DAUNOU, P. C. F.Livre Rare Book
18 résultats
179227181Imprimé par ordre de la Convention Nationale, 2 brochures in-8 en feuilles, De l'Imprimerie Nationale, s.d., 10 pp. et 15 pp.
17916692A Nantes, De l'imprimerie d'A-J. Malassis, 1791. IN-4 broché de 3 pp.
1738314551 brochure in-folio, de l'Imprimerie de la V. Delormel, rüe du Foin, 1738, 19 pp. : Mémoire Signifié Servant de Réponse au Mémoire du Sieur de Saisseval, pour Monsieur le Cardinal de Rohan, Abbé de l'Abbaïe de Saint Wast d'Arras, & les Sieurs Grand-Prieur & Religieux de la même Abbaïe, Décimateurs de la Paroisse de Blairville. Et encore pour Me Roch Sandemont, Curé de Blair-Ville, Appellant, contre le Sieur de Saisseval & la Dame son épouse, Seigneurs de Blairville ; Nicolas Hourier, & autres, Intimés. [ Abbaye de Saint Vaast ]
1789fl1619A Paris, chez le Secrétaire des commandemens de Monseigneur l'Archevêque de Paris, A Paris, chez tous les Supérieurs des Communautés, même celle de S. Lazare Sélection Chantefable Plaquette 1789 In-8 (15 x 22,5 cm), plaquette brochée, 30 pages ; quelques rousseurs en première page, par ailleurs bon état, à relier. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1714145701Pieter van der Aa, Leiden, 1714. schöne Kupferstich-Karte,
174612910Nürnberg, Homann Erben, 1746. Kupferstich, altkoloriert. Blattgröße: 53,5 x 62,5 cm, Druckspiegel: 49,5 x 56,5 cm [2 Warenabbildungen]
1711234901711 Plan de la ville d'Air et du fort de ST.François (Artois) BRUXELLES FRIEX 1711,marges courtes,restaurations anciennes sur les bords,42,6 x 58,5 cm au trait,correct,chez Eugene Henry Fricx,Provient de : la Table des cartes des Pays-Bas et des frontières de France avec un recueil des plans des villes, sièges et battailles données entre les Hauts Alliés et la France.
177189771771 carte ancienne colorée d'époque en vert , rouge et jaune, cartouche non coloré, gravée par Arrivet. Format total : 50 centimètres de haut par 39 centimètres de large, 1771 Paris Lattré Editeur,
17750053741775 Paris, Simon, 1775. Quatre pages in-quarto sur un feuillet double (210 X 270 mm) de papier vergé. Bande brune de 6 cm et petites taches d'encre sans atteinte au texte en marge supérieure du premier feuillet.
180011117[Entstehung 1700 - 1800]. 110 x 68 mm. Kupferstich, etwas unförmig beschnitten, minimal stockfleckig, rückseitig kleine alte Montagereste.
1775666282 feuillets format 22,6 x 16,7 cm, Permis d'imprimer à Angers, ce 15 mars 1784, Signé Bagon
174461680On y a joint la Déclaration du Roy du 14 Mars 1722 pour l'exécution des Articles LXXIV. LXXV. & LXXVI de la Coutume générale d'Artois, 1 vol. in-4 reliure de l'époque plein veau marbré, dos à 5 nerfs, Chez Pierre-Guillaume Simon, Paris, 1744, 4 ff., 460-xxxj pp.Rappel du titre complet : Coutumes Locales, tant anciennes que nouvelles des Bailliages, Ville et Echevinage de Saint-Omer, d'Audruic & Pays de Bredenarde, de la Châtellenie de Tournehem, & des Bailliage, Ville & Echevinage d'Aire ; ensemble les Procès-Verbaux de Vérification & Rédactin de ces mêmes Coutumes, & les Lettres Patentes portant Décret d'icelles [ Edition originale ]
1785670201 vol. in-12 reliure début XIXe demi-basane racinée, dos lisse orné : Eloge historique de François Vanderburk, Archevêque-Duc de Cambrai, Prince du Saint-Empire, Comte du Cambrésis, s.n., 1785, 117 pp. [ Edition originale ] [ Suivi de : ] Portrait de Henri IV, par M. Le Clerc, Chevalier de l'Ordre du Roi, De l'Imprimerie de Ph.-D. Pierres, Paris, 1783, 45 pp. et 1 f. avec portrait en frontispice
1763638981 vol. in-8 reliure postérieure demi-basane marron, dos à 5 nerfs, Michel Nicolas, Arras, 1763, 3 ff., X-310-IX pp.
1748129684à Arras, chez la Veuve Duchamp, imprimeur de nosseign. du conseil provincial d'Artois 1748 In-16 15 x 8,5 cm. Reliure de l’époque veau havane marbré, dos à nerfs encadrés de fers dorés, [4]-58-25-24-44-36-85-36-[24] pp., catalogue des villages, hameaux, & centres de la Gouvernance de la province d’Artois in fine. premier plat avec accroc, page de titre déliée, intérieur correct.
