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189858784Leipzig, Schmidt und Günther, 1898. 334 S. : Ill. ; 21 cm, Schrift: Fraktur / Altdeutsche Schrift. gebundene Ausgabe, Leinen, Rotschnitt, sehr schöne Ausgabe.
1855010399H.W.Schmidt, Halle 1855. Sonderdruck Halbleinenband Solide, Gut
187998638ABBerlin, Paetel, 1879. 4. Aufl. 5, 216 S. Marmor. Hlwd. d. Zt. m. Rt. - Gutes Ex. 4
1834569961 vol. in-8 reliure demi-chagrin tranches dorées, Published for the proprietor by Longman, Rees, Orme, Brown, Green, and Longman, Rittner & Gaupil, and A. Asher, London, 1834, 256 pp.
188363180<p>steel engraving. RARE view from 'Album pittoresque d'un voyage autour du monde exécuté par ordre du gouvernement français…' <em>Picturesque Album of a Voyage Around the World Executed by Order of the French Government.</em> Gravures dessinées par L'Amiral Paris. Engravings drawn by Admiral Paris.</p><p>The circumnavigation by Admiral Paris in the 'Artémis' took place between 1837 and 1840. The engravings from the original drawings after Laplace and others include a wonderful view of Manila a picturesque Honolulu a chillingly grim view of the penal colony at Port Arthur Van Diemen's Land /Tasmania; and the 'Artémis' run aground at Papeete Tahiti; The introductory text by Henricy places each engraving in the context of the route taken by the 'Artémis' which visited Sydney as well as Hobart. A luxurious large paper reissue of the finely engraved illustrations originally published in the Laplace edition of 1841. Forbes writes: "This is a deluxe limited edition evidently assembled with the aid of Edmond Paris who had become a distinguished admiral. Some authorities consider the plates better printed in this edition than in the Laplace text. It has always been a very difficult work to obtain and is found in surprisingly few collections of Pacific voyages". Condition: cleaned large paper wide margins very good condition. Reference: Forbes 3535; du Rietz 553; Not in Hill. book only</p> Admiral Paris (Imprimerie de Ch. Noblet), Paris.
1863116971863 Paris, Librairie Internationale, A. Lacroix, Verboeckhoven & Cie, Editeurs, 1863; in-18 broché de 336pp. Couverture gris pâle imprimée en noir sur les plats et le dos. Ex-libris étiquette ornée " Bibliotheca Caproni Vizzola".
1840114424A Paris: chez Basset rue St Jacques 64. Very Good- with no dust jacket. 1840. Unknown. Softcover. Hand coloured engraving. Image VG - blank margins have a some faults. NO date but possibly between around 1840 and given the 'Dembour et Gangel' note on the print see later likely a later impression of a late 18th Century print . Additional printed caption "VUE DU CHATEAU DE St CLOUD PRES DE PARIS" inverted mirror image on the upper margin. Paper very lightly marked and quite creased and 'rolled' to the edges with quite a lot of closed tears - no loss neatly repaired with archive tape to the reverse to those broad blank margins otherwise a very good engraving. This interesting prospective view most likely prepared for a 'peep box'. "Vue Optique" Vue d'Optique or perspective view/optical view refers to a genre of etching popular during the second half of the 18th century and well into the 19th. Such 'Vues' were specifically developed to provide the illusion of depth when viewed through a zograscope also known as an "optical diagonal machine" or viewers with similar functions. Optical viewers were generally popular with well-to-do European families in the late 18th and early 19th centuries. This print has the Publisher as 'A Paris chez Basset rue St Jacques 64' at the left hand side of the print under the main Title and "Dembour et Gangel editeurs a Metz Moselle. Depose" on the right hand side under the main Title. Other than those mentioned above there are no other publication details or text on this print. Paul Andre Basset was a Paris print publisher printseller wallpaper manufacturer and the son of André Basset. He married in 1787 and was very active during the revolutionary period. He was situated in Paris at rue Saint Jacques no.64 where his firm remained until at least 1885. Dembour and Gangel were also Publishers and Printer manufacturers. Associated from 1840 to 1852. The Image alone without the broad borders measures 15.25" x 9. 85 " 38. 7 cm x 25 cm . See Images ; Oblong Folio 13" - 23" tall . chez Basset, rue St Jacques 64, paperback
188363184<p>steel engraving. RARE view from 'Album pittoresque d'un voyage autour du monde exécuté par ordre du gouvernement français…' <em>Picturesque Album of a Voyage Around the World Executed by Order of the French Government.</em> Gravures dessinées par L'Amiral Paris. Engravings drawn by Admiral Paris.</p><p>The circumnavigation by Admiral Paris in the 'Artémis' took place between 1837 and 1840. The engravings from the original drawings after Laplace and others include a wonderful view of Manila a picturesque Honolulu a chillingly grim view of the penal colony at Port Arthur Van Diemen's Land /Tasmania; and the 'Artémis' run aground at Papeete Tahiti; The introductory text by Henricy places each engraving in the context of the route taken by the 'Artémis' which visited Sydney as well as Hobart. A luxurious large paper reissue of the finely engraved illustrations originally published in the Laplace edition of 1841. Forbes writes: "This is a deluxe limited edition evidently assembled with the aid of Edmond Paris who had become a distinguished admiral. Some authorities consider the plates better printed in this edition than in the Laplace text. It has always been a very difficult work to obtain and is found in surprisingly few collections of Pacific voyages". Condition: cleaned large paper wide margins very good condition. Reference: Forbes 3535; du Rietz 553; Not in Hill book only</p> Admiral Paris (Imprimerie de Ch. Noblet), Paris.
