MareMagnum
MareMagnum
An exhibition of Oceanic Arts from Collections in Hawaii. February 23 thruogh April 9, 1967
In-8°, pp. 24, copert. edit. Con alcune illustr. b/n nel testo.
Libreria antiquaria Mazzei · Bagnone (MS), IT20,00 €
541 résultats
[8], 391, [1] pp., moltissime ill in nero e a colori n.t.; 35,5 x 25,5 cm. Leg. edit. in finta pelle con cofanetto. Come nuovo
In-8°, pp. 24, copert. edit. Con alcune illustr. b/n nel testo.
In-8° pp. 91 con 2 carte geog. ripieg. e 36 tav. f.t. Bross. edit. ill. con tracce d'uso e timbri all'interno.
Carta geografica tratta dall' "Atlante di Geografia Universale, cronologico, storico, statistico e letterario disegnato e inciso da Filippo Naymiller e Pietro Allodi ed illustrato da Ratti, Vajani, Basile, Baldi, Barbieri e Fiorentini". Dimensioni alla battuta, mm.360x450+ ampi marg. bianchi, confini col. d'epoca, in basso piccolo prospetto riguardante le provincie dell'Impero. Unito: foglio proveniente dallo stesso atlante riguardante il Profilo storico dell'Oceania o mondo marittimo all'interno del cui testo sono intercalate due graziose xilografie raffiguranti i ritratti di Cook e La Perouse. Macchie scure sul Profilo ma la carta è bella e ottima.
In-4 p. (mm. 285x185), mz. pelle coeva, decoraz. e tit. oro al dorso. Il volume contiene 3 raccolte di viaggi, tutti molto ben illustrati da grandi vignette xilografate nel t. (a due colonne), e precisamente: - “Voyages autour du monde et en Océanie”, effettuati da: Bougainville - Cook - Lapérouse - Marion - Baudin - Freycinea - Duperrey - Dumont-D’Urville. - “Voyages en Afrique”, effettuati da: Bruce - Adanson - Bonaparte - Levaillant - Mungo-Park - Burchell - Denham - Clapperton - Laine - Gray - Réné Caillié - Thompson - Richard - John Lander - El-Tounsy - Delegorgue. - “Voyages en Amérique”, effettuati da: Christophe Colomb - Fernand Cortez - Pizarre - Cabral - Humboldt - Basil-Hall - Mistress Trollope - Ross - Parry - Franklin - Bulloch - Watterton - Head - Walsh. Mancano le tavole a colori che talvolta accompagnano i viaggi. Con qualche lieve alone o ingiallitura ma complessivam. le raccolte sono ben conservate.
- S.n., s.l. s.d. (circa 1930), 12x17cm, autre. - Unique tirage argentique de cette superbe photographie originale représentant l'écrivain néo-calédonien, dans la brousse, en tenue aborigène et portant de fines sagaies. Très belle photographie sans aucun défaut présentée sous cadre. [ENGLISH DESCRIPTION ON DEMAND]
Bruxelles, Palais des Beaux-Arts, 27-7 - 4-10 1976, in-8, br., pp. 166, (2). Con 8 tavv. a col. e 138 illustrazioni in b.n. Testo plurilingue: francese-olandese-inglese.
Milano, 1910, estratto con copertina posticcia muta, pp. 766/768 con ill. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Milano, 1910, estratto con copertina posticcia muta, pp. 651/653 con ill. (Tonga, Samoa, Figi) - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
4to. Pp. iv,1067-1100;iv,1101-1113;iv,1114-1116;iv,1117-1126;iv,1127-1132, many (micro)photos on 15 pls., 1 fold. tab. in pock, figs., refs., index. Orig. wrs. - Contents: R. Todd. Planktonic foraminifera from deep-sea cores off Eniwetok Atoll. J.W. Wells, Fossil corals from Eniwetok drill holes. D.A. Brown, Fossil bryozoa from drill holes on Enitwetok Atoll. G.A. Cooper, Brachiopodsfrom Eniwetok and Bikini drill holes. P.M. Kier, Fossil echinoids from the Marshall Islands. H.B. Roberts, Fossil decapod crustaceans from the Marshall Islands.
italien In-8 de frontispice, (2) ff., 375 pp.; cartonné toile cerise, dos lisse orné, filet et dentelle dorés encadrant les plats, tranches dorées (reliure de l'époque). Versione dal francese. Cerne claire en marge du frontispice. tâches dans les gardes.
Paris, Pierre Roger, 1924; in-8, 285 pp., relié demi-chagrin brun, dos à nerfs. Bon état.
