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196 pages. Index. Two fold-out maps. Many black and white illustrations. Topics include: The First People, Explorers, Pioneers, Nanoose areas, Biographies, The Community. Moderate wear. Unmarked. A sound copy of this substantial work. Book
204 pages. Index. Two fold-out maps. Many black and white illustrations. Topics include: The First People, Explorers, Pioneers, Nanoose areas, Biographies, The Community, The Next Decade (1980-1990) which provides some coverage of Fairwinds. Gift greetings inside front cover else unmarked. Light wear. A nice copy of this substantial work. Book
No marks or inscriptions. A lovely clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or marked or torn or creased with slight traces of storage. 159pp. With a wealth of colour photographs giving the architecture, culture, social life and texture of the island of Cuba..
Une feuille. 64x46 cm.
1 feuille repli?e. 32x49 cm.
cm. 12,5 x 17,5, viii-142 pp. con 36 ill. e 1 carta geografica. Pocket Library of Studies in Art Inglese 189 gr. viii-142 p.
cm. 12 x 17,5, viii-136 pp. con 37 ill. e 1 carta dell'Etruria. Pocket Library of Studies in Art 182 gr. viii-136 p.
cm. 12 x 17,5, x-152 pp. Nuova edizione aggiornata. Pocket Library of Studies in Art Francese 193 gr. x-152 p.
IN HEBREW AND ENGLISH. Contains map. 17X24 cm. 89+39 pages. Softcover. Front cover slightly chaffed. Else in good condition.
No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 32pp. Description and examples of major exhibits at the Gallery.
Supplement to National Geographic, October 1968. eng
Supplement to National Geographic, December 1980. eng
Supplement to National Geographic, February 1960. eng
eng
Supplement to National Geographic, February 1992. eng
Illustrated, maps. eng
No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or marked with chips and nicks to upper and lower edges. 195pp. An account of 5000 years of history of Malta, very well illustrated with the culture, architecture, industry and leisure of the island today. Text in English, French and German. Undated ca 1980.
1 feuille repli?e. 32x49 cm.
[12], 87 pages. Bilingual English/French. Printed upon glossy stock. Illustrated throughout in blue and brown. "From its very beginning to the present time, the history of the nation's capital unfolds from the cartographical material housed in the National Map Collection. The collection includes over three hundred maps directly relating to the Ottawa area; the selected maps reproduced in this book tell the highlights of the story. A list of Ottawa area maps appears in the appendix. This list should be of great value to historical researchers and all others interested in Canada's capital." - Preface. Moderate external wear. Contents clean and unmarked. A sound copy of this informative reference. Bishop p.36. Book
Four-plate engraving by J. E. Mansfeld, mounted on cloth and framed under glass. 131 x 162 cm. Probably the most monumental layout plan of the Vienna inner city ever published, doubling the scale of Nagel's better-known (and more common) plan of Vienna and its suburbs (1781), and self-published as early as 1774. Nagel had begun his surveying task shortly after completion of the re-numbering of houses in 1770. "Probably completed in October 1774" (cf. Dörflinger). - Slight browning to margins, otherwise fine. Extremely rare. Dörflinger, Österreichische Karten des 18. Jhs. I, 71 and note 115. Not in Mayer or Eckl colls.
Zaragoza, 1999. Folio; 279 pp., cincuenta y dos de ellas y tres láminas, dos de ellas plegadas, con la reproducción facsímilar del Códice. Cubiertas originales.
Paris, A. V. Vallad fils et Cie., 1886. 4to.; 12-45 pp., 20 hojas sin paginar, 20 planos impresos en color y un plano plegado. Encuadernación original en tela estampada.
