MISTRAL, FedericoBiblio.com
14 résultats
188231736Barcelona: Bibl. Arte y Letras 1882.- 237 p.: Ilustraciones y láminas al boj 2 de ellas litográficas.; 4º menor 204 x 14 cm; Tela Ed. planchas en oro y colores cortes pintados y con grecas.- Biblioteca Arte y Letras. Con algunas manchas de óxido en las primeras páginas sin afectar lectura. La primera litografía con visos de oxidación. Por lo demás en muy buen estado. LITERATURA Y ESTUDIOS LITERARIOS EXTRANJEROS DE LOS SIGLOS XVI-XXI Libro en español Bibl. Arte y Letras hardcover
190027030Halle ca.1900. Deutsch von Franziska Steinitz Goldgeprägter Einband mit Jugendstilmotiven und Kopfgoldschnitt Gering stockfleckig im Bund. Selten Deutsche Erstausgabe Otto Hendel 8°. Ln. Literatur unknown
1886182746Paris: Alphonse Lemerre 1886. Hardcover. VG- front cover is loose bumping to boards pages are clean and clear. Bound in 3/4 black leather and marble illustrated boards with gilt tooling; spine has five raised bands gilt lettering and extensive gilt tooling; top edge gilt; red blue and white illustrated end papers; bw portrait frontispiece of F. Mistral with protective tissue guard; bw illustrated title page with black and red lettering; 515 pp. Text is in French. Consists of the Provençal text of the author's poem Mirèio and his French prose translation on opposite pages. Volume one of a three volume set. Alphonse Lemerre hardcover
18842934629Librairie Hachette 1884. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition suitable as a study copy. No dust jacket. Medium 8vo with purple boards and leather quarter binding. Raised bands. Gilt lettering on backstrip. Exterior is worn. Red speckled edges. Interior is secure clean and clear. Trimmed. Please note the Image in this listing is a stock photo and may not match the covers of the actual item750grams ISBN: Librairie Hachette hardcover
187580855Paris: Enco de Charpentier E Cie Libraires-Editeurs 1875. Cloth bound in very good condition. Half vellum bound with leather spine label; 511 Pages. Enco de Charpentier E Cie Libraires-Editeurs unknown
1884400079498édition originale hachette 1884. 1884. Librairie Hachette & Cie 1884 édition originale hachette unknown
18892131DB1889. Paris Alphonse Lemerre 1889. 16°. 2 Bl. 8 541 3 S. 2 Bl. Lederband der Zeit mit Rücken- Aussen- Steh- und Innenkantenvergoldung sowie 3-s. Goldschnitt in Pappschuber mit Marmorpapierüberzug Orig.-Umschläge miteingebunden. = "Oeuvres Petite bibliothèque littéraire". Durchgehend leicht gebräunt. - Einbandrücken minim berieben. Leicht berieben und bestossen. unknown
1891256191Paris: Librairie Hachette et Cie 1891. First Edition. Hardcover. Finely bound in contemporary aniline calf over marble boards. Remains particularly well-preserved overall; tight bright clean and sharp-cornered. Physical description; 376 p. ; 19 cm. Subjects; Frédéric Mistral 1830-1914. Mireille. Provincial poems. French poetry. 19th - 20th century poetry. Genre; Poetry. Paris: Librairie Hachette et Cie hardcover
18847099Paris: Hachette & Cie 1884. Fine. Hachette & Cie Paris 1884 13 x 20 cm relié First edition of which no deluxe copies are mentioned. Half red shagreen with corners spine with five raised bands soiled covers preserved top edge gilt. Fine copy despite some worming affecting the endpapers. Hachette & Cie hardcover
188639134Marseille and Paris: G. Charpentier 1886. Two volumes complete. A PRISTINE LARGE-PAPER COPY OF THE FIRST AND ONLY EDITION OF THE WORKS OF THIS IMPORTANT PROVENÇAL WRITER AND POET with facing-page French translation. LXVIII 394 etched portrait of the author by F. Desmoulin; 430 pp. From a total edition of 1050 copies this is one of only 50 numbered copies printed 4to on fine Dutch laid paper the rest of the edition was printed 12mo on cheap wove paper. A presentation copy with a signed inscription dated 1904 in both volumes from the author's son Victor-Luc-Camille Gélu 1848-1920 to Dr. Roux-Lacroix a member of the Société Archéologique de Provence. 4tos. In publisher's printed wraps as issued. ENTIRELY UNCUT. Wraps of volume II somewhat chipped and worn but still solid. VERY RARE especially in this pristine unbound state. <br/><br/> G. Charpentier paperback
