942 résultats
558840Villeneuve d'Ascq, Université Lille III, 1989. 3 fasc., in-8 brochés, 1146 pp. en continu, illustrations.
558841Villeneuve d'Ascq, Université Lille III, 1988. 4 fasc., in-8 brochés, 842 pp. en continu, illustrations.
558843Lille, Université Lille III, 1973. 4 fasc., in-4 brochés, 429 pp. en continu, planches.
559056Musée des Beaux-Arts de Valenciennes, 28 nov. 87-28 fév. 88. Commissaires Ph. Beaussart et L. Nys. Valenciennes, Amis du Musée, 1987, in-4° br. 104pp, 640 notices commentées, Illustrations en noir, bibliographie.
599638Lille, s.d. [1825-1845] 4 petites fascicules réunis en 1 vol in-12, rel. de l'ép. [fin XIXe] demi-basane bleue marine, dos lisse orné de filets et fleurons dorés, titre doré, tr. mouchetées, 1 - Histoire du siège de Lille en 1792 par Blismon, 87 pp., 1 front. et 1 grav. dépl., 2 - Inauguration du monument commémoratif de la défense de Lille en 1792, 8 pp., 3 - Pot-pourri sur la Procession de Lille, précédé d'une notice historique, 36 pp., 4 - Fables suivies de quelques idylles par O.B. Duhamel, 208 pp., ornés de culs-de-lampe gravés, table in fine. 2 ex-libris, notes manuscrites en pp. de garde, cachet répété de bibliothèque.
15953Paris Rayonnement Français GRAND In-8 Large 227 pp, Plaisir de France, (.) Architecture, mobilier, décoration, dessins, photos en noir et couleurs, in et hors-texte. Préfaces de Jean Giono et François de Cormis, maquette de Jean de Hillerin et Denise Passey, décor gaufré sur le 1er plat, dos décoré. Etui noir avec quelques frottis.
1835145AGKarlsr. Creuzbauer, 1835. Stahlstich, 9,5 x 12,5 Auf Wunsch Digitalaufnahme in jpg-Format erhältlich- photo in jpg-format available. Je nach Versandart können die Portokosten bis zu 2 ? weniger als angegeben betragen.+
18506113AGLondon, Simpkin, 1850 (ca.). handkolorierter Stahlstich von Fisher nach Original von Cox, Darst. (excl. Text) 15,6 x 10,6; Bll. 26,5 x 20. Auf Wunsch Digitalaufnahme in jpg-Format erhältlich- photo in jpg-format available. Je nach Versandart können die Portokosten bis zu 2 ? weniger als angegeben betragen.
598689Douai, Deregnaucourt, 1844. In-8, rel. de l'ép. pleine basane marbrée fauve, dos lisse orné de filets et fleurons dorés, pièce de titre verte, titre doré, tr. jaunes, 87 pp. Ex-libris.
589435Dikkebus, Westhoek, 1988. In-4, br. couv. illus., 215 pp., qqes illus. en noir dans le texte.
c5799A Paris, chez Costard, 1773 ; in-12°?, pleine veau brun de l' époque, dos à nerfs orné de petits fers dorés, tranches rouges; 342pp., (2)pp.Manque le faux-titre, manque de cuir le long de la charnière du 2ème plat, avec fente à la charnière, très petit manque de cuir aux coins; très rares piqûres.
M11593A Paris, Guillaume Desprez & Guillaume Cavelier, 1748, , fort in12br , couverture grise origine muette , VIII -535pp , 9 planches dépliantes . Exemplaire non rogné en bon état . La fine couverture de relais a souffert par endroits. Langue: Français
2002HISTOFRA88880623Paris, Somogy Editions d'Art, 2002, 17,5 x 23,5, 216 pages cousues sous couverture rempliée illustrée. Iconographie noir & blanc et couleurs.
1975LFA-126717974Un ouvrage de 249 pages, format 110 x 180 mm, illustré, broché couverture couleurs, publié en 1975, Presses Pocket, collection "Galerie du Mystère", bon état
5766N° 30, mai 1951. Magazine bimestriel. " Gastronomie, tourisme, folklore ". Directeur : Gaston Sainsot. In-4° broché. Entre 50 et 60 pages par numéro. Photographies reproduites en héliogravure. Textes de bonne tenue, dus à des écrivains originaires de la région dont traite la livraison : Pierre Mac Orlan, Roland Dorgelès, Louis Wacrenier, A. Mabille de Poncheville
35072Gravure de format 31x19 cm, contrecollee sur une feuille de 38x22 cm. Cette gravure provient du livre "De morinis et morinorum rebus" edite a Tournai en 1639, page 549. Livre sur la tribu gauloise des Morins, qui peuplait la region de Saint-Omer (Artois). La planche est en tres bon etat, la feuille du support est fatiguee. Bon etat.