Tavola tratta dalla Cosmographiae Universalis, edizione in tedesco, Basilea, seconda metà del XVI secolo.La Cosmographiae Universalis di Sebastian Münster (1488-1552), stampata per la prima volta Basilea nel 1544 dall’editore Heinrich Petri, venne più volte aggiornata e aumentata di nuove carte geografiche e rappresentazioni urbane nelle sue numerose edizioni che arrivano all’inizio del secolo successivo. Münster aveva lavorato a raccogliere informazioni al fine di ottenere un'opera che non deludesse le aspettative e, dopo un'ulteriore pubblicazione in tedesco abbellita da 910 stampe su legno, giunse nel 1550 all'edizione definitiva in latino, illustrata da 970 silografie. Vi furono poi numerose edizioni in diverse lingue, fra cui latino, francese, italiano, inglese e ceco. Dopo la sua morte di Münster (1552), Heinrich Petri prima, e il figlio Sebastian poi, continuarono la pubblicazione dell’opera. La Cosmographia universalis fu uno dei libri più popolari e di successo del XVI secolo, e vide ben 24 edizioni in 100 anni: l'ultima edizione tedesca venne pubblicata nel 1628, molto tempo dopo la morte dell'autore. La Cosmographia conteneva non solo le ultime mappe e vedute di tutte le città più famose, ma anche una serie di notizie enciclopediche di dettagli relative al mondo conosciuto, e sconosciuto. Il particolare successo anche commerciale di quest'opera fu dovuto in parte alle belle incisioni (tra i cui autori si possono citate Hans Holbein il Giovane, Urs Graf, Hans Rudolph Manuel Deutsch, David Kandel). Silografia, bella coloritura a mano, in buone condizioni. Plate taken from the Cosmographiae Universalis, German edition, Basel, second half of the 16th Century. The Cosmographiae Universalis of Sebastian Münster (1488-1552), printed for the first time in Basel in 1544 by the publisher Heinrich Petri, was updated several times and increased with new maps and urban representations in its many editions until the beginning of the next century. Münster had worked to collect information in order to obtain a work that did not disappoint expectations and, after a further publication in German embellished with 910 woodblock prints, arrived in 1550 to the final edition in Latin, illustrated by 970 woodcuts. There were then numerous editions in different languages, including Latin, French, Italian, English and Czech. After his death in Münster (1552), Heinrich Petri first, and then his son Sebastian, continued the publication of the work. The Cosmographia universalis was one of the most popular and successful books of the 16th century, and saw as many as 24 editions in 100 years: the last German edition was published in 1628, long after the author's death. The Cosmographia contained not only the latest maps and views of all the most famous cities, but also a series of encyclopedic details related to the known, and unknown, world. The particular commercial success of this work was due in part to the beautiful engravings (among whose authors can be mentioned Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, David Kandel). Woodcut, beautiful hand-coloring, in good condition.
Tavola tratta dalla Cosmographiae Universalis, edizione in tedesco, Basilea, seconda metà del XVI secolo.La Cosmographiae Universalis di Sebastian Münster (1488-1552), stampata per la prima volta Basilea nel 1544 dall’editore Heinrich Petri, venne più volte aggiornata e aumentata di nuove carte geografiche e rappresentazioni urbane nelle sue numerose edizioni che arrivano all’inizio del secolo successivo. Münster aveva lavorato a raccogliere informazioni al fine di ottenere un'opera che non deludesse le aspettative e, dopo un'ulteriore pubblicazione in tedesco abbellita da 910 stampe su legno, giunse nel 1550 all'edizione definitiva in latino, illustrata da 970 silografie. Vi furono poi numerose edizioni in diverse lingue, fra cui latino, francese, italiano, inglese e ceco. Dopo la sua morte di Münster (1552), Heinrich Petri prima, e il figlio Sebastian poi, continuarono la pubblicazione dell’opera. La Cosmographia universalis fu uno dei libri più popolari e di successo del XVI secolo, e vide ben 24 edizioni in 100 anni: l'ultima edizione tedesca venne pubblicata nel 1628, molto tempo dopo la morte dell'autore. La Cosmographia conteneva non solo le ultime mappe e vedute di tutte le città più famose, ma anche una serie di notizie enciclopediche di dettagli relative al mondo conosciuto, e sconosciuto. Il particolare successo anche commerciale di quest'opera fu dovuto in parte alle belle incisioni (tra i cui autori si possono citate Hans Holbein il Giovane, Urs Graf, Hans Rudolph Manuel Deutsch, David Kandel). Silografia, bella coloritura a mano, in buone condizioni. Plate taken from the Cosmographiae Universalis, German edition, Basel, second half of the 16th Century. The Cosmographiae Universalis of Sebastian Münster (1488-1552), printed for the first time in Basel in 1544 by the publisher Heinrich Petri, was updated several times and increased with new maps and urban representations in its many editions until the beginning of the next century. Münster had worked to collect information in order to obtain a work that did not disappoint expectations and, after a further publication in German embellished with 910 woodblock prints, arrived in 1550 to the final edition in Latin, illustrated by 970 woodcuts. There were then numerous editions in different languages, including Latin, French, Italian, English and Czech. After his death in Münster (1552), Heinrich Petri first, and then his son Sebastian, continued the publication of the work. The Cosmographia universalis was one of the most popular and successful books of the 16th century, and saw as many as 24 editions in 100 years: the last German edition was published in 1628, long after the author's death. The Cosmographia contained not only the latest maps and views of all the most famous cities, but also a series of encyclopedic details related to the known, and unknown, world. The particular commercial success of this work was due in part to the beautiful engravings (among whose authors can be mentioned Hans Holbein the Younger, Urs Graf, Hans Rudolph Manuel Deutsch, David Kandel). Woodcut, beautiful hand-coloring, in good condition.
