SANZ Y DÍAZ, José.MareMagnum
821 résultats
Madrid, Publicaciones Españolas, 1959 ("Temas Españoles"). 4to.; 28 pp., 1 h. y 10 ilustraciones en láminas. Impresión en doble columna. Cubiertas originales.
Madrid, Publicaciones Españolas, 1954 ("Temas Españoles"). 4to. mayor; 30 pp., 1 h., impresas a doble columna. Cubiertas originales.
73913aafPfaffenweiler, Centaurus-Verlagsgesellschaft, 1993, in-8vo, 2 Bl. + 12 S., ill. + 743 S., ill., ill. Original-Broschüre.
2020DBS.Management-9781774073Society Publishing 2020. 1 ST. Hardcover. New. Society Publishing hardcover
2020DBS.Management-9781774073Society Publishing 2020. 1 ST. Hardcover. New. Society Publishing hardcover
2020AME_9781774073155Society Publishing 2020. UNKNOWN. Hardcover. New/New. Society Publishing hardcover
2020DBS-9781774073155Society Publishing 2020. 1 ST. Hardcover. New. Society Publishing hardcover
2020DBS-9781774073155Society Publishing 2020. 1 ST. Hardcover. New. Society Publishing hardcover
2020AME_9781774071557Society Publishing 2020. UNKNOWN. Hardcover. New/New. Society Publishing hardcover
2020DBS-9781774071557Society Publishing 2020. 1st. Hardcover. New. Society Publishing hardcover
2020DBS-9781774071557Society Publishing 2020. 1st. Hardcover. New. Society Publishing hardcover
M13224Paris Amiot-Dumont, 1955, in8 br, 315pp. photos ht, cartes.
18865767Paris, Londres Librairie Hachette et Cie 1886 in-4° 436 pp, Nouveau journal des voyages publié sous la direction de Edouard Charton le premier semestre 1886 ; très nombreuses gravures N&B in-texte, 11 cartes et plans. rousseurs et nombreuses traces d'humidité, dos à 4 nerfs orné de caissons et filets dorés. Epidermures avec légers manques sur dos insolé. coiffe inférieure, coupes et coins frottés. mors du 2d plat fendu sur l'intérieur
188420664Paris Hachette 1884 In4° 435 pp , toutes tranches dorées rousseurs éparses 25 ème année deux semestres
1980ABE-1605891727272AU RAS DES PAQUERETTES, PAR GABRIEL MATZNEFF-LA CANDIDATURE DE COLUCHE M.ESTIER: UNE INJURE AUX FRANCAIS-PUBLICITE DIM PLEINE PAGE COULEURS,"JEUNE HOMME PARFAIT"-UN CURIEUX MUSEE DANS LE NORD DES PHILIPPINES LES TETES COUPEES DE SOEUR BASILE, TIERS DE PAGE-QUELQUES ANNOTATIONS EN MARGE SUP DE UNE
194627244Paris Payot 1946 In-8 510 pp, avec 32 croquis et 32 photographies , légères traces d'humidité sur la couverture
194630830Paris Payot 1946 In-8 510 pp, avec 32 croquis et 32 photographies
a75372Washington 1916 1st. 64th Congress 1st Session Document No. 529. Hardcover. Octavo 352pp. tan buckram. VG. Volume 1. . hardcover
1944224221944. Olson Laverne Edwin vernacular photo album circa 1944-1946 documents U.S. Navy enlisted service across the Philippines and Hawaii during the final phase of World War II and the immediate postwar occupation period providing direct visual and documentary evidence of military presence local communities and wartime social life in the Pacific Theater. The album is anchored by Olson's official U.S. Navy Certificate of Satisfactory Service confirming duty from December 18 1944 through April 23 1946 situating the material within the aftermath of the U.S. return to the Philippines following the Leyte landings and the transition into occupation and reconstruction. The photographs support research into Pacific War military infrastructure American servicemen's daily life and interactions with local populations in recently contested and strategically critical regions.<br /> <br /> Album titled "Snapshots: The Philippines and The Islands of Hawaii" compiled circa 1944-1946 contains 25 items: 23 silver gelatin photographs one wallet-sized U.S. Navy Certificate of Satisfactory Service and one Roosevelt Commemorative Birthday Ball exchange coupon dated January 30 1946. Album measures approximately 4.5 x 3.5 inches with most photographs approximately 4 x 2.5 inches. Images include candid and landscape views from the Philippines likely including Leyte depicting rural villages shoreline activity docked naval vessels and local labor such as fishing and canoe transport. One photograph shows a group of Filipino children and young men gathered along a beach while another captures men and boys navigating shallow coastal waters in a canoe. Hawaiian images include group recreation scenes and coastal landscapes reflecting off-duty life within a major U.S. naval hub. The Roosevelt Birthday Ball coupon printed with the slogan "Dance That Others May Walk" provided access to multiple Honolulu venues and connects the album to wartime charitable campaigns supporting polio treatment through organized social events.<br /> <br /> Created during the closing campaigns of the Pacific War and the first year of U.S. postwar presence in the Philippines the album situates an enlisted sailor within a broader military and geopolitical transformation that included amphibious warfare territorial reoccupation and the reestablishment of American administrative and logistical systems. The Philippines served as a critical site of both combat and reconstruction while Hawaii functioned as a central staging and support base for naval operations. The inclusion of both official documentation and leisure-related ephemera demonstrates how military service encompassed bureaucratic recordkeeping mobility across strategic locations and participation in organized morale and fundraising activities tied to the American home front. Light wear to album covers minor handling and edge wear to photographs with images remaining sharp; service certificate shows toning and wear; pages largely intact. Overall very good condition. unknown
Madrid, 2002. 4to.; 368 pp. Cubiertas originales.
