Nothing further is known of the haggadah's history until 1928 when it was in the possession of Dr. Ludwig Pollak a native of Prague living in Rome." <br> <br> The art of the Prato Haggadah is witty and creative. It includes many initial word panels foliate ornamentation and hybrid figures. Several illustrations relate directly to the text. The Haggadah contains motifs common in medieval manuscripts and many folios reflect the artist's sense of humor.<br> For unknown reasons the manuscript's illumination was never completed. It is this unfinished nature of the work that allows the viewer to see the stages of production of an illuminated manuscript: the scribal arrangement of the text; the artist's preparatory drawings; the application of gesso to cushion gold or silver leaf; the addition of the leaf; the painting of a wide variety of pigments; and the outlining of the illuminations with ink. <br> The text of the Prato Haggadah is also distinctive. Although it includes the standard biblical talmudic and midrashic texts as well as the liturgical poetry common to other Spanish Haggadot the Prato Haggadah lacks all elements associated with the Passover meal. Kiddush blessings for matzah and maror instructions for the feast itself and grace after meals are absent. Scholars have suggested that Haggadot of this kind may have been written to be read publicly in the synagogue after which people would return to their homes for the meal. This phenomenon is found in other Spanish Haggadot and is explained by medieval sources as satisfying the requirement to recount the story of the Exodus for people unable to lead or attend a seder. <br> <br> Many Sephardic Jews immigrated to Italy following the expulsions from the Iberian Peninsula at the end of the fifteenth century often taking their manuscripts with them. The Prato Haggadah contains many textual changes and corrections inserted over several centuries. Though the Spanish or Ashkenazic sections of the manuscript cannot be definitively dated or localized scribal practices and liturgical variants provide a general overview of the history of the manuscript and its owners JTS 2010. <br> <br> Printed and bound as an exact replica of the highest quality of the 13th Century illuminated manuscript in appropriate leather boards and parchment-like leaves and housed in a custom slipcase. Included is a companion volume "The Prato Haggadah" 107 pages with color illustrations edited by Naomi M. Steinberger and with an introduction by David Kraemer with essays and bibliographical references. Limited edition of 250 numbered copies. A treasure to behold. hardcover
1900LD14233New York c. 1900-1910. Hardcover. Very Good. Original green leather with engraved metal brass centerpiece ornate metal monogrammed initials and ornate metal cornerpieces on upper board moire endpapers a.e.g.; large thick folio 420x380x150mm; containing 22 leaves inset to thick mounts. Titled on the first leaf "To the Honorable John C. McGuire upon his Retirement from the Office of Surveyor of the Port of New York" and followed by remarkably accomplished manuscript leaves heightened with gold an original portrait of McGuire a few nautical themed watercolors several leaves of facsimile signatures and McGuire's original 1894 appointment to the post of Surveyor of Customs signed by President Grover Cleveland. Some light scuffing along joints and spine; gutter cracked in two places because this book weighs a ton. <br/><br/> hardcover
1815275647New York: New-York Courier 1815. First. pamphlet. 21 pages printed with text in double columns. Original pamphlet sewn dampstain at upper corner and rough at edges but well inside the ample margins; some pages still un-opened. New York: At the Office of the New-York Courier 1815. First edition. A very good copy of this exceedingly scarce pamphlet. OCLC lists only 13 copies including those at Columbia Cornell Yale Harvard and the New York Historical Society.<br/> <br/> Attributed to Isaac Bronson by F. Redlich in "The Molding of American Banking" 1868 volume 1 page 308. "Isaac Bronson was a highly successful financier of the Jacksonian era who was also one of the period's most original and influential banking theorists. Bronson accumulated his very considerable fortune in New York primarily by judicious personal money-lending operations on long-term bonds and mortgages at a cautious 7 per cent annual return supplemented by successful ventures in land speculation. In addition to wealth he had by the 1830's acquired a weighty reputation for sober financial conservatism and was regarded as an authoritative exponent of sound banking principles. Prominent in the financial community he had long thrown his weight as a sound banking theorist against the "wild-cat" practices of the then rampant state banks." --Venit A. 1945. The Journal of Economic History<br/> <br/> New-York Courier unknown