1780SAV109Paris: Imprimerie de Didot l'aîné collection d'auteurs français pour Monseigneur le Comte d'Artois 1780. Hardcover. Good. 1780-1781. Sixteen volumes pocket 18mo 133 x 74mm. Printed on fine laid paper. Uniformly bound in contemporary mottled French calf ruled in gilt with olive morocco lettering labels marbled endpapers gilt edges. This beautiful miniature set was executed at the solitary expense of the Count d'Artois 1757-1830 later Charles X of France and numbered in full 64 volumes; the aim of which collected various sets of French works in verse and prose. Influential Enlightenment writers were thus compiled here many of them French female authors and limited to an overall printing of 100 copies by the famed printer Didot of Paris. Consisting: 1 DE LA FAYETTE Madame 1634-1693. "Zayde." 1780. 3 vols. 156 135 and 166pp. A classic novel with stories on the political social and cultural communities of early modern Spain. 2 DAUCORT Claude Godard d'Aucour 1768-1826. "Le Berceau de la France." 1780. 2 vols. 175 and 152pp. Rare first published in 1744 as a history of French civilization. 3 RICCOBONI Marie-Jeanne 1714-1792. "l'Histoire d'Aloïse de Livarot." 1780. 77pp. 4RICCOBONI Marie-Jeanne 1714-1792. "Les Amours de Roger et de Gertrude." 1780. 79pp. 5 DUCLOS Charles Pinot 1704-1772. “Ismene and Ismenias. Roman Grec." 1780. 115pp. 6 TRESSAN Comte de 1705-1783. "Le Prince Gerard Comte de Nevers et la Belle Euriant sa mie." 1780. 171pp. 7 TRESSAN Comte de 1705-1783. "Histoire du petit Jehan de Saint." 1780. 182pp. 8TRESSAN Comte de 1705-1783. "Histoire de Tristan de Léonois." 1781. 212pp.9 DUCLOS Charles Pinot 1704-1772. "Confessions du comte de ." 1781. 2 vols. 129 and 128pp. First published in 1742 a popular "portrait gallery" of the illustrious French. 10 TENCIN Claudine Guérin de 1682-1749. "Le Siege de Calais.” 1781. 2 vols. 122 and 126pp. First published anonymously in 1739. 11ARNAUD François-Thomas-Marie de Baculard d' 1718-1805. “Sargines.” 1781. 130pp. Good. Only light edgewear and some bumped corners slightest spots otherwise crisp and clean interior. The Count d'Artois friend to Marie Antoinette and lover of the arts sought to stimulate a renewal in fiction with the printing of this collection of novels in 35 titles. The overall collection of 64 volumes was printed from 1781 to 1784 and edited by the order of Louis XVI. Just two years later the French monarchy would be in crisis; bankrupt and facing various political upheavals in the years leading up to the Revolution. This surviving set dates from the time of relative peace before upheaval and before the Count later reigned as Charles X in the post-Revolution era in 1824. These survive as early relics of the French monarch's cultural interests and endeavors. François-Ambroise Didot printed no more than 100 copies as a whole impression; 60 with the arms of the prince and at least 40 were on common paper without the Count’s heraldry as in these while others were produced on vellum See Ebert 4938. These works are extremely neatly printed on laid paper and stand as a precursor to Didot’s prolific typographic and printing career. Complete copies of the Count d’Artois’s collection are of utmost rarity; these portative sixteen make up an excellent union. Brunet 19413. <br/><br/>The Count d'Artois friend to Marie Antoinette and lover of the arts sought to stimulate a renewal in fiction with the printing of this collection of novels in 35 titles. The overall collection of 64 volumes was printed from 1781 to 1784 and edited by the order of Louis XVI. Just two years later the French monarchy would be in crisis; bankrupt and facing various political upheavals in the years leading up to the Revolution. This surviving set dates from the time of relative peace before upheaval and before the Count later reigned as Charles X in the post-Revolution era in 1824. These survive as early relics of the French monarch's cultural interests and endeavors. François-Ambroise Didot printed no more than 100 copies as a whole impression; 60 with the arms of the prince and at least 40 were on common paper without the Count’s heraldry as in these while others were produced on vellum See Ebert 4938. These works are extremely neatly printed on laid paper and stand as a precursor to Didot’s prolific typographic and printing career. Complete copies of the Count d’Artois’s collection are of utmost rarity; these portative sixteen make up an excellent union. Brunet 19413. Imprimerie de Didot l'aîné (collection d'auteurs français pour Monseigneur le Comte d'Artois) hardcover books