Madrid, Estanislao Maestre Editor, 1933 [Bibliotheca Hispana Missionum]. 4to. mayor; XLVI-332 pp., 2 hs. Cubiertas originales.
Manila, La Oceanía Española, 1878, 20 x 14,5 cm., holandesa piel moderna, IX + 430 págs. (sello en portada de José Paredes Rodríguez, médico de sanidad militar. Rara obra de la que solo hemos localizado 3 ejemplares en en Catálogo Colectivo. "Advierte el editor en el Prólogo que quedándole 400 ejemplares de la edición de 1877, le añadió nuevos pliegos, con notas, para hacer un paralelo entre 1809 y 1878" Retana).
Reimpresión facsímil. Insurrección de Cuba y Filipinas. Biblioteca Regeneracionista.
1940List2741Philippines and San Francisco 1940. pproximately 205 photographs: twenty 5 x 7†and smaller eighteen 3.75 x 5.5†and smaller and 167 2.5 x 3.5†and smaller. Most are glued into a scrapbook with some loose. Some photographs bent or with tears; some marked with pencil. Generally very good. The US’s military presence in the Philippines is long-standing beginning in 1898 with the Spanish-American War which ended that year with a treaty that sold the islands to the US. The Philippines was then an American colony until the country’s independence was recognized by the US in 1946. In 1947 the two countries signed the Military Bases Agreement allowing the US to keep military bases in the Philippines for a period of 99 years; this was finally overturned in 1991 and the bases were closed by 1992. However agreements signed in 1999 and 2014 allowed US troops to move freely through the Philippines and allowed the US government to build and operate military facilities.<br /> <br /> Offered here is a large archive of photographs likely belonging to—and likely with many taken by—an American soldier stationed in the Philippines. These were probably mainly taken in the 1930s as a photograph appears to show the Golden Gate Bridge under construction. Some are possibly from World War II as one photograph shows men standing on a ship under a large banner reading “CHINA BURMA INDIAâ€. However they are mostly unlikely to have been taken during the war as there is also a photograph of a pristine-looking Manila Central Post Office – the building was severely damaged during the fighting against the Japanese in the Battle of Manila and was rebuilt in 1946.<br /> <br /> In the archive are a mix of military photographs—generally of planes ships and life aboard them—and shots of Philippine life and scenery. One interesting scrapbook page places a photograph of a massive American steamer next to a shot of a wooden riverboat. Aboard the riverboat young Filipino boys pose and smile for the camera. The military shots emphasize the US’s outsized power: a man poses next to and is dwarfed by a seaplane; three men stand behind a chest-high pile of artillery; planes fly in formation straight overhead; men and women eat a lunch spread under the hulking wings of a plane parked on a lawn.<br /> <br /> The shots of Filipino life show the modernization of a largely agrarian society. On the one hand there are rice paddies huts with straw roofs plows and carts pulled by oxen. Women weave on large outdoor looms young people pose in traditional dress a smiling man stands wearing a loincloth and holding a spear and a circle of men and women dance around with drums. On the other hand a long line of cars is parked outside the Sunday market in Baguio men pose outside the Lanao Golf Club a train speeds by the camera and the neoclassical Manila Central Post Office watches over the wooden rowboats in the Pasig River. One set of photos shows penitents or magdarame performing the Good Friday practice of self-flagellation. As an audience looks on men in hoods many with crowns woven from plants whip themselves or are whipped. Though the Catholic Church in the Philippines discourages it these mortifications continue to be practiced to this day.<br /> <br /> Of interest to scholars of the Philippines’ American colonial period particularly for its documentation of ordinary Filipino life during this transitional time. unknown
2020DBS-9781774072684Society Publishing 2020. 1st. Hardcover. New. Society Publishing hardcover
