VOLNEY (Constantin-François de Chasseboeuf, Comte de)Livre Rare Book
42 résultats
1822PHO-2324Paris, Bossange frères libraires, 1825, 2 volumes in-8 (20,5x13,5cm), viii-456pp. & 454pp., basane époque, dos lisse avec pièces d’auteur, titre et tomaison, tranches marbrées. Manque la pièce de titre au tome 1, charnière fendillée au tome 1, quelques griffures, coiffes arasées, coins usés, petites rousseurs. Illustré de 5 gravures dépliantes et 3 cartes (complet)
182812889Florenz, Giuseppe Galletti, 1828. Kupferstich. Blattgröße: 42,5 x 50,5 cm, Druckspiegel: 29 x 43,5 cm. [2 Warenabbildungen]
1875599001 vol. in-12 br., E. Barassé, Angers, 1875, 256 pp.
1864156611864. Paris Bureaux de l'Oeuvre du n°25 janvier 1864 au n°54 novembre 1868 soient 30 numéros - Relié demi-bradel couv. des n°s 25 et 54 conservées 13 5 cm x 20 5 cm 384+ 192 pages (pagination continue) - Textes de Fr. Louis-Marie Lion P. Soubiranne Mgr Alexandrian A. Dutau Favérial V. Guérin Soeur Gélas ... - Bon état
1813PHO-1126À Paris , Michaud frères, Pillet, 1813. 7 Tomes in 8°. Demi-veau, dos lisse avec titre et tomaison, reliure d époque , petits frottements , le tome 7 avec des défauts . 575,(1) ; 587 ; 651 ; 683 ; 549 ; 712 ; 821 pp. en tout, 5 planches gravées dépliantes (cartes et plans) .
1866PHO-2081Paris, Hachette., 1866. 2 vol. in-8° de XVI, 346 pp. ; 429, 1 bl., [1] pp. Front. 1 carte et 4 plans h.-t. Demi-chagrin rouge, dos à 4 faux-nerfs, titre et tom. dorés (Reliure de l'époque). Reliure usée, des rousseurs. La p. de titre du tome I est reliée après l'introduction. Bon exemplaire. Édition originale de la traduction. Complet du portrait de l’auteur et des plans.
1891PHO-2232Beyrouth, Imprimerie catholique, 1891-1892, 2 forts volumes in-8, IV-587 et [4]-659 pp., demi chagrin fauve, auteur, titre et tomaison au dos, couverture conservée au 2nd volume, manque la page de titre du 1er volume, frottements au dos.
1842j2p3c10xbvkHalle, Verlag der Buchhandlung des Waisenhauses, 1842. XIV S. (inkl. Titelblatt), bandübergreifend nummerierte Seiten (479)-1.116 (1); 5 (teils groß-)ausfaltbare geographische Tafeln. - Etwas späterer grüner Halbleineneinband mit schwarzen Buchdeckeln, dezenter Rückenvergoldung und goldgeprägtem Rückentitel; 8vo.(ca. 20,5 x 13 x 3,5 cm).
1860LBW-8902S.l., [vers 1860]. Dessin in-4 oblong (32,1 x 44,8 cm) exécuté à la mine de plomb avec de légers rehauts de gouache blanche; cachet «O. Romieux» apposé dans l’angle inférieur droit, trace de montage au verso.
188416153Paris, Plon, Nourrit et Cie, 1884 ; 2 tomes in-folio ; demi-chagrin à coins vert foncé, dos à nerf, titre doré ; (4), 468 ; (4), 512 pp. et en tout 44 planches hors-texte gravées sur acier dont 2 frontispices et 3 cartes en couleurs (dont 2 à doubles pages) et le plan de Jérusalem et plusieurs centaines d'illustrations gravées sur bois.
1821PHO-919London: Printed for Longman, Hurst, Rees, Orme, and Borwn, 1821 ,première édition in-4 (280x220 mm), relié plein cuir , dos refait avec auteur et titre , plats frottés , tranches cailloutées ,xxvii-553pp , frontispice , carte dépliante , 7 planches HT (1 dépliante) , rousseurs .