1915308235New York 1915. 87 silver prints the images measuring 3 x 4-1/2 to 4-1/2 x 6-1/2 inches mounted recto and verso on black sheets most of the prints with a caption in the negative. Oblong 4to. In a black "Snapshots" album. Some wear photos fine. 87 silver prints the images measuring 3 x 4-1/2 to 4-1/2 x 6-1/2 inches mounted recto and verso on black sheets most of the prints with a caption in the negative. Oblong 4to. The NYC watershed consists of 19 upstate reservoirs and 3 controlled lakes that cover 1900 square miles in the Catskill Mountains. The Ashokan Reservoir was finished in 1915.<br /> 1. Ulster & Delaware Railroad Station<br /> 2. Steam shovels<br /> 3. Town with workers uncaptioned<br /> 4. 3 uncaptioned shots of equipment<br /> 5. The Ashokan National Bank Building with an advertisement for the Oneonta Central New York Fair Sept. 1912 on side of building.<br /> 6. Traction Engine; Negro Camp House & View from the Main Office towards the Opera House<br /> 7. The Hospital and Nurse Cottage<br /> 8. Italian Camp View; Syphon & Machine and Millwright Shop<br /> 9. The Commissary<br /> 10. Beaver Hill Club House; Waste Channel & "Dig"<br /> 11. Browns Farm House<br /> 12. View from the Beaverkill Clubhouse towards Maindam; well driller & View from McCleelan Tower <br /> 13. Office of Winston and Co Contractors<br /> 14. Workers; Cable Tower & Italian Camp View<br /> 15. McClellan Memorial Tower and Reservator <br /> 16. Steam Shovel; Fire House & Parade on horseback<br /> 17. View from the Main Dam of Reservoir Site<br /> 18. View from Maindam seen from Esopos Creek; Blacksmith Shop & American Camp Street View<br /> 19. Railway tracks<br /> 20. Railroad Engine; Italian Camp View & View of Maindam<br /> 21. East Deich<br /> 22. Street View around Boardinghouse; Cornwal and Dam & Camp Scene<br /> 23. Main dam Towers and Railroad<br /> 24. American Camp Street View Workers in wagon & Train<br /> 25. West Deich<br /> 26. Bucyrus shovel; Ditch & View of Maindam<br /> 27. Compressor<br /> 28. Steam Shovel; Boardinghouse & American Camp View<br /> 29. Special Aequduct<br /> 30. Crusher; Police Station & Railroad<br /> 31. Screen Chamber<br /> 32. City Engineers Office; Railroad & Deich work<br /> 33. Well driller blast and steam shovel<br /> 34. Italian Camp House; Machinery of Cable Tower & Steam shovel at work<br /> 35. Pressure aqueduct lower gate chamber<br /> 36. Italian schoolhouse; Stump puller & Italian Camp View<br /> 37. Steam shovel<br /> 38. Post Office; Portal of water channel & large valves<br /> 39. View of main dam seen from Esopos Creek<br /> 40. The Keeper; Men in tunnel & Board of Water Supply Office<br /> 41. Upper Gate Chamber<br /> 42. American Camp House; View of Maindam; View towards Dam showing Mill Compressor and Crusher & View towards Crusher and Dam<br /> 43. View of Spillway<br /> 44. American Camp Street View; Bull Pen & Round House<br /> 45. Panoramic postcard of Ashokan Dams Browning Station NY torn in half. unknown
1719676061719. London: Printed for John Baskett 1719. Folio. London: Printed for John Baskett 1719. Folio. 1719 Compilation of New York Laws Printed in London by John Baskett New York. Acts of Assembly Passed in the Province of New-York From 1691 To 1718. London: Printed for John Baskett Printer to the Kings Most Excellent Majesty 1719. xv 292 pp. Folio 13-1/2" x 8-1/2". Contemporary calf rebacked gilt rules to boards extra gilt spine with raised bands and lettering piece endleaves retained hinges mended. Shallow scuffing to boards some rubbing to extremities corners bumped hinges starting early armorial bookplate of the Oswalds of Dunnikier Fife to front pastedown. Light toning to text somewhat heavier in places light foxing to a few leaves light soiling and faint spotting to title page a tear near the gutter carefully repaired. A very handsome copy. $3000. Published the same year as William Bradford's compilation this was the fourth codification of New York laws preceded by three collections printed by William Bradford in 1694 1710 and 1713. It comprises all the acts of the New York Assembly from 1691 through 1718 including many concerning trade and slaves such as the 1709 "Act for Preventing the Conspiracy of Slaves." According to Rich Baskett's edition was likely copied from Bradford's and "according to Trott printed by order of the Lords Commissioners of Trade and Plantation." Titles of expired or repealed laws are included. The Oswalds of Dunnikier Fife were a politically connected family of Scottish merchants active in the Atlantic trade. Rich Bibliotheca Americana Nova 26. Tower The Charlemagne Tower Collection of Colonial Laws 609. Benedict Acts and Laws of the Thirteen Original Colonies and States 332. unknown
