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1700015795Circa 1700 1700. First Edition . No Binding. Good. 27 Cm x 42.5 Cm. Hand Colored Engraving. A Very Large Engraved View Of A Military Parade Ground And Surrounding Buildings In Constantinople With About 100 Figures Mostly Soldiers. 17" X 10 5/8". Trimmed To Edges. Many Figures In Foreground Walking Or On Horseback With Dogs Horses Etc. 1/2" Square Area With Some Rubbing Away Of Engraving Repairs Along At Top 1" Similar Horizontal Lines Representing Sky Have Been Attached From Another Engraving A Little Soiling To White Sky. Colored In Red Blue Pink Green Yellow. <br/> <br/> unknown
169215848Claude Barbin, Jean Boudot, Georges & Louis Josse Paris 1692 1 vol. In-4 de X 406 pp. 12 ff.n.ch. (table), plein veau brun de l'époque, dos à nerfs orné, roulette dorée sur les coupes.
1639GR045Geneve, I. de TOURNES, 1639, petit in-16o, XXXIII+159+271+410+XII+II p., praef. I. CRISPINI. ex-libris grave, decor. xylographiees, r. velin contemp. muette.
1626GR173Lugduni Batavorum, Bonaventurae & A. Elzevir, 1626, in-12o, 3 t., 194+index+536+ind+519+ind. Tres belle rel. ornee plein maroquin 19e, p. de titres et tomaison maroquin, tranches dorees, ex libris comte de Saint Perier. U. Emmius (1547-1625), historien calviniste hollandais donne une description detaillee de republiques grecques, leur habitants, leur institutions et leur histoire.
1670038275Circa 1670-1674: Giovanni. Battista Hacque/ Hacque Johann Baptist 1670. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving Unsigned Engraved By Franck For A Collection Of Portraits. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Francesco Morosini 26 February 1619 - 16 January 1694 Was The Doge Of Venice From 1688 To 1694 At The Height Of The Great Turkish War. He Was A Member Of A Famous Noble Venetian Family The Morosini Family Which Produced Several Doges And Generals. In 1685 At The Outbreak Of The Morean War Morosini Took Command Of A Fleet Against The Ottomans. Over The Next Several Years He Captured The Morea With The Help Of Otto Wilhelm Königsmarck As Well As Lefkada And Parts Of Western Greece. He Also Briefly Captured Athens But Was Unable To Hold It And Attempted A Failed Siege Of The Former Venetian Fortress Of Negroponte. His Fame Reached Such Heights That He Was Given The Victory Title Peloponnesiacus And Was The First Venetian Citizen To Have A Bronze Bust Placed During His Own Lifetime In The Great Hall. During The Siege Of Athens In 1687 The Parthenon Was Used As A Powder Magazine By The Ottomans When On September 26 1687 Morosini's Cannon Scored A Direct Hit On The Edifice. An Attaché Of The Swedish Field Commander General Otto Wilhelm Königsmarck Wrote Later: "How It Dismayed His Excellency To Destroy The Beautiful Temple Which Had Existed Three Thousand Years!". By Contrast Morosini Who Was The Commander In Chief Of The Operation Described It In His Report To The Venetian Government As A "Fortunate Shot". When He Conquered The Acropolis In Early 1688 Morosini Tried To Loot Athena's And Poseidon's Horses And Chariots From The West Pediment Of The Parthenon But The Sculptures Fell On The Ground And Smashed. This Was The First Documented Attempt To Remove Sculptures From The Pediments. Morosini Also Looted From The Port Of Piraeus The Famous Piraeus Lion Which Is On Display At The Venetian Arsenal. In The Summer Of 1688 Morosini Now Having Been Proclaimed Doge Of Venice Attacked Negropont But Was Unable To Capture It And Was Forced To Return To Venice When Plague Broke Out Among His Troops. He Embarked On A Final Campaign In 1693 But Was Again Unsuccessful In Taking Negropont And Returned To Venice After Sacking Some Minor Coastal Towns. After His Death In 1694 A Large Marble Arch Was Placed In His Honor At The Doge's Palace. <br/> <br/> Giovanni. Battista Hacque/ Hacque, Johann Baptist unknown
1669605134Jena, J. Nisius, 1669. 4to. 32 Bl. Alter Rückenfalz.
