Salmon, (Thomas)Antiquariat.de
241 résultats
173858781BBNapoli, Francesco Ricciardo., 1738. 8°. Gestochenes Frontispiz, 4 n.n. Bl., 293 S., 3 n.n. S. Tavola. Mit einer mehrfach gefalteten gestochenen Karte von China und 5 (2 gefalteten) gestochenen Ansichten. Pergamentband der Zeit mit handschriftlichem Rückentitel.
173858781BBNapoli, Francesco Ricciardo. 1738. 8°. Gestochenes Frontispiz, 4 n.n. Bl., 293 S., 3 n.n. S. Tavola. Mit einer mehrfach gefalteten gestochenen Karte von China und 5 (2 gefalteten) gestochenen Ansichten. Pergamentband der Zeit mit handschriftlichem Rückentitel.
17740943-15Paris, Saillant & Nyon etc. 1774. Tome 25 et 26 (ap.). 8°. 2 Bl., 462; VIII, 478 S. Ldr. d. Zt. Mit Rückengoldpräg., Stehkantenvergold. Tit. alt gestemp. In sehr gutem Zustand.
1725PHO-1468Rouen & Amsterdam, Jean Baptiste Machuel le jeune , (T1, Étienne Roger,T2&8 Pierre le Boucher, Rouen) 1725 . 10 volumes in-12, ,relié plein veau époque , dos orné, pièces de titre et de tomaison rouges, tranches rouges , reliures tome 1 et 2 légèrement différentes, défauts d’usures, illustré de 5 frontispices et 42 gravures , la plupart dépliantes ,quelques défauts d’usages.
1776GIT00dbfA La Haye chez Gosse 1776. In-12 VIII 488pp. Demi cuir de Russie vert à petits coins de velin ivoire, dos lisse ornéde filets et fleurons dorés, pièces de titre et de tomaison rouges, tranches mouchetées, rel époque. Orné d'une gravure en frintispice et une grande carte dépliante. Bel exp.
17751691811775. QIANLONG EMPEROR OF CHINA 1736-1796. Suite of four engravings depicting the conquests of the Qianlong Emperor. From the suite of sixteen engraved plates. Printed in Paris under the direction of Charles-Nicholas Cochin. Broadsheets image size: 515 x 890 mm. Preserved in the contemporary French green paper mounts with black ink outline borders. Professionally framed. With the original French printed labels describing the individual engravings affixed to back of frames. Paris 1769-1774. These four contemporary hand-coloured engravings represent individual scenes from the exceedingly rare series of sixteen engravings commissioned by the Qianlong Emperor to commemorate the victory of his 1755-1760 military campaigns against the Western Mongols. The four plates are: I. "General Fou Te Accepts the Surrender of the Ili" showing the triumphal march of the Emperor and his general to Beijing. Drawn by Sichelbart and engraved by B.L. Prévost in 1769 Pirazzoli-t'Serstevens 1; II. "The victory of Khorgos." in the Spring of 1758 against the forces of Amoursana. Drawn by J. D Attiret cut by C. N. Cochin and engraved by J. Ph. Le Bas in 1774. Pirazzoli-t'Serstevens 4; III. "The great victory of the Qurman." on February 3 1759 when the Chinese general Fou-te with only 600 soldiers defeated an army of 5000 Muslims. Drawn by Damasceno and engraved by A. de St. Aubin in 1770. Pirazzoli-t'Serstevens 8. IV. "The Emperor Gives a Victory Banquet to the Officers and Soldiers who have distinguished themselves in battle" at Tseu-kuang-ko the Imperial Palace Gardens Beijing on July 5 1754. Drawn by Castiglione and engraved by J. Ph. le Bas 1770 Pirazzoli-t'Serstevens 16. These large Chinese-French prints are among the most impressive works ever produced by the method of copper engraving. This is the first series of engraved plates to document the conquests of the Qianlong Emperor. They represented an amalgam of Chinese imagery Italian interpretation and Parisian copperplate engraving at its apogee. The drawings were supplied by Jesuit artists attached to the Emperor's court in Beijing. Upon completion they were shipped to France for engraving as the craft was unknown in China. After the Emperor was shown battle prints by the Augsburg artist Georg Philipp Rugendas 1666-1743 he wished to see his military conquests recorded in intaglio prints as well. He therefore ordered his Jesuit court painters Giuseppe Castiglione 1688-1766 called "Lang Shining" Jean Denis Attiret 1702-1768 "Wang Zhicheng" Ignaz Sichelbart 1708-1780 "Ai Qimeng" and Giovanni Damasceno Sallusti i.e. Joannes Damascenus a SS. Concepcione d. 1781 later bishop of Beijing called "An Deyi" to prepare sketches for the prints which they did in 1764 and 1765. Four of