13 423 résultats
200138568Lyon France: Mes. Jean Chenu & Benoit Scrive. New. 2001. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED Text in French. 283 lots several illustrated. Among the items in this sale : a signed photograph of Paul Valery and several drawings by Paul Bouget used as book illustrations. -- with a bonus offer-- . Mes. Jean Chenu & Benoit Scrive paperback
2016116300Turner. New. 2016. Paperback. 841614270X .IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English and Spanish. -- with a bonus offer; 6.4 X 0.9 X 9.4 inches; 224 pages . Turner paperback
195658787Lyon France: Musee De Lyon. As New. 1956. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 418 pp. With 344 ills. 8 col. . 25 x 17 cm. -- with a bonus offer-- . Musee De Lyon paperback
198338115Lyon France: Musee Des Beaux-Arts De Lyon. As New. 1983. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - Text in French; 23 works catalogued and illustrated in black and white -- with a bonus offer-- . Musee Des Beaux-Arts De Lyon paperback
197932413New Hope Kentucky U.S.A.: Libreria Editrice Vaticana. As New. 1979. Hardcover Monograph. 8820900149 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text in English with 21 plates and many additional illustrations. Inscribed and signed by John McCann & Victoria Rudzic. Mint condition. -- with a bonus offer-- . Libreria Editrice Vaticana hardcover
1937062350London: Faber 1937. Book. Fair. Soft cover. Proof Copy. A set of publisher's galley proofs with manuscript corrections typed and manuscript corrections by the author and Henry Williamson in his familiar hand including red ink. Myfanwy Ann Thomas 1910-2005 writing under the pseudonym of Julia Hart Lyon gives a fictionalised account of her long affair with Henry Williamson from her early days as his secretary and giving birth to his child. This is the only novel written by Myfanwy her other work being memoirs of her childhood and her parents Edward and Helen Thomas. 11-348pp. ALSO a proof copy of the book "Women Must Love" again amended and corrected. Pasted in presumably by Williamson is a newspaper photograph of TE Lawrence with beneath the words "ill-fated". All contained in a large solander drop=front box. The proofs originally from the library of Williamson. Faber Paperback
189519909Lyon, Bernoux et Cumin, 1895-1899 ; 3 tomes fort in 8, maroquin bordeaux, dos à nerfs décoré et doré du fer au lion debout, titre et tomaison dorés, encadrement d’un triple filet doré, double filet doré sur les coupes, large dentelle intérieure, tête dorée, non rogné (L. Guétant) ; 614; 668 ; 666 pp., 26 planches hors-texte, certaines sur page double, [2] pp. d’Index de ces planches ; XXIV pp. Liste des souscripteurs.
1821021505London: John Murray 1821. First Edition. Hardcover. Title page and dedication page with dampstaining and restoration; plates with fine contemporary coloring one with a closed tear to margin not affecting the image. Hinges starting covers still firm; rubbing and fading to spine. Very Good. Quarto 8" x 10-1/2" bound in full polished calf leather by Casa Calero Madrid with gilt-lettered spine with four raised bands all edges marbled; xii 382 1 pages. Complete with large folding engraved map and 17 hand-colored lithographic plates after Lyon by M. Gauci G. Harley or D. Dighton. Lyon disguised as a Muslim left Tripoli to discover the source of the Niger river. The hand-colored plates depict scenes and traditional Libyan clothes. ABBEY TRAVEL 404. <br/><br/> John Murray hardcover
145326Early Draft script though noted as a "Final Draft screenplay" for the 1971 film dated two years prior to its release. The number "243" is annotated in faded holograph ink at the top right corner of the title page.<br/><br/>An important slightly experimental X-rated comedy that is ground zero in the history early 1970s sexual climate in America predicting the more conventional porn chic that would land with the release of "Deep Throat" the following year. The of a young woman who sets out to connect with the man behind an obscene phone call encountering all manner of perversions along the way. The film featured an early role for Sarah Kennedy Warholstars Ultra Violet Ondine and Geri Miller and a young Jill Clayburgh.<br/><br/>Notably as with films directed by John Cassavetes much of the dialogue in the film that feels quite improvised turns out to have been written word for word in the script.<br/><br/>Set in New York City and shot on location there. <br/><br/>Maroon titled Studio Duplicating Service wrappers. Title page present dated June 25 1969 noted as FINAL DRAFT SCREENPLAY copy No. 283 written in holograph ink at the top right corner and with a credit for screenwriter Nelson Lyon as well as producer Merwyn Block with a New York address for Rosebud Films Inc. 114 leaves with last page of text numbered 111. Mimeograph duplication rectos only with blue revision pages dated 10/8/69 over 3 months after the script was completed. Pages Near Fine wrapper Very Good with some soil bound with two gold screw brads.<br/><br/>Vinegar Syndrome 7. unknown books