1670038289Circa 1670-1674: Giovanni. Battista Hacque/ Hacque Johann Baptist 1670. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving Unsigned Engraved By Meyssens For A Collection Of Portraits. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Silvestro Valiero Or Valier Venice 28 March 1630 - Venice 7 July 1700 Was The 109Th Doge Of Venice Reigning From His Election On 25 February 1694 Until His Death Six Years Later. The Morean War Between The Republic Of Venice And The Ottoman Empire Which Had Been Ongoing Since 1684 Came To An End During Valiero's Reign As Doge In January 1699. He Was The Son Of Bertuccio Valiero Who Had Served As Doge From 1656 To 1658. Venice's War With The Ottoman Empire - The Morean War - Was Only One Part Of The Ottoman Empire's Struggle Against The Holy League Of 1684. On 11 September 1697 Ottoman Forces Were Defeated By Troops Of The Holy Roman Empire And The Kingdom Of Hungary At The Battle Of Zenta. This Decisive Battle Led To The Ottoman Empire's Determination To End The Great Turkish War And Peace Negotiations Began At Sremski Karlovci. These Negotiations Eventually Produced The Treaty Of Karlowitz Signed On 26 January 1699 And Ending The Great Turkish War Including The Morean War. Under The Treaty Venice Received The Morea Aegina Lefkada And Zakynthos Zante. Most Venetians Felt They Gained Far Too Little Territory To Compensate For The Huge Loss Of Life And Expense Of The Wars With The Ottoman Empire. The Republic Was Exhausted By The Long War And Facing Economic Distress But Little Changed For Valiero And He Continued Hosting Banquets Receptions And Parties At Which He Entertained Persons Of Rank. <br/> <br/> Giovanni. Battista Hacque/ Hacque, Johann Baptist unknown
1698465598Leiden, Hack, 1698. 7 Bl., 644 S., 21 Bl. Mit gestochenem Titel. Pergament d. Zeit mit handschriftlichem Rückentitel (fleckig, vorderes Innengelenk gebrochen). [2 Warenabbildungen]
1674PHO-1910A Paris, Chez Gervais Clousier, 1674. In-4, 3ff.-208pp., relié plein veau époque, dos à nerfs, frottements, manque en coin et au dos, manque de papier en coin, surlignages, quelques brunissures. Titre frontispice gravé par Cossin d'après P. Mignard, 9 planches dont 4 dépliantes.
1630PHO-1911Amsterdam, Apud Guiljelmu Blaueu (Willem Janszoon Blaeu), 1630, in-24, 216pp.-4ff., relié plein maroquin époque, dos à nerfs orné d’étoiles, doubles filets aux plats, tranches dorées, titre gravé.
1634000251Paris: Mathurini Du Puis 1634. First Edition. . Hardcover. See Description. 4to. pp. 14 853 19 126. Title in red and black with small crown vignette. Text is in Greek with Latin translation on opposite page. Bound in full red morocco perhaps later 17th century with spine gilt in 6 compartments - rubbed chipped. Hinges and spine caps restored; careful repair to corner tips of front cover. All edges gilt. Pages contain minor scattered foxing and age toning. Inscription written in an old hand on verso of front blank. First printed edition of the "Excerpta Peiresciana" manuscript or "De Virtutuibus et Vitiis" part of a large Byzantine anthology of excerpts which were gathered from earlier Greek historical works and compiled under the direction of the emperor Constantine Porphyrogenitus 905-959 c.e. The collection was arranged in 53 sections 4 of which are extant - 1. "De Legationibus" 2. "De Virtutibus et Vitiis" 3. "De Sententiis" 4. "De Insidiis." In 1582 Fulvius Ursini published "De Legationibus." Additions were later published by Hoeschel 1603. See Sandy's p.397. In 1634 Henri de Valesius Valois1603-1676 a respected Greek scholar and translator published "De Virtutibus et Vitiis" here listed from a Cyprus manuscript in the possession of M. Peiresc Excerpta Peiresciana. The excerpts include selections from Polybius Diodorus Siculus Nicolas Damascene Dionysius Halicarnassus Appianus and John of Antioch. The excerpts from Polybius's "History" are considered to be the most important as they form an integral part of what we know about the fragmentary sections of this work. Schweiger I p. 84; Potthast I p. 348; Brunet IV 792; Graesse V p. 395. <br/> <br/> Mathurini Du Puis hardcover
1621GR0480Genevae, S. Crispini 1621, H. Vvolfii recognita, in-16 court de tete, fji+844+42 p., texte grec et latin, rel. 1/2 basane XVIIe a coins.
