4 637 résultats
199725211Comité du vieux marseille n° 76 1997 Marseille. in-8. 1997. agrafé. Avec des illustrations en noir et en couleurs
634268Chez Les Marchands De Nouvauté Paris 1852 In-8 ( 240 X 155 mm ) de 52 pages, broché sous couverture imprimée. EDITION ORIGINALE. Couverture très défraîchie, rousseurs passim.
19800160121980 En feuilles
ORD-3808Suivi d'un supplément, d'une dissertation, d'observations faites après le froid du mois de janvier 1820, de notes relatives à la distinction et à l'excellence du fruit, à la greffe et au choix des pépinières, etc. Agen. Prosper Noubel. Février 1830. Fascicule in-8 (126 x 210mm) couverture muette d'origine, 40 pages. 2°édition presque aussi rare que la 1°. Cachet de bibliothèque sur le 1°plat, sinon bon exemplaire. (2).
1885236461885 Marseille : Impr. marseillaise, 1885.243 p. ; In-18 demi veau;dos titré un peu usé,texte frais,trés rare
196010881Marseille Editions municipales 1960 Pet.,in-8 carré de 64 pp.,br.
190817677Valence, Imprimerie Valentinoise, 1908 in-8 broché, couverture décorée. 113 pp.
13946Imprimerie Municipale - Musée Cantini Marseille 1960 In-8 carré ( 165 X 165 mm ) de 21 pages + 16 planches de reproductions photographiques, broché sous couverture illustrée. Catalogue de l'exposition qui s'est tenue au Musée CANTINI de Marseille 6 Mars - 25 Avril 1960. Illustrations hors-texte. Pliure sur la couverture, bel exemplaire.
1922ABE-172581558226724 PAGES-24 CM X 30 CM-SA MAJESTE L'OR AUX ETATS-UNIS, SUR 3 PAGES, 5 PHOTOS-LA PROPULSION AU MOYEN D'UNE HELICE AERIENNE, 1P, 2 PHOTOS (HYDROGLISSEUR FARMAN-WAGON CHEMIN DE FER ALLEMAND)-COMMENT FUT REPRIME LA REVOLTE DES MOPLAHS, 3 PAGES, 9 PHOTOS-LES SERVICES DE DERATISATION DU PORT DE MARSEILLE, SUR 2 PAGES, 4 PHOTOS-D'OU NOUS VIENNENT LES JOLIES PERLES, SUR 3 PAGES, 7 PHOTOS-ANATOMIE ET PHYSIOLOGIE DES HELICES AERIENNES, 3 PAGES, 9 PHOTOS, 2 FIGURES
Raffigurazione dello sbarco dei prigionieri nel porto di Marsiglia
2006LFA-126728498Un ouvrage de 141 pages, format 235 x 215 mm, illustré, relié cartonnage couleurs, publié en 2006, Edisud, bon état
1991SPN-539Paris : Ministère de la Culture/Mission du Patrimoine ethnologique, 1991. Revue 27x21, couverture couleur, 157 pages illustrées en noir.
24328TOULON ?,BELLUE ed.,sd (vers 1850),feuille in4 Lithographie à fond teinté,bon état,rare
112pp., br.orig.ill., 22cm., peu usé, bon état
166997065Parisiis: Franciscum Muguet MDCLXIX. 1669. 1669. Good. - Octavo 7-5/8 inches high by 4-3/4 inches wide. Early tan calf with raised bands ruled with decorations in blind on the covers. The covers are nearly detached and the head & tail of the spine are chipped. The covers are scuffed with wear to the corners and a name is penned on the front cover. 12 452 and 32 pages. Illustrated with a title vignette an engraving by Noblin after François Chauveau at the head of the dedication and several decorative initials. There are occasional very light pencil notations in the margins. There is offsetting and light soiling to the endpapers and pastedowns. There is some minor dampstaining to the top front corner of the last few pages. An internally very good complete copy. <p>Second edition with additional notes by Baluze.<p>Baluze dedicates this 1669 edition of the works of Salvian and Vincent of Lerins to Jacques-Nicholas Colbert the archbishop of Rouen and the son of Jean-Baptiste Colbert a statesman who served under Louis XIV. The contents include a Preface by Baluze followed by P.1-192 : "Salviani Massii. de Gubernatione Dei Lib. I - VIII" p. 193-216 : "Salviani Massii. Epistolae" p.217-312 : "Salviani Liber I. -IV. Adversus Avaritiam". Following a half title is the work of Vincent p. 315-371: "Vincentii Lirinensis commonitorium." <p>The works of Salvian of Marseilles and Vincent of Lerins in this edition by Etienne Baluze was first published in Paris in 1663. Salvian's works were based on what is referred to as "Manuscript A". Manuscript A came from the abbey of St. Peter at Corbie in Northern France and is now housed in the Bibliotheque Nationale Francais in Paris. Baluze issued this Second Edition in 1669 with a voluminous section of notes P. 373-442 and an appendix p. 443-452. The volume concludes with a detailed index consisting of 32 pages f. Ff3-Hh2.<p>Salvian of Marseilles circa a.d.400- after 480 was a priest of Marseilles an instructor of bishops and an ecclesiastical writer. His chief work is DE GUBERNATIONE DEI On the Governance of God. He theorizes that God creates calamities in order to execute judgment upon the unfaithful.