1958159831London: Merton Park Studios 1958. Draft script for the 1959 British horror film. Annotations in manuscript pencil on seven pages. <br /> <br /> A low-budget production made to accompany producer and co-screenwriter Herman Cohen's 1958 horror film "Horrors of the Black Museum"-the first of the Anglo-Amalgated's "Sadian trilogy" as coined by film critic David Pirie-as a double bill for the US release. <br /> <br /> While hiding in an English castle to see if ghosts are real three college students encounter and attempt to help a ghost cursed to wander the castle without his head. Written in two weeks and filmed in three the film used many of the same sets and locations as "Horrors of the Black Museum." <br /> <br /> Set in the fictitiously titled Ambrose Castle England. <br /> <br /> Red untitled wrappers with a die-cut window in the British style. Title page present dated 3rd November 1958 with credits for screenwriters Kenneth Langtry and Herman Cohen. 62 leaves with last page of text numbered 61. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads. Merton Park Studios unknown
1964140942043New York: Simon & Schuster 1964. First Edition. Fine/Very Good. First edition cloth issue. 123 pp. Publisher's black boards with white cloth backstrip lettered in black. Near Fine with slightly bumped bottom corners publisher's "H" stamp on paste down and tiny bookstore label in a Very Good dust jacket chipped at head and bottom corner of back panel wear along top edge a little toned unclipped.<br /> <br /> <p>A photographic chronicle of the civil rights movement with many photographic contributions from Danny Lyon as well as Robert Frank David Heath and Jill Kremenetz. The text was written by Raisin in the Sun playwright Lorraine Hansberry who was to pass away at a mere 34 the year after publication. Simon & Schuster unknown
196889776New York: Macmillan 1968. Hardcover. Near Fine/Near Fine. First edition. A red dot to the top edge possibly a remainder mark and a very slight smudge on the front board very near fine in a near fine dustwrapper with three small internally repaired tears. The scarce hardcover edition. Parr and Badger The Photobook Volume 1 p. 256-257; Hasselblad The Open Book p. 236-237; Roth. The Book of 101 Books p. 190-191. Macmillan hardcover
177316518Lyon, Aimé de La Roche, 1773 ; in-folio ; veau fauve marbré, titre en long sur tout le dos, armes dorées de la ville de Lyon au centre des plats, dans un double encadrement de filets dorés, tranches dorées (reliure de l’époque) ; 87 pp., (1) p. de Table.
18377Album de dessins originaux à la plume, in 4° oblong, demi veau rouge dos à décor de rocaille romantique dorée (reliure ancienne) ; titre manuscrit en rouge et noir, l’album est dédié “à Madame de Praudière son très humble et très reconnaissant serviteur Louis baron d’Agos” ; 1f. bl. ,24 ff. de dessins à la plume en noir et bistre, le premier apparait dans une fenêtre d’un pan de mur en ruines avec des plantes et fleurs grimpantes, une vierge dans une niche, une épée et un blason aquarellés, le dernier également en couleurs, represente les initialesde Louis d’Agos ; les 22 autres sont des monuments de Lyon et alentours : Ainay, l’île Barbe, les aqueducs de Bonnant et de Brignais, le vallon de Roche-Cardan, le château de Châtillon d’Azergues, etc. Un dessin est daté de 1847. Louis de Fiancette, baron d’Agos (1816-1892) est connu pour ses travaux et ses dessins qui concernent les Pyrénées centrales et le Comminges.
192420812Lyon, Pierre Masson (imprimerie Marius Audin), 1924 ; in-4° (352 x 273 mm), broché ; [94] pp., 11 dessins hors texte en noir et blanc ou en deux ou trois tons, 84 en-têtes, 10 culs-de-lampe ; douze lettrines et couverture ocre avec une grande illustration et le titre en rouge.
15828Bordas, Chez L'artiste, 2004. In-folio, 18 pl. en ff., couverture souple et étui.
194421392Lyon, Audin, 1944 ; in-plano (435 mm), chemise cartonnée bordeaux à rabats, dos de percaline orange, grande étiquette de titre sur le plat, (reliure d’éditeur) ; [8] pp., 10 lithographies à pleine page tirées en noir et blanc sur velin pur fil Johanot à la forme ; planches tirées par A. Missanelli.
1377535Paris: Librairie de Gide Fils, 1822 in-8, 304 pages, grande carte se dépliant et 4 gravures hors texte dépliantes rehaussées de couleurs. Reliure d'ép. chagrin rouge, filets dorés encadrant les plats, dos orné de fleurons, pdt verte, bel exemplaire.
