[JORDAN DE COLOMBIER Claude]Livre Rare Book
885 résultats
111832A Paris, Chez Nicolas Le Gras, 1706 (I, IV, VI, VII) - 1701 (II, III, V) -1700 (VIII), 8 volumes in-12 de 90 x 160 mm environ, 292-268-349-426-316-367-234-341 pages. Ensemble comportant 27 cartes et 5 vues contrecollées. Pleines reliures mouchetées d'époque, dos à 5 nerfs portant tomaisons dorées et titres dorés sur pièce de cuir tabac, caissons ornés, roulettes dorées sur les coupes, tranches mouchetées. Reliures solides mais avec des défauts (7 coiffes manquantes, travail de vers par endroits, coins émoussés, quelques manques de cuir), des rousseurs, des pages brunies et des traces de mouillures, il manque 1 feuillet au tome VIII (p.223-224, sans manque de texte : feuillet vierge ? faux-titre ?), ensemble néanmoins très correct.
4951Bordeaux. Féret & fils, éd. 1934. In-8° broché. 362 pages. E.O.
201608870Koln, Vgs verlag, 1991 ; in-8, 202 pp., cartonnage de l'éditeur. Très bon état avec sa jaquette.
186132889Edinburgh: Edmonton and Douglas 1861. 2 volumes. First Edition. Illustrated in both volumes with engraved maps and plans a number double-page and a number large and multi-folding collated complete. 8vo publisher's original forest-green cloth the spines lettered and ruled in gilt the upper cover of each volume with elaborate giltwork in an all-over designs showing crossed swords axes and other weapons surrounded by two of the most famous of the wise Viking sayings which were passed down from family elders oral tradition and later the sagas: "Bare is Back Without Brother Behind It" and "But Short While is Hand Fain Of Blow" xxx cciv 256; xiii 507 pp. An essentially fine copy bright and clean with very little wear the green cloth remains in very pleasing condition without fading the giltwork is strong and very well preserved the text-blocks and hinges are sound and tight a very pleasing set with only slight evidence of age or shelving at the extremities. FIRST EDITION. A VERY HANDSOME COPY OF THIS ICONIC SCANDINAVIAN TREASURE. With a long and scholarly Introduction which explains in great detail the Iceland of the period in which the saga was written. Further to the Introduction is a complete Index allowing for study of many elements presented both in the scholarship and in the saga. Njáls saga like the other sagas of Icelanders is anonymous. There are however several hypotheses about the saga's authorship. The oldest idea attested in the early 17th century is that Sćmundr fróđi wrote the work. Other suggested authors include Sćmundr's sons Jón Loftsson Snorri Sturluson Einarr Gilsson Brandr Jónsson and Ţorvarđr Ţórarinsson.<br> The saga is now believed to have been composed in the period from 1270 to 1290. Among written sources which the author likely used are Laxdćla saga Eyrbyggja saga and Ljósvetninga saga as well as the lost sagas Brjáns saga and Gauks saga Trandilssonar. however the author probably derived the bulk of the material in the saga from oral tradition which he manipulated for his own artistic purposes. Opinions on the historicity of the saga have varied greatly ranging from pure fiction to nearly verbatim truth to any number of nuanced views. It can be regarded as certain that Njáll and Gunnarr were real historical people and their fateful deaths are referred to in other sources. Gabriel Turville-Petre said "It was not the author's purpose to write a work of history but rather to use a historical subject for an epic in prose".<br> Njáls saga explores the consequences of vengeance as a defence of family honor by dealing with a blood feud spanning some 50 years. The saga shows how even worthy people can destroy themselves by disputes and demonstrates the tensions in the Icelandic Commonwealth which eventually led to its destruction. Any insult to one's honor had to be revenged: sometimes this includes slights which seem trivial to modern readers. <br> From THE SLAYING OF THORD FREEDMANSON in Njal's Saga: Thrain said "We have won an ill work and Njal's sons will take this slaying ill when they hear of it."<br> They ride home and tell Hallgerda. She was glad to hear of the slaying but Rannveig Gunnar's mother said "It is said 'but a short while is hand fain of blow' and so it will be here; but still Gunnar will set thee free from this matter. But if Hallgerda makes thee take another fly in thy mouth then that will be thy bane."<br> Hallgerda sent a man to Bergthorsknoll to tell the slaying and another man to the Thing to tell it to Gunnar. Bergthora said she would not fight against Hallgerda with ill words about such a matter; "That" quoth she "would be no revenge for so great a quarrel." WIKI. Burnt Njal<br><br> Edmonton and Douglas hardcover
1994LFA-126745993Un guide de 142 pages, format 115 x 190 mm, illustré de cartes, broché couverture couleurs, publié en 1994, Hachette, bon état
1997LFA01595N° 215 - Janvier 1997 : une revue de 144 pages, format 270 x 215 mm, illustrée, brochée