- s.d. (1907), sujet : 12,4x18,9cm, planche : 18,5x26,9cm, une feuille. - Les Immémoriaux - Woodcut drawn, engraved and printed by George-Daniel de Monfreid for the frontispiece of Victor Segalen's novel [1907] | subject: 12,4 x 18,9 cm | board: 18,5 x 26,9 cm | one sheet Woodcut drawn and engraved by George-Daniel de Monfreid, in black on onion skin paper. Original proof, likely unique. Handwritten Annotation by the artist ("state 5") in bottom margin, in pencil. Original print run of a woodcut in black inspired by the work of Gauguin and engraved by George-Daniel de Monfreid for a frontispiece project, remaining unpublished, of Victor Segalen's Les Immémoriaux. This engraved woodcut was to illustrate, as a frontispiece, the original edition of Segalen's Les Immémoriaux, an ethnographic novel, directly inspired by his trip to Polynesia following in Gauguin's footsteps. Segalen, therefore, asked the painter's follower and closest friend to produce it, to whom he also offered Noa Noa, bought in Papeete during the auction sale of Gauguin's goods. A mutual friendship and admiration was then born between Segalen and Monfreid under the tutelary aegis of the late painter. It is also in constant reference to the Master, that the two friends produce this frontispiece, to which Segalen attached great importance but which he will be obliged to abandon due to publishing costs: "This is a lot more interesting for me: what will you do for my plate? If I dared to imagine something, it would be a formidable full-face figure, very plain, very worn, and of an androgyne with male tendences; in short, the Maori type described by Gauguin in his Noa Noa and produced by him in the carved wood that remained in Tahiti (face of a woman comparable to that which you possess) and of which I gave you a photograph I believe. [...] Are you in favor of reserving your frontispiece for luxury and friends' copies or of prostituting it in current copies? Allow me to renew a timid desire, expressed at your Vollard exhibition: if you print some more proofs from your color engravings, in pochoir, do not forget me." (Brest, 2 November 1906). Monfreid's response, 8 January 1907: "I have started looking for your plate. Ah! I will not describe it to you yet: it does not come according to what your book should evoke. Besides, I am not rich in imagination, let alone in "symbolism", I remain - as you have noticed - a "naturalist" (but not a "realist") and to summarize the impression of your Les Immémoriaux, one would have to be Gauguin. Finally, even so, I am not losing hope of doing something; only that I need a little more time to study it...". Monfreid will produce two trial woodcuts - whose sizes (22 x 12 cm and 23 x 16 cm) were not adapted to the edition - each time using the same formidable and frustrated figures Segalen wanted. Our woodcut seems to be the final version of these studies, perfectly adapted to the in-12 format of Mercure de France. However, the illustration includes the name of the author at the top, yet Segalen, a naval officer, could not sign a novel and had to choose a pseudonym, Max-Anély. This constraint may have contributed to this much-desired frontispiece being abandoned. However, in all likelihood, it was validated by the two trial woodcuts. Monfreid will also use the same male face to produce the ex-libris requested by Segalen. In his letter dated 2 November, the poet already imagined a confidential print for Monfreid's work. In the end, only two color copies of this proof, enhanced in gold, seem to have been preserved, the second being today in the collections of the Musée Maurice Denis in Saint-Germain-en-Laye. Only two other original color proofs (the second one is preserved at the Musée Maurice Denis in Saint-Germain-en-Laye), are known to date. [FRENCH VERSION FOLLOWS] Bois dessiné et gravé par Georges-Daniel de Monfreid, en noir et blanc sur papier pelure. Épreuve probablement unique. Annotation manuscrite de l'artiste ("éta
- s.d. (1907), sujet : 12,4x18,9cm, planche : 15,1x20,9cm, une feuille. - Les Immémoriaux - Woodcut drawn, engraved and printed in color by George-Daniel de Monfreid for the frontispiece of Victor Segalen's novel [1907] | subject: 12,4 x 18,9 cm | board: 15,1 x 20,9 cm | one sheet Original color proof of a woodcut inspired by the work of Gauguin and engraved by George-Daniel de Monfreid for a frontispiece project, remaining unpublished, of Victor Segalen's Les Immémoriaux. Only one other original color proof and one print run, in black and white (see below), are known to date. Printed in two tones, green and brown, on old Japan and enhanced with gilt painting by the artist. This engraved woodcut was to illustrate, as a frontispiece, the original edition of Segalen's Les Immémoriaux, an ethnographic novel, directly inspired by his trip to Polynesia following in Gauguin's