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1985020353Taipei 1985. First Edition . Soft cover. Near Fine. Color Plates Throughout. 58 Pp Catalog All Text In Chinese. 11" Tall. Signed And Dated By The Artist. He Devoted Himself To Traditional And Contemporary Ink Painting Inherited The Essence Of Chinese Millennium Painting And Calligraphy And Opened Up Opportunities For The Reform Of Contemporary Ink Painting Which Set A Paradigm For New Ink Painting In The World Of Chinese Art For This Century. He Taught In Taiwan For Half A Century And Cultivated Countless Art Students. His Influence Is Profound. <br/> <br/> paperback
1983019568Westbury: About Face Press 1983. First Edition . Cloth. Fine/Fine DJ. 146 Pp. One Of The Author's Copies With Her Name And Address Written On Front Endpaper And Again Beneath Her Printed Name On The Title Page. Inscribed With Compliments From The Author On The Front Pastedown. With A Presentation Letter Dated 1984 Attached To Front Endpaper And A Loose Letter Discussing Her Book Etc. With Copies Of Two Letters From Prof. H. G. Creel Commenting Favorably Upon It Also. A Fine Book And Dj With A Few Pencil Emphasis Marks In The Text Pp 22-25. <br/> <br/> About Face Press hardcover
20121-3659056022Editorial Académica Española 2012. Paperback. New. 96 pages. Spanish language. 8.66x5.91x0.22 inches. Editorial Académica Española paperback
1915224781915. Polk George Washington Jr. Havana and rural Cuba photo archive 1915 documents Cuba through the viewpoint of an American military traveler during the Platt Amendment era when U.S. power shaped Cuban sovereignty port security naval access and commercial movement. The photographs record ships in Havana Harbor coastal fortifications rural dwellings Cuban farmers agricultural landscapes and colonial plazas providing insight into how U.S. military personnel visually encountered Cuba just before American entry into World War I. The Platt Amendment gave the United States broad authority to intervene in Cuban affairs and required Cuba to lease land for naval stations remaining central to U.S.-Cuba relations until its repeal in 1934; this archive therefore places vernacular travel photography within a larger framework of military oversight and commercial access. <br /> <br /> Polk George Washington Jr. Havana Cuba vernacular photo collection. Havana Cuba: unpublished December 1915. Twenty-eight silver gelatin photographs pasted to album pages with some loose or partially detached ranging from approximately 2 x 2½ inches to 4½ x 3½ inches many with handwritten ink annotations dated December 22 to 29 1915. The images include vessels anchored in Havana Harbor harbor views from on board ship Morro Castle and other coastal fortification views colonial civic plazas local laborers and civilians thatched rural huts or bohíos sugarcane fields and agricultural scenes captioned "Orange Trees & Coconut Palms Near Havana." One photograph is captioned "Cuban Farmer & Son Near Havana Dec 22 1915" giving the archive direct documentary value for rural family life and American observation of Cuban agricultural communities. Other captions identify boats as "U.S.C. 5th Protectors off Havana" and refer to the United Fruit Company steamer Abangarez on the Havana-Colon route; the Abangarez was a United Fruit Company passenger and cargo vessel completed in 1909 and later brought under United States registry during World War I.<br /> <br /> The photographs combine military commercial and rural subjects in a compact record of U.S.-Cuban contact. Polk's annotations and the repeated Potchernick-Birdsong Co. Kodak Place San Antonio Texas stamps on versos indicate that the images were developed in the United States after the trip or sent home for processing preserving the path by which overseas military travel became a personal photographic record. Polk's later military service is supported by burial and veterans' records identifying George Washington Polk Jr. as born May 13 1889 died July 27 1976 and buried at Fort Rosecrans National Cemetery; the supplied description identifies him as later a Colonel in the U.S. Army Air Corps and instructor in the early U.S. Air Force. Most photographs lightly pasted along one edge to scrapbook leaves with some detached or partially affixed; a few corner creases otherwise sharp images with strong contrast good to very good overall. Focused 1915 Cuba archive linking Havana Harbor rural Cuban labor vernacular architecture United Fruit maritime movement and American military observation during the U.S. protectorate period. unknown
0332601897.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0332477975.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1332709818.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0331535211.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0331535114.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0282772170.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0483162167.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0483748889.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0483748315.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1924184851924. Photograph album 1920s-1930s documenting travel across the American Southwest and Cuba with images capturing landscapes infrastructure and communities during a period of regional development and increased mobility. Early photographs depict desert environments with saguaro cacti and yucca followed by rural farms mission-style buildings and roadside scenes including a family traveling by wagon in Texarkana. One image records the recently constructed Coolidge Dam in Arizona completed between 1924 and 1928 situating the album within contemporary efforts at water management and agricultural expansion in the Southwest. Additional photographs show individuals in domestic and rural settings including an African American man seated outside his home before transitioning to scenes of coastal and subtropical environments. The final portion of the album documents Cuba including street life harbor views with ships and fishing vessels and architectural landmarks such as Morro Castle reflecting the circulation of American travelers in the Caribbean during the interwar period.<br /> <br /> Photograph album containing 69 black and white silver gelatin photographs most measuring approximately 5.75 x 3 inches with one larger earlier portrait at the beginning measuring approximately 9.5 x 6 inches. The images are mounted in a cloth-covered board album with gilt lettering reading "Photographs" secured by a cord binding and measuring approximately 10 x 8.25 inches. The photographs are uncaptioned and arranged sequentially suggesting a travel-based compilation spanning multiple regions including Arizona Texas the Gulf South and Havana Cuba.<br /> <br /> 69 photographs mounted in original album; images clear and well-preserved. Light wear to album consistent with age; overall very good condition. A cohesive visual record of travel and regional life across the American Southwest and Cuba during the early twentieth century. unknown
