1 677 résultats
1985ROD0042593Combat. 1985. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 98 p., nombreuses illustrations noir et blanc in texte.. . . . Classification Dewey : 995-Océanie
1952102784Payot / bibliothèque géographiques 1952 365 pages in8. 1952. broché. 365 pages. Traduit de l'anglais par Jouan R. capitaine de vaisseau de réserve - Avec 27 dessins et cartes de Sheila Mitchell Oliver
1977612465 vol. in-4 br.,, texte dactylographié et reprographié, s.n., 1977, LI-1709 pp. et 18 ff. avec très nombreuses photos (tirages argentiques) contrecollées
5 vol. in-4 br.,, texte dactylographié et reprographié, s.n., 1977, LI-1709 pp. et 18 ff. avec très nombreuses photos (tirages argentiques) contrecollées Rare exemplaire de cet impressionnant travail, thèse d'état du professeur Christian Huetz de Lemps (1938-2017). Brillant élève (mention très bien au baccalauréat, lauréat au concours général de philosophie...), une bourse d'étude lui offrit l'opportunité de cette étude. Un ouvrage monumental et proposant une documentation iconographique unique et exceptionnelle par sa richesse et son originalité iconographique, qui est devenu un témoignage historique remarquable sur Hawaï dans les années 1970. Bon exemplaire (qq. frott. d'usage). Français
46729Blay foldex Edition Trilingue Français-English-Allemand
- s.d. (1907), sujet : 12,4x18,9cm, planche : 15,1x20,9cm, une feuille. - Les Immémoriaux - Woodcut drawn, engraved and printed in color by George-Daniel de Monfreid for the frontispiece of Victor Segalen's novel [1907] | subject: 12,4 x 18,9 cm | board: 15,1 x 20,9 cm | one sheet Original color proof of a woodcut inspired by the work of Gauguin and engraved by George-Daniel de Monfreid for a frontispiece project, remaining unpublished, of Victor Segalen's Les Immémoriaux. Only one other original color proof and one print run, in black and white (see below), are known to date. Printed in two tones, green and brown, on old Japan and enhanced with gilt painting by the artist. This engraved woodcut was to illustrate, as a frontispiece, the original edition of Segalen's Les Immémoriaux, an ethnographic novel, directly inspired by his trip to Polynesia following in Gauguin's footsteps. Segalen, therefore, asked the painter's follower and closest friend to produce it, to whom he also offered Noa Noa, bought in Papeete during the auction sale of Gauguin's goods. A mutual friendship and admiration was then born between Segalen and Monfreid under the tutelary aegis of the late painter. It is also in constant reference to the Master, that the two friends produce this frontispiece, to which Segalen attached great importance but which he will be obliged to abandon due to publishing costs: "This is a lot more interesting for me: what will you do for my plate? If I dared to imagine something, it would be a formidable full-face figure, very plain, very worn, and of an androgyne with male tendences; in short, the Maori type described by Gauguin in his Noa Noa and produced by him in the carved wood that remained in Tahiti (face of a woman comparable to that which you possess) and of which I gave you a photograph I believe. [...] Are you in favor of reserving your frontispiece for luxury and friends' copies or of prostituting it in current copies? Allow me to renew a timid desire, expressed at your Vollard exhibition: if you print some more proofs from your color engravings, in pochoir, do not forget me." (Brest, 2 November 1906). Monfreid's response, 8 January 1907: "I have started looking for your plate. Ah! I will not describe it to you yet: it does not come according to what your book should evoke. Besides, I am not rich in imagination, let alone in "symbolism", I remain - as you have noticed - a "naturalist" (but not a "realist") and to summarize the impression of your Les Immémoriaux, one would have to be Gauguin. Finally, even so, I am not losing hope of doing something; only that I need a little more time to study it...". Monfreid will produce two trial woodcuts - whose sizes (22 x 12 cm and 23 x 16 cm) were not adapted to the edition - each time using the same formidable and frustrated figures Segalen wanted. Our woodcut seems to be the final version of these studies, perfectly adapted to the in-12 format of Mercure de France. However, the illustration includes the name of the author at the top, yet Segalen, a naval officer, could not sign a novel and had to choose a pseudonym, Max-Anély. This constraint may have contributed to this much-desired frontispiece being abandoned. However, in all likelihood, it was validated by the two trial woodcuts. Monfreid will also use the same male face to produce the ex-libris requested by Segalen. In his letter dated 2 November, the poet already imagined a confidential print for Monfreid's work. In the end, only two color copies of this proof, enhanced in gold, seem to have been preserved, the second being today in the collections of the Musée Maurice Denis in Saint-Germain-en-Laye. The artist had likely printed one for himself and offered the other to Segalen who dreamed of owning etching of the one he called his "Boss" and to whom he would dedicate his collection of poems, Peintures. [FRENCH VERSION FOLLOWS] Epreuve originale en couleur d'un bois inspiré de l'uvre de Gauguin et grav