183563963<p>aquatint RARE view from 'Voyage Autour du Monde par les Mers de l'Inde et de la Chine de La Corvette de Sa Majesté La Favorite exécuté pendant les années 1830 1831 1832 pl. 2 sketched by Francois-Edmond Paris engraved by Sigismond Himely and under the direction of Louis Auguste de Sainson with Arthus Bertrand editeur. "La Favorite" was one of several ships sent out by the France in the 1820/1830s to compete with similar expeditions by other countries. These were voyages with political/territorial objectives via commercial diplomatic scientific and artistic means intending to expand French influence particularly in Southeast Asia to counter British interests. Barthelemy Lauvergne 1805-1871 was a French painter maritime and landscape artist active in the mid 19th C. He accompanied the French naval officer Jules Sebastien Cesar Dumont d'Urville 1790-1842 onboard the L'Astrolabe 1826-1829 Cyrille Pierre Theodore Laplace 1793-1875 on La Favorite 1830-1832 and Auguste-Nicolas Vaillant 1793-1858 on La Bonite 1836-1837. Sigismond Himely 1801-1872 was a mid 19th C. Swiss painter viewmaker acquaint engraver active in Paris known for his excellent aquatints. Louis Auguste de Sainson 1800-1877 was a French artist lithographer and engraver. He worked as a draughtsman on the Astrolabe in its circumnavigation of the globe in 1826-1829 and then spent almost 5 years to create the prints for the publication of its expedition narrative. Reference: Sabin 38985 Bosch 405 Borba de Moraes 458 Hill Coll. 175 Ferguson 1669 Cordier BS 2110 Nissen ZBI 2383. Condition: minor foxing on margins not affecting plate.</p> Libraire de la Société de Géographie in Paris.
1900GITg803Sans lieu ni date vers 1900. Album in-4 oblong broché, titre sur le 1er plat, 16 feuillets non chiffrés réunissant 672 vues réduites (4,5cm sur 3cm) de Paris et de ses monuments, d'après les cartes postales de l'époque de la marque G.I, chacune étant numérotée en rouge. Petits manques de papier en tête et en queue du dos de la couverture, quelques coupures et pliures sans manque en bordure. Intérieur frais, complet et en bon état.
1865LBW-8853Paris, Gosselin, et Lyon, Gadola, [circa 1865]. 240 x 306 mm.
1900A120Paris, s.e., s.d. (vers 1900) ; 310/460 mm, 1 pp., une feuille. Vue coloriée d'époque et encadrée. Bon état.
1900A119Paris, s.e., s.d. (vers 1900) ; 310/460 mm, 1 pp., une feuille. Vue coloriée d'époque et encadrée. La tour de Nesle, aujourd'hui disparue, était une des tours d'angle de coin de l'ancienne enceinte de Paris, dite enceinte de Philippe Auguste, construite par Philippe II Auguste au début du XIIIe siècle. Elle était située à l'emplacement actuel du pavillon ouest de la bibliothèque Mazarine. Bon état.
18397565Paris, Veith et Hauser, vers 1839 [?]. In-folio oblong, demi-percaline beige, dos muet, titre inscrit en allemand, à la plume, sur le bord du premier plat. Premier plat de couverture conservé. Quelques rousseurs.
181027436Paris Ve Turgis 1810 gravure couleur sur papier vergé . Format total : 28 centimètres de haut par 41 centimètres de large, sans date (1810) A Paris : chez Ve Turgis, rue St Jacques, N° 16, Editeur,
1809274131809 Eau-forte- juin 1809 - Dimensions - Coup de planche: Hauteur : 23.5 cmx Largeur : 28.6 cmDimensions - Oeuvre: Hauteur : 25.2 cmx Légende - Au centre sous l'eau forte : "VUE DU BASSIN DU NOUVEAU CANAL DE L'OURQ / PRISE SUR LE PREMIER PONT A BASCULE / en face de la Rotonde et de la Barrière de la Villette." Signature - Sous l'eau forte à gauche : "Toussaint del". Signature - Sous l'eau forte à droite : "Chapuy sculp".