1890808401890 Paris,Marpon et Flammarion, sans date (vers 1890), in 12 broché, 390 pages ; dos cassé.
173261991Kiøbenhavn, Hans Kongl. Majests. privil. Bogtrykkerie, 1732. 8vo. Bound in a fine contemporary panelled calf in the Boppenhausen style with richly gilt spine. Four raised bands. Spine very neatly restored with the original spine laid down. Previous owner’s signature to rear pastedown. Clean and well-preserved internally. (8), 210 [209–210 inserted in the register at the end of the book], 314, (7) pp.
Ponzi, FrankNot in perfect condition. 2nd edition unknown
91210aafParis, Charpentier, / 2) Heidelberg, J. Engelmann, 1833, 210 p. 1842, 1833, in-8vo, 1) LVI + 331 p. / 2) Seconde édition cons. augm. avec 32 estampes, dessinées et gravées par les meilleurs maitres. 210 p., relié en demi-pergament d’époque.
36915aafGenève (= Copenhague), Chez les Frères Philibert, MDCCLVII, (1757), in-8°, 6 ff., titre avec vignette gravée (Vue avec bateaux et ville) + 240 p., légèrement bruni, notice ms. en allemand reliure en plein veau à nerfs, dos et plats ornés or, tranches rouges. Bel exemplaire.
19965Toulouse, CNRS, 2002, 1 broché, couverture illustrée in-8 de 269-(6) pages ;
1996LFA-126741456Un ouvrage de 160 pages, format 240 x 300 mm, illustré, relié cartonnage couleurs, publié en 1996, Larousse, bon état
182962994(København), 1829. 8vo. In contemporary half cloth with gilt lettering to front board. Extracted from ""Nordisk Tidsskrift for Oldkyndighed"". Verso of front board with stamp and paper-label. Internally with light occassional brownspotting. Pp. 241-260.
181356751København, Sebastian Popp, 1813. Ubeskåret med original marmoreret stift omslag. Lidt tab af papiret øverst på ryg. (14),206,(2) pp. De første bladkanter lidt brunede, ellers ren og frisk, trykt på skrivepapir. ""Historisk=Philosophiske Samlinger. Udgivne af Det Kongelige Selskab for Norges Vel. Fierde Deels første Bind"".
København, Sebastian Popp, 1813. Ubeskåret med original marmoreret stift omslag. Lidt tab af papiret øverst på ryg. (14),206,(2) pp. De første bladkanter lidt brunede, ellers ren og frisk, trykt på skrivepapir. ""Historisk=Philosophiske Samlinger. Udgivne af Det Kongelige Selskab for Norges Vel. Fierde Deels første Bind"".
188655530København, Bianco Luno, 1886. Samt. hshirt. orig. bogtrykte omslag påsat forpermen. 52 pp., 3 farvelitograferede kort. Særtryk af ""den Naturhistoriske Forenings Festskrift"".
København, Bianco Luno, 1886. Samt. hshirt. orig. bogtrykte omslag påsat forpermen. 52 pp., 3 farvelitograferede kort. Særtryk af ""den Naturhistoriske Forenings Festskrift"".
København, 1970. 4to. Papomslag med shirtryg. 12 pp. samt 18 bilag, flere i farver, extrakter fra gl. litteratur m.v.
184034580(Paris, Bertrand, ca. 1840). 38x27 cm. (billedflade). Originalt litografi trykt på kinapapir (Dessinée par A. Mayer). Prospekt af vandfaldet med folk og heste i forgrunden.
184034579(Paris, Bertrand, ca. 1840). 29x41,5 cm. (billedflade). originalt litografi trykt på kinapapir (dessiné et litho. par Bayot). Bønder fra indlandet ankommer på heste til markedsplads ved Reykjavik, iklædt folkedragter, der købslås om fisk.
184034582(Paris, Bertrand, ca. 1840). 27x33 cm. originalt litografi trykt på kinapapir med brede marginer (Dessinée par A. Mayer). Øverste margin med skjold som ikke berører billedfladen. Parti fra søen med gæs i vandet, i luften og på land.
184034575(Paris, Bertrand, ca. 1840). 25x 35 cm (billedflade). Originalt litografi trykt på kinapapir med brede marginer (Dessiné par A. Mayer). Prospekt af Laugarnes med folk og heste i forgrunden samt Jónssons bolig.