1840LRB581Londres Fisher 1840 Londres et Paris Fisher, fils & Cie 1840 3 volumes in-4 percaline marron, dos et plats ornés de fers dorés et à froid, tranches dorées. 99, 76, 83 pp. . 120 planches hors texte gravées sur acier, dont en frontispice du tome I, le portrait du fondateur de l'Egypte moderne Méhémet Ali, et une carte de la Syrie, toutes protégées d'une serpente. Tome I. Alexandrie.Portrait de Méhémet Ali. Les côtes de Syrie. Bethléem. Jéricho Le Jourdain. Tibériade... Nazareth. St Jean d'Acre. Le Cap Blanc. L'hospitalité à Tyr. Scènes du Liban...Coiffe supérieure élimée Tome II. Départ de Beyrouth. Le Mont-Hermin. Arrivée en présence de Damas. Le Grand Khan. Tripoli. Eden. La Mecque. L'ile de Ruad. Tortose...Coiffes légèrement rognées Tome III. Environs d'Antioche. Mosquée d'Antioche. Scandéroon. Plaines d'Issus.Kalendria. Alaya. Rhodes... Dos en partie décollé avec un petit manque en queue .Ce 3e volume nécessitera une petite restauration .
1840LRB581Londres Fisher 1840 Londres et Paris Fisher, fils & Cie 1840 3 volumes in-4 percaline marron, dos et plats ornés de fers dorés et à froid, tranches dorées. 99, 76, 83 pp. . 120 planches hors texte gravées sur acier, dont en frontispice du tome I, le portrait du fondateur de l'Egypte moderne Méhémet Ali, et une carte de la Syrie, toutes protégées d'une serpente. Tome I. Alexandrie.Portrait de Méhémet Ali. Les côtes de Syrie. Bethléem. Jéricho Le Jourdain. Tibériade... Nazareth. St Jean d'Acre. Le Cap Blanc. L'hospitalité à Tyr. Scènes du Liban...Coiffe supérieure élimée Tome II. Départ de Beyrouth. Le Mont-Hermin. Arrivée en présence de Damas. Le Grand Khan. Tripoli. Eden. La Mecque. L'ile de Ruad. Tortose...Coiffes légèrement rognées Tome III. Environs d'Antioche. Mosquée d'Antioche. Scandéroon. Plaines d'Issus.Kalendria. Alaya. Rhodes... Dos en partie décollé avec un petit manque en queue .Ce 3e volume nécessitera une petite restauration .
18701091Paris, Furne, Jouvet et Cie, sans date (1870), fort in-8 ; demie-basane tête de nègre, dos à nerfs, couverture conservée (reliure moderne) ; VIII-666 pages, (1) feuillet de table, 16 gravures hors-texte, nombreuses figures.
184626566London: F.G. Moon and Co. 1846. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a single folio sheet 24" x 17" the captioned image is 20" x 14" now presented in cream mounting boards 30" x 24" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. A handsome general view of the fishing and port city of Sidon. It is a beautifully colour plate featuring people fish dogs boats buildings the Sidon sea-castle and bridge and the Mediterranean.<br> We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as Sidon there are many views available of Egypt Nubia Petra Sinai the Jordan Tyre and Baalbec. Please inquire for further details.<br> In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
184626563London: F.G. Moon and Co. 1846. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a single folio sheet 23" x 17.5" the captioned image is 19.25" x 13" now presented in cream mounting boards 30" x 24" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. This is an especially well-coloured and atmospheric plate of a broad view of Tyre showing both ancient ruins and more recent inhabited buildings.<br> We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as Tyre there are many views available of Egypt Nubia Petra Sinai the Jordan Sidon and Baalbec. Please inquire for further details.<br> In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
184626567London: F.G. Moon and Co. 1846. From the Standard Folio First Edition limited to 500 sets only. A single original hand-coloured lithographic plate drawn on stone by Louis Haghe after David Roberts' paintings done on location in 1838. Printed on a single folio sheet 24" x 17" the captioned image is 20" x 14" now presented in cream mounting boards 30" x 24" glazed behind clear mylar. Beautifully hand-coloured to the highest standards of the time. An example in excellent condition clean fresh beautifully preserved. FROM One of the most desirable of all travel and COLOURplate books. A handsome wide view of the fishing and port city of Sidon. The city is laid out against a mountainous background and the Sidon sea-castle and bridge are clearly visible. In the foreground group of travelers with wares are approaching the city by road.<br> We have a good number of impressive images from the Standard Folio Edition of this classic work available for purchase. As well as Sidon there are many views available of Egypt Nubia Petra Sinai the Jordan Tyre and Baalbec. Please inquire for further details.<br> In the course of two and a half months in 1838 traveling some 800 miles south from Cairo Roberts recorded the monumental temple sites along the Nile in more than a hundred sketches. As the first British artist to sketch the monuments of Ancient Egypt set on "Plains so vast.that until you come near them you have no idea of their magnificence" Roberts was well aware of the stir his drawings would create in London. According to John Ruskin writing in PRAETERITA Roberts's drawings "were the first studies ever made conscientiously by an English painter not to exhibit his own skill but to give true portraiture of scenes of historical and religious interest. F.G. Moon and Co. hardcover
