Nin, AnaisBiblio.com
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0553229699.Gmass_market. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1977G0553103806I4N00Bantam 1977. Paperback. Very Good. Disclaimer:A copy that has been read but remains in excellent condition. Pages are intact and are not marred by notes or highlighting but may contain a neat previous owner name. The spine remains undamaged. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Bantam paperback
1977G0553103806I3N00Bantam 1977. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Bantam paperback
19592iEi0055fNew York: Bantam Books Inc. 1959. Book. Like New. Mass Market Paperback. 12mo or 12° Duodecimo: 6¾" x 7¾" tall. 118 pp. A rare hard-to-find out-of-print true collectible gem! A wonderful copy! An excellent spotlessly clean copy! Clean fresh sharp tight essentially and virtually flawless copy with crisp pages clean text and very light shelf wear. Beautiful text. Previous owner's small note on first front-end page. Previous owner's light pen mark in margin of page 19. Bantam Books, Inc. Paperback
1994DADAX06718713901994-05-01. Reprint. paperback. New. 4.25x0.75x6.75. Buy with confidence. Excellent Customer Service & Return policy. paperback
SLIVCN-9780241614686Penguin Books UK (2/2023)
197552605Chicago: Swallow Press 1975. First printing. Very good plus in very good plus jacket. First edition of this collection of talks and other public events by Nin from 1966 through 1973. 8.25'' x 6.5''. Publisher's quarter black cloth over red boards. In original unclipped $10.00 photographic jacket designed by Linda Nowak. Red endpapers. xvii 270 pages. Edited and with an introduction by Evelyn J. Hinz. Mild foxing to book edges and verso of jacket. Offsetting to front endpapers. Touches of shelfwear overall. Slight lean. Else sound. Swallow Press unknown
197699751<p>Chicago IL: The Swallow Press Inc. 1976. 1976. Good. INSCRIBED AND SIGNED ANAIS NIN'S HUSBAND RUPERT POLE TO THE ARTIST RENATE DRUKS - Octavo 8-1/2 inches high by 5-1/2 inches wide. Softcover bound in black white & orange pictorial wrappers. The binding is rubbed with creasing to the rear cover & spine & to the bottom corner of the front cover. The left edge of the titling on the cover is slightly faded. xviii & 270 pages. The fore-edge is lightly soiled. Good.</p><p>Later printing.</p><p>Edited with an introduction by Evelyn J. Hinz.</p><p>Inscribed to artist Renate Druks on the half-title by Anais Nin's West Coast husband and literary executor Rupert Pole. Pole writes: "For Renate / in Memoriam Jan. 14 1977 / Rupert". Pole's inscription is dated the date that Nin died. He adds "Too Much" beneath the title "A Woman Speaks" followed by Aanais Nin's name.</p><p>Rupert Pole 1919-2006 was a 28 year old musician and actor when he met the 44 year old Anais Nin in 1947 after the Broadway run of "The Duchess of Malfi". Pole earned a degree in forestry and after joining the Forest Service moved to live with Anais Nin in a rustic cabin in the Sierra Madre. Pole was under the impression that Nin had divorced her first husband Hugh Parker Guilder when they were married in Arizona by a justice of the peace. For 11 years Anais Nin kept secret from Pole that she was still married to Guilder but concerned about legal & financial entanglements the couple annulled their marriage. Though she remained married to Guilder Nin spent her remaining years with Pole in a small house he had built in Los Angeles' Silver Lake neighborhood. The house was designed by Pole's half brother Frank Lloyd Wright's grandson Eric Lloyd Wright. Following Nin's death in 1977 Pole became literary executor of her estate responsible for supervising preparations of posthumous editions of her work. In that capacity he restored erotic content that had been toned down in earlier editions.</p><p>The recipient Viennese-born artist Renate Druks 1921-2007 was one of Anais Nin's closest friends. Renate was first introduced to Anais Nin by their mutual friend Paul Mathiesen. Druks and Mathiesen came up with the idea of the "Come as Your Madness" masquerade party to which Nin showed up in a skin-colored leotard with a birdcage encasing her head from which she drew out ticker-tape upon which she'd penned lines from her books. Kenneth Anger in attendance was inspired by the event to create his film "Inauguration of the Pleasuredome" which featured scenes with Nin Druks and Mathiessen. Anais Nin and Renate Druks remained close friends until Nin's death and the character of Renate in Nin's final novel "Collages" is based on her friend. Renate Druks held her first solo exhibition of her paintings at the Lane Galleries in 1957. Her Malibu home later became known as a salon for the avant garde which was often visited by the likes of Kenneth Anger Don Bachardy Christopher Isherwood James Bridges Henry MillerVirgil Thompson and Anais Nin among others. In her diaries Anais Nin wrote "Renate's gift is a heightened mood which communicates itself to others. She created in a state of natural intoxication".</p> Chicago, IL: The Swallow Press Inc., (1976). paperback