1840261931840 Aubert sd (vers 1840?)-
1812LBW-8248Paris, M. Guérin, et chez Reslut, 1812. 560 x 768 mm.
1840261981840 Aubert sd (vers 1840?)-
180927073Paris chez Nicole et Le Normant 1809 1 estampe : eau-forte et aquatinte, en noir ; 32 x 21,5 cm, Note : Extrait de : "Tableau historique et pittoresque de Paris, depuis les Gaulois jusqu'à nos jours", Titre : Vue des Boulevards prise du Théatre Italien jusquà leur extrêmité Occidentale, Note : Extrait de : "Tableau historique et pittoresque de Paris, depuis les Gaulois jusqu'à nos jours", [Paris] : [chez Nicole et Le Normant], [1809],
1891015287Firmin-Didot, Paris 1891. Leinen Sehr gut
184129698Rouen, E. Frère et le Brument, Éditeurs, 1841/42. 2 Bände in einem Buch. 3 u.5. Auflage. Sprache : Französisch. XII, 175, 174 Seiten. Frontispiz. Mit 11 Stahlstiche u. 2 gest. Faltkarten. Kl. 8°, Broschiert.
180329701Paris: Didot 1803. Fine. Didot Paris 1803 40 x 54 cm une feuille Original unshaved full-page etching from the Imperial edition of the Description de l'Égypte or Recueil des observations et recherches faites en Égypte pendant l'expédition française publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand A Collection of the observations and research carried out in Egypt during the French expedition published on the orders of his Majesty the Emperor Napoleon the Great'.Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828 1000 copies were printed and distributed to institutions on vergé paper with an 'Égypte ancienne et moderne' watermark visible when held up to the light. Light marginal spotting not touching image otherwise in very fresh fine condition. An engraving from the Description de l'Egypte one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte's conquests in 1798 and 1799 the work is divided into 13 volumes of engravings making up 892 plates of which 72 colored as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it was seen by Bonaparte's Eastern Armies. The Egyptian campaign' militarily a disaster demonstrates through the engravings of the Description d'Egypte the scientific success it nonetheless became thanks to the 167 expert members of the Commission of the Sciences and Arts of the Institut d'Egypte Egyptian Institute who followed Napoleon's army. The Institut gathered together in Egypt the mathematician Monge the chemist Berthollet the naturalist Geoffroy Saint-Hilaire as well as numerous artists engineers architects and doctors. They were tasked with re-discovering modern and ancient Egypt and displaying its natural treasures as well as the know-how of its inhabitants.This edition the so-called Imperial edition of the plates for the Description de l'Egypte was printed in four large formats two of which were specially created for it and christened Moyen-Egypte and Grand-Egypte. A special press was built to print it the process extending over 20 years from 1809 to 1829. The Imperial edition proved so popular that a second edition this time in black and white and without the Egypte ancienne et moderne watermark known as the Royal Edition was published during the Restoration by the printing house of C.-L.-F. Panckoucke Paris.The engravings of the Description d'Egypte owe a great deal to Baron Dominique-Vivant Denon illustrator diplomat collector and later Director of the Musée Napoléon the Louvre. His exploration of the South of Egypt gave Bonaparte the idea of sending the experts of the Institut there thus creating a faithful and complete portrait of the area. This was the research gathered together from 1802 in the mammoth Description de L'Egypte.Denon embarked on this story of archeological exploration at the age of 51 reaching first Alexandria and then Cairo before exploring Upper Egypt. Along with the members of the Institut d'Egypte the Natural History Museum's painter H.J. Redouté brother of Pierre-Joseph Redouté author of Roses the mineralogist Dolomiue and the draughtsman Joly Denon then explored the Nile Delta and Lower Egypt. When however he joined the 21st Light Infantry Regiment as it marched across Upper Egypt in pursuit of the retreating Mameluks in November 1798 he found himself the only civilian. In the very midst of the battle itself he reeled off sketches of the works of art that peppered his path right up to the threshold of the Sudan. He said that he had crossed a country that is apart from its name entirely unknown to Europeans and therefore everything was worth describing Voyages dans la Basse et la Haute Egypte pendant les campagnes de Bonaparte en 1798 e Didot unknown
1857106541Paris, A. Durand 1857 In-16 17 x 11 cm. Reliure moderne demi-chagrin lie-de-vin, dos à nerfs, couvertures conservées. Rousseurs marginales. Bon exemplaire.
186410338Furne & Cie | Paris 1864 | 12 x 19 cm | broché