the drawings had been completed by the time of Castiglione's death when the decision was made to send the work to France via the ships of the Compagnie des Indes. According to the Emperor's decree no expense was to be spared. The first four drawings reached Paris in the autumn of 1766 and the remaining twelve in July 1767. The Marquis de Marigny director of the Academie Royale de Peinture et Sculpture decreed that the work should be carried out under the supervision of Charles-Nicholas Cochin 'fils' 1715-1790. As the French paper manufacturers did not have paper of the desired proportions the paper-merchant Prudhomme was ordered to make it to custom; the new size was called Grand Louvois. The copperplates were imported from England. Cochin chose Beauvais for the actual printing of the sheets on the grounds that he was "the only one who can be completely trusted both regarding his talents as well as his honesty which is well-known." The work proceeded slowly; standards of the highest quality were called for and some of the pictures especially the one by Sallusti needed careful editing. The original order was for 100 copies of each print but by 1768 this figure was increased to 200 copies so that at least 100 would survive the journey back to China ! -- however several authorities claim that many copies were lost at sea. In any event the final delivery was not shipped until 1775 occasioned in part by the difficulty the printers had producing a uniform series of prints from drawings by different artists. Three of the initial drawings were made by Attiret six by Damasceno one by Sichelbart and at least two by Castiglione; the remaining are unsigned but have been attributed to Castiglione by C. & M. Beurdeley and others. The engravers were L.J. Masquelier 1 J. Aliamet 2 J. Ph. Le Bas 5 A. St.-Aubin 2 F.D. Née 1 B.L. Prevost 2 P.P. Choffard 2 and N. de Launay 1. The Emperor's instructions stated that all the impressions were to be sent to him along with the original copper plates. However there is plentiful evidence that prints were pulled for the King of France and influential persons in Paris as well. Most of the surviving sets and individual prints appear to belong to this surreptitious group. The above series is not only a landmark in the history of Chinese and European art but also testifies to the direct artistic cooperation between China and Europe in the eighteenth century. It has been a common misconception that China was only interested in itself and detested the foreigners -- here the Emperor himself proved the contrary. VERY RARE IMPRESSIONS WITH CONTEMPORARY FRENCH HAND-COLOURING. The complete set of sixteen black and white engravings or a few individual prints from this set have come onto the market for sale only rarely. We can locate no other examples of any of the prints with contemporary colouring having been for sale or in public or private collections. PROVENANCE: Robert Barnwell Roosevelt 1829-1906 the uncle of Theodore Roosevelt and great-uncle of Eleanor Roosevelt. He was an early conservationist and worked for the protection of waterways. Roosevelt served in Congress and was later appointed to a diplomatic post in the Netherlands. He is credited with influencing his nephew Theodore Roosevelt to become a conservationist. With the ownership label "R.B. Roosevelt/ 26 East 20th Street/ New York" attached to the verso on one print. Cohen-De Ricci 1012-1013. Cordier Bibliotheca Sinica 641-642. Fünf Jahrhunderte Buchillustration 141. Brunet V 1178. P. Pelliot "Les conquêtes de l'empereur de la Chine" T'oung Pao ed. H. Cordier & P. Pelliot vol 20 1921 pp. 183-274. Michèle Pirazzoli t'Serstevens Gravures de conquêtes de l'Empereur de la Chine Kien-Long au Musée Guimet 1969. Hartmut Walravens "The Introduction of Copper-Engraving into China" 62nd IFLA General Conference August 25-31 1996. unknown
17704201Paris, N. M. Tilliard, 1770. 1770 1 vol in-8° (210 x 133 mm) de: [xxiv], xxxviii, 381, [ii] (approbation) pp. Annotations manuscrites d'époque à l'encre en chinois dans les marges. (rares rousseurs). Cartonnage d'époque recouvert de papier à la colle rose, dos lisse orné de filets dorés, titre de marocain noir. (dos jauni, usures et petits manques).