GOR001793459Paperback. Very Good. paperback
1973440Edited by Philip K. Jason with an introduction by Anna Balakian. A collection of fiction and non-fiction by the celebrated author perhaps best known for her erotica and diaries. Beautiful copy fine in about fine p/c dw and warmly and briefly INSCRIBED on the front end paper "for Marcia from Anais" to New Mexico poet and artist Marcia Muth. The Swallow Press hardcover
1973sku520012023Swallow Press 1973-01-01. First Edition. HARDCOVER. Very Good/Very Good. 8x5x1. Signed. We're always buying collectible book collections. Contact us for details. We're happy to provide pictures of all books please just ask! Signed American first edition first printing. Stated first edition first printing on copyright page. Signed on front end page by Anais Nin. Jacket is in Very Good condition. Minor wear to spine ends and edges of jacket. Corners of jacket are lightly worn. Jacket is NOT price clipped. Covers are clean and bright. Edges are sharp. No tears or creases. The book itself is in Near Fine condition. The binding is straight and tight. NO remainder mark. Swallow Press hardcover
19500013271950. Soft cover. Near Fine. Anais Nin folding woodblock print social note card probably circa 1950s. Unopened size is 4 1/4" x 2 3/4". Opened size 8 1/2" x 2 3/4". Softly erotic woodblock print of the female form on the cover closed format. Signature and handwriting certified by an FHE and the physical form of that certification will accompany this piece. Also some provenance in the form of the business card of the previous owner himself a rare manuscripts dealer. A flirtatious note from Ms.Nin to a gentleman who had previously wanted to write a story about her telling him that now the time may be right for that - and including her phone number. Date of this piece not known but might be deduced from her phone number by a Nin authority. Such an expert may also know who the gentleman in question is. And for that matter it may not even be a gentleman. Near fine condition just a bit toned from the years not much and no other flaws. See scans. A neat and very "that's-so-HER" little piece of manuscript ephemera from the world of and history of literature - from a time when there were such things. Today she would have just texted the guy. You can't collect that. L52 <br/> <br/> paperback
17-4202Los Angeles CA : The Anais Nin Foundation 1987. 8vo. 136 pp. Softcovers. B&W Plates. Very Good with little signs of wear. Some pencil markings inside. VOL 5:The contents consist of essays written by Anais Nin and others. Included are Nin's "With Henry and June - From the original unedited Diary November 1932"; "The Smell of the Street - A Boost for Black Spring" and "Into the Heraldic Universe - Letters to Lawrence Durrell 1937-1939". Also included are Beatrice Commenge's "'The Street Where I Lived' - On the Trail of Henry Miller"; Henry Miller's "On House of Incest - A 'Preface' and a 'Review'"; Gunther Stuhlmann's "The Genesis of 'Alraune' - Some notes on the making of House of Incest"; Marie Bashkirtseff's "On the Nature of Love" etc.VOL 6:The contents consist of writings by Anais Nin and others. Included are "With Antonin Artaud - From the unedited Diary March-June 1933". Also included are Anna Balakian's "A Tale of Two People: 'The Diary of a Wife'" Doris Niemeyer's "How to be a Woman and / or an Artist" and Andre Bay's "Sex - The Promised Land".VOL 7:Among the contents of Volume 7 of this annual are: "Hans and Johanna" -- From the withheld novella "Djuna" by Anais Nin; "Sons and Daughtera -- The Incest Motif in Anglo-Saxon Literature"' by Otto Rank; "A Fateful Laboratory of the Soul" and "Woman Will Point the Way" by Henry Miller; and two poems by Jacques Prevert.From the collection of UC Berkeley Art Professor Peter Selz 1919-2019. Los Angeles, CA : The Anais Nin Foundation, 1987. paperback
