Jones, William; March, Norman HBiblio.com
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1985Q-0486650162Dover Publications 1985-09-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1969160111CANADA. : Belmont Books. 1969. Book. Illus. by PHOTO cover of Topless Nude Woman and Close-Up on Woman's Face;. Near Fine. Soft cover. PBO Paperback Original True First Ed. 12mo - over 6¾ - 7¾" tall. 186 pages; Belmont B95-1015; 1969; PBO; Paperback Original 1st Ed; PHOTO cover of Topless Nude Woman and Close-Up on Woman's Face; LESBIAN Erotica Adult Fiction Novel - VERY RARE; Sally M. Singer is an American writer who penned lesbian pulp fiction from the late 1950s through the mid-1970s. her Partner was InaJane Rossman Back Cover: I am lying in the bed of Thomas Melborne with my blonde tresses smoothed out upon silken pillows. Yes I am the mistress of the greatest advertising impresario in the United States London and Athens. I am Thelma Ledge. I was not always Thelma Ledge. Thomas never knew the shocking secret i guarded from the world. Now after years of hiding the strange truth i have discovered that Thomas needs more than a woman. perhaps i am the only person in the world who could satisfy all of Thomas' needs. I am more than a woman. I am more than a man. I am Thelma Ledge.>>> Factory Indentation lines on back cover Minor Edge-Wear fading to top edge of paper spine;. Belmont Books. Paperback
1969083117004New York New York: Belmont 1969 Collectible extremely rare. Lesbian adult paperback book 1st printing March Hastings was a pseudonym used by both Sally M. Singer - 1930 and Gordon Davis 1935. Condition is very good plus. Has creases on spine t hinge crease on front cover corners bumped some edge wear no stamps or writing. Pages tight and clean with some foxing cover is bright and glossy .a nice looking book.WRAPPED IN PLASTIC BAG TO PROTECT CONDITION OF BOOK.CALIFORNIA RESIDENTS MUST INCLUDE SALES TAX.We have other titles in this genre in stock and give discounts in shipping on additional books please contact us for more iinformation. SUMMARY - .From back cover I am lying in the bed of Thomas Melborne with my blonde tresses smoothed out upon silken pillows. Yes I am the mistress of the greatest advertising impresario in the Untied States London and Athens. I am Thelma Ledge.I was not alway Thelma Ledge. Thomas never knew the shocking secret i guarded from the world.Now agter years of hinding the strange truth i have discovered that Thomas needs more than a woman. perhaps i am the only person in the world who could satisfy all of Thomas' needs. I am more than a woman. I am more than a man. I am Thelma Ledge. from synopsis page Having become a woman I have learned it was easy to become a man. I knew both points of vantage and found them as nature might have told me equal and not opposite.While smoothing rose water over my knuckles and watching the first hardy snow upon my terraces I thought of Star Aspen's desire for marriage and tried to envision how I would live properly while caught between the male and female impulse. I could not believe it could be possible to live with Star on one side of the bed and Thomas on the other unless I Thelma Ledge could equally yes equally satisfy both of these people. Belmont paperback
1914biblio38353Boston and New York: Houghton Mifflin Company; 1st Edition 1914. XII541 pages. 15 B/W plates. Fine Hardcover no dj. Embossed Maroon cloth Gilt spine title Gilt top edge. Clean Unmarked throughout. Original binding and hinges in an Excellent condition. 8.6"x5.5"x1.5". be33352. Houghton, Mifflin Company hardcover
1914031323Cambridge Massachusetts: The Riverside Press 1914. Book. Near Fine. Hardcover. 1st Edition. 16mo - over 5¾ - 6¾" tall. First printing states "Issued August 15" with no additional printings. Writings selected and arranged by Eva March Tappan. 115 pp. Worn at the spine ends and corners. "16 Monadnock Street" is penciled on the title page. Otherwise unmarked and in a square tight binding with hinges intact. The Riverside Press Hardcover
1917307921917. Softcover. VG- light wear to cover edges; pages unopened. Tan ill. wraps. 9 pp. 1 color plate. Text by W. M. Ivins. paperback books
1963012533New York NY: Midwood. Very Good. 1963. Paperback Original. Soft Cover. 4 1/4" x 7" PAPERBACK Midwood book #D231. Two adult novels in one book with four full page illustrations for each novel in a sepia tone illustrated by Frazetta. Wear at edges reading creases lightly rubbed light interior browning. . Midwood paperback
1994123581New york Pantheon Books 1994 1 vol. relié 110 pp, in-8, cartonnage sous jaquette illustrée, 110 pp., dessins d'Art Spiegelman. Texte en anglais. Très bon état.
