2 056 résultats
194427804New York NY: Weird Tales 1944. Text paper tanned edge wear along top edge rubbing to spine edge with a split at upper edge split and separation to lower left front with some splits and tear at base of spine and slight loss at head spine a good to very good copy. 27804. Octavo single issue cover art by John Giunta pictorial wrappers. Pulp Magazine. Includes stories by August Derleth "The Trail of Cthulhu" Frank Belknap Long Ray Bradbury "Reunion" Manly Wade Wellman and others. <br /> Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Weird Tales unknown
194327798New York NY: Weird Tales 1943. Text paper tanned several nicks to edges small loss at upper and lower right corners tiny tear to spine small loss at base of spine and lower rear cover separated from spine a very good copy. 27798. Octavo single issue cover art by E. Franklin Wittmack pictorial wrappers. Pulp Magazine. Includes stories by Henry Kuttner August Derleth Ray Bradbury Robert Bloch and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Weird Tales unknown
193727887Indianapolis IN: Popular Fiction Publishing Company 1937. Text paper tanned but supple a fine copy. 27887. Octavo single issue cover art by Margaret Brundage pictorial wrappers. Pulp Magazine. Includes stories by Dorothy Quick Robert Bloch G. G. Pendarves Edmond Hamilton Manly Wade Wellman and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Popular Fiction Publishing Company unknown
195127842New York NY: Weird Tales 1951. Text paper tanned slight edge wear slight loss to spine ends a nearly fine copy. 27842. Octavo single issue cover art by Bill Wayne pictorial wrappers. Pulp Magazine. Includes stories by Frank Belknap Long Greye La Spina H. Beam Piper and others. <br /> Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Weird Tales unknown
195327854New York NY: Weird Tales 1953. Text paper tanned slight edge wear small loss at head of spine a nearly fine copy. 27854. Octavo single issue cover art by Virgil Finlay pictorial wrappers. Pulp Magazine. Includes stories by Joseph Payne Brennan L. Sprague De Camp and Fletcher Pratt Mary Elizabeth Counselman and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Weird Tales unknown
194320502New York NY: Weird Tales 1943. Minor edge wear small sliver chip to lower front panel 28 mm loss of paper to lower spine mild color fade to spine a very good to nearly fine copy. 20502. Octavo single issue cover by E. Franklin Wittmak pictorial wrappers. Pulp magazine. Ray Bradbury's second Weird Tales appearance "The Wind." Also fiction by Henry Kuttner August Derleth Robert Bloch and others. Reference: Tymm and Ashley Science Fiction Fantasy and Weird Fiction Magazines pp. 727-736. Weird Tales unknown
1963List919Washington 1963. First Edition. Paper pennant measuring 10 1/16 × 16 7/16 inches. Tip detached and toned but easily restorable some wear and small amount of loss at shortest side very good minus condition overall. Very Good. One of only a few known copies of this American flag-themed pennant from the March on Washington notable for its incorporation of the American flag motif. Adaptations of the flag design were common in political graphics of the nineteenth century though the tradition dwindled in the twentieth century. The forty three stars shown appear to have no significance nor do the seventeen stripes. As many of the items created for the March on Washington were made by different groups attending the event most ephemeral items do not survive in any quantity. This pennant is featured in "For Whom it Stands: The Flag and the American People" by Michelle Joan Wilkerson 2015 Reginald F. Lewis Museum for Maryland African American History and Culture p. 22 and 61 and a copy is held at the National Museum of African-American Culture. unknown books
1961174282London: the March 1961. 6.5x12.5 inch sheet printed in English one one side and Russian on the other horizontal fold crease otherwise very good. Outlines the purpose of the march and calls for Gandhian resistance to violence. The marchers had by this time walked from San Francisco to Washington DC then flown to England where they were met with a large rally in Trafalgar Square before continuing into Europe where they eventually reached Moscow. the March unknown books
19464cb3Un des 270 sur pur fil Lafuma, celui-ci étant le n°127, signé de Dourdin, en feuillets dans 2 étuis.