1973554698Chicago: The Swallow Press 1973. Softcover. Near Fine. First simultaneous paperback edition. Edited by Philip K. Jason. Introduction by Anna Balakian. Spine creased light spotting on rear wrappers near fine. Excerpts from novels diaries and non-fiction as well as some previously uncollected work. The Swallow Press unknown
1997421063Basingstoke : Macmillan 1997. 1st edition. Hardcover. Near fine cloth copy in a near-fine very slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: xvii 281 pages : illustrations ; 23 cm. Subjects: Nin Anaïs 1903-1977 Criticism and interpretation; Women and literature United States History 20th century. Basingstoke : Macmillan hardcover
19721285Denver: Swallow 1972. Unbound. Near Fine. First edition. Unbound galley sheets. Each sheet printed rectos only on thin proofing paper and laid into a dustwrapper. Some wear to the edges of several pages this set was apparently read. A somewhat unusual as well as ungainly method of producing proofs we assume virtually none of these have survived. Swallow unknown
1976000032New York: Quartet Books 1976. First Edition. . Decorative Cloth. Very Good/Very Good. John Boyce. Erotica passages and line drawings. Very good condition Size: 4to - over 9¾" - 12" tall <br/> <br/> Quartet Books hardcover
0804010064.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
197272081Chicago 1972. Chicago: 1972. Period reel-to-reel audio recording preserved in an Ohio State University box with manuscript titles on the rear panel. Digitized in early 2020 into wav recordings which are provided on a USB key. The recording is 28 minutes 37 seconds in length. Nin 1903-77 the French-born diarist and passionate eroticist is interviewed by Robert Cromie of the Chicago Tribune for the PBS television program Book Beat. In the course of their wide-ranging conversation which was recorded shortly after the publication of The Diary of Anais Nin Volume Four 1944-1947 1971 she discusses her literary approach: "it's played all kind of the roles the Diary you know it was the story of growth of a woman it was also a notebook and many of the characters in the novels I would start taking from reality from the Diary and then of course they go through a transformation which fiction always does and they will become composites. So there will be two people in one portrait and they change but nevertheless the base of it was in truth in the truth of the Diary and you can find similarities." Nin also speaks to her complicated relationships with writer Gore Vidal and filmmaker Maya Deren among others and the publication of Under a Glass Bell 1944 by her own printing Press which she named Gemor Press. When asked about Henry Miller's bohemian lifestyle she recalls "he was very generous with everything with his ideas with his stories with his life . he's generous to other writers too which is something that we kept from the Paris days and we never understood when we came to New York the absence of fraternity. But then of course the New York scene was different. The French writer never made any money. There was something rather uncommercial about being a writer and we were always helping each other and inspiring each other and encouraging each other and I miss that. Henry continued to encourage writers and I did too. Somebody said the history of art is the history of friendship. Should be." She also touches on a number of topical issues musing on the future of the Diary and sharing her thoughts on feminism: "There's one aspect I'm very much involved in with the creativity of the woman the liberation of the woman. There's an aspect which is very militant which I'm not involved with and you know there are many factions as you know it's already divided into many factions. I'm interested in showing the writing of women their capacities inspiring them and the Diaries of course have meant a great deal to women because it's unusual to have the story of a woman's growth. We never had a record of that and I was always interested in the growth of plants I would watch plants grow. I think I love to see the growth of human beings and I found the only one I could really record scientifically completely was my own and I think this became the story of growth for other women: examining the conflicts and the obstacles and watching day by day how you could expand without damaging others how could you grow without being destructive and all the problems that a woman has. unknown