189886539Maillane Bouches du Rhône Maillane 1898. Fine. Maillane Bouches du Rhône Maillane 28 Février 1898 11.50 x 17.50 cm trois pages sur un double feuillet Autograph letter dated and signed by Frédéric Mistral addressed to Anatole France 44 lines in black ink regarding the publication of his work ""Les mannequins d'osier"" which he has just sent him with a dedication. Fold marks inherent to postal delivery a vertical shadow on the first leaf. Frédéric Mistral has just received ""Les mannequins d'osier"" and gives a glowing portrait of his correspondent's style: "". ce livre qui m'a donné tous les plaisirs de la lecture. Je suis de ceux que le roman n'intéresse guère lorsqu'ils ne sont que prétentieux tableaux de la vie contemporaine. . mais il y a dans les vôtres une si fine quintessence d'érudition et d'observation agréablement mêlées et une si joyeuse fleur d'optimisme tolérant qu'on s'y retrouve sans rechercher dans la façon gauloise omnisciente et libre de Maître Rabelais."" this book which has given me all the pleasures of reading. I am one of those whom novels hardly interest when they are merely pretentious tableaux of contemporary life. . but there is in yours such a fine quintessence of erudition and observation agreeably mixed and such a joyful flower of tolerant optimism that one finds oneself in it without seeking in the Gallic omniscient and free manner of Master Rabelais. The félibrige loves equally the characters created by his illustrious and charming master ""Tous vos personnages sont si naturels si bien en situation si logiques que ma foi on les aime tous et quoique tout cela provienne d'un aimable et indulgent scepticisme on y a là l'explication de ce phénomène étrange que si loin si injuste si douloureux que soit le monde chacun pourtant y pousse volontiers sa brouette avec la conviction en le réconfort d'avoir raison."" All your characters are so natural so well placed in their situations so logical that my faith one loves them all and although all this comes from an amiable and indulgent skepticism there one has the explanation of this strange phenomenon that however distant unjust painful the world may be each person nevertheless willingly pushes his wheelbarrow with the conviction and comfort of being right. as the spirit that breathes and animates his books: "". la sympathie du reste vraiment universelle qui accueille tous vos écrits doit vous prouver combien vous êtes humain et sage dans l'antique sens de ces mots."" the truly universal sympathy that welcomes all your writings must prove to you how human and wise you are in the ancient sense of these words. unknown
188992006Paris: Alphonse Lemerre 1889. Fine. Alphonse Lemerre Paris 1889 9.5 x 16.5 cm Relié Bilingual edition in Provençal with the French translation printed opposite.Contemporary half brown shagreen smooth spine sunned and decorated in gilt with floral tools and ornamental motifs gilt initials at foot cats-eye paper sides comb-marbled endpapers and pastedowns wrappers preserved.A few minor foxing spots the first gathering tending to loosen.Precious dated autograph inscription signed by Frédéric Mistral in Provençal to his friend the félibre poet Paul Arène. Alphonse Lemerre unknown
1859125658Avignon: J. Roumanille 1859. First edition first printing without the dedication to Lamartine and the note on pronunciation. Mistral's long narrative poem was his first great literary success and is generally considered his masterpiece. Taking eight years in composition the poem written in the Provençal dialect tells of a young couple's thwarted romance. Mistral 1830-1914 was awarded the Nobel Prize in Literature in 1904 "in recognition of the fresh originality and true inspiration of his poetic production which faithfully reflects the natural scenery and native spirit of his people and in addition his significant work as a Provençal philologist". Octavo 213 x 131 mm. Twentieth-century red half morocco spine lettered in gilt red marbled sides and endpapers edges speckled brown. Ink ownership signature to half-title. Spine lightly faded with a few rub marks tips with very minor wear some light foxing. A very good copy. unknown
1890125995London: T. Fisher Unwin 1890-95. The publisher's retained first copies of the rare deluxe japon issue of seven titles in Unwin's Cameo Series each copy number 1 of 30 numbered copies only printed on japon vellum three signed by the publisher on the colophon; all from the personal library of Thomas Fisher Unwin 1848-1935. Unwin's Cameo series of poetry was a distinctively packaged sequence of books that caught the attention of the public and attracted imitators. Several of the titles included here constituted meaningful first appearances: Wordsworth's Grave first Mireio first UK Mariana first English and The Son of Don Juan first English. Also included in the series which ran from 1890 to 1902 were titles by Henrik Ibsen Amy Levy Richard Garnett W. B. Yeats Edward Willmore and Alfred de Kantzow. Three pieces of ephemera are laid in: a William Watson poem "Liverpool" clipped from a newspaper dated 23 October 1908; a small 4-page booklet sewn at the fold advertising Unwin's Century Illustrated Monthly Magazine; and a typed 14-line poem "To Madame Duclaux A. Mary F. Robinson" dated 9 January 1926 and with the autograph of Irwin F. Smith. 7 vols octavo. Illustrated frontispiece to each vol. Original stiff vellum titles gilt to spines Cameo Series device to front covers and publisher's imprint to rear covers in brown edges untrimmed. Mostly uncut. Some light mottling to covers but generally in very good condition indeed all sound and internally clean. hardcover