<p>Saint Vincent of Lerins d. before 450 was an ecclesiastical writer whose Feast day is celebrated on May 24. He was a Semipelagian who opposed the doctrine of St. Augustine. His only known authentic work is the "Commonitorium". Written under the pseudonym Peregrinus it is best known for Vincent's maxim: "Moreover in the Catholic Church itself all possible care must be taken that we hold that faith which has been believed everywhere always by all."<p>Etienne Baluze 1630-1718 also known as Stephanus Baluzius was secretary to the archbishop of Toulouse Pierre de Marca and inherited all of the archbishop's papers upon his death. Based on these he produced the first complete edition of Marca's "Treatise De libertatibus Ecclesiae Gallicanae" in 1663 and the "Marca hispanica" in 1688. Entering the service of Jean-Baptiste Colbert in 1667 Baluze was in charge of the minister's significant library. He was appointed to the post of king's almoner and then professor of Canon Law at the College de France. Taking up the history of the House of Auvergne just as the cardinal de Bouillon was seeking to prove that the La Tour family descended in a direct line from the 9th Century counts of Auvergne he was inundated with false and forged documents and spurious genealogies such as that which had already been published by Christophe Justel. Its not surprising that Baluze was duped as even Chorier the historian of the Dauphiny had included a forged deed in the second volume of his history. The cardinal the Bouillon had many enemies and a war of pamphlets began which eventually resulted in an inquiry which led to the arrest and conviction of Jean de Bar and other forgers. Despite this Baluze was obstinate and was convinced that the documents were genuine and published two works based on and including all of these spurious deeds. Engulfed in disgrace he was exiled to Tours until 1713.<p>From the library of geologist and mining engineer James Douglas after whom Douglas Arizona was named with his bookplate on the front pastedown. Douglas who was born in Quebec spent much of his early life in Scotland. For many years as a metallurgist and mining engineer he was involved in several important Western American enterprises.<p>The text is in Latin. Parisiis: Franciscum Muguet, MDCLXIX., [1669]. hardcover
1873R48817Marseille, 1873 112pp., brochure originale illustrée (avec qqs. traces d'usage, bien protégée d'une couverture supplémentaire de papier cristal), 22cm., texte frais et en bon état, R48817
2008LFA-126717037Un ouvrage de 96 pages, format 150 x 210 mm, broché couverture couleurs, publié en 2008, bon état
2008LFA-126717038Un ouvrage de 96 pages, format 150 x 210 mm, broché couverture couleurs, publié en 2008, bon état
2008LFA-126717039Un ouvrage de 96 pages, format 150 x 210 mm, broché couverture couleurs, publié en 2008, bon état
2008LFA-126717036Un ouvrage de 96 pages, format 150 x 210 mm, broché couverture couleurs, publié en 2008, bon état
174323133Pedeponti,vulgo stadt am hoff Ratisbonam Jean Gastelio 1743 Pet. in-4 de 9 ff. lim. N.ch., 463 pp. et 21 ff. n.ch. d'index, basane époque dos à nerfs orné , pièce de titre ,coiffe supérieure usée et coins usés (Reliure de l'époque).
0331540886.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0331540908.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
23879<p>"C'était à Mégara, faubourg de Carthage, dans les jardins d'Hamilcar." La première phrase de Salammbô, roman de Gustave Flaubert publié en 1862, a marqué pour des générations de lecteurs le début d'une expérience unique. Dans une tentative démiurgique de restituer la cité perdue, l'écrivain met en scène les passions humaines et donne naissance à un tourbillon d'images et de sensations qui déchaîneront l'imaginaire des artistes de la fin du XIXᵉ siècle jusqu'à nos jours.Peintres, sculpteurs, photographes, musiciens, cinéastes, auteurs de bande dessinée : tous s'emparent de Salammbô pour transposer les mots que Flaubert ne voulait pourtant pas voir illustrés. A l'occasion du bicentenaire de la naissance de l'écrivain, cet ouvrage et l'exposition qu'il accompagne entreprennent de révéler la portée considérable de ce chef-d’oeuvre de la littérature moderne et son héritage dans l'histoire de la Méditerranée.</p> Paris, 2021 Gallimard 332 p., cartonnage éditeur. 25 x 32
1037Paris, Louis Guérin, 1701 ; 1 vol. in-12 - 2ff.-366 pp.-8ffPlein veau brun, dos à nerfs orné de caissons dorés, tr. mouchetées rouge. Reliure de l'époque défraîchie : charnière sup. légèrement fendue en tête, 2 petits trous de vers, coins émoussés.