1694380352London, Dring & Harper, 1694. 15 Bl., 491 S., 28 nn. Bl. Mit gestochenem Titel u. 2 Textholzschnitten. Pergament d. Zeit (verstaubt, Rückenschild). [4 Warenabbildungen]
162019101anvers Elzevir 1620 -in-folio plein-VELIN un fort volume, reliure janséniste plein-vélin ivoire parcheminé à rabats in-folio (jansenist's binding full vellum in-folio)(34 x 23 cm), RELIURE D'EPOQUE, titre manuscrit sur le dos à l'encre brune (handwritten title on the spine), plats muets (cover without text), dos avec un léger manque de velin en tête (moins d'1/2 cm2), toutes tranches lisses (all smooth edges), Ex-libris : "DOCTORIS TINEL ROTOMAGENSIS" (Dr TINEL célèbre collectionneur de ROUEN) imprimé en noir dans un encadrement d'un filet noir sur une étiquette de papier crème, Texte en latin et grec, orné d'une gravure titre gravée sur bois en noir par M. Lasne + 64 planches hors-texte en noir de gravures de Monnaies recto-verso (10 par page) gravées sur bois en noir (engraving wood) par Hubert GOLTZ + Lettrines et culs-de-lampe gravées sur bois en noir, 4 pages + 30 feuillets de planches imprimés des deux côtés + 4 feuillets de planches imprimés d'un seul côté (soit 64 planches) + 326 pages + 14 pages d'Index, 1618 Antverpiae Jacobum Bieum Editeur sur la page de titre mais c'est noté en fin de dernière page : Lugduni Batavorum Typis Isaaci Elzeviri academia typography 1620,
16935861693 Paris, André Pralard, 1693. 20 x 13 cm, in-8, 8 ff. n. ch. - 744 pp. - 5 ff. n. ch., avec un large bandeau par Juan Dolivar (1641-1692) en tête de l'épître, bandeaux, lettrines et culs-de-lampe, reliure de l'époque de plein veau fauve, dos à 5 nerfs richement orné, pièce de titre, roulette sur les coupes, tranches mouchetées.
1657PHO-1458A Troyes, par Nicolas Oudot, et se vendent à Paris: Chez François Clousier, 1657. in-4; [6ff. (sur 7: feuillet de dédicace en fac-simile), dont titre, portrait légendé de La Boullaye, préface], 558p., [5ff. Table, fautes, privilège du 12 février 1657]; 33 illustrations sur bois dans le texte dont 16 à pleine page. Reliure d'époque en basane brune, dos à nerfs avec titre , coupes , coiffes et coins usés , frottements. un coin déchiré au titre sans atteinte au texte. Mouillure angulaire au premier portrait P. 73 déchirée avec manque de papier ,sans atteinte au texte. P. 165: manque en coin avec perte de qq mots; PP. 173 et 175: déchirures sans perte de texte; P. 234: manque de papier en pied avec perte de quelques mots; taches d'encre pp. 264 ; pp. 460 à 485: petites galeries de vers marginales en pied. Ex-libris manuscrit Dominium Antonium Biguet. Seconde édition
166537261665 1665 Charles de Sercy, Paris, 1665. Edition originale. Suivi de la traduction du Mariage de Belphégor de Machiavel et de l'abrégé de la vie de Thésée.Un volume in-12 plein veau brun, dos à nerfs orné de fleurons, frontispice, page de titre, [7ff.], 164 pages, [2ff.], 62 pages, [1f.]. Plats et coiffes restaurés. Bel exemplaire.