19621247671962. Softcover. G cover may show some wear. soiling. Wraps. 24 pp. 18 bw plates. Lists contributions by over 100 artists gives lists of awards. unknown books
2000Q-1854095269Cassell 2000-10-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Cassell hardcover
20001536London: Cassell and Company 2000. Large quarto hardcover 288 pp. colour illustration throughout. A fine copy with the dust-jacket. Expert aviation historian and photographer Peter March has drawn on photographs from the archives of the world's air forces and aircraft makers to illustrate this new history of military aircraft. Cassell and Company unknown
19852111902158405528Kobo's editing room 1985. Soft Cover. Fine. Number of pages: 213p Size: 21cm Kobo's editing room paperback
19962111902161004656Shinano Mainichi Shimbun 1996. Soft Cover. Fine. Number of pages: 173p Size: 19cm Shinano Mainichi Shimbun paperback
19752083002115705695Sogen-sha 1975. Soft Cover. Fine. Number of pages: 200p Size: 18cm Number of books: 1 Sogen-sha paperback
19982083002115712492Chugoku Shimbun 1998. Soft Cover. Fine. Number of pages: 281 5 19p Size: 21cm Number of books: 2 Chugoku Shimbun paperback
19942111902160305136Yudanaka walking publication 1994. Soft Cover. Fine. Number of pages: 1135 pages Size: chrysanthemum Yudanaka walking publication paperback
1993406244Northampton MA: Junction Press 1993. A fine copy. 8vo. 78 pages. Original pictorial wrappers. First edition inscribed by the poet on the title in 1999. Blurb by Robert Creeley on rear wrapper. <br/><br/> Junction Press unknown books
19574619Paris Henri Colas 1957 petit in-4 en feuilles Paris, Henri Colas, 1957. 28,5 x 20 cm, petit in-4, 173 (5) pp., 23 eaux-fortes dont 1 en frontispice, 2 en double page hors-texte, 5 hors texte et 15 dans le texte (les hors-teste sont compris dans la pagination), 2 petits bois gravés (l'un au titre, l'autre contrecollé au dos de l'étui), en feuilles sous couverture verte rempliée et imprimée, chemise et étui de l'éditeur.
190320836Genève Tribune de Genève 1903 in-8 broché 1 guide, broché grand in-octavo Editeur (paperback in-8 Editor) (14,5 x 22,7 cm), couverture illustrée en noir et rouge (ornée de 2 photographies en noir : une de Gex, une de Genève), abondamment illustré (plentifully illustrated) de photos in et hors-texte en noir + une carte dépliante du pays de GEX en noir, petit manque de papier au dos, couverture avec de trés légères rousseurs mais intérieur parfait, 64 pages + 23 pages de publicité locales, sans date (1903) Genève, Imprimerie Artistique de la "Tribune de Genève" Editeur,
199715445BBMainz, Matthias-Grünewald-Verlag (= Edition 'Psychologie und Pädagogik'),, 1997. gr.8°, 110 S., mit einigen teils ganzseitigen s/w-Abbildungen, farbig illustr. original Kartonage (Paperback), ein paar wenige Seiten mit sauberen, dünnen, gelben (sehr) hellenTextmarker-Unterstreichungen (sehr unauffällig), sonst ein sehr gutes, sauberes Exemplar.
1966103257Couverture rigide. Cartonnage de l'éditeur. 212 pages.
