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[Beckford, William].MareMagnum

[Vathek.] An Arabian Tale, From an Unpublished Manuscript: With Notes Critical and Explanatory. London, for J. Johnson, 1786.

8vo. VII, (1), 334 pp., final blank leaf (p. 48 misnumbered "84"). With woodcut illustrations on p. 316 (X6v, showing ostrich and peacock-feather fans). Sumptuous 19th century red grained morocco binding, spine gilt, gilt cover rules and inner dentelle, leading edges gilt. All edges gilt. The unauthorized first edition, first issue (with misnumbered page 48). This original edition, claiming to be translated directly from Arabic, appeared without the name of the author, also omitting from the title the name under which the work would later be known internationally. - Although often classified as an early Gothic novel, "Vathek" is more truly an oriental tale, describing the experience and rewards of succumbing to temptation, and closely reflecting the "foolish, fantastic, egotistical life" of the author who began writing the story in French in January 1782. Despite the fact that Samuel Henley's translation, and the elaborate notes which he provided for the book, were undertaken with his friend Beckford's approval, its publication was contrary to the author's express wishes: Beckford had clearly intended to bring out the French edition first, but his wife had died in Switzerland on 18 May 1786, and though the book was published by Joseph Johnson on 7 June, he was still unaware of its existence by late August. Copies were priced at 4 shillings or 7s. 6d. on large paper, and have the running title of "The History of the Caliph Vathek". Even though Beckford published French editions in Lausanne (December 1786, dated "1787") and Paris (1787), the novel only became well known some thirty years later when Byron declared it to be his Bible. - Provenance: From the library of John Bigham, 1st Viscount Mersey (1840-1929), at Bignor Park, Sussex (his bookplate to front pastedown and ink ownership to flyleaf). Subsequently in the library of the American publisher and collector A(lfred) Edward Newton (1864-1940), whose collection was auctioned by Parke-Bernet in 1941 (bookplate). Later acquired by the American lawyer and collector Robert S. Pirie (1934-2015), a prominent member of the Grolier Club, whose library was dispersed by Sotheby's in December 2015 (his bookplate to front flyleaf). - With the final blank Y8, which is often absent. Occasional light brownstains, but in all an excellent copy, beautifully bound and with fine provenance. ESTC T62055. Rothschild 352. G. Chapman, Bibliography of William Beckford, pp. 22f, i. Summers 543. Garside/Raven/Schöwerling 1786:15. OCLC 1636740.

[Beirut Port].MareMagnum

Compagnie Impériale Ottomane du Port, des Quais et Entrepôts de Beyrouth. Assemblée Générale Ordinaire et Extraordinaire [...]. Rapport du Conseil d'Administration. Rapport des Commissaires des Comptes. Résolutions de l'Assemblée. Paris, Imprimerie et librairie centrales des chemins de fer, 1889-1922.

Large 4to. All 31 issues, comprising a total of 774 pp. (some lithographic, others published as a typescript, but mostly letterpress), preserving the original printed wrappers. With 2 folding plans. Bound in 1920s green half calf over marbled boards. Rare collection of the annual reports published by the administrative board of the Beirut Port holding company: the complete stretch from 1889 (when work on the harbour began) to 1922. - Even since the 1860s, the old harbour of Beirut, 150 by 100 metres in length and a mere two metres deep, was rapidly becoming too small for the ever-expanding volume of traffic. In 1887 a consortium was formed of the Compagnie Impériale Ottomane de la Route Beyrouth à Damas, the Ottoman Bank, the Comptoir d'Escompte de Paris, the Banque de Paris et des Pays-Bas, and the Compagnie des Messageries Maritimes. Reincorporated as the Paris-based "Compagnie Impériale Ottomane du Port, des Quais et Entrepôts de Beyrouth", they obtained a concession from the Porte in 1888, and construction was completed in 1895. "The new harbor, located further to the east, provided deeper anchorage (two to six meters) next to an 800-meter-long pier running almost parallel to the coast and protected by a breakwater 350 meters long. The dock area covered twenty-one hectares, with vast warehouses whose metal cladding had been designed by Gustave Eiffel" (Kassir, p. 119). Located at the intersection of Europe, Asia and Africa, Beirut quickly became one of the principal ports between Europe and the Near East. Trade was hampered during the years of the First World War, but Beirut still received "more ships than any other port along the Syrian coast" (ibid., p. 122). - The first seven reports, covering the building phase, from 1889 to 1894, are printed as lithographs; from 1895 onwards they are letterpress, providing a full account of assets and liabilities, profits and losses, and resolutions adopted by the board, accompanied by extensive sets of tables. The publication was interrupted only in the war years, when the company was temporarily dispossessed, for which time the present volume instead contains a "Historique" and a "Memorandum", both published as typescripts. The series was resumed in 1921. - This collection bound for the "Banque de Syrie et du Liban" with their bookplate on the pastedown. Binding rubbed and chafed, but internally a very well-preserved set. Cf. Samir Kaffir, Beirut (UCA, 2010).