190778777s. d. [1907] | 12.40 x 18.90 cm | une feuille
- s.d. (1907), sujet : 12,4x18,9cm, planche : 18,5x26,9cm, une feuille. - Les Immémoriaux - Woodcut drawn, engraved and printed by George-Daniel de Monfreid for the frontispiece of Victor Segalen's novel [1907] | subject: 12,4 x 18,9 cm | board: 18,5 x 26,9 cm | one sheet Woodcut drawn and engraved by George-Daniel de Monfreid, in black on onion skin paper. Original proof, likely unique. Handwritten Annotation by the artist ("state 5") in bottom margin, in pencil. Original print run of a woodcut in black inspired by the work of Gauguin and engraved by George-Daniel de Monfreid for a frontispiece project, remaining unpublished, of Victor Segalen's Les Immémoriaux. This engraved woodcut was to illustrate, as a frontispiece, the original edition of Segalen's Les Immémoriaux, an ethnographic novel, directly inspired by his trip to Polynesia following in Gauguin's footsteps. Segalen, therefore, asked the painter's follower and closest friend to produce it, to whom he also offered Noa Noa, bought in Papeete during the auction sale of Gauguin's goods. A mutual friendship and admiration was then born between Segalen and Monfreid under the tutelary aegis of the late painter. It is also in constant reference to the Master, that the two friends produce this frontispiece, to which Segalen attached great importance but which he will be obliged to abandon due to publishing costs: "This is a lot more interesting for me: what will you do for my plate? If I dared to imagine something, it would be a formidable full-face figure, very plain, very worn, and of an androgyne with male tendences; in short, the Maori type described by Gauguin in his Noa Noa and produced by him in the carved wood that remained in Tahiti (face of a woman comparable to that which you possess) and of which I gave you a photograph I believe. [...] Are you in favor of reserving your frontispiece for luxury and friends' copies or of prostituting it in current copies? Allow me to renew a timid desire, expressed at your Vollard exhibition: if you print some more proofs from your color engravings, in pochoir, do not forget me." (Brest, 2 November 1906). Monfreid's response, 8 January 1907: "I have started looking for your plate. Ah! I will not describe it to you yet: it does not come according to what your book should evoke. Besides, I am not rich in imagination, let alone in "symbolism", I remain - as you have noticed - a "naturalist" (but not a "realist") and to summarize the impression of your Les Immémoriaux, one would have to be Gauguin. Finally, even so, I am not losing hope of doing something; only that I need a little more time to study it...". Monfreid will produce two trial woodcuts - whose sizes (22 x 12 cm and 23 x 16 cm) were not adapted to the edition - each time using the same formidable and frustrated figures Segalen wanted. Our woodcut seems to be the final version of these studies, perfectly adapted to the in-12 format of Mercure de France. However, the illustration includes the name of the author at the top, yet Segalen, a naval officer, could not sign a novel and had to choose a pseudonym, Max-Anély. This constraint may have contributed to this much-desired frontispiece being abandoned. However, in all likelihood, it was validated by the two trial woodcuts. Monfreid will also use the same male face to produce the ex-libris requested by Segalen. In his letter dated 2 November, the poet already imagined a confidential print for Monfreid's work. In the end, only two color copies of this proof, enhanced in gold, seem to have been preserved, the second being today in the collections of the Musée Maurice Denis in Saint-Germain-en-Laye. Only two other original color proofs (the second one is preserved at the Musée Maurice Denis in Saint-Germain-en-Laye), are known to date. [FRENCH VERSION FOLLOWS] Bois dessiné et gravé par Georges-Daniel de Monfreid, en noir et blanc sur papier pelure. Épreuve probablement unique. Annotation manuscrite de l'artiste ("éta
190778775s. d. [1907] | 12.40 x 18.90 cm | une feuille
1986203069Couverture souple. Broché. 234 pages.