184034581(Paris, Bertrand, ca. 1840). 27,5x38 cm. (billedflade). originalt litografi trykt på kinapapir med brede marginer (dessinée par A. Mayer). En samling ryttere til hest og folk til fods passerer elven.
1787 + 1790. 4to. Leaves measuring 19 x 15,5 cm. Both works bound together in one simple, but very nice nice full vellum binding (19,7 x 16,5 cm). Very well preserved. Occasional minor browning or soiling. Overall very nice indeed. Haldorsson: 91 ff. Written in a beautiful, steady hand, in easily legible Icelandic script, in dark brown ink throughout. Illustrated and beautifully illuminated in blue, green, red, and yellow. 22 lines to a page (occasionally 21 or 23). Catchwords and running titles. Title written in blue, yellow, red, and brown ink, within a hand-painted ornamental border in yellow, blue, and red. Verso of title-page with a hand-painted ornamental border in yellow, blue and red, within which a large miniature illustration in brown ink, with title (Luc. 2. v. 11. 13) and four lines of text underneath inserted into ""frame"". Text and illustration also within a hand painted frame, in red. The insterted ""plate"" measures 14 x 8,7 cm. Hand-painted opening header to preface, large hand-painted initial and ornamental vignette to end of preface, all three in multiple colours. Opening of text in red paint, with a large initial in red and yellow. First line of each new chapter painted in either red, blue, green or yellow, same as ""AMEN"" at the end of each. The end of the text with a large half-page crest-like vignette with birds and flowers painted in red, blue, yellow, and green. The two leaves with ""Nijars=Psalmur"" at the end with hand-painted opening header, large opening initial, and large vignette at the end. In all ca. 60 large hand-painted multi-coloured initials throughout, in different sizes, measuring roughly, in cm 6x5 (9)" 5x5 (5) 4x4 (24) " 3x3(or 2,5) (21). 1 blank leaf between the two works. Meisner/Svevus: 95 ff. (including full-page illustrations). Written in a beautiful, steady hand, in easily legible Icelandic script, in brown ink throughout. Illustrated and beautifully illuminated in blue, green, red, yellow, and black. 23 lines to a page (occasionally 22). Catchwords. Title written in red, blue, and brown within an elaborately illustrated ornamental border in red, yellow, green, and black. Verso of title-page with a large miniature illustration in brown ink, with title (Luc. 2. Cap V. 7) and three lines of text underneath, within a handpainted ornamental border in red, yellow, green, and black. The miniature measures 11,5 x 7 cm. Hand-painted opening header to preface in red an black and large illustrated intial in red, green, yellow, and black. Each new section with a large, elaborately painted multi-coloured initial. First section with a large, elaborate end-vignette, followed by an illuminated leaf with a large ornamental border (almost in Grolier-style) in red, blue, yellow, and green, inside which a miniature in brown ink, from Luc 2. Cap, with two lines of text above and three underneath. Miniature itself measuring 4,3x5,5 cm. Verso blank. Next section with multi-coloured header, large opening initial, several large initials, and large end-vignette. One leaf with ""Inneleg"" with red and green header, large initial, and pretty end-vignette, followed by an illuminated leaf with an ornamental border in red, yellow, and green, inside which a miniature in brown ink, from Joh. II. v. 25. 26, with three lines of text underneath. Miniature itself measuring 11x7 cm. Verso blank. Following opening with an ornamental border in black, green, red, and yellow, a large opening initial, large, elaborate initials, and large end-vignette, followed by a leaf with a hand-painted ornamental border in yellow, black, green, and red, within which a large miniature illustration in brown ink has been inserted, with two lines of text above. The insterted ""plate"" measures 11 x 9 cm. Next opening with hand-painted ornamental header in black, green, and red, large opening initial, several elaborate initials, and a crowned end-vignette in red, blue, green, and yellow, followed by a full-page miniature-painting in blue, red, green, yellow, black and brown ink. Verso blank. Following section opening with a large initial, with several large, elaborate initals, and ending with a red ornamental vignette, followed by an illuminated leaf with a large ornamental border in red, black, yellow, and green, inside which a miniature (of Jesus on the closs) in brown ink with touches of red and yellow from Esaiae 53. v. s., with four lines of text underneath. Miniature itself measuring 10 x 7 cm. Verso blank. Final section with red, green, and black header, large opening initial, several elaborate, large initials, first line of each new section in red, as well as ""AMEN"" at the end, and half-page end-vignette in red, green, yellow, and black. In all 46 large, multi-coloured initials, most of them measuring approximately, in cm, 7-9 x 6-8 (35), some a bit smaller - 6x6 (7), 5x5 (3), and 4 x 3,5 (1). 6 miniature illustrations in all. One blank leaf at the end.