1750900104AG[Leipzig:, Arkstee und Merkus, 1750]. Kupferstich, Blattmaß: 24 x 19 cm. Bildmaß: 19 x 14 cm.
1750900112AG[Leipzig:, Arkstee und Merkus, 1750]. Kupferstich, Blattmaß: 24 x 19 cm. Bildmaß: 19 x 14 cm.
1750900103AG[Leipzig:, Arkstee und Merkus, 1750]. Kupferstich, Blattmaß: 24 x 19,5 cm. Bildmaß: 19 x 14 cm.
1750900106AG[Leipzig:, Arkstee und Merkus, um 1750]. Kupferstich, Blattmaß: 23,5 x 19 cm. Bildmaß: 19 x 14 cm.
1750900111AG[Leipzig:, Arkstee und Merkus, 1750]. Kupferstich, Blattmaß: 22,5 x 18,5 cm. Bildmaß: 19 x 14 cm.
170763463ABLeyden, Aa, 1707. Volume 17. 8°., 4 BL., 27 S., 398 S., 72 S., 3Bl., gefalt. Karten von Grönland, Island, Babylonien, Syrien, Palestina, Mittelmeerraum, späterer.Halbledereinband, guter altergem. Zustand,
1783513208 planches tirées du tome 6, B. Picart sculpt., [ À Amsterdam : Chez Laporte, 1783 ].Rappel du titre complet : Cérémonies et coutumes religieuses de tous les Peuples du Monde. Lot de 8 planches relatives aux religions de la Chine : [ Numérotation double pour chaque planche ] 4 / Tome VII N° 16 : Idole Xekia ; 38 / Tome VII N° 17 : Les Dieux des Chinois tirés de la Chine de Kircher ; 37 / Tome VII N° 19 : Dieu de l'Immortalité - Fo-Tek ou Ninifo - Kin-Gan que les Jésuites nomment aussi Chin-Hoan - Divinité que les ambassadeurs hollandois nomment Lincing ; 39 / Tome VII N° 21 : Vitek ou Ninifo - Matzou ; 40 / Tome VII N° 22 : Quantecong - Quonin divinité domestique ; 44 / Tome VII N° 23 : Religieux en noir avec un Chapelet - Religieux Mendiant Chinois - Religieux chinois avec leurs chapelets - Gueux dévôt ; 46 / Tome VII N° 28 : Magiciens et sorciers de la Chine ; 36 bis / Tome VII N° 34 : Kirin des Chinois et des Japonois - Tats Dragons des Chinois et des Japonois - Banières Impériales des Chinois - Foo ou Phénix des Chinois
1795PHO-1044Paris : Bastien, An III. (1795) 7 volumes in-8 ; AVEC , PAUW recherches philosophiques sur les Américains , An III , 3 volumes in-8 , XIV-421pp, 475pp,482pp. AVEC : PAUW : Recherches philosophiques sur les Égyptiens et les Chinois. Paris : Bastien, An III, 2 volumes in-8, carte dépliante (déchurure sans manque), XVIff,472pp , 466pp; AVEC : PAUW : Recherches philosophiques sur les Grecs. Paris : Bastien, An III, 2 volumes in-8 , XVI-400pp,366pp . Reliure d’époque en basane marbrée, dos lisse orné avec titre et tomaison , quelques manques de cuir , petit travail de ver sur 10ff ,Tome 1.