1331387701.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1331280249.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1999G0967615607I4N00Cook Fine Art David 1999. Paperback. Very Good. Disclaimer:May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Cook Fine Art, David paperback
0967615607.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ria9781646423453_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The strength and vitality of Denver artist Paul Kontnys work reflected his passion for life and the inspiration he found in his environment. Happy to have escaped death during World War II he relished the opportunity to paint and scu hardcover
1836231491836. Diario Constitucional de Santiago de Cuba No. 57 November 1836 just months after the restoration of Spain's liberal Constitution of 1812. This newspaper records the transmission of Spanish constitutional government into eastern Cuba in late 1836 through decrees ministerial correspondence and public political dispute printed for circulation in Santiago de Cuba. Issued weeks after the political upheavals that restored constitutional rule in Spain this number shows how the language of the regency government the suppression and reorganization of state bodies and local declarations of loyalty to Isabel II reached colonial readers through the newspaper press. In a Cuban setting where metropolitan policy was filtered through governors ministries and municipal elites an issue such as this preserves the working connection between imperial administration and provincial print.<br /> <br /> Diario Constitucional de Santiago de Cuba. No. 57. Santiago de Cuba 27 November 1836. 4 pages. Folio newspaper issue. The masthead reads "DIARIO CONSTITUCIONAL / DE SANTIAGO DE CUBA" with the date line "DOMINGO 27 DE NOVIEMBRE DE 1836." Page 1 opens with "MINISTERIO DE LA GOBERNACION DEL REINO" followed by a circular and a substantial "EXPOSICION A LA REINA GOBERNADORA" leading into a "REAL DECRETO" concerning the suppression of the Consejo Real de España e Indias. Interior pages continue the decree and carry translatedly legible sections including "MISCELANEA" notices on "Las islas turcas libres" and "Noticias sobre Tejas" and a long exchange under "REMITIDOS" dated "Cuba 25 de Noviembre de 1836" addressing militia service volunteers of Isabel II and the political insult attributed to an earlier subscriber. The issue survives as a complete four page folio with dense double column text throughout and no wrappers as issued.<br /> <br /> Printed in Santiago the issue shows constitutional and monarchist language being adapted for a colonial audience that was expected to follow ministry decrees military loyalty and debates over public honor in the same sheet. Folded as issued with minor edge chipping small losses at corners and margins some toning and closed tears and pinholes; complete and legible. Overall good condition. The juxtaposition of metropolitan government text Caribbean and Atlantic news and the local controversy printed in "Remitidos" gives the number a documentary range broader than a routine official gazette placing state policy beside the contested language of provincial political life. unknown
1898231301898. Spanish-American War stereoview archive circa 1898-1899 documenting how the war was pictured through mass-produced photographic views that followed U.S. mobilization battlefield action occupation and military life across both Cuba and the Philippines. These stereoviews preserves the visual system by which the war was circulated to American audiences showcasing camp organization troop movement burial hospital care naval power and overseas deployment. Particularly notable is the archive's coverage of the Rough Riders the Santiago campaign in Cuba and U.S. presence in Manila and Malate showing how stereoview photography helped normalize the war's expansion from anti-Spanish conflict into a broader American imperial presence.<br /> <br /> Archive of 21 stereoviews Various publishers. Spanish-American War stereoview archive. Cuba the Philippines and the United States circa 1898-1899. each measuring 3" x 7". The views are drawn from multiple phases and theaters of the war including camp and drill scenes in the United States embarkation and troop arrivals at Tampa battlefield and occupation imagery from Cuba and extensive and some grisly scenes from Manila and surrounding areas in the Philippines. Captions and images show soldiers in formation cavalry drill military reviews naval artillery hospital interiors encampments burial grounds and troops in active position. Cuban views include Morro Castle after bombardment dead and wounded on the battlefield of Santiago U.S. soldiers preparing to invade Cuba and troops dining near Cabañas Fortress. Philippine views include a departure for Manila American pickets routing a Filipino reconnoitering party the 18th Infantry engaged by Filipino outposts volunteers awaiting orders under the tropical sun Army Hospital Manila and "Our Boys in Camp at Malate P.I." One stereoview identifies Roosevelt's Rough Riders in the mobilization phase linking the archive to one of the war's most publicly mythologized units.<br /> <br /> As a group the stereoviews demonstrate the process by which the Spanish-American War was framed not simply as a short military victory over Spain but as a sustained structure of U.S. troop deployment and occupation extending from Cuba into the Philippines. The Manila and Malate scenes are especially important in this regard since they place American soldiers within the opening phase of the Philippine conflict where U.S. military presence quickly moved beyond liberation rhetoric into imperial control. The archive's mixture of battlefield casualties camp routine naval spectacle and celebratory review scenes shows how stereoscopic publishing converted war into a domestic viewing experience while reinforcing the legitimacy of American expansion abroad. Wear to mounts some toning; overall very good condition. A strong cross-theater visual archive of the Spanish-American War and the emergence of U.S. imperial power in Cuba and the Philippines. unknown
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