1780SAV109Paris: Imprimerie de Didot l'aîné collection d'auteurs français pour Monseigneur le Comte d'Artois 1780. Hardcover. Good. 1780-1781. Sixteen volumes pocket 18mo 133 x 74mm. Printed on fine laid paper. Uniformly bound in contemporary mottled French calf ruled in gilt with olive morocco lettering labels marbled endpapers gilt edges. This beautiful miniature set was executed at the solitary expense of the Count d'Artois 1757-1830 later Charles X of France and numbered in full 64 volumes; the aim of which collected various sets of French works in verse and prose. Influential Enlightenment writers were thus compiled here many of them French female authors and limited to an overall printing of 100 copies by the famed printer Didot of Paris. Consisting: 1 DE LA FAYETTE Madame 1634-1693. "Zayde." 1780. 3 vols. 156 135 and 166pp. A classic novel with stories on the political social and cultural communities of early modern Spain. 2 DAUCORT Claude Godard d'Aucour 1768-1826. "Le Berceau de la France." 1780. 2 vols. 175 and 152pp. Rare first published in 1744 as a history of French civilization. 3 RICCOBONI Marie-Jeanne 1714-1792. "l'Histoire d'Aloïse de Livarot." 1780. 77pp. 4RICCOBONI Marie-Jeanne 1714-1792. "Les Amours de Roger et de Gertrude." 1780. 79pp. 5 DUCLOS Charles Pinot 1704-1772. “Ismene and Ismenias. Roman Grec." 1780. 115pp. 6 TRESSAN Comte de 1705-1783. "Le Prince Gerard Comte de Nevers et la Belle Euriant sa mie." 1780. 171pp. 7 TRESSAN Comte de 1705-1783. "Histoire du petit Jehan de Saint." 1780. 182pp. 8TRESSAN Comte de 1705-1783. "Histoire de Tristan de Léonois." 1781. 212pp.9 DUCLOS Charles Pinot 1704-1772. "Confessions du comte de ." 1781. 2 vols. 129 and 128pp. First published in 1742 a popular "portrait gallery" of the illustrious French. 10 TENCIN Claudine Guérin de 1682-1749. "Le Siege de Calais.” 1781. 2 vols. 122 and 126pp. First published anonymously in 1739. 11ARNAUD François-Thomas-Marie de Baculard d' 1718-1805. “Sargines.” 1781. 130pp. Good. Only light edgewear and some bumped corners slightest spots otherwise crisp and clean interior. The Count d'Artois friend to Marie Antoinette and lover of the arts sought to stimulate a renewal in fiction with the printing of this collection of novels in 35 titles. The overall collection of 64 volumes was printed from 1781 to 1784 and edited by the order of Louis XVI. Just two years later the French monarchy would be in crisis; bankrupt and facing various political upheavals in the years leading up to the Revolution. This surviving set dates from the time of relative peace before upheaval and before the Count later reigned as Charles X in the post-Revolution era in 1824. These survive as early relics of the French monarch's cultural interests and endeavors. François-Ambroise Didot printed no more than 100 copies as a whole impression; 60 with the arms of the prince and at least 40 were on common paper without the Count’s heraldry as in these while others were produced on vellum See Ebert 4938. These works are extremely neatly printed on laid paper and stand as a precursor to Didot’s prolific typographic and printing career. Complete copies of the Count d’Artois’s collection are of utmost rarity; these portative sixteen make up an excellent union. Brunet 19413. <br/><br/>The Count d'Artois friend to Marie Antoinette and lover of the arts sought to stimulate a renewal in fiction with the printing of this collection of novels in 35 titles. The overall collection of 64 volumes was printed from 1781 to 1784 and edited by the order of Louis XVI. Just two years later the French monarchy would be in crisis; bankrupt and facing various political upheavals in the years leading up to the Revolution. This surviving set dates from the time of relative peace before upheaval and before the Count later reigned as Charles X in the post-Revolution era in 1824. These survive as early relics of the French monarch's cultural interests and endeavors. François-Ambroise Didot printed no more than 100 copies as a whole impression; 60 with the arms of the prince and at least 40 were on common paper without the Count’s heraldry as in these while others were produced on vellum See Ebert 4938. These works are extremely neatly printed on laid paper and stand as a precursor to Didot’s prolific typographic and printing career. Complete copies of the Count d’Artois’s collection are of utmost rarity; these portative sixteen make up an excellent union. Brunet 19413. Imprimerie de Didot l'aîné (collection d'auteurs français pour Monseigneur le Comte d'Artois) hardcover books