178835708Paris Buisson 1788 in-8 maroquin cerise à long grain, dos lisse richement orné de filets, tortillons et guirlandes dorés, encadrement de double filet et double guirlande dorés sur les plats, hachuré doré sur les coupes, tranches dorées [Rel. de l'époque], quelques rousseurs
1777RO80059715CHEZ NYON L'Ainé. 1777. In-4. Relié plein cuir. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 650 pages. 3 cartes dépliantes en noir et blanc, hors-texte. 34 planches de figures, dessins, gravures et tableaux, en noir et blanc, hors-texte. Bandeaux, lettrines et culs-de-lampe. Relié plein cuir veau marron. Tranches rouges. Titre, tomaison et caissons dorés sur le dos à 5 nerfs. Encadrements à 3 liserets dorés sur les plats de couverture. Quelques légères épidermures.. . . . Classification Dewey : 951-Chine
1791LBW-4845[Paris, Mondhare, 1791]. 204 x 261 mm.
1784009888Paris: Chez De Bure Barrois Aîné et Barrois Jeune 1784. Book. Very Good. Morocco. 24mo - over 5" - 5¾" tall. Two volumes bound in full contemporary red morocco the back intricate floral gilt marbled end papers all edges gilt the armorial bookplates of De Verdon front paste downs. 5" x 3". ii 246 xxxix 230 pages. Very Good the boards soiled small hole front gutter Vol. I. The first two volumes only of this seven volume set generally considered the most interesting as they contain Noel's observations on the origin nature and effects of moral and political philosophy in China during the Qing Empire. Chez De Bure, Barrois Aîné et Barrois Jeune Hardcover
1775012376Paris P. Rouquette Libraire-éditeur 1775 plaquette in-8 Broché
1775012378Paris P. Rouquette Libraire-éditeur 1775 plaquette in-8 Reliure d'époque
1777PHO-514A Paris: chez Ph.-D. Pierres & Clousier, imprimeur-libraire, rue saint-Jacques, 1777-1785. 10 volumes in-4 (260x200mm)sur 12 , relié basane époque , dos lisse orné avec titre et tomaison,dos frottés , illustré de 12 planches (sur 16)et 2 cartes dépliantes contours en couleurs par Brion d’après le P. de Mailla (sur 3), Tome XII ,manque de papier affectant le texte (table des matières)sur 30 pp . 10 volumes sur 12 , manque le 3 et 5 publié après la mort de Mailla , avec le treizième volume par Grosier ,1785 à Paris chez Moutard , in-4 , brochage éditeur 1ff, titre , 798 pp
1749137007[ Osaka: Shibukawa Seiemon; Edo: Nishimura Genroku, 1749] 1749 26 x 18.2 cm . Reliure japonaise et étiquette d’origine, Premier volume seul, sur 3. 24 ff. 48 pp. 9 pp. de texte, 17 illustrations à double page, 5 à une page..Couverture fanée. Quelques ternissures en pied. Absence de colophon.
1795PHO-2286Paris, chez Buisson, An 3 de la République (1795), 4 volumes Texte : 3 tomes in 8° (21x13,5cm), XXIV-391pp, (4) 386pp, et (4) 371pp., veau raciné époque, dos lisse avec pièces de titre rouge et tomaison noire, tranches dorées, frises aux plats, roulettes interne, petits frottements. Atlas : in-4° (31,5x24cm), titre, table des planches, 28 planches HT, portraits, cartes, plans, vues. Exemplaire à toutes marges. Reliure d’attente, dos manquant, carte détachée avec tache aux plis,
1771LBW-4392[Paris, 1771-1786]. 240 x 185 mm.