Inlibris · Wien, AT8 500,00 €

[Biblia arabica - AT - Psalmi].MareMagnum

[Kitab zubur Da'ud al-Malik wa-al-nabt]. [London, printed by Samuel Palmer, for the Society for Promoting Christian Knowledge, 1725].

8vo. (6), 230 pp. (without terminal blank). Title within double rules, added ruling in red. 18th-century (probably English) gilt-tooled red half morocco, contrasting morocco lettering-piece, blue paper boards. A rare London-printed Arabic translation of the Psalms of David by 'Abdallah ibn al-Fadl al-Antaki, taken from the revised and corrected edition published at Aleppo by Athanasius, Patriarch of Antioch, in 1706. For this SPCK edition marginal notes, the Decalogue and Lords Prayer have been added. - This work, which represents the first separate British edition of the Psalms in Arabic, was printed by Samuel Palmer (1692-1732), prepared for the press by Sulaiman Ibn-Ya'qub as-Saliliyani, with a new Arabic font produced by a young William Caslon. The project was beset with difficulties: conceived in 1720, it took five years to come to fruition. The intention, as is printed in the preface of "An extract of several letters relating to the great charity and usefulness of printing the New Testament and Psalter in the Arabick language" (London, 1725), was to "preserve and propagate the Christian Faith among our Brethren in Syria, Palestine, Arabia, and other Eastern Countries from whence we first received it". - As William Brown notes "the whole impression, consisting of upwards of six thousand copies, was sent abroad, so that a copy of it is now rarely to be seen" (The History of Missions or, Of the Propagation of Christianity Among the Heathen, Since the Reformation. Philadelphia, 1816). Darlow/Moule enumerates the impression more exactly to 6,250 copies. Perhaps unsurprisingly, given the work's intended use, ESTC locates copies at just four British libraries (BL, Cambridge, Edinburgh and Oxford), two in Europe (Berlin State Library and the Dutch State Library), and a single location in North America (General Theological Seminary). - A trifle rubbed and marked, else a handsome copy with occasional marginal notes in pencil, marking to margins. Darlow/Moule 1654. ESTC T154998 (with erroneous pagination).

Inlibris · Wien, AT1 500,00 €

[Biblia arabica - VT - Psalmi].MareMagnum

Davidis Regis et Prophetae Psalmi. Ex arabico in latinum idioma [...] redditi. Rome, typographia Savariana, 1619.

4to. (8), 474, (8) pp. Title page printed in red and black. Contemporary vellum with ms. title to spine. Edges sprinkled in red. Second edition of Savary's Arabic Psalter; more precisely, a re-issue of the 1614 original edition, with only the title changed and the remaining pages re-used from the first. Prepared by two Maronite scholars, Nasrallah Salaq al-'Aquri, better known as Victorius Scialac Accurensis, and Gabriel Sionita. "Scialac was one of the first Oriental Christian scholars who by his publications furthered the causes of both European Orientalism and Oriental Christianity. He taught Arabic and Syriac in the Roman University from 1610 to 1631" (Smitskamp, p. 161). The publication is famous for the clarity and elegance of its typeface created by Savary de Brèves: the extensive vocalisation helped this handy quarto volume achieve immense popularity among oriental scholars throughout Europe. Formerly it was assumed that the type design was based on specimens Savary had seen during his time as French envoy at Constantinople; today his probable model is believed to be a calligraphical manuscript from Qannubin, preserved in the Bibliotheca Vaticana. The cutting and founding of the types were done in Rome, in collaboration with Stefano Paolini, an experienced printer formerly of the Typographia Medicea. The Psalms' text is based on a manuscript Savary de Brèves had bought in Jerusalem (cf. Balagna, L’imprimerie arabe en occident, p. 55f.); as it occasionally departs from the Vulgate (as does the translation by the Maronites Sionita and Scialac), an extensive imprimatur was necessary. - The Arabic-Latin Psalter (1614/19) and Bellarmin's Arabic catechism (1613) would remain the only works to leave the Typographia Savariana in Rome; the types have survived and are now in the archives of the Imprimerie Nationale in Paris. - Occasional paper flaws professionally restored; insignificant brownstaining in places. A good copy. Darlow/Moule 1643. Schnurrer 324 (note) & p. 505. Ebert 18088 (note). Brunet IV, 921 (note). STC 108. Cf. Smitskamp 33. Fück 56.

Inlibris · Wien, AT4 500,00 €

[Biblia arabico-latina - Psalmi].MareMagnum

Liber psalmorum Davidis regis, et prophetae. Ex Arabico idiomate in Latinum translatus. A Victorio Scialac & Gabriele Sionita. Recens in lucem editus munificentia Francisci Savary de Breves. Rome, Stefano Paolini f. Typographia Savariana, 1614.

