3 663 résultats
2007BN261097Ammann 2007. 2007. Hardcover. Poesias - Dichtungen Lyrik und Prosa <br/><br/>Poesias - Dichtungen Lyrik und Prosa Salvador Espriu Ammann hardcover
196124949México: Fondo de Cultura Económica 1961. Hardcover. Good. 164p. First edition in slightly chipped dust jacket. Fondo de Cultura Económica hardcover
19785456Barcelona: Antoni Bosch Editor 1978. Encuadernación de tapa blanda. Bien. En bon estat coberta esgrogueïda. Antoni Bosch Editor unknown
19711496Zunino 1971. paperback. Bueno. Buenos Aires 1971. Ed. Zunino. 55pp. 20x13. Zunino paperback
0331804026.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1332694721.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0483768529.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0483768359.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
201036601aSecretaría de Gobernación Subsecretaría de Población 2012-01-01. Paperback. New. New in original shrinkwrap which is torn at the bottom edge. Secretaría de Gobernación Subsecretaría de Población paperback
8493688207.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1179331977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in.<br /> This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring.<br /><br />'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021.<br /> Michler and Löpsinger 923; Field 77-3 5 1977 unknown
1179311977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in.<br /> This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring.<br /><br />'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021.<br /> Michler and Löpsinger 907; Field 77-3 21 1977 unknown
1179281977 . Drypoint and etching on heliogravures in colours on Rives paper 1977 signed in pencil and numbered from the edition of 200 there were also 20 artist's proofs printed by Ateliers Rigal Paris published by Berggreuen Editions Paris sheet: 44.5 x 31 cm. 17½ x 12¼ in.<br /> This work is from the suite of 80 etchings by Salvador Dali based on Francisco Goya's 18th century series Los Caprichos. Goya's series served as a satirical commentary on Spanish society at the end of the 18th century particularly targeting the nobility and clergy as well as superstitions and irrationality prevalent at the time. In 1977 Dali reproduced the series as heliogravures subsequently reworking each of the plates with Surrealist drypoint additions and stencil colouring.<br /><br />'Goya was preoccupied with dreams dreamlike states and nightmares - the varying states of consciousness that allowed him to explore allusive subjects.The Caprichos provide the earliest concentrated evidence of Goya's interest in dreams."Truth to life" is the essence of what Goya achieved through his graphic work. His prints and drawings quietly observe confront dissect and reflect the many facets of what it means to be human. This truth to life has fueled the works' relevance over the course of two centuries as they continue to provoke audiences to engage with Goya's profound insights'. Mark McDonald 'Goya's Graphic Imagination' The Metropolitan Museum of Art 2021.<br /> Michler and Löpsinger 866; Field 77-3 62 1977 unknown
uocl08iaab-5739Brasport. New. Brasport unknown
18765735Chalchuapa El Salvador 1876. Still very good. 3pp. on a bifolium. Folio. Crinkling and minor wear at edges. Faint dampstain to upper right corner. The president of Guatemala Justo Rufino Barrios invaded El Salvador in 1876 following the presidential election there. Barrios suspected that both the elected and former presidents had been harboring Guatemalan opponents to his regime and hope to install someone more favorable. The present "political plan" for El Salvador reads more as an indictment of the two leaders Santiago Gonzalez and Andres del Valle than an as organizing document for a new government. The first signer here is Rafael Zaldivar the choice of Barrios for next president of El Salvador and the work was printed in the field at Chalchuapa on April 10 1876 approximately one week before the decisive battles that forced the capitulation of the Salvadoran government. Not in OCLC. unknown
1463383347.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
9564241391.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
53695441like new. unknown
1986Alibris.0035209Barcelona: Àmbit Serveis Editorials. 1986. Hard cover. Very good in good dust jacket. dust jacket has 5-inch internal clean cut on front cover slightly affecting illustration. 79 p. illustrations. In Spanish Catalan and English. Àmbit Serveis Editorials hardcover
193025.0445Madrid: Saturnino Calleja 1930. 2ª ed. Rústica. 21.5x28. Saturnino Calleja, paperback
192925.0448San Sebastián: Editorial Saturnino Calleja 1929 - 1931. 1ª ed. 21.5x33.5 y 21x26. Bellas ilustraciones en color. Editorial Saturnino Calleja unknown
19303290246Madrid.: Saturnino Calleja. 1930. Paperback. Cubierta deslucida. Good. 28 cm. 10 hoj. Encuadernación en tapa blanda de editorial. Colección 'Cuentos de Calleja en colores. Serie Pinocho y Pinocho contra Chapete' numero coleccion12. Bartolozzi Salvador 1882-1950. La cubierta sivr ed eportada. Grabados intercalados en color . Cubierta deslucida. Libros infantiles y juveniles.087.5 087.5 Saturnino Calleja. paperback
9687812591.GGood. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
SONG9687812591Hardcover. Used: Good. xx. Buy with confidence. Excellent Customer Service & Return policy. hardcover
199850924México: Ciencia y Cultura 1998. Hardcover. Good. 198p. color plates photos bibl. large 4to. Well-illustrated history of Mexican painting from Precolombian times to the generation of Diego Rivera. Ciencia y Cultura hardcover