1983wq502Editions Atlas Cartonné avec jaquette 1983 In-4 (23,2 x 30,7 cm), cartonné avec jaquette, 128 pages, iconographie en couleurs ; plats de la jaquette un peu frottés, quelques chocs au quatrième plat de la jaquette, par ailleurs bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
198388435Paris Editions Atlas 1983 1 vol. relié in-4, cartonnage sous jaquette illustrée, 128 pp., nombreuses photos en couleurs de Werner Forman, glossaire, index, bibliographie. Très bon état.
198388435Paris Editions Atlas 1983 1 vol. relié in-4, cartonnage sous jaquette illustrée, 128 pp., nombreuses photos en couleurs de Werner Forman, glossaire, index, bibliographie. Très bon état.
C17052, Zürich, Atlantis Verlag AG & Mulhouse Braun, 1970, 225pp.+ 150 ills., couv.toile avec jaquette (qqs.déchirures), intérieur en bel état
Zürich, Atlantis Verlag AG & Mulhouse Braun, 1970, 225pp.+ 150 ills., couv.toile avec jaquette (qqs.déchirures), intérieur en bel état
199412490SEGHERS 1994 309 pages 13x21x2cm. 1994. Broché. 309 pages. Dans 'Les aubes sauvages' Jean-Pierre Otte compile et raconte les mythes de création du monde issus de diverses cultures du cercle polaire à l'Océanie. Fruit de sept années de voyages et de recherches l'ouvrage explore les récits fondateurs des peuples autochtones d'Amérique d'Afrique d'Océanie et d'Australie
Hachette. 1969. In-4 Carré. Relié. Etat d'usage. Couv. convenable. Dos abîmé. Intérieur frais. 186 pages. Photo en couleur lanc en frontispice. Illustré de nombreuses photos en couleur et en noir et blanc, dans et hors texte. Texte sur 2 colonnes. Photographies de l'auteur. Préface de Paul-Emile VICTOR.
R320176071Payot. non daté. In-8. Broché. Etat d'usage, 1er plat abîmé, Dos abîmé, Papier jauni. 294 pages - quelques planches en noir et blanc - quelques bandeaux en noir et blanc - rousseurs, déchirure avec renfort adhésif sur le 1er plat - 2ème plat absent - dos et coiffes abîmés.. . . . Classification Dewey : 995-Océanie
7419Issoudun, 1953. Format 14x19 cm, broche, 47 pages.Tres bon etat.
In 8,pp.504. Con 4 carte geografiche a colori. Qualche brunitura. Br. ed. ill. con danni al d. Indice: Premiere partie - L'archpel indien - Seconde partie - Les iles du pacifique Troisieme partie - L'Australie. Appendice
1902755131902 Paris, Armand Colin, 1902, grand in 8° relié demi-chagrin à coins, dos à nerfs orné, tête dorée, couvetrure conservée ; 284 pages.
4°, mz. pelle coeva con angoli, tit. e fregi in oro al d. (spellature e lievi mende d’uso), pp. (IV) - 284, con illustrazioni n.t. Es. parzialmente allentato, ma buono. Ediz. su carta patinata.
9806P., Hachette, 1870, grand in 8° relié demi-chagrin rouge, dos à faux nerfs orné, tranches dorées, VIII-375pp. ; quelques rousseurs ; infimes taches marginales ; frottis ; exemplaire partiellement déboité. (8778)
1945021803Montréal L'ARBRE / France forever 1945 un volume in-8°, 252 (1) pp. Reliure toilée moderne à la Bradel, étiquette au dos, couverture conservée. Photographies et dessins de l'auteur : 24 planches en noir et 5 illustrations dans le texte.
1996R200118720Grain de sable. 1996. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 39 pages. Nombreuses illustrations en noir et blanc, dans le texte.. . . . Classification Dewey : 995-Océanie