1904D12720New York 1904-c.1950s. Hardcover. Very Good. Collection of 182 b/w or sepia photographs silver prints; ranging in size from about 7x9 to 11x14 inches; mounted in two albums or loose sometimes with heavy cardstock mount or paper backing from having been removed from an album see below; offers exteriors views of the hotel from construction to completion and interior views of private and public rooms in the hotel from its construction in 1904 to a later remodel in perhaps 1935 the hotel was remodeled again in 1949 but these images don't seem to extend that late -- there are just a few images showing the Sheraton-Astor when it was briefly bought and renamed in 1954. The collection breaks down as follows: Large album of 42 mounted photographs from around the newly-opened hotel circa 1904 almost all credited in mount and negative to Joseph Byron of New York a few to Drucker & Co. half morocco oblong folio; lacking front board several photographs removed /// Large album of 33 later Hotel Astor photographs c. 1933 linen-backed signed in the negative by "Byron Co." /// 12 large Byron photographs of the hotel about 11x14 inches most mounted most worn and/or faded /// Disbound album of 28 Drucker & Co. photographs of the hotel some showing second-phase construction 1908 and undated /// Group of 67 8 x 10 inch photographs of the hotel some of them after being renamed the Sheraton-Astor in 1954 by William F. Howland 20 Empire Photographers 10 and miscellaneous or unknown photographers 37 circa 1920s-1950s. <br/><br/>Built at a cost of $7000000 on land leased from William Waldorf Astor great-grandson of John Jacob Astor the fur trader the 11-story 35000-square-feet Hotel Astor was designed in the French Renaissance "Beaux Arts" style by architects Charles W. Clinton and William H. Russell who imitated many features from the old Waldorf-Astoria on 34th Street. The Hotel Astor opened in September 1904 dazzling guests with its enormous public rooms most decorated with themes. A year later the elaborate roof garden was opened. The former site of the hotel the block bounded by Broadway Astor Plaza West 44th Street and West 45th Street is now occupied by the high-rise 54-story office tower One Astor Plaza. hardcover
1876135274London: 'Illustrated London News' 1876. London 'Illustrated London News' 1876. A very large panoramic view on paper printed surface 450 × 1158 mm sheet size 610 × 1285 mm. Old horizontal and vertical creases where folded as issued with splits along a couple of folds expertly sealed on the verso; restoration to some tears and small chips to the margins most of them easily concealed when matting or framing; the whole now archivally mounted on flush-cut sturdy Japanese paper; a very presentable example of a desirable ephemeral publication. Engraved by Robert Loudan from a drawing by Thomas Sulman this fine bird's-eye view was issued as an 'Extra supplement to the Illustrated London News August 19 1876'. It shows the island of Manhattan from Battery Park to Central Park maritime traffic on the Hudson and East Rivers and the recently-completed piers of the Brooklyn Bridge. 'Illustrated London News' unknown
16-4615Rome: Marlboriough 1971. Color lithograph or collotype. 98 x 65 cm. Crease in one corner; stain on verso. Very good colors. Printed on thick rag paper. Original printing. Rome: Marlboriough, 1971 unknown
73244An archive of hundreds of letters bills receipts and other legal documents from the family of Academy Award-winning actress Jane Fonda dating from 1786 to 1880. This branch of the Fonda family traces its roots back to New York in 1651 when Jellis Fonda migrated from the Netherlands with his wife and four children. His grandson Douw Jellis Fonda 1700-1780 is considered the founder of the Dutch village now named Fonda about 30 miles west of Albany. He lived a long and prosperous life as a farmer and merchant but was killed at age 79 during a raid by the British Army aided by the Mohawk Indians.<br /> <br /> This collection includes two early hand-drawn property maps of some of the Fonda-owned lands. One of the undated maps completed for John Fonda shows part of Mayfield with lots drawn and numbered. The second map also undated shows acreage for the heirs of A. Fonda except 150 acres sold to John C. Smith and 100 acres sold to David and Samuel Loomis.