1820003323Th. Desoer. 3 vol. in-12 (14,8 x 10 cm), reliure maroquin rouge, dos à cinq nerfs orné, triple filet autour des plats, dentelle intérieure, filet de coupes, tête dorée (H. Duru). Edition imprimée sur papier vergé, illustrée de 15 gravures sur papier de Chine, dont le portrait de Rabelais, 3 vignettes de titre et contenant une bibliographie des éditions partielles ou complètes du roman de Rabelais avec les prétendues clés de l' uvre de Rabelais, une table des matières, un glossaire et le dictionnaire des Erotica Verba. Exemplaire non rogné, avec des feuillets plus courts dans la partie inférieure. (quelques piqûres).
1854003251Paris, Dentu (Imprimerie de Louis Perrin, à Lyon), 1854
1989WRCLIT44046Np 1989. Original 16 x 20" black & white photograph image size 12 x 18" landscape orientation. One corner faintly bumped otherwise fine. A vintage print of this superb photographic portrait of Burroughs taken at his shooting range. Burroughs wearing a hat and combat jacket with automatic pistol in hand is standing in front of an array of bullet- riddled targets framed by the larger rough timber and log backstop facing the camera directly with a broad closed-lipped grin. Inscribed by the photographer on the verso: "For Walter Reuben - Merry Xmas From Nelson Lyon '89." Lyon screenwriter producer and former SNL writer was associated with Burroughs on a number of projects including the recording DEAD CITY RADIO and the audio- book version of NAKED LUNCH. According to the recipient of this print Lyon made about six exhibition quality prints of this photograph in 1989 like the one in hand all for presentation; subsequently the photograph has been reproduced in books about Burroughs and was used as the Burroughs obit photo by the SF CHRONICLE. Later printings of the photograph have been exhibited and sold through galleries. Burroughs contributed an introductory note to the 1979 catalogue of Reuben's Kerouac Collection. unknown books
196851840NY: The Macmillan Co 1968. First edition. Lyon Danny. 8vo. 94 pp. 48 photographs 17 essays. A fine and bright copy in black cloth in a near fine photo-illustrated dust jacket. SIGNED by the photographer on the title page. Photos and text by Danny Lyon; this is his first solo book and regarded as a breakthrough in modern documentary photography. <br/><br/> The Macmillan Co hardcover books
19833116643New York: Viking Press. Fine with no dust jacket. 1983. First Edition; First Printing. Softcover. 0670430137 . First edition. SIGNED by Robert Mapplethorpe and Lisa Lyon on the half-title. Fine in trade-size pictorial printed wrappers. 128pp. 9" X 11" Rare signed by the duo. ; Studio Book; 9" X 11"; 128 pages . Viking Press paperback
8956Castigationes eosdem libros.In 12 plein cuir fauve d’époque, à nerfs, petits fers dorés. Filets à froid, avec un petit fer central et quatre fers en écoinçon, dorés, sur les plats. Titre avec vignette gravée de l’éditeur. XL-392 pages. Texte bilingue latin Grec, sur deux colonnes. . parisii impensis viduae Arnoldi Birkman 1549. Cum privilegis Régis, ad fexennium. Edition originale. Version latine de Jean du RUEL et les corrections de J. G. Pharmacopée, encyclopédie phytotérapie botanique rare. Quelques raccommodages, Un portrait gravé, de l’auteur, a été ajouté sur la page de garde ; exlibris gravé Dominici de Ponsainpierre. Seigneur du perron, conseiller à la cour des monnaies de Lyon. D’azur à deux colonnes d’argent en pals-supports 2 lions, couronne de Comte. Le livre 6 contient le De Venenis les livres 7 et Les de Venenatis animabulus. Les notes suivent le texte. Le caractère grec est celui-là même gravé par Pierre Haultin et utilisé la première fois pour le nouveau testament publié la même année par ses soins
19631489Marc Barbezat, à Decines, Isères 1963. Volume in-4 (315 x 250 mm) en feuilles sous couverture de papier japon nacré illustrée en couleurs, rempliée, chemise et étui recouvert de papier bois de l'éditeur. Édition originale des Poèmes Insoumis de Léna Leclercq illustrés de 8 LITHOGRAPHIES ORIGINALES EN COULEURS À PLEINE-PAGE D'ANDRÉ MASSON. 1 DES 25 EXEMPLAIRES SUR JAPON NACRÉ avec la suite des 8 lithographies et 2 lithographies refusées TOUTES SIGNÉES AU CRAYON PAR L'ARTISTE. L'ouvrage est signé au colophon par la poète et le peintre. Les lithographies ont été tirées par Mourlot et le texte imprimé par Audin à Lyon dans la mise en page de Marc Barbezat.