1994123581New york Pantheon Books 1994 1 vol. relié 110 pp, in-8, cartonnage sous jaquette illustrée, 110 pp., dessins d'Art Spiegelman. Texte en anglais. Très bon état.
1975139699N.p.: American International Pictures AIP 1975. Three vintage black-and-white studio still photographs from the 1975 film. <br/><br/>An aging movie star pining for his lost days of fame throws a lavish Hollywood party in an attempt to pique the interest of some big shot producers. However the party flops resulting in an orgiastic and murderous free-for-all. <br/><br/>Set in Hollywood shot on location in California. <br/><br/>10 x 8 inches. Fine with a stamp to the verso of each. <br/><br/>Complete collation details available on request. American International Pictures [AIP] unknown books
199422092New York: Pantheon Books 1994. First edition. Hardcover. Fine/fine. Stated first edition. Superb repint edition of March's lost classic with illustrations by Spiegelman. A fine copy in illustrated boards in fine unclipped dustwrapper. SIGNED by the illustrator. From the back cover blurb "The Wild Party . It's the book that made me want to be a writer" -- William Burroughs. Pantheon Books hardcover books
196817496Freeport: The Bond Wheelwright Company 1968. First edition thus. Cloth. Fine. 8vo. 308 pp. This is the Autographed Deluxe Edition also called the Book & Bottle Edition. Number 177 of 250 copies printed thus with intriduction by Louis Untermeyer. Illustrations by Paul Busch. Black leather spine printed in gilt over beige cloth binding. A fine copy. Issued without dustwrapper. Comes in its original cloth covered slipcase which is stained on one side. <br/><br/> The Bond Wheelwright Company hardcover books
192910804N.p. New York: Privately Printed 1929. Octavo. Cloth-backed gold-foil boards; bright fuchsia endpapers; 80p. Subscriber's Edition limited to 200 hand-numbered copies this is no. 47. Probably a pirated edition published after the 1928 Covici printing; the Reginald Marsh illustrations not present in this edition. The single text decoration is of a quality that puts us firmly in mind of our favorite booklegger Samuel Roth. Boards edge-rubbed with foil rubbed through on edges; internally clean and unmarked. A solidly Very Good copy lacking the scarce dustwrapper. Privately Printed unknown books
19290000431929 Privately Printed Hardcover First Edition
1994241182New York: Pantheon 1994. First. hardcover. fine/fine. Illustrated by Art Spiegelman. Thin 8vo cloth-backed boards dust wrapper. New York: Pantheon 1994. Fine.<br/><br/> First edition with these illustrations of a lost classic from 1928.<br/><br/> Pantheon unknown books
194951271New York: The Citadel Press 1949. First Citadel Edition. Octavo 21.5cm; beige cloth with titles stamped in dark green on spine; green topstain; dustjacket; xii13-1235pp; illus. Upper corners gently tapped though still sharp else Near Fine in a Near Fine dustjacket unclipped priced $1.98 with a few tiny tears some wear at crown and corresponding wear to upper corners. Attractive edition of March's classic 1928 long verse narrative poem a violent story about a vaudeville dancer who throws a booze and sex-filled party eventually coming to a bad end. With an introduction by Louis Untermeyer and black & white illustrations throughout by Steele Savage; the dustjacket art is unattributed obviously later and lurid in suitable proportion to the poem's contents. One of the classic tales of jazz-age New York. The Citadel Press unknown books
192929282New York: Covici Friede 1929. Second printing. Cloth. Near Fine. 8vo. Thick oatmeal cloth covers. 120 pp. This is copy 1445 of two thousand of the second trade edition. A most handsome near fine copy. Covici Friede unknown books