1950153101950 pleine reliure citron grand in-cotavo carré (full binding yellow in-octavo), titre en bleu sur le dos (blue title on the spine), armoierie de la province historique sur le premier plat (Armoierie of the historic province on the front cover), marque-page en tissu (bookmark in tissue), première de couverture conservée illustrée en couleurs par (front cover of the preserved paperback edition illustrated in colors by) Georges Marjollin, page de faux-titre avec des références bibliographiques sur son verso (bibliographical references on the back of half title page), illustrations de (of) Yvonne Jean-Haffen - Victor Lhuer et (and) Jacquinet et (and) Simonet : importante documentation + 1 carte repliée (well-documented and folding map), 178 pages + 1 feuillet pour la Table des Matières et le Colophon (1 leaf for Table of contents and the Colophon), 1950 à Paris Editions des Horizons de France - 39 rue du Général-Foy,
1958002204Paris Hazan 1958
1969222141969. Student Mobilization Committee to End the War in Vietnam Fall Offensive Against the War in Vietnam handbill archive 1969 documents grassroots antiwar mobilization in the weeks surrounding the November 15 March on Washington and supports research into student organizing Vietnam War dissent protest communications and the relationship between antiwar activism and civil rights language. The material documents the system of mass antiwar protest coordination through locally distributed leaflets public calls for disciplined nonviolence strike-and-march scheduling and visual appeals to interracial and cross-movement solidarity revealing how organizers sought to convert dispersed campus opposition into a visible national demonstration. The Student Mobilization Committee was a national coalition active from 1966 to 1973 and the November 1969 Washington action drew more than 500000 demonstrators after the October Moratorium and alongside New Mobilization Committee activity making these handbills useful evidence of how antiwar organizations framed participation legality and public legitimacy during one of the largest Vietnam War protests in the United States.<br /> <br /> Two original handbills issued in connection with the November 14 and 15 1969 antiwar actions in Washington D.C. comprising one mimeographed leaflet distributed by the CWRU Student Mobilization Committee and one offset-printed graphic leaflet headed "FALL OFFENSIVE AGAINST THE WAR IN VIETNAM" each approximately 8½ x 11 inches. The mimeographed leaflet opens with a quoted November 9 1969 New York Times editorial warning that "The Administration has been following a course calculated to increase the danger that the protest march will turn into a violent confrontation" and answers with the committee's insistence that "Nov. 14-15 will be the most massive legal peaceful and non-violent demonstrations ever held in the U.S." Its text explains the functional logic of the protest effort arguing that "Only a massive peaceful demonstration of the American people can require the government to end the conflict and bring the troops home now" while also identifying government rhetoric as a threat to the movement's legitimacy: "The source of rumors about violence. is the government itself." The second leaflet uses bold graphic design and a black-and-white protest photograph showing demonstrators one raising a peace sign with placards reading "End the War Now!" and "Bring the Troops Home Now!" and a background banner declaring "End Racial Oppression!" Beneath the image the leaflet gives the coordinated schedule: "FRIDAY NOV. 14 / STRIKE AGAINST THE WAR" and "SATURDAY NOV. 15 / MARCH ON WASHINGTON" linking workplace and campus strike tactics to the mass Washington demonstration.<br /> <br /> Student Mobilization Committee to End the War in Vietnam. Nov. 14-15 peaceful and non-violent demonstrations leaflet. Cleveland: CWRU Student Mobilization Committee 1969. Mimeographed organizing handbill using press quotation rebuttal and direct appeal to defend the planned Washington demonstrations against anticipated claims of violence. The leaflet shows the mechanisms of antiwar communication in practice: organizers framed participation as peaceful legal and morally necessary urging readers that "Marching on Washington November 15 in the peaceful and non-violent demonstration is the best way to build that movement to end the war immediately. JOIN US!" 2 Student Mobilization Committee to End the War in Vietnam. Fall Offensive Against the War in Vietnam. Washington D.C.: Student Mobilization Committee to End the War in Vietnam 1969. Offset-printed handbill combining protest imagery antiwar slogans and a two-day action calendar for the November 14 strike and November 15 March on Washington. The inclusion of the banner "End Racial Oppression!" places the antiwar action within a broader field of late-1960s radical politics where opposition to U.S. military policy intersected visually and rhetorically with civil rights and racial justice claims. Light toning minor edge wear and small creases very good. Compact evidence of the messaging infrastructure behind the November 1969 antiwar mobilization preserving both the defensive language of nonviolence and the public visual vocabulary used to recruit participants for national protest. unknown