1780SAV109Paris: Imprimerie de Didot l'aîné collection d'auteurs français pour Monseigneur le Comte d'Artois 1780. Hardcover. Good. 1780-1781. Sixteen volumes pocket 18mo 133 x 74mm. Printed on fine laid paper. Uniformly bound in contemporary mottled French calf ruled in gilt with olive morocco lettering labels marbled endpapers gilt edges. This beautiful miniature set was executed at the solitary expense of the Count d'Artois 1757-1830 later Charles X of France and numbered in full 64 volumes; the aim of which collected various sets of French works in verse and prose. Influential Enlightenment writers were thus compiled here many of them French female authors and limited to an overall printing of 100 copies by the famed printer Didot of Paris. Consisting: 1 DE LA FAYETTE Madame 1634-1693. "Zayde." 1780. 3 vols. 156 135 and 166pp. A classic novel with stories on the political social and cultural communities of early modern Spain. 2 DAUCORT Claude Godard d'Aucour 1768-1826. "Le Berceau de la France." 1780. 2 vols. 175 and 152pp. Rare first published in 1744 as a history of French civilization. 3 RICCOBONI Marie-Jeanne 1714-1792. "l'Histoire d'Aloïse de Livarot." 1780. 77pp. 4RICCOBONI Marie-Jeanne 1714-1792. "Les Amours de Roger et de Gertrude." 1780. 79pp. 5 DUCLOS Charles Pinot 1704-1772. Ismene and Ismenias. Roman Grec." 1780. 115pp. 6 TRESSAN Comte de 1705-1783. "Le Prince Gerard Comte de Nevers et la Belle Euriant sa mie." 1780. 171pp. 7 TRESSAN Comte de 1705-1783. "Histoire du petit Jehan de Saint." 1780. 182pp. 8TRESSAN Comte de 1705-1783. "Histoire de Tristan de Léonois." 1781. 212pp.9 DUCLOS Charles Pinot 1704-1772. "Confessions du comte de ." 1781. 2 vols. 129 and 128pp. First published in 1742 a popular "portrait gallery" of the illustrious French. 10 TENCIN Claudine Guérin de 1682-1749. "Le Siege de Calais. 1781. 2 vols. 122 and 126pp. First published anonymously in 1739. 11ARNAUD François-Thomas-Marie de Baculard d' 1718-1805. Sargines. 1781. 130pp. Good. Only light edgewear and some bumped corners slightest spots otherwise crisp and clean interior. The Count d'Artois friend to Marie Antoinette and lover of the arts sought to stimulate a renewal in fiction with the printing of this collection of novels in 35 titles. The overall collection of 64 volumes was printed from 1781 to 1784 and edited by the order of Louis XVI. Just two years later the French monarchy would be in crisis; bankrupt and facing various political upheavals in the years leading up to the Revolution. This surviving set dates from the time of relative peace before upheaval and before the Count later reigned as Charles X in the post-Revolution era in 1824. These survive as early relics of the French monarch's cultural interests and endeavors. François-Ambroise Didot printed no more than 100 copies as a whole impression; 60 with the arms of the prince and at least 40 were on common paper without the Counts heraldry as in these while others were produced on vellum See Ebert 4938. These works are extremely neatly printed on laid paper and stand as a precursor to Didots prolific typographic and printing career. Complete copies of the Count dArtoiss collection are of utmost rarity; these portative sixteen make up an excellent union. Brunet 19413. <br/><br/>The Count d'Artois friend to Marie Antoinette and lover of the arts sought to stimulate a renewal in fiction with the printing of this collection of novels in 35 titles. The overall collection of 64 volumes was printed from 1781 to 1784 and edited by the order of Louis XVI. Just two years later the French monarchy would be in crisis; bankrupt and facing various political upheavals in the years leading up to the Revolution. This surviving set dates from the time of relative peace before upheaval and before the Count later reigned as Charles X in the post-Revolution era in 1824. These survive as early relics of the French monarch's cultural interests and endeavors. François-Ambroise Didot printed no more than 100 copies as a whole impression; 60 with the arms of the prince and at least 40 were on common paper without the Counts heraldry as in these while others were produced on vellum See Ebert 4938. These works are extremely neatly printed on laid paper and stand as a precursor to Didots prolific typographic and printing career. Complete copies of the Count dArtoiss collection are of utmost rarity; these portative sixteen make up an excellent union. Brunet 19413. Imprimerie de Didot l'aîné (collection d'auteurs français pour Monseigneur le Comte d'Artois) hardcover
1984LFA-126737104Publication annuelle de 127 pages, format 140 x 210 mm, brochée, Université des Langues et Lettres de Grenoble, bon état
1985LFA-126737105Publication annuelle de 231 pages, format 140 x 210 mm, brochée, Université des Langues et Lettres de Grenoble, bon état
1986LFA-126737106Publication annuelle de 129 pages, format 140 x 210 mm, brochée, Université des Langues et Lettres de Grenoble, bon état
1987LFA-126737107Publication annuelle de 136 pages, format 140 x 210 mm, brochée, Université des Langues et Lettres de Grenoble, bon état
1988LFA-126737108Publication annuelle de 85 pages, format 140 x 210 mm, brochée, Université des Langues et Lettres de Grenoble, bon état
1989LFA-126737109Publication annuelle de 171 pages, format 140 x 210 mm, brochée, Université des Langues et Lettres de Grenoble, bon état
1990LFA-126737110Publication annuelle de 119 pages, format 140 x 210 mm, brochée, Université des Langues et Lettres de Grenoble, bon état