1938302506n.p. n.p. 1938. 1938. Limited edition. 8vo. Two page introduction by Louis Untermeyer. Original 1/2 black cloth over gold boards; birght pink endpapers rubbing at edges. Very good. 80 pages. No dust jacket. Number 14 of 200 numbered copy for subscribers only. Remains an underground erotic cult classic since its first appearance. Hardcover. Very Good/No Jacket. [n.p., n.p., 1938]. hardcover books
1947WRCLIT58981New York: Privately printed for The Sylvan Press 1947. Quarto. Black cloth stamped in gilt. Frontis and pictorial vignettes. Gilding oxidized as usual else fine in acetate wrapper a couple short tears with printed paper flaps. First printing in this format designed and illustrated by Lewis F. White. Introduction by Louis Untermeyer. One of 2998 numbered copies of 3008. Privately printed for The Sylvan Press hardcover books
192810304JLondon: Martin Secker 1928. First Edition - British. Limited to 2000 copies. Little bit of foxing to preliminaries and outer edge otherwise very good in a dust jacket with some chipping at top and bottom of spine. Martin Secker unknown books
1994173126New York: Pantheon 1994. First edition and first printing. Hardcover. A magical pairing of March's classic text with illustrations by Spiegelman. A very near fine copy in a very near fine dust jacket. Pantheon unknown books
192822358EChicago: Covici 1928. First Edition. First Printing. This copy belonged to film director Rex Ingram with his bookplate. One of 750 finely printed copies published for subscribers of which this is #674. With illustrations by Reginald Marsh. A lightly handled copy with some darkening to the boards and edge wear slight fading to the cloth spine. A long narrative poem depicting the capricious and rebellious moods of the late Jazz Age. As Louis Untermeyer says in his introductory piece: “The Wild Party is Noel Coward in terms of Black Bottom; it is the Masefield’s Daffodil Murder translated into post-war night-clubbed bootlegged sex-ridden tabloid-jazzed New York.†Director Rex Ingram 1892 - 1950 is best known for his films Broken Feathers 1916 The Four Horsemen of the Apocalypse 1921 The Prisoner of Zenda 1922 Scaramouche 1923 and The Garden of Allah 1929. Covici hardcover books
1994406067New York: Pantheon 1994. A fine copy. 8vo. 112 pages. Original cloth-backed boards; dust jacket. FIRST EDITION first printing the suppressed first state lacking the final two lines of verse on the last page. According to Spiegelman's agent Deborah Karl Pantheon finished publication of the book and sent out author's copies for review. Coming home on the train Karl noticed the mistake on the last page and informed Spiegelman whose initial reaction was to call for the entire run to be reprinted. Instead Pantheon floated the lines in to correct the error and save costs. This is presumably one of only a small handful likely to have been preserved of this first issue. <br/><br/> Pantheon hardcover books
194719567New York: The Sylvan Press 1947. Limited ed. Hardcover. Very good. Small 4to. Printed imitation-leather boards. About very good. Some small touches of soiling to boards. Half-inch piece missing from top of spine. Interior clean and unmarked. Good and sound. 123pp. <br/><br/>From an edition of 1499 numbered copies this #702. First published in 1928 by Pascal Covici. Illustrated. The Sylvan Press hardcover books
192910804N.p. New York: Privately Printed 1929. Octavo. Cloth-backed gold-foil boards; bright fuchsia endpapers; 80p. Subscriber's Edition limited to 200 hand-numbered copies this is no. 47. Probably a pirated edition published after the 1928 Covici printing; the Reginald Marsh illustrations not present in this edition. The single text decoration is of a quality that puts us firmly in mind of our favorite booklegger Samuel Roth. Boards edge-rubbed with foil rubbed through on edges; internally clean and unmarked. A solidly Very Good copy lacking the scarce dustwrapper. Privately Printed unknown