footsteps. Segalen, therefore, asked the painter's follower and closest friend to produce it, to whom he also offered Noa Noa, bought in Papeete during the auction sale of Gauguin's goods. A mutual friendship and admiration was then born between Segalen and Monfreid under the tutelary aegis of the late painter. It is also in constant reference to the Master, that the two friends produce this frontispiece, to which Segalen attached great importance but which he will be obliged to abandon due to publishing costs: "This is a lot more interesting for me: what will you do for my plate? If I dared to imagine something, it would be a formidable full-face figure, very plain, very worn, and of an androgyne with male tendences; in short, the Maori type described by Gauguin in his Noa Noa and produced by him in the carved wood that remained in Tahiti (face of a woman comparable to that which you possess) and of which I gave you a photograph I believe. [...] Are you in favor of reserving your frontispiece for luxury and friends' copies or of prostituting it in current copies? Allow me to renew a timid desire, expressed at your Vollard exhibition: if you print some more proofs from your color engravings, in pochoir, do not forget me." (Brest, 2 November 1906). Monfreid's response, 8 January 1907: "I have started looking for your plate. Ah! I will not describe it to you yet: it does not come according to what your book should evoke. Besides, I am not rich in imagination, let alone in "symbolism", I remain - as you have noticed - a "naturalist" (but not a "realist") and to summarize the impression of your Les Immémoriaux, one would have to be Gauguin. Finally, even so, I am not losing hope of doing something; only that I need a little more time to study it...". Monfreid will produce two trial woodcuts - whose sizes (22 x 12 cm and 23 x 16 cm) were not adapted to the edition - each time using the same formidable and frustrated figures Segalen wanted. Our woodcut seems to be the final version of these studies, perfectly adapted to the in-12 format of Mercure de France. However, the illustration includes the name of the author at the top, yet Segalen, a naval officer, could not sign a novel and had to choose a pseudonym, Max-Anély. This constraint may have contributed to this much-desired frontispiece being abandoned. However, in all likelihood, it was validated by the two trial woodcuts. Monfreid will also use the same male face to produce the ex-libris requested by Segalen. In his letter dated 2 November, the poet already imagined a confidential print for Monfreid's work. In the end, only two color copies of this proof, enhanced in gold, seem to have been preserved, the second being today in the collections of the Musée Maurice Denis in Saint-Germain-en-Laye. The artist had likely printed one for himself and offered the other to Segalen who dreamed of owning etching of the one he called his "Boss" and to whom he would dedicate his collection of poems, Peintures. [FRENCH VERSION FOLLOWS] Epreuve originale en couleur d'un bois inspiré de l'uvre de Gauguin et grav
in 8° grande, bross. edit. ill., piccola abrasione in cop., leggere fioriture, dorso muto - prima edizione - riccamente illustrato in b.n. nel testo
bross. edit. ill. con bandelle - prima edizione - trad. a cura di Leila Karami e Laura Zaccagno
confanetto edit. figurato contenente un volume in tela edit. con titoli al dorso e sovrac. ill. e il DVD «Vincenzo Cerami legge Le mille e una notte Un DVD con musiche originali di Aidan Zammit» - trad. di Roberta Denaro e Mario Casari
Mm 220x295 "Auction in New York, Friday 14 November 2008" - Volume nella sua brossura originale, 247 pagine profusamente illustrate a colori nel testo redatto in lingua inglese - english text. Libro-catalogo in condizioni pari al nuovo; spedizione in 24 ore dalla conferma dell'ordine.
in 16°, bross. edit. ill., bruniture in cop., timbro d'appartenenza, dorso muto - volume in lingua francese
In 8' varre, br. ed. pp. 60, ill in n. e col. n.t., catalogo della mostra; in ottimo stato.
in 16°, bross. edit. ill., timbro d'appartenenza - volume in lingua francese - illustrazioni in b.n. fuori testo
in 16°, bross. edit. con titoli a due colori, timbro d'appartenenza, dorso muto - volume in lingua francese
in 16°, bross. edit. ill., timbro d'appartenenza, dorso muto - volume in lingua francese - illustrazioni in b.n. nel testo
in quarta di cop.: Exposé des thèses et positions de la RDVN et du GRP du Sud Viet Nam; Les documents essentiels sur la question - in 16°, opuscolo graffettato di 48 pp., cop. edit. con titoli, bruniture in cop. - volume in lingua francese
in quarta di cop.: Ce que disent les documents secrets du Pentagone; Les textes essentiels; Documents de la RDVN, du FNL et du FPL - in 16°, bross. edit. ill., bruniture in cop., timbro d'appartenenza, dorso muto - volume in lingua francese