16139591613 Jean Richer, Paris, s.d. [1613]. Un volume in-4 plein veau d'époque, dos à nerfs orné de fers dorés, titre doré, double filet en encadrement sur les plats, titre gravé dans un encadrement composé de huit vignettes, 6ff., 576 feuillets, 10 ff. de table. Un trou de ver sur les derniers feuillets, mors fendus et petit manque à la coiffe inférieure, coins émoussés, néanmoins bon exemplaire, intérieur frais.
16355881635 1635 Caroli Morelli, Paris, 1635.1 volume in-folio reliure d'époque, dos à nerfs ornés de fers dorés, titre doré, plein veau estampé sur ais de bois, équerres de cuivre aux coins, [1f.] blanc, page de titre, [4ff.], 557 pages, [2ff.] d'index et [1f.] blanc. Fermoirs manquants, manque de peau au second plat, manque à la coiffe supérieure, premier plat tâché. Bel exemplaire.
1693GR147Parigi, Gio Batista Coignard, 1693, in-8o, If+12+166+44+If p., texte toscan et grec. Titre, en-tetes et culs-de-lampe xylographies. Reliure 1/2 velin 19e (Hoffmann. I, 142 ).
1657GIT00c74Lud Batav apud I Elzevirium 1657. Petit in-12 4ff n ch 336pp 8ff n ch. Plein vélin ivoire à rabats époque, dos lisse avec le nom de l'auteur manuscrit en tête. Orné d'un beau titre-frontispice. Bel, exp en excellente condition.
16863846PARISIIS. E TYPOGRAPHIA REGIA. 1686-1687. 2 GRANDS VOLUMES IN-FOLIO (31 X 44,5 X 12,5 CENTIMETRES ENVIRON) DE (32) + 648 ET (4) + 362 + 163 + (68) PAGES, RELIURE D'EPOQUE PLEIN VEAU MARBRE, DOS A SIX NERFS ORNE DE CAISSONS A FLEURONS DORES AUX EMBLEMES ROYAUX, TITRE DORE SUR ETIQUETTE MAROQUIN ROUGE, TRIPLE FILET DORE ENCADRANT LES PLATS AVEC ARMES ROYALES DOREES DE LOUIS XIV AU CENTRE, DENTELLE DOREE SUR COUPES, TRANCHES MOUCHETEES ROUGES. TEXTE GREC ET LATIN EN REGARD SUR DEUX COLONNES. DEBUT DU TITRE EN CARACTERES GRECS. COLOPHON: PARISIIS, E TYPOGRAPHIA REGIA, CURANTE SEBASTIANO MABRE-CRAMOISY, EJUSDEM TYPOGRAPHIAE DIRECTORE, 1686-1687. ILLUSTRE D’UNE GRANDE VIGNETTE DE TITRE AUX ARMES DE LOUIS XIV, REPETEE DANS CHACUN DES VOLUMES, DE BANDEAUX ET LETTRES ORNEES. DE LA COLLECTION BYZANTINE PUBLIEE SOUS LA DIRECTION DU PERE LABBE A QUI CETTE CHARGE AVAIT ETE CONFIEE PAR COLBERT. OUVRAGE RARE. QUELQUES DEFAUTS DE RELIURE, DONT MANQUES DE CUIR, SINON BON ETAT INTERIEUR.
1670LBW-587Paris chez l'autheur 1670 circa 393 x 552 mm.
1637GR139Genevae, I. Crispini, 1637, in-24o, intod.+472+index. Plein veau cont., dos restaure.
1676PH037Paris, L. Josse, 1676, in-16o,(4), 222 p. et 1 gr. sur cuivre representant l'arbre de Porphyre et i tableau. Rel. contemp. plein veau, dos a nerfs dore, bon etat.