1780SAV109Paris: Imprimerie de Didot l'aîné collection d'auteurs français pour Monseigneur le Comte d'Artois 1780. Hardcover. Good. 1780-1781. Sixteen volumes pocket 18mo 133 x 74mm. Printed on fine laid paper. Uniformly bound in contemporary mottled French calf ruled in gilt with olive morocco lettering labels marbled endpapers gilt edges. This beautiful miniature set was executed at the solitary expense of the Count d'Artois 1757-1830 later Charles X of France and numbered in full 64 volumes; the aim of which collected various sets of French works in verse and prose. Influential Enlightenment writers were thus compiled here many of them French female authors and limited to an overall printing of 100 copies by the famed printer Didot of Paris. Consisting: 1 DE LA FAYETTE Madame 1634-1693. "Zayde." 1780. 3 vols. 156 135 and 166pp. A classic novel with stories on the political social and cultural communities of early modern Spain. 2 DAUCORT Claude Godard d'Aucour 1768-1826. "Le Berceau de la France." 1780. 2 vols. 175 and 152pp. Rare first published in 1744 as a history of French civilization. 3 RICCOBONI Marie-Jeanne 1714-1792. "l'Histoire d'Aloïse de Livarot." 1780. 77pp. 4RICCOBONI Marie-Jeanne 1714-1792. "Les Amours de Roger et de Gertrude." 1780. 79pp. 5 DUCLOS Charles Pinot 1704-1772. Ismene and Ismenias. Roman Grec." 1780. 115pp. 6 TRESSAN Comte de 1705-1783. "Le Prince Gerard Comte de Nevers et la Belle Euriant sa mie." 1780. 171pp. 7 TRESSAN Comte de 1705-1783. "Histoire du petit Jehan de Saint." 1780. 182pp. 8TRESSAN Comte de 1705-1783. "Histoire de Tristan de Léonois." 1781. 212pp.9 DUCLOS Charles Pinot 1704-1772. "Confessions du comte de ." 1781. 2 vols. 129 and 128pp. First published in 1742 a popular "portrait gallery" of the illustrious French. 10 TENCIN Claudine Guérin de 1682-1749. "Le Siege de Calais. 1781. 2 vols. 122 and 126pp. First published anonymously in 1739. 11ARNAUD François-Thomas-Marie de Baculard d' 1718-1805. Sargines. 1781. 130pp. Good. Only light edgewear and some bumped corners slightest spots otherwise crisp and clean interior. The Count d'Artois friend to Marie Antoinette and lover of the arts sought to stimulate a renewal in fiction with the printing of this collection of novels in 35 titles. The overall collection of 64 volumes was printed from 1781 to 1784 and edited by the order of Louis XVI. Just two years later the French monarchy would be in crisis; bankrupt and facing various political upheavals in the years leading up to the Revolution. This surviving set dates from the time of relative peace before upheaval and before the Count later reigned as Charles X in the post-Revolution era in 1824. These survive as early relics of the French monarch's cultural interests and endeavors. François-Ambroise Didot printed no more than 100 copies as a whole impression; 60 with the arms of the prince and at least 40 were on common paper without the Counts heraldry as in these while others were produced on vellum See Ebert 4938. These works are extremely neatly printed on laid paper and stand as a precursor to Didots prolific typographic and printing career. Complete copies of the Count dArtoiss collection are of utmost rarity; these portative sixteen make up an excellent union. Brunet 19413. <br/><br/>The Count d'Artois friend to Marie Antoinette and lover of the arts sought to stimulate a renewal in fiction with the printing of this collection of novels in 35 titles. The overall collection of 64 volumes was printed from 1781 to 1784 and edited by the order of Louis XVI. Just two years later the French monarchy would be in crisis; bankrupt and facing various political upheavals in the years leading up to the Revolution. This surviving set dates from the time of relative peace before upheaval and before the Count later reigned as Charles X in the post-Revolution era in 1824. These survive as early relics of the French monarch's cultural interests and endeavors. François-Ambroise Didot printed no more than 100 copies as a whole impression; 60 with the arms of the prince and at least 40 were on common paper without the Counts heraldry as in these while others were produced on vellum See Ebert 4938. These works are extremely neatly printed on laid paper and stand as a precursor to Didots prolific typographic and printing career. Complete copies of the Count dArtoiss collection are of utmost rarity; these portative sixteen make up an excellent union. Brunet 19413. Imprimerie de Didot l'aîné (collection d'auteurs français pour Monseigneur le Comte d'Artois) hardcover
174842179Paris, Desprez et Cavelier, 1748. In-12 de VIII-535-(5) pp., tables, 9 cartes typographiques repliées, maroquin rouge, dos orné à nerfs, pièce de titre en maroquin olive, triple filet doré d'encadrement sur les plats, tranches dorées sur marbrure (reliure de l'époque).