0988917092.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
194706921CHILDREN OF THE ALBATROSS Dutton 1947 first edition just about fine in vg lightly rubbed dust-wrapper with some chipping at and near the head of the dust-wrapper spine. From the library of Ms. Nin's close friend Motion Picture and Television director Curtis Harrington with his ownership signature on the f.e.p. Nice association thus. Dutton unknown
194706920CHILDREN OF THE ALBATROSS Dutton 1947 first edition just about fine in lightly rubbed dust-wrapper. Dutton unknown
1947A46457New York NY: E. P. Dutton & Company. Very Good in Very Good- dust jacket. 1947. 1st Edition; 1st Printing. Hardcover. This book is in Very Good condition and has a Very Good- dust jacket. The book and its contents are in generally clean bright condition. There is some beginning bumping to the spine ends of the book cover. The text pages are clean and bright. All edges of the text block have some ground-in dirt especially the top edge. The dust jacket has some generalized rubbing edge wear small nicks and tears and several small to medium edge chips especially the top spine end. The top corner of the front flap has a small crease. "Nin was a friend and in some cases lover of many leading literary figures including Henry Miller John Steinbeck Antonin Artaud Edmund Wilson Gore Vidal James Agee James Leo Herlihy and Lawrence Durrell. Her passionate love affair and friendship with Miller strongly influenced her both sexually and as an author. Nin wrote about her infatuation with the Surrealist artist Bridget Bate Tichenor in her diaries. Claims that Nin was bisexual were given added circulation by the Philip Kaufman film Henry & June about Henry Miller and his second wife June Miller. The first unexpurgated portion of Nin's journal to be published Henry and June makes it clear that Nin was stirred by June to the point of saying paraphrasing "I have become June" though it is unclear whether she consummated her feelings for her sexually. To both Anaïs and Henry June was a femme fataleirresistible cunning erotic. Nin gave June money jewelry clothes often leaving herself broke." from Wikipedia . E. P. Dutton & Company hardcover
1959356958Chicago: The Swallow Press 1959. Softcover. Good. 8vo 8" - 9" tall. Ian Hugo. SIGNED at first free endpaper by the author "Gael from Anais." Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell was born in Paris France of Spanish-French-Danish parentage. She emigrated to the U.S. at age 11. Her Diary ran to 103 volumes by the publication of this volume in 1959 Wikipedia. She came to the defense of and published the first book by a woman about D.H. Lawrence and wrote prefaces and forewords for Henry Miller Lawrence Durrell and many other mostly male masculine authors. She was also a neo-Freudian psychoanalyst under the tutelage of Dr. Otto Rank publisher's blurb. Sturdy still tightly bound softcover copy moderate wear to and mild soiling of covers less to text-block but with neither underlining nor highlighting. Some slight foxing here and there but a clean and bright unmarked interior. Couple of dog-eared pages. Perfectly readable usable copy. Illustrated at half-title and with two bound-in black-and-white illustrations by "Ian Hugo" Hugh Parker Guiler February 15 1898 – January 7 1985 her husband from 1923 until her death in 1977 while she was also married to another man. Ian Hugo was a skilled engraver and filmmaker in his own right too. Children of the Albatross like her other works is drawn from her diary and letters. Ditto for Ladders to Fire Cities of the Interior A Spy in the House of Love and others. 6 7-174 pp.Member I.O.B.A. C.B.A. and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes and for sets. The Swallow Press paperback
195952623London: Peter Owen Limited 1959. First edition. Near fine in very good plus jacket. First UK printing review copy of the second volume in Cities of the Interior Nin's five-part "continuous novel" sequence incorporating material from her diaries and her relationships with June and Henry Miller. 7'' x 4.75''. Original grey-green cloth with gilt-lettered spine. In original unclipped 15s. pictorial dust jacket by Eric Patton. 181 1 pages. Original publisher's review slip laid in. Slight spine lean light scattered foxing to text block edges. Jacket with minor edgeweartoning to spine and rear panel. Peter Owen Limited unknown