4to. (8), 474, (6) pp. With two woodcut coats of arms on t. p. and at the end. Late 19th century half calf. First edition of this adaptation of the Psalms, set in Arabic-Latin parallel text. Printed in some 3000 copies, most of which were used for a 1619 re-issue with only the title page changed. Famous for the clarity and elegance of the typeface created by Savary de Brèves: the extensive vocalisation helped this handy quarto volume achieve immense popularity among oriental scholars throughout Europe. Formerly it was assumed that the type design was based on specimens Savary had seen during his time as French envoy at Constantinople; today his probable model is believed to be a calligraphical manuscript from Qannubin, preserved in the Bibliotheca Vaticana. The cutting and founding of the types were done in Rome, in collaboration with Stefano Paolini, an experienced printer formerly of the Typographia Medicea. The Psalms' text is based on a manuscript Savary de Brèves had bought in Jerusalem (cf. Balagna, L’imprimerie arabe en occident, p. 55f.); as it occasionally departs from the Vulgate (as does the translation by the Maronites Sionita and Scialac), an extensive imprimatur was necessary. - Bellarmin's Arabic catechism and the Arabic-Latin Psalter would remain the only works to leave the Typographia Savariana in Rome; the types have survived and are now in the archives of the Imprimerie Nationale in Paris. - From the library of the Biblical scholar Samuel Davidson (1806-98) with his ms. ownership to title page; binding slightly bumped, but a fine copy altogether. STC 108. Darlow/Moule 1641. Lüthi 198. Smitskamp 33. Schnurrer 324 & p. 500-506. Fück 56. Ebert 18088. Brunet IV, 921.

Inlibris · Wien, AT8 500,00 €

[Biblia polyglotta - Psalmi].MareMagnum

Psalterium Hebreum, Grecu[m], Arabicu[m], & Chaldaicu[m], cu[m] tribus latinis i[n]terp[re]tat[ion]ibus & glossis. Genoa, Pietro Paulo Porro, 1516.

Folio (binding 250 x 335 mm, inner book 236 x 327 mm). 200 leaves, complete. Title printed in red and black within woodcut arabesque border, printer's device on final leaf. With parallel text in Hebrew, Latin, Greek, Arabic and Chaldaean (in their respective types), 4 columns to a page, 41 lines. 13 woodcut floriated initials (5 Latin, 4 Hebrew, 2 Greek and 2 Arabic). Rebound in near contemporary brown calf, carefully restored, edges and corners repaired, spine fully rebacked in seven compartments with modern gilt title and date. First edition. - The first polyglot edition of any part of the Bible, and also the first polyglot work ever published. It is of the utmost importance in several further respects, constituting the second book printed in Arabic from movable type (following Gregorio de Gregorii's "Kitab salat as-sawa'i", a Horologion for the Lebanese Melchites, printed in 1514), as well as the earliest Arabic printing of any portion of the Bible. It also contains the first edition of the Aramaic text of the Psalter and offers for the first time Kabbalistic texts from the Zohar. Furthermore, Giustiniani’s commentary provides the first substantial biographical reference to Columbus, and is thus noted as an Americanum. - The learned Dominican Agostino Giustiniani (1470-1536) was Bishop of Nebbio in Corsica from 1514 and later became the first Professor of Arabic and Hebrew at Paris. On his death he bequeathed his extensive library to the state of Genoa. He edited, supervised and financed the present edition and also wrote the commentary. - His book is the first multilingual edition of any part of the Bible. Aldus Manutius had planned a Psalter in three languages as early as the late 15th century, but his project was not realised. Printed in eight parallel columns on double pages, Giustiniani’s work comprises the text in Hebrew, a literal Latin translation thereof, the Latin Vulgate, the Greek Septuagint, Arabic, Aramaic (Chaldee), a literal Latin translation from the Aramaic, and scholia in the same languages. While Giustiniani aimed to edit the entire Bibel in this form, no further sections were published. He described his difficulties in selling the edition in his History of Genoa (1537), recording an edition size of 2,000 paper copies and 50 copies on vellum. - Giustiniani’s extensive commentary includes a long note to Ps. 19:4 ("et in fines orbis omnia verba eorum"; C7r-D1r), about the Genoese Christopher Columbus, who had died in 1506, containing previously unpublished information on his second voyage: "In this interesting sketch of the life and voyages of his fellow-townsman, Bishop Giustiniani gives an interesting account of the discovery of the new world, and states some facts not mentioned elsewhere" (Sabin). - This edition is also the only book printed at Genoa in the 16th century. The Milanese printer Pietro Paulo Porro maintained a press at Turin with his brother Galeazzo. Giustiniani summoned Porro to Genoa especially for the production of this edition, and had set up a press in the house of his brother Nicolo Giustiniani Paulo. The types were designed and cut for this edition under Porro’s direction. - Mild browning throughout, with some occasional waterstaining (more pronounced near beginning). Adams B 1370. Darlow/Moule 1411, 1634 & 2401. Smitskamp, PO, 236. Alden-Landis 516/4. Harrisse, BAV no. 88 (pp. 154-158). Sabin 66468. Sander 5957. G. Roper, Early Arabic Printing in Europe, in: Middle Eastern Languages and the Print Revolution. A Cross-Cultural Encounter (Westhofen 2002), pp. 129-150, at p. 132, with colour ill. IV. StCB 25. Vinograd Genoa 1.

Inlibris · Wien, AT48 000,00 €