<br /> <br /> The earliest material in this collection is connected to Douw Jellis Fonda’s six children and grandchildren following the American Revolution. They were leaders in their community serving as judges state elected officials and military officers. There are five handwritten legal documents signed by various members of the family related to the payment of bonds associated with the appointment of loan officers and treasury officials for Montgomery County between 1786 and 1792. At the conclusion of the war the New York Legislature passed laws placing taxes on land and personal estates of all inhabitants in order to defray war expenses discharge its debts and support the state government. Supervisors of each county appointed individuals to "superintend" the raising of taxes within their respective counties. These documents include:<br /> <br /> April 19 1786 three-page document signed by Judge Jellis Fonda on pages two and three concerning a 12000-pound bond for the appointment of Peter Schuyler as one of the Montgomery County loan officers<br /> <br /> May 9 1786 document of three pages concerning Jellis Fonda’s bond in the amount of 12000 pounds for the appointment of his son Douw Fonda as one of the Montgomery County loan officers<br /> <br /> January 8 1787 document of one and a half pages concerning Adam Fonda’s bond in the amount of 5000 pounds providing surety for Douw Fonda as treasurer of Montgomery County<br /> <br /> June 29 1791 one-page document signed by Adam Fonda and Douw Fonda providing 4000 pounds as surety for John Yates to be the treasurer of Montgomery County<br /> <br /> May 2 1792 document of two and a quarter pages signed by Douw Fonda Adam Fonda and John Fonda providing a 9400 pounds surety bond for Douw Fonda as a Montgomery County loan officer<br /> <br /> This collection also includes a group of documents associated with Henry Fonda 1766-1828 who fought in the War of 1812 and was appointed Brigadier General of the 11th Infantry in 1820. During 1807 1816 and 1819 he was a member of the New York State Legislature representing the Fourth Senatorial District of Tryon County. This collection includes two printed broadsides headed “Brigade Orders†issued by him calling regiments to rendezvous and parade “for military exercise and improvement†in 1826 and 1828. There are also 20 handwritten bills and receipts dating from 1792 to 1824 for various items he purchased ranging from flannel to gin and three holographic legal documents for funds he was owed. An additional four letters in the collection were written to Henry addressed variously as major colonel and general dating from 1813 to 1828. Among them is a three-page letter from Daniel Cockstock dated March 6 1826 contemplating the impacts of various new stage routes in the region.<br /> <br /> Another group of more than 120 letters receipts and other documents is connected to Henry’s brother Peter Fonda 1802-74 who was a merchant and hotel keeper ran a stagecoach for a period worked as a contractor and helped build roads in the community. There are several letters about his stagecoach work including seat reservations purchasing horses schedules and even lost luggage. On January 4 1832 he received a letter about Theophilius Williams’ lost trunk. “I understand by a letter from him that he left a description of it at your house offering five dollars to the finder which I will send to you immediately if found together with all accompany expenses incurred in the search and pay your bill for the same whether found or not if you will give your assistance†Levi Williams wrote.<br /> <br /> Among the letters is one from Peter’s wife Gertrude written to him in 1838 while he was in Rome building a bridge across the Mohawk River. “I want you to look out for yourself…don’t depend on others you may lose keep your people sober.†she wrote. A handwritten contract with officials from Rome dated January 1839 outlines the specifications for the bridge. He is also among a dozen men listed on a 1862 patent included in this collection for an improvement in pumps.<br /> <br /> A variety of other miscellaneous documents are provided in the archive including:<br /> <br /> An 1870 poll book for Fonda Montgomery County. The first eight pages are printed and provide a “plan of organization and action†to “effect change of administration at the President election of November 1872.†Voters names are listed on six pages with P.H. Fonda’s at the end.<br /> <br /> A printed receipt completed in manuscript issued by the state of New York treasurer’s office on April 9 1816 to Simon Vedder for Douw Fonda<br /> <br /> An eighth page handwritten receipt dated December 20 1790 received from Adam Fonda<br /> <br /> A one-page handwritten poem by Lavina Fonda dated June 9 1816 written on the death of a schoolmate<br /> <br /> A small note signed by Adam Fonda dated September 17 1838 requesting Peter Fonda pay $15 to Robert Bahanan<br /> <br /> A printed document with holographic notes for the lease of property dated October 9 1855 and signed by Aminta K. Fonda<br /> <br /> Supreme Court calendar for the September 1863 term 16 pages in sewn wraps with P.H. Fonda’s name written in pencil along the top of the cover<br /> <br /> A quarter-page handwritten document dated October 25 1854 listing the person living in Fonda who are exempted from payment of teachers wages in District 8 of Mohawk<br /> <br /> The materials are all generally toned stained and creased from former folds but otherwise in very good condition. unknown
193439828New York: G. W. Bromley & Company 1934. Very Good. New York: G. W. Bromley & Company 1934. First Edition from an unknown number printed but with "No. 70" cut and pasted to front free endpaper. Oblong folio 30x43.5cm; original gray cloth stamped in red and black; 8pp. index 188 color plates with extensive pasted-in cancels collated and complete. Boards soiled and edgeworn with minor fraying; binding sound; occasional spotting and chipping to edges else a Very Good and sound copy. <br /> <br /> Incredibly detailed block by block map of Depression-era Manhattan notable for the meticulous updates by hand to nearly every plate with paper cutouts and adjacent glue smears placed above the originals presumably to account for the fast pace of change in the city's urban landscape. Bromley had last produced a Manhattan land book in 1930. Remarkable for its production level of detail and capturing New York in its skyscraper heyday. G. W. Bromley & Company unknown
172328535New York: Printed by William Bradford 1723. 4 pp folio. Caption title as issued. Loose and lightly toned else Very Good. Housed in a modern cloth binder with gilt-lettered spine title. <br /> <br /> This rare item is the first statute establishing New York chancery fees thus curing "the Inconveniences that may thereby ensue" from their absence. No Chancery Officer "shall exact demand or ask any greater or other Fee or Fees" than the amounts enumerated herein. These regulations limit the "Governour's Fees as Keeper of the Great Seal of this Province" as well as fees of Masters Registers Clerks Examiners Solicitors and other officers. <br /> This is an early effort to curb the exercise of arbitrary power by hungry court officers. Governor Burnet signs in type at the end.<br /> Evans 2468. ESTC W34081. Printed by William Bradford unknown
199428373New York: Acquavella Galeries Inc. New. 1994. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Fine -- with a bonus offer-- . Acquavella Galeries, Inc. paperback
199426768New York: Alexander Gallery. New. 1994. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY PRISTINE NEVER OPENED -- with a bonus offer-- . Alexander Gallery paperback
37974New York: Dai Ichi Arts Ltd. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED ND. 12 works illustrated in color in this 18 page catalogue along with a brief biography of the artist. -- with a bonus offer-- . Dai Ichi Arts, Ltd. paperback
198929044New York: Altman / Burke Fine Art Inc. New. 1989. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . Altman / Burke Fine Art Inc. paperback
191728216New York: American Art Galleries. As New. 1917. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Artists represented include: Gericault; Gruppe; La Farge & Inness. -- with a bonus offer-- . American Art Galleries paperback
193032101New York: American Art Association; Anderson Galleries Inc. As New. 1930. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 467 lots many black and white illustrations. Among the artists represented: Velasquez El Greco Brueghel Luttichuys Saint-Aubin and others. Front cover and FEP detached and fairly worn; text is firmly bound and pristine. -- with a bonus offer-- . American Art Association; Anderson Galleries, Inc. hardcover
193257775American Art Association / Anderson Galleries Inc. As New. 1932. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Tight to the spine - 636 lots catalogued; a number illustrated in b/w. -- with a bonus offer-- . American Art Association / Anderson Galleries Inc. paperback
190428221New York: American Art Galleries. As New. 1904. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - . A little writing to several pages. -- with a bonus offer-- . American Art Galleries paperback
193536367New York: American Art Association / Anderson Galleries Inc. As New. 1935. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Cover wear with small losses; text pristine. 94 paintings offered in addition to the 35 Barye bronzes; many lovely black and white illustrations. Corot's "Un Pecheur a la Ligne: Souvenir du pont de Mantes" and Matthys Maris' "L'Enfant Couchee" are included among the paintings in this sale as are works by Mauve Fantin-Latour Wyant Ryder and others. -- with a bonus offer-- . American Art Association / Anderson Galleries Inc. paperback
190932107New York: American Art Galleries. As New. 1909. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 280 lots with many black and white illustrations. Among the artists represented: Fromentin Raffaelli Roybet J. Fyt J. Twatchman and many others. -- with a bonus offer-- . American Art Galleries hardcover
191138306New York: American Art Galleries. As New. 1911. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE - 72 works catalogued and illustrated in black and white plates. Among the artists represented: C. Troyon Ziem Harpignies Mauve Fromentin and others -- with a bonus offer-- . American Art